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Comic Books, Film
DC Collectibles is paying tribute to the late Carmine Infantino with the next release in its Batman: Black and White line of statues.
Revealed this morning by MTV, the Batman and Robin statues are based on the artist’s 1964 redesign of the Dynamic Duo, the “New Look” that endured for decades, across comics, live-action and animated television, and merchandise.
Considering that we spotlighted the Clown Prince of Crime, it seems only right that we make a little room for his arch-nemesis — not that we need an excuse to showcase the work of Paolo Rivera, of course.
Posting on the Muddy Colors blog, the Eisner Award-winning artist walks through his process for a page from his collaboration with writer Ivan Brandon in the recent Batman Black and White #5. As you would expect, it’s informative and beautiful (the use of the “curve ahead” sign is particularly clever). He also includes a terrific Batman character study.
See some of the art below, and the rest at the Muddy Colors fantasy art collective.
This week’s Batman Black and White #2 features a short story by Rafael Grampá. Correct me if I’m wrong, but I believe this is the first time the Brazilian comic-book multi-threat has ever drawn the interiors for any Batman story, despite having produced several illustrations of the character that proved popular enough for Grampá to be given the job of designing one of the DC Direct black and white Batman statues. I was a big fan of his Mesmo Delivery (so much so that I gave away a couple of copies to assorted pals over the years), and have been waiting and wondering patiently for his planned post-apocalyptic project Furry Water, despite radio silence on that one since posting an image from it to his Flickr in 2011.
Grampá is, like Paul Pope, possibly getting distracted from his core business by new and glamorous multimedia offers of work, like working on vodka advertising. He plays drums in a band, and he’s now a highly sought-after cover artist both in the United States and in his native Brazil. The lack of traction on Furry Water is understandable, even if it does set the teeth on edge of my inner spoiled-and-entitled fanboy. Anyway, he posted this page from “Into the Circle,” his Joker-centric story, on his Facebook page:
It’s hard to believe that after the 2005 miniseries Batman/Scarecrow: Year One, Sean Murphy hit a rough patch where he couldn’t land work at DC Comics. Since then, he’s cut his own path through the publisher beginning in 2008 with two issues of Hellblazer and then continuing with Joe the Barbarian, Hellblazer: City of Demons, American Vampire: Survival of the Fittest, his creator-owned Punk Rock Jesus, Batman Beyond and now his collaboration with Scott Snyder, The Wake.
On Wednesday, Murphy returns again to the Dark Knight with a story (written by John Arcudi) in the debut issue of the revived Batman: Black and White, which was preceded last week by the release of his Batman: Black and White statue, the 50th in the DC Collectibles line. That’s quite the turnaround.
DC Comics goes bad in September, turning all 52 slots of its superhero line over to its less-savory characters. That’s pretty much the story of the superhero solicitations, although there are some interesting collections coming this fall.
On its face, Forever Evil sounds like a pretty straightforward, traditional superhero story. I think the “heroes disappear, villains romp” plot was even an episode of Super Friends. Accordingly, all things being equal, I have no problems with using it for a line-wide crossover. No doubt the DC Comics of 2013-14 will season it with plenty of violence and depravity, sucking away my goodwill accordingly; but those details will have to wait until the comics themselves come out.
THE SHAPE OF EVIL
In fact, the part of “Villains Month” that interests me most is its structure. Yes, there are 52 single issues coming out of the superhero line in September, plus Forever Evil #1. However, those 52 issues ostensibly “represent” only 18 series: Action Comics, Aquaman, Batman, Batman and Robin, Batman/Superman, Batman: The Dark Knight, Detective Comics, Earth 2, The Flash, Green Arrow, Green Lantern, Justice League, JL Dark, JLA, Superman, Swamp Thing, Teen Titans and Wonder Woman. Furthermore, 16 of the 52 are Bat-books, more than the Justice League books’ 10 issues and twice as many as the Superman books’ eight issues. Add Batman/Superman #3.1, and 35 of the 52 will have “Batman,” “Superman” or “Justice League” on their covers. In fact, 16 of the 18 series are already on my pull list (sorry, Green Arrow and Teen Titans), so I’ll probably be putting back a fair amount of these, which won’t make my comic shop’s job any happier.
DC Comics will resurrect its well-regarded anthology Batman: Black and White beginning in September with six double-sized issues.
Originally published in 1996 as a four-issue miniseries, the anthology was the brainchild DC’s Vice President of Art Direction & Design Mark Chiarello, then a Batman Group editor, who sought out such top creators as Bruce Timm, Joe Kubert, Bill Sienkiewicz, Neil Gaiman, Ted McKeever and Katsuhiro Otomo to offer their own interpretations of the Dark Knight — in black and white.
The concept was revived in 2000 as a series of backup features in Batman: Gotham Knights, featuring contributions by the likes of Alex Ross, Paul Dini, Warren Ellis, Jim Lee, Chris Claremont, Paul Pope, Steve Rude, Harlan Ellison, Paul Grist, Darwyn Cooke, Jill Thompson and Mike Mignola. That title ended in 2006, but several Batman: Black and White have since been adapted as motion comics by Warner Premiere and DC Entertainment, and inspired numerous statues released by DC Direct.
According to the solicitation text provided to MTV Geek, September’s Batman: Black and White #1 will feature stories by Chip Kidd and Michael Cho, Neal Adams, Joe Quinones and Maris Wicks, John Arcudi and Sean Murphy, and Howard Mackie and Chris Samnee. Priced at $4.99, the 48-page first issue is scheduled to arrive Sept. 4.