Batman: The Dark Knight
Gregg Hurwitz is in the middle of writing an engaging exploration of the Scarecrow’s New 52 origin in Batman: The Dark Knight (as well as fresh off of an Issue 0, in which the killer of Bruce Wayne’s parents [Joe Chill] is detailed). Right before heading out to New York Comic Con last week, Hurwitz answered five questions that delved into his comics work in addition to his new prose novel The Survivor. I’m grateful to Hurwitz for squeezing me into his slammed schedule. After enjoying the interview, please be sure to check out CBR News’ interview with Hurwitz from August, and pick up Batman: The Dark Knight 13 when it goes on sale Oct. 24. Also, if you want to get a taste for The Survivor, please be sure to read a chapter here for free.
Tim O’Shea: I love the line you wrote connecting Thomas Wayne and Atticus Finch in Issue 0. What was it about the two characters that allowed you to make that connection?
Gregg Hurwitz: I think it’s an interesting contrast between the type of knock-you-over hero that Batman is and the quieter heroes we may encounter in our everyday lives. Atticus Finch has always symbolized the latter to me — a man of morals, quiet but stalwart and willing to do the right thing no matter the cost. That to me is the difference between Thomas and Bruce as well.
This week sees the print debut of Legends of the Dark Knight, the ongoing print version of DC’s digital-first Batman anthology. By design it’s not part of the regular Batman line, and therefore not counted as one of the New 52. However, it gives me an excuse to ask how many Bat-books DC Comics really needs.
Now, I don’t mean that to be as dismissive as it sounds. The current Batman line is built on years, if not decades, of steady readership and fan attachments, and you don’t just wave that away. Nevertheless, if there are only 52 slots in the main superhero line, must the Batman Family claim a quarter of them? The relaunch has made pruning these titles both easier and harder, and today I want to look at the opportunities it presents.
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The Toronto Star highlights David Finch’s FanExpo-exclusive cover for Batman: The Dark Knight #11, featuring a much sunnier shot of the Caped Crusader backed by at least part of the Toronto skyline. The CN Tower is instantly recognizable, but I’m not so sure about the rest of the buildings, in particular, those in the foreground, which also appear on the regular cover. Perhaps Toronto has a little-known Gotham City district — a Wee Gotham, if you will.
That cover and J. Scott Campbell’s 50th-anniversary variant for The Amazing Spider-Man #692 will be available this weekend at FanExpo Canada, where attendees will also see the images gracing T-shirts, tote bags and lanyards. Other convention exclusives include a Jim Lee Before Watchmen lithograph and variant covers for Zenescope’s Call of Wonderland and Grimm Fairy Tales.
Kicking off Thursday at the Metro Toronto Convention Centre, FanExpo Canada features such comics guests as Finch, Campbell, Stan Lee, Neal Adams, Brian Azzarello, Greg Capullo, Jimmy Cheung, Darwyn Cooke, Amanda Conner, Dan DiDio, Dale Eaglesham, Steve Epting, Adi Granov, J.G. Jones, Jeff Lemire, Franics Manapul, Frank Quitely, Jill Thompson and Ethan Van Sciver.
So here we are, the last week of the New 52 rollout, and I must say it’s been a fascinating — sometimes exhausting — ride. It’ll be good to get back to more normal posting next week, but I have enjoyed these marathon stream-of-consciousness reviews. Although DC has said over and over that these books are all part of the same revised universe, there are so many different styles and approaches on display (The early ‘90s! The mid- to late ‘90s!) that the line seems a lot more heterogeneous than it did five weeks ago.
Moreover, the realization that these books are the new status quo is only now starting to sink in. Overall it’s a good feeling, but bittersweet too. After all, I had 25 years to get used to the last line-wide revampings.
SPOILERS FOLLOW, as always.
DC spent the day rolling out announcements about the Batman books in anticipation of its line-wide September relaunch…with one conspicuous absence until the very end.
So, Bruce Wayne is reclaiming sole possession of the mantle of the Bat, while Batman and Detective Comics are swapping creators: Batman writer/artist Tony Daniel will be taking over Detective Comics, while ‘Tec writer Scott Snyder is taking over Batman with artist Greg Capullo of Spawn fame. Both books will star Bruce Wayne rather than his protege and stand-in Dick Grayson beneath the cape and cowl.
For most of us, it’s getting to be the middle of April. Everything is blooming and getting greener. Our thoughts turn to familiar rites of spring like baseball, taxes, and that new Green Lantern preview.
On Earth-Solicits, of course, it’s July. The greenery is withering in the heat, the tax refund is spent, and half the Reds are sick thanks to being downwind from the Proctor & Gamble plant. Nevertheless, the residents of Earth-Solicits are just bursting at the seams, excited to tell you all that’s been happening in their world …
… but they can’t tell you everything, because then you’d have no reason to visit.
This sort of fan dance is especially pronounced in the current crop of solicitations. When something like a third of DC’s superhero line is taken up with titles like War of the Green Lanterns: Aftermath, Brightest Day Aftermath, and especially the cottage industry which is Flashpoint — titles which jump off from endings readers have yet to see, and/or which go deeper into books yet to begin — it’s hard to get excited, because right now it’s all hype for hype’s sake.
Thankfully, that’s not all there is to the July solicitations, so let’s cruise on….
Publishing | Diamond’s December numbers for sales in comics shops are out, and the picture is grim. Diamond reports that it sold 89,985 copies of the top selling single-issue comic, Batman: The Dark Knight #1—the lowest number for the month’s top seller since ICv2 started tracking the numbers in 2001. In its more detailed dollar analysis, Diamond sees comics sales down and graphic novel sales up for a slight overall increase, both in December and in the last quarter of 2010 as a whole. [ICv2]
Publishing | Marvel Chief Creative Officer Joe Quesada announced that Nick Lowe has been promoted to senior editor. Lowe edits Uncanny X-Men, Generation Hope and New Mutants, among other titles. [Comic Book Resources]
Publishing | Douglas Wolk boils down the 2010 comics sales data into some easily digested bullet points, for the benefit of those who don’t like to spend all day squinting at sales charts. [Techland]
Pop culture | Apparently inspired by Tiger Mask, a character from a manga popular in the 1960s, people in Japan have been quietly dropping off gifts for children in orphanages and other institutions. [Inquirer.net]
Digital comics | Johanna Draper Carlson tries out the comiXology app for the Android OS and is somewhat underwhelmed. [Comics Worth Reading]
Morrison, Finch, Cornell, Paquette, Snyder, Daniel, Tomasi, Gleason, Scott…Larroca?: A Batman news round-up
Not since Bane broke all the lunatics out of Arkham Asylum has Batman had this eventful a week. Perhaps to avoid the avalanche of news coming out of San Diego next week, DC has spent the past few days announcing a slew of new Batman projects and creative teams. And heck, even Marvel got in on the act, sorta…
Following in the Bat-footsteps of Tony Daniel and J.H. Williams III, artist David Finch is slated to go from simply drawing the adventures of the Caped Crusader to writing and drawing them. CBR and The Source are revealing that following a Grant Morrison-scripted, Finch-illustrated October one-shot called Batman: The Return, Finch will be serving as a writer-artist auteur for Batman: The Dark Knight, a new monthly series.
Favorably citing the Denny O’Neil/Neal Adams run on the character, Finch — a longtime, vocal Batman super-fan — says his new series will feature “demonology, dark arts,” and “a darker path where he’ll be stretched to his physical and psychological limits.” Given the furrowed-brow, gritted-teeth intensity of Finch’s shadowy art, that all seems appropriate enough. Personally, I’m wondering if and when Frank Quitely, Cameron Stewart, and/or Frazer Irving will get their own turns at Bat…