Batgirl Archives - Robot 6 @ Comic Book Resources
“Certainly when you relaunch a whole universe, something like the New 52, you’re gonna essentially create a bible that kind of guides and dictates the evolution and growth of the universe. We’re in year three of that, and certainly every story that’s created is done through the collaboration of an editor with the writer and the artist and the rest of the creative team. So I certainly think Mark Doyle coming on and becoming the Batman Group editor was a big part of that. I think it’s also a recognition that our audience has evolved and we wanna make sure that we tell the stories that the audiences are craving. So we identified this need. We’re coming out with these different kinds of storylines, and, frankly, it’s exciting because we have a lot of Batman books, and I think it’s a disservice to the fans and to the character to have everything feel of the same tonality. I’m a big fan of Becky Cloonan, so I’m really looking forward to her work on Gotham Academy. I think it’s healthy for the business, and it’s an exciting time to be a Batman fan.”
– DC Entertainment Co-Publisher Jim Lee, talking with Entertainment Weekly about the decision to take “the Batman world” in a different direction with the newly announced Arkham Manor and Gotham Academy. (He also mentions Batgirl among the developments he’s looking forward to in the back half of Batman’s 75th anniversary celebration.)
Conventions | An advocate for the homeless claims San Diego police are harassing homeless people to keep them away from downtown during Comic-Con International. The mayor and police chief deny the accusation and say officers are simply doing outreach, but at least one homeless man has been given a “stay away” order. Comic-Con begins Wednesday with Preview Night. [ABC 10 News]
Digital comics | Following the news that the comics market was estimated at $850 million in 2013, of which $90 million was digital, George Gene Gustines looks at a couple of different digital models, including Thrillbent’s new subscription service and Panel Syndicate, Brian K. Vaughan and Marcos Martin’s name-your-own-price approach. [The New York Times]
In the six days since DC Comics announced the new Batgirl creative team of Cameron Stewart, Brenden Fletcher and Babs Tarr, Tumblr has been inundated with fan art inspired by the new costume (designed by Stewart and Tarr) — so much so that Batgirl of Burnside, “an (un)official blog for the DC Comics series,” has been launched, serving as a clearinghouse of sorts.
Stewart, who runs the blog, admitted there’s so much art that he’s having trouble keeping up with it. Asked how he felt about the response to the design, he wrote, “I am overwhelmed and ecstatic and grateful and vindicated. I couldn’t be happier with the tidal wave of support and sincere joy that’s come our way, the (literally) hundreds of pieces of fan art that are being breathlessly drawn faster than I can look at them, the cosplayers already choosing fabrics and causing yellow Dr Martens boots to sell out online. The huge response is a clear sign that despite our detractors we’ve really tapped into something that was waiting to explode.”
Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.
This week DC Comics announced a big change in Batgirl: namely, a new creative team of writers Cameron Stewart and Brenden Fletcher and artist Babs Tarr. Coming aboard with October’s Issue 35, they bring a nifty new look and setting. After three years of grim but determined storytelling from writer Gail Simone and various artists (most recently Fernando Pasarin), Barbara Gordon is heading into Gotham’s “hip border district” for graduate school, and she’s leaving all the bad times behind.
As the average price of serially published, traditional-format comics has risen sharply over the past few years, I’ve gradually turned into a trade-waiter, my pull list shrinking to such a meager size that many Wednesdays I’ll skip what was once a religiously observed weekly pilgrimage. It’s not worth a trip to the shop for one or two books, after all, so I’ll sometimes wait three weeks or so, allowing for a sizable stack to build up.
This was one such week, and I left the shop with a pretty good haul, about $45 worth of 14 comics, including a mess of DC weeklies, a pair of Marvel comics, a trio of high-quality kids titles, the latest issue of a locally produced horror series, a Batman/Green Hornet crossover and an issue of one of IDW’s many Teenage Mutant Ninja Turtles comics.
My pull list is now so small and carefully cut that I rarely encounter a book I don’t like any aspect of (generally, when I do buy a comic I have negative feelings about, they’re generated as much by disappointment as anything else). The flip-side is that because I take relatively few chances as a consumer (as opposed to a critic; as a critic, I read pretty much anything with panels on paper that I find in front of me), I’m rarely pleasantly surprised by what I bring home.
This week, I read one comic that was so good that I was genuinely taken aback by its awesomeness; I was surprised and super-excited. I wanted to stand up and shout “Yeah!” but I was in a coffee shop at the time. I wanted to high-five the artist, but he wasn’t within arm’s reach. I wanted to scrap what I was planning to write about in this space today and champion the book instead. I wanted to take the opportunity to say, “Hey everyone! Stop what you’re doing and read this comic right now!”
Crime | A successful weekend at Denver Comic Con turned sour for Zac and Mindy Conley, the owners of The Hall of Justice art gallery, after a thief stole a cash box containing their proceeds from the show, about $1,000, and some special orders for Mindy Conley’s artwork, which would have earned the couple another $1,500. The Conleys say they were planning to use the money for rent for their home and studio and the payment for their booth at next year’s Denver Comic Con. “We’ve been fighting to turn this place into some really cool. And every month we’re wondering if we’re going to survive,” Zac said. However, friends are rallying around: Illustrator Drew Litton, who will be showing his work at the gallery next month, will donate a portion of the proceeds to the Conleys, and gifts are also coming in through their Facebook page. [The Denver Post]
[Editor’s note: Every Sunday, Robot 6 contributors discuss “The best in comics from the last seven days” — from news and announcements to a great comic that came out to something cool creators or fans have done.]
She was not Birds Of Prey‘s first writer, and probably won’t be its last, but Gail Simone has become associated pretty closely with the character of Barbara Gordon, and specifically Barbara’s identity as the omniscient info-broker Oracle. One might even say that only Simone could have returned Babs to her original role as Batgirl, as part of the New 52 relaunch. Since then, Simone has quietly made Batgirl into one of the more engaging Bat-books, spending as much time on her relationships as on her crimefighting.
This week’s issue (penciled by Fernando Pasarin, inked by Jonathan Glapion, colored by Blond) is a fine example. All those relationships collide when hardcore vigilante Knightfall decides she doesn’t like “common criminal scum” (and Babs’ boyfriend) Ricky Gutierrez suing ex-Commissioner Gordon. Meanwhile, Babs herself gets recruited by an old college roommate (now part of a super-secret spy outfit, of course) that wants to bring Knightfall down. All this while Batgirl has to deal with the current Batman Eternal status quo, in which snotty cops can (and do) refuse to arrest the Bat-crew’s various foes.
If you’re a comics fan with a near-religious devotion to your favorite superheroes, do we have a window treatment for you: Marissa Garner has created a stunning series of prints that imitate the look of stained glass and features everyone from Batman and his allies to Spider-Man and his rogues to Sailor Moon.
What’s more, they’re printed on transparency paper, and can be attached to a window, creating that instant cathedral effect.
Check out some of Garner’s print below, and even more on her Etsy page, where they can be purchased.
While many fans may be looking forward this weekend to Free Comic Book Day or The Amazing Spider-Man 2, some of those with more scholarly leanings may be busy getting ready for the Buffy to Batgirl conference being held Friday and Saturday at Rutgers University-Camden.
Organized by reference librarians Julie Still and Zara Wilkinson of the Paul Robeson Library, Buffy to Batgirl: Women and Gender in Science Fiction, Fantasy and Comics is an academic conference focusing on female representation across those genres (and mediums). I imagine a few eyes glazed over with the term “academic conference,” but the panels and papers sound fascinating.
It boggles my mind that it’s been more than eight years since cartoonist Dean Trippe and current ROBOT 6 contributor Chris Arrant launched Project: Rooftop, a website dedicated to superhero costume redesigns, but indeed it has. They were inspired by a “Draw Batgirl” meme that made the rounds in 2006, and to mark eight years they returned to the subject with “Batgirl Begins Again,” to typically stellar results.
They’ve posted their top three entries, as selected by a panel of the site’s regular judges plus special guests; you’ll recognize the names of at least two of the chosen artists — Chris Samnee and Joe Quinones — and will likely be searching for more work by the third, Elizabeth Beals.
Check out Samnee’s Batgirl redesign, and visit Project: Rooftop for me. The site promises to show off the runners-up next week.
We’ve known for a while that DC’s superhero line will go through some changes in the wake of Forever Evil, and as the March solicitations bring the end of that Big Event, not surprisingly the month looks rather transitory. In fact, Forever Evil #7 is scheduled to appear on March 26, just as the final issue of Blackest Night — also written by Geoff Johns as a spinoff of his highest-profile series, in case you’d forgotten — dropped on the last week of March 2010. (It must be pure coincidence that these solicits feature a $200 White Power Battery tchotcke.) Back then, BN #8 was supposed to “set the stage” for the “next epic era of DC Comics,” which turned out to be about 18 months long and featured the biweekly sort-of-sequel miniseries Brightest Day. This time, Forever Evil #7 teases the importance of the “Hooded Man” and promises to “leave the DC universe reeling and reveal the secrets to the future.”
So, yeah, sounds like another cliffhanger ending, perhaps even leading into another big-deal miniseries — specifically, the May-debuting weekly Futures End. Considering that the three tie-in miniseries (ARGUS, Arkham War and Rogues Rebellion) all seem to feed into FE #7, the actual content of that final issue may well be a giant scrum, not unlike the final issue of Flashpoint, in which some cosmic button is pushed, defeating the Crime Syndicate but at a significant cost to DC-Earth. As it happens, there’s no mention of the “Blight” sub-crossover (bringing together Phantom Stranger, Pandora, Constantine and JL Dark) feeding back into Forever Evil, but I’m not sure how much it’s supposed to relate, beyond being about the JLD trying to pick up the post-invasion pieces.
Warning: There will be a good bit of “in my day” talk in this survey of DC’s February solicitations. It’s the unavoidable contradiction of the publisher’s current superhero-comics model: Make everything “new,” but tease enough of the familiar old elements to keep longtime fans interested. While this practice goes back decades in corporately run superhero comics, the New 52 has tried so hard to distinguish itself that the old ways sometimes stand in even starker contrast.
Probably my biggest frustration with Forever Evil is its limited scope. Oh, sure, every electronic device on DC-Earth says “THIS WORLD IS OURS,” and writer Geoff Johns has teased a revamped Blue Beetle and Doom Patrol — but from the three issues published already and the three more solicited, it looks to be nothing more than Luthor’s Legion of Doom (plus Batman and Catwoman) vs. the Crime Syndicate. Ho-hum. We know the three Justice Leagues are imprisoned, the Teen Titans are bouncing through time, the Suicide Squad is depleted, and Nightwing is the Crime Syndicate’s prisoner, but where are the rest of the superheroes? What happened when they presumably rose up to challenge the Syndicators?
Conventions | A even bigger obstacle than the San Diego Chargers to the proposed $520 million expansion of the San Diego Convention Center could be the California Coastal Commission, which must approve the project before it can proceed (the stage agency has regulatory oversight of land use and public access to the California coastal zone). The commission’s 11 members are meeting today through Friday in Mission Valley, where they’re expected to consider staff objections about reduced access to the bay; a bridge, estimated to cost about $42 million, from the foot of Fourth Avenue in the Gaslamp Quarter has been floated as a solution. A public hearing is being held Thursday. The expansion of the convention center is viewed as critical to keeping Comic-Con International in the city past 2015. [U-T San Diego]
If DC Comics can do 3D covers for Villains Month and Marvel can release Deadpool variants, it seems like they could make room on their publishing slates for, oh, I don’t know, a series that depicts some of their most recognizable characters on classic album covers.
That request isn’t as random as it seems (well, maybe it is), as artist Robert Jiménez painted Wonder Woman, Batgirl, Catwoman, Doctor Strange and Lobo on LP sleeves for an art show, and they’re pretty amazing. Unfortunately, he’s already sold the originals, but he hopes to create more soon.
Check out some of the pieces below, and the rest on Jiménez’s website.
The character-specific capsule collections, each containing 30 to 35 pieces, will roll out over the next six months, beginning this month with Tweety. The final collection, based around Superman, will arrive in stores in February.
The collections, which include silk-screened T-shirts, dresses and tote bags priced from $98 to $202, will be available at online locations like Bloomingdales.com, as well as Lester’s, Singer22 and the Lauren Moshi flagship store in Los Angeles. “These iconic characters are part of my childhood and the Lauren Moshi customer can really relate to them,” Moshi told Women’s Wear Daily.
You can see more pieces from the Wonder Woman collection below.