INTERVIEW: Gail Simone Guides 'Blockbuster Update' of Red Sonja, Vampirella and Dejah Thoris
Being a superhero may be a full-time job, but everyone’s got to have a life outside of work … right? Artist Des Taylor, creator of the upcoming series Scarlett Couture, answered that question recently with illustrations featuring the likes of Wonder Woman, Black Canary, Batgirl and Lois Lane, and they don’t disappoint.
“There are enough artists drawing them kicking the hell out of each other,” Taylor writes on his deviantART page. “I like to illustrate my favourite heroes doing everyday casual stuff.”
Fans will have to wait until September 2015 to get their hands on the Batgirl Black and White Statue, based on the character’s redesign by Cameron Stewart and Babs Tarr, but artist Jesse Farrell has already sculpted his own take on Burnside’s protector.
Created for the sixth annual “Dark Knight on a Dark Night” Batman art show at Hub Comics in Somerville, Massachusetts, the sculpt was inspired by Barbara Gordon’s first appearance, on the cover of 1967’s Detective Comics #359. However, Farrell’s version is decidedly modern, with the updated costume, smartphone and spilling cup of Gotham Coffee.
See a couple of photos below, and more on Farrell’s website.
Over the past few years, Mike Maihack’s adorable Batgirl/Supergirl comic strips have become a holiday tradition. Today, the creator of Cow & Buffalo and Cleopatra in Space is back with a new Christmas edition, in which the eternally cheerful Maid of Might wants to go caroling in Gotham. Which is apparently a lot like trick-or-treating …
“I feel like every Batgirl/Supergirl comic I’ve drawn so far has led up to this one right here,” the cartoonist writes. “Anyhow, Merry Christmas, everyone! I hope everyone is okay if this is the last of these for a while. 2015 is going be a busy, busy year for me.”
DC Collectibles has unveiled the third wave of action figures based on the beloved Batman: The Animated Series and The New Batman Adventures — a wave that includes Batgirl.
Debuted at MTV, she’s joined by The Riddler, The Penguin and another Batman, this one based on his original BATS design. Announced in February, the line s0 far includes such characters Robin, Catwoman, The Joker and Poison Ivy.
The new figures, which include the pictured accessories, will be available beginning in July from DC Collectibles for $24.99 each.
Crime | Wichita, Kansas’ KWCH TV is showcasing the Nov. 19 burglary of comics and collectibles store Riverhouse Traders as its Crime Stoppers crime of the week. The thieves apparently knew what they were looking for, and stole a reported $300,000 worth of rare comic books and memorabilia, leaving owner Mark Rowland with an unwanted shift in priorities: He has always given free comics to local children who get As on their report cards, and he provides gifts to local families at Christmas, but this year he has to cut back to pay for a security system. [KWCH]
Creators | Writer Jeff Lemire and artist Terry Dodson discuss their new graphic novel Teen Titans: Earth One. George Perez and Marv Wolfman’s Teen Titans were Lemire’s gateway to comics, so he was particularly enthusiastic about this project, and, he that affected his choice of a cast: “My decision early on was just to use the unique characters that Marv and George created that weren’t sidekicks, and that freed me from having to establish the adult superheroes in this world.” [Comic Riffs]
The wishes of countless nostalgic comic book and animation fans appear to have been answered, because they can now purchase Underoos in adult sizes.
Produced by Fruit of the Loom beginning in 1978, the line of underwear — “Underwear That’s Fun to Wear!” — allowed children to wear T-shirts and underpants that mimicked the costumes of their favorite comic book, cartoon and movie characters, including Superman, Wonder Woman, Spider-Man, C-3PO and Archie and Veronica.
DC Entertainment has debuted the first look at the upcoming Batgirl Black and White statue, based on the fan-favorite character redesign by Cameron Stewart and Babs Tarr.
Set for release in September 2015 from DC Collectibles, it’s the first Batgirl statue from the popular Black and White line that’s included The Joker, Harley Quinn and numerous takes on Batman. Irene Matar, who sculpted DC Collectibles’ Batman: The Animated Series line, also sculpted Batgirl.
Creators | A U.K. researcher argues that Marie Duval was the real creative force behind the wildly popular 19th-century British comic Ally Sloper, which is largely credited to her husband Charles Ross. Duval, the pen name of French cartoonist Emilie de Tessier, drew the character at the height of his popularity in the 1860s and ’70s, but historian David Kunzle now questions what role Ross actually played in his creation. [The Guardian]
Commentary | Chase Magnett pushes back on Chris Suellentrop’s statement, made in a column about GamerGate, that comics are “a medium that has never outgrown its reputation for power fantasies and is only very occasionally marked by transcendent work (Maus, or the books of Chris Ware) that demands that the rest of the culture pay attention to it.” [Comicbook.com]
As strange as Marvel’s recent teasers haven been, with offbeat remixes of events past, they’re nothing compared to the inter-company mashup captured Tuesday afternoon on Hollywood Boulevard.
CBS Los Angeles reports that the Hollywood Walk of Fame, long a hotbed for costumed mayhem, erupted about 5 p.m. as Batgirl struggled with Mr. Incredible in a brawl that drew in a colorful cast of characters. Reporter Suzanne Marques offers play-by-play of the video, shot by a production company that happened to be working nearby:
Publishing | DC Entertainment Co-Publishers Dan DiDio and Jim Lee talk about the state of the comics market, DC’s upcoming move from New York City to Burbank, the growing female audience and more. “There’s also a diversification within the audience itself the past couple of years,” Lee observed. “You’ve seen more women, more female readers, in general. When we launched Batgirl and Gotham Academy, those books struck a different note, different tonality, and that was in large part due to editor Mark Doyle bringing these projects together with different kinds of creators. It was our way of broadening the base of the Batman family of books but doing it in a different way to attract a different audience. I think it speaks well to the future that we’re not just going to strike the same note looking for the same customer. […] You can’t necessarily rely on the same continuity, the same core hardcore comics-driven material; you have to diversify, broaden your net and bring in different voices to the company.” [ICv2]
It would be awfully hard to overstate the enthusiasm out there for Batgirl #35. As soon as the new creative team of Cameron Stewart, Babs Tarr and Brenden Fletcher was announced, social media was buzzing; hell, it was singing. Fan art of the new costume began appearing online immediately, and cosplayers started dressing the new Batgirl based on nothing more than the initial promotional images and cover.
I can’t recall the last time I’ve seen this much enthusiasm for a DC Comics production. Universe-shaking developments — deaths, resurrections, infinite crises — major crossovers, and new series from the hottest creators are generally greeted with a dose of cold water from a certain faction of fans. DC readers tend to fall somewhere between “cautiously optimistic” and “openly hostile” when it comes to the publisher’s big decisions. But, for whatever reasons, I’ve seen none of that cynicism regarding the new direction of Batgirl.
Which is a long way of saying that expectations for this particular issue of this particular series are, in most quarters that care about such things, sky-high.
There are only ever three things that can happen with expectations: They can be met, they can fail to be met, or they can be exceeded. And, in general, the higher the expectations are, the less likely they are to be met.
So, as a comic book, how is Batgirl #35 …?
First, Archie Andrews took the ALS Ice Bucket Challenge, and now it’s Batgirl’s turn!
Challenged by Stella of the Batgirl to Oracle podcast to take the plunge for charity, the incoming Batgirl team of Brenden Fletcher, Cameron Stewart and Babs Tarr came up with a creative response: They recruited Barbara Gordon to stand in for them in a fun comic strip — and she brought along some unexpected help.
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Gail Simone brought to a close her tenure as Batgirl writer and helped kick off the digital-first Sensation Comics Featuring Wonder Woman series this week. Both issues were well within her comfort zone, featuring large casts of characters locked in spirited combat a la Wonder Woman #600 and Secret Six #36. Both had callbacks to previous Simone successes, one of which pleased this longtime fan immeasurably. (No spoilers, but let’s just say she’s a Bird of Prey I didn’t think I’d see in the New 52.) Perhaps most importantly, both showed their headliners fully in control of their respective situations. For Batgirl that came at the end of a long, somewhat depressing series of subplots, and in Sensation it was a well-executed rebuttal to anyone who thinks Wonder Woman can’t be as hardcore as her gothic-avenger colleague.
When DC Comics relaunched its superhero line in 2011 with the New 52, there was an unmistakable sameness to the aesthetic of many of the titles. Sure, there have been some eye-catching exceptions, but for the most part, the Jim Lee-led character redesigns have exerted great influence over the DC Universe for the past three years.
If you’re a fan of Jim Lee, that’s pretty awesome. If you’re a fan of a lot of artists and styles, that’s less awesome and has made the New 52 sometimes frustrating and occasionally baffling. There are more than 75 years’ worth of characters bursting with the imagination of hundreds of creators. Why filter all that down to such a narrow experience for readers? I love Oreo cookies, but can I ever have chocolate chip cookie?
But then, along comes new Batman Group Editor Mark Doyle, who moved from Vertigo in February. Suddenly, there’s a new creative team, a new costume and a new outlook, for Batgirl, followed by announcements of Gotham Academy, Arkham Manor and, just Tuesday, Gotham By Midnight, demonstrating that Batman and his world are a resilient and powerful corner of the DC Universe. It’s one where offering different aesthetics adds a richness to the entire line while (possibly) attracting the eye of those looking for something different in their reading experience.
Essentially, Doyle just installed a snack bar. So let’s go eat!
Comic-Con International has come and gone, and like every year, we’re left with a metric ton of announcements, hints, speculations, sneak previews, leaked footage and open questions.
There also seemed to be more pre-convention announcements than I can remember seeing in previous years. If the past week or so of frenzied news wasn’t enough, panel coverage and from is still rolling out. Based on the past several years, we should see those continue to be doled out for the next week or two.Comic-Con is truly a month-long event, maybe almost two months when all is said and done. So it’s understandable if it’s sometimes difficult to keep track of what was announced when or to even remember that awesome thing I was so excited about a week ago but can’t name now.
There are plenty that stuck with me, however; I’ve already written about comiXology’s DRM-free titles, and some of Image’s upcoming titles, and there were plenty of others. Of course, I can’t mention all of the cool things to emerge from Comic-Con — that would just be a near duplication of everything we’ve heard about for about a month now. So instead, here are six (more) things from Comic-Con I can remember thinking were extra-awesome: