X-POSITION: Phoenix, Upstarts & More Tear Up Bowers & Sims' "X-Men '92"
The Forever Evil and “Gothtopia” crossovers don’t exactly dominate DC Comics’ January solicitations, but compared to the more mundane goings-on in the other series, they tend to stand out. For that matter, Forever Evil doesn’t sound like it’s promising much more than a lot of clenched jaws, dark humor and grim spectacle.
Still, if it has to happen sometime, it might as well be in January. I don’t mind January so much; it’s the darkest month of the year, but after a hectic holiday season it’s a chance to catch one’s breath. Going back to work after New Year’s Day and realizing there’s not much more to do but look forward to spring is like waking up at the crack of dawn and surveying a wide, flat, featureless plain — gray from the winter cold and just barely lit by the first rays of the distant sun — and realizing that if you’re going to make it across that plain, you’d better start walking.
Sometimes you just have to get through January, is what I’m saying — but sometimes getting through it isn’t so bad.
Whew! How was that for an intro? Weren’t we talking about comics?
Continue Reading »
DC Comics hasn’t had a particularly good run of things lately. To be frank, the publisher has done blown it a number of times over the past few years. But don’t worry, DC fans — I’m sure it’ll soon be Marvel’s turn, as the two rivals seem to trade off every five years or so.
I’ve been calling out DC for the past couple of weeks, but that doesn’t mean everything it does strikes me as wrong. It’s important to declare shenanigans, but it’s also important to recognize when a publisher does something that’s good for comics.
So here are six things DC is doing right:
1. Digital comics: Legends of the Dark Knight and Adventures of Superman are digital-first anthology series that feature some excellent creators (from Jeff Parker and Chris Samnee to J.M. DeMatteis and Jeff Lemire) producing completely accessible and entertaining stories that stand on their own; no college course on the New 52 or Crisis on Infinite Earths required. Yes, these stories are out of continuity — so for a percentage of readers, they don’t count. That’s a mistake, because there’s nothing wrong with a straight-up superhero tale that exists on its own terms. These two anthologies are the gems of DC’s digital-first line-up, but Batman ’66 and Batman: Li’l Gotham also offer fantastical takes on the iconic Caped Crusader that are bright and fun. For those exhausted by the angsty versions of serious stories, you owe it to yourself to check these out.
It’s always a great feeling when you find good comics in a place you weren’t suspecting. But as a reader, fan and journalist, I was surprised at how good the DC Comics digital titles are. But why? DC has put out great books, and continues to do so now with some of its New 52 line-up; I was also a big fan of the publisher’s previous digital-first endeavors with Zuda. Why then is it so surprising that the current crop of DC Digital is good? Then I figured it out.
First, a primer: Launched in early 2012, the DC Digital titles premiere online with weekly installments and are later collected in print. Originally consisting of just two series, Batman Beyond Unlimited and Smallville: Season 11 (both coincidentally continuations of canceled television shows), the line expanded in the fall with the anthology-style Legends of the Dark Knight, companions to the TV drama Arrow and the video game Injustice: Gods Amongst Us, and Batman: Li’l Gotham. The imprint’s most recent addition is an anthology called Adventures of Superman.
I imagine that Dustin Nguyen’s cute, chibi-style drawings of the Batman cast in Batman: Li’l Gotham will weed out the segment of comics readers who truly don’t care for that kind of art. For those who like the style, though – or those who, like me, don’t have strong feelings one way or the other about it – the first issue of Li’l Gotham kicks off what promises to be a great all-ages series.
There’s a scarcity of DC and Marvel comics that are appropriate for kids, so I’m all for whatever new thing those companies want to try. Nguyen’s character designs for Li’l Gotham are so adorable though that when I first saw them, I expected a super-sweet tone that I wasn’t sure I’d respond to. I want comics that kids can enjoy, but I don’t want them to be slight or to change the characters’ personalities beyond all recognition. If Li’l Gotham was just going to be Batman’s Precious Moments, I wouldn’t be able to stay interested. But that’s not at all what it is.
Despite his shortened body and enlarged head, Li’l Gotham’s Batman is my Batman: overly serious and unswervingly dedicated to fighting crime. But his rogues gallery isn’t as homicidal or destructive as the current, canonized versions of those villains, so Batman’s able to be a little more relaxed about how he takes them down. They’re still lawbreakers, just not especially deadly ones. For example, Nguyen and co-writer Derek Fridolfs are able to get them together at an Italian restaurant for Halloween without murdering each other.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. After an almost-uninterrupted string of U.S. conventions, from Emerald City Comicon and Fabletown & Beyond to WonderCon and MoCCA Arts Fest, eyes turn to Europe this weekend for the Torino Comics festival.
Meanwhile, our contributors select their picks for the best comics going on sale Wednesday, including Batman: Li’l Gotham #1, Relish and The Flash Chronicles, Vol. 4.