Batgirl Archives - Robot 6 @ Comic Book Resources
We’ve known for a while that DC’s superhero line will go through some changes in the wake of Forever Evil, and as the March solicitations bring the end of that Big Event, not surprisingly the month looks rather transitory. In fact, Forever Evil #7 is scheduled to appear on March 26, just as the final issue of Blackest Night — also written by Geoff Johns as a spinoff of his highest-profile series, in case you’d forgotten — dropped on the last week of March 2010. (It must be pure coincidence that these solicits feature a $200 White Power Battery tchotcke.) Back then, BN #8 was supposed to “set the stage” for the “next epic era of DC Comics,” which turned out to be about 18 months long and featured the biweekly sort-of-sequel miniseries Brightest Day. This time, Forever Evil #7 teases the importance of the “Hooded Man” and promises to “leave the DC universe reeling and reveal the secrets to the future.”
So, yeah, sounds like another cliffhanger ending, perhaps even leading into another big-deal miniseries — specifically, the May-debuting weekly Futures End. Considering that the three tie-in miniseries (ARGUS, Arkham War and Rogues Rebellion) all seem to feed into FE #7, the actual content of that final issue may well be a giant scrum, not unlike the final issue of Flashpoint, in which some cosmic button is pushed, defeating the Crime Syndicate but at a significant cost to DC-Earth. As it happens, there’s no mention of the “Blight” sub-crossover (bringing together Phantom Stranger, Pandora, Constantine and JL Dark) feeding back into Forever Evil, but I’m not sure how much it’s supposed to relate, beyond being about the JLD trying to pick up the post-invasion pieces.
Warning: There will be a good bit of “in my day” talk in this survey of DC’s February solicitations. It’s the unavoidable contradiction of the publisher’s current superhero-comics model: Make everything “new,” but tease enough of the familiar old elements to keep longtime fans interested. While this practice goes back decades in corporately run superhero comics, the New 52 has tried so hard to distinguish itself that the old ways sometimes stand in even starker contrast.
Probably my biggest frustration with Forever Evil is its limited scope. Oh, sure, every electronic device on DC-Earth says “THIS WORLD IS OURS,” and writer Geoff Johns has teased a revamped Blue Beetle and Doom Patrol — but from the three issues published already and the three more solicited, it looks to be nothing more than Luthor’s Legion of Doom (plus Batman and Catwoman) vs. the Crime Syndicate. Ho-hum. We know the three Justice Leagues are imprisoned, the Teen Titans are bouncing through time, the Suicide Squad is depleted, and Nightwing is the Crime Syndicate’s prisoner, but where are the rest of the superheroes? What happened when they presumably rose up to challenge the Syndicators?
Conventions | A even bigger obstacle than the San Diego Chargers to the proposed $520 million expansion of the San Diego Convention Center could be the California Coastal Commission, which must approve the project before it can proceed (the stage agency has regulatory oversight of land use and public access to the California coastal zone). The commission’s 11 members are meeting today through Friday in Mission Valley, where they’re expected to consider staff objections about reduced access to the bay; a bridge, estimated to cost about $42 million, from the foot of Fourth Avenue in the Gaslamp Quarter has been floated as a solution. A public hearing is being held Thursday. The expansion of the convention center is viewed as critical to keeping Comic-Con International in the city past 2015. [U-T San Diego]
If DC Comics can do 3D covers for Villains Month and Marvel can release Deadpool variants, it seems like they could make room on their publishing slates for, oh, I don’t know, a series that depicts some of their most recognizable characters on classic album covers.
That request isn’t as random as it seems (well, maybe it is), as artist Robert Jiménez painted Wonder Woman, Batgirl, Catwoman, Doctor Strange and Lobo on LP sleeves for an art show, and they’re pretty amazing. Unfortunately, he’s already sold the originals, but he hopes to create more soon.
Check out some of the pieces below, and the rest on Jiménez’s website.
The character-specific capsule collections, each containing 30 to 35 pieces, will roll out over the next six months, beginning this month with Tweety. The final collection, based around Superman, will arrive in stores in February.
The collections, which include silk-screened T-shirts, dresses and tote bags priced from $98 to $202, will be available at online locations like Bloomingdales.com, as well as Lester’s, Singer22 and the Lauren Moshi flagship store in Los Angeles. “These iconic characters are part of my childhood and the Lauren Moshi customer can really relate to them,” Moshi told Women’s Wear Daily.
You can see more pieces from the Wonder Woman collection below.
Welcome to “Report Card,” our new week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read. The week before Comic-Con was a busy one for the industry, as all eyes look to San Diego.
Read on to find out what we thought of Batgirl, Eye of the Majestic Creature Vol. 2 and more.
Warner Bros. Consumer Products and DC Entertainment have partnered with Sanrio for a new Hello Kitty line, which features the international marketing phenomenon dressed as her favorite DC Comics superheroes, such as “Wonder Woman, Superman and Batman” (although it’s obvious in the image above that those are classic Supergirl and Batgirl).
Debuting next year, the costume-clad Hello Kitty will appear on apparel, accessories and footwear, stationery, publishing, personal care, promotional products and food products. Continue Reading »
I first came across Ming Doyle’s work when she illustrated a new Michael Moorcock Elric short story in Weird Tales #349, the series’ 85th birthday issue. I’m something of a Moorcock nut, and prone to strong opinions about his artistic collaborators, but Doyle’s work more than passed muster: Here was an artist whose progress I was going to have to keep a close eye on.
Since then, Doyle’s career trajectory has been consistently upward, from the Star Trek-loving webcomic Boldly Gone with Kevin Church, to her current work on the Image comic Mara with Brian Wood. Every time some editor at DC Comics or Marvel claims he isn’t employing female creators because there just aren’t any out there fit for purpose, she’s always one of the first names that pops into my head as I mentally compose a list as long as your arm of women one big gig away from comics super-stardom.
Anyway, it’s convention season, that happy time when my favorite artists post lots of lovely sketches on their blogs, Instagram timelines, Facebook and the like — y’know, that newfangled social media the kids are all talking about. The collective Doyle belongs to, Out of Step Arts, has posted several sketches done at last weeks HeroesCon, some of which can also be seen at her own site, along with more May’s Phoenix Comicon. There’s a selection of my favorites after the break, including probably the most smouldering-est rendering of Bones McCoy ever.
(Note: The headline has been changed to better reflect the intention of this post, which is to celebrate Ming Doyle’s artwork. We apologize if our meaning wasn’t clear.)
What happens when a Nightwing fan and a Batgirl devotee meet and fall in love? They have a Batman-themed wedding, naturally.
“This guy stopped to help me hang up a poster and three years later he proposed after jumping out of a plane,” user “babsgordon” writes on imgur. “Our relationship bonded over our superhero obsessions, so why not have a Batman wedding?”
This Dynamic Duo didn’t skimp on the details: As you can see from the photos here an on imgur, they wore Nightwing and Batgirl T-shirts in their engagement photos, sent invitations designed to look like tickets to Haly’s Circus, displayed a Gotham City cake, and the bride sported Bat-Signal earrings, custom-made garters, and even a utility belt (for her bridal shoot, at least)!
And the wedding party? Nightwing-blue for the groomsmen and groomswoman, and Batgirl-yellow for the bridesmaids and “bridesdudes” — complete with the appropriate insignia for the boutonnieres.
Gail Simone has one of the most personable and idiosyncratic voices in comics. It’s why fans follow her in books like Batgirl, Birds of Prey and Secret Six, and it’s how she broke into the comics industry from being a Comic Book Resources columnist. And 2013 is shaping up to be a big year for Simone with the launch of her creator-owned Leaving Megapolis with Jim Califoire, a new Red Sonja series at Dynamite and The Movement at DC Comics (which she spoke about at length Friday with Comic Book Resources), and continuing on her cathartic run on Batgirl.
I reached out to Simone following the Red Sonja announcement to talk to her about that new book, but also her career in general. Her off-again, on-again time on Batgirl has already been covered ad nauseum, and there’s more to her story than that.
DC Comics’ digital-first series Batman Beyond and Justice League Beyond will get new creative teams this summer, which will also see the official debut of the Batgirl of the future.
IGN.com reports Nightwing writer Kyle Higgins and Venom artist Thony Silas will take the reins of Batman Beyond, with Sean Murphy and Jordie Bellaire providing covers, while Avengers Academy writer Christos Gage and Superboy artist Iban Coello will take over Justice League Beyond. JT Krul and Howard Porter will remain on Superman Beyond.
However, before Higgins and Silas make their debut, writer Scott Peterson and artist Annie Wu will introduce the future Batgirl, who’s said to have a good working relationship with Commissioner Barbara Gordon, in her own story arc in July.
Comics| Brian Brown, president of the National Organization for Marriage, expressed dismay about the backlash to DC Comics hiring sci-fi author, and outspoken gay-rights opponent, Orson Scott Card to write Adventures of Superman. Card is a board member of the organization, which works against the legalization of same-sex marriage. “This is completely un-American and it needs to be stopped,” Brown said. “Simply because we stand up for traditional marriage, some people feel like it’s OK to target us for intimidation and punishment.” NOM last year launched boycotts of Starbucks and General Mills because of their support of same-sex marriage initiatives. [The Huffington Post]
Retailing | Gabi Shepherd, owner of Olympic Cards and Comics in Lacey, Washington, talks about the importance of courting teenagers, who are often not welcome in other retail stores: “I have found that if I am going to make this the community center that I want to make it then the kids are a big part of that. It makes them feel good when they come in and someone knows who they are. It’s important. It’s respect.” [ThurstonTalk]
Whether due to use-it-or-lose-it legal concerns about trademarks, or simply to remind everyone of exactly what it owns, DC Comics has come up with a variety of ways to recycle old titles, ranging from the 1997 Tangent event to the anthologies Mystery in Space and Ghosts to the short-lived National Comics revival.
This week the company brought back Young Romance, the title of the Joe Simon/Jack Kirby-created comic that was published from 1947 to 1975, as a Valentine’s Day special featuring a half-dozen stories of romance in the New 52 DC Universe.
An interesting mix of creators are involved, an interesting enough mix to merit a look at what they might do with some of these characters and couples in eight pages. So join me for mini-reviews of every story in Young Romance: The New 52 Valentine’s Day Special.
When DC Comics announced it was launching a series based on its popular Ame-Comi line of figures, I don’t think I heard a single person say, “Yes! I was hoping for that!” The Ame-Comi collectibles can be imaginative and attractive (some more than others), but no one was clamoring for a series that sexualized DC’s superheroines even more overtly than they already are. In fact, the most common responses were either head-scratching or eye-rolling, depending on how much the person thought DC has legitimately tried to reach out to female readers lately. But then the creators were announced.
Jimmy Palmiotti and Justin Gray write the series and Amanda Conner drew the first couple of installments, which were serialized digitally first, 10 pages at a time. Putting the creators of the well-regarded Power Girl series on Ame-Comi Girls was a smart move and convinced a lot of readers who otherwise would have dismissed the comic – including me – to give it at least an initial look.
Here at Robot 6, we’ve been strong supporters of the notion of Mike Maihack’s (Cleopatra in Spaaace!) doing a Supergirl/Batgirl comic. It all started with a fake cover, turned into a strip that begat a Christmas strip last year, which is now (hopefully!) an annual tradition. If Maihack keeps this up, we’ll have ourselves a full issue in 17 years. Fingers crossed that DC Comics doesn’t wait that long to hire him.