Batman: Year One
I love these alternative designs that Fabio Castro came up with for four Batman graphic novels. Seriously, I want to trade in my current editions of Batman: Year One and The Dark Knight Returns for these. And I’d buy The Killing Joke and Under the Red Hood just to complete the set.
But it got me wondering; especially Under the Red Hood, which doesn’t seem to belong in the same collection as those others. I suspect that Castro included it simply because he wanted something to fit a red cover. I’m not picking on him. Maybe I’m wrong and Under the Red Hood is absolutely a classic, but even if it’s not, I still love Castro’s cover. It just got me thinking about what the truly great Batman stories are. Year One and The Dark Knight Returns are no-brainers, and while I don’t especially care for The Killing Joke, I understand how its writer and the effect it had on Barbara Gordon make it “important.” But what other Batman stories deserve to go next to those? Hush? A Death in the Family? Knightfall?
I’m genuinely asking. What’s the Batman canon? Sound off in the comments.
Although DC Comics’ new printing of the Batman: Year One Deluxe Edition doesn’t arrive in stores until next week, the 144-page hardcover already has drawn sharp criticism — from artist David Mazzucchelli himself.
“DC just sent me this book last week, and I really hope people don’t buy it,” he told The Comics Journal‘s Dan Nadel. “I didn’t even know they were making it, and I don’t understand why they thought it was necessary — several years ago, DC asked me if I’d help put together a deluxe edition of Batman: Year One, and Dale Crain and I worked for months to try to make a definitive version. Now whoever’s in charge has thrown all that work in the garbage. First, they redesigned the cover, and recolored my artwork — probably to look more like their little DVD that came out last year; second, they printed the book on shiny paper, which was never a part of the original design, all the way back to the first hardcover in 1988; third — and worst — they printed the color from corrupted, out-of-focus digital files, completely obscuring all of Richmond’s hand-painted work. Anybody who’s already paid for this should send it back to DC and demand a refund.”
Mazzucchelli, who collaborated with Frank Miller on the seminal 1987 storyline, said he’s sent letters and emails complaining to DC executives but has received no response. The new printing, which includes new introductions by Mazzucchelli and Miller, goes on sale March 14.
Frank Miller, whose tirade against the Occupy movement was met with a largely negative, and frequently heated, response, has found an unlikely defender: left-leaning writer Mark Millar.
In a post on his Millarworld forum, the writer of Kick-Ass and The Ultimates says, “It’s strange to watch your favourite writer getting strips torn off him for a couple of days.”
“Politically, I disagree with his analysis, but that’s besides the point,” Millar continues. “I wasn’t shocked by his comments because they’re no different from a lot of commentators I’ve seen discussing the subject. What shocked me was the vitriol against him, the big bucket of shit poured over the head by even fellow comic-book creators for saying what was on his mind.”
As one commenter points out, it probably shouldn’t be shocking that Miller’s no-holds-barred screed, which characterizes Occupy protesters as “a pack of louts, thieves, and rapists” who “can do nothing but harm America,” was answered with a degree of vitriol. Or, in the commenter’s words, “if you throw the first bucket of shit [...] then you should be prepared for some splashback.” Perhaps if Miller’s commentary had been more reasoned and less inflammatory — “decorous,” as Miller himself would say — the reaction might’ve reflected that.
I was going to open with some snotty Wow, the holidays went by super-quickly! comment, but then I read the first issue of Justice League in seven weeks. Sometimes DC gets ahead of itself; sometimes it’s a little behind. Happens to the best of us — sometimes you do two solicitation roundups in three weeks….
Anyway, with the January solicitations, the New-52 books each turn five issues old. Series wrapping up their first arcs this month include Blackhawks, Batwoman, Animal Man, and the Deadman feature in DC Universe Presents. (Not to worry about the latter, because there is a lot of Deadman in these solicits.) I’m not sure why five issues is such a wonky number for story arcs — there are five-issue miniseries all the time and they collect just fine. Still, I expected most of the New-52 books to take six issues for their introductory stories, and most of them may yet do that. Only a few books look to finish their first arcs after December’s issue #4s (Hawkman and Frankenstein, probably OMAC, maybe Batgirl), and those plus this month’s are barely an eighth of the relaunched line. It makes next month’s solicits more intriguing, I suppose.
Regardless, we live in the now (as it were…) so — onward to January!
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The New York Comic-Con is coming up Oct. 13-16, and Warner Bros. has revealed some animated plans for the show.
Warner Home Video, Warner Premiere, DC Entertainment and Warner Bros. Animation will present “an action-packed hour of first looks” at DC Universe Animated Original Movies that Friday from 3 to 4 p.m., which will include the premiere of the animated short Catwoman, starring Eliza Dushku as the voice of title character. The 15-minute short will be included on the release of Batman: Year One, which arrives Oct. 18 on Blu-ray, DVD, for Download and On Demand.
The panel will also include the first footage to be seen from Justice League: Doom, the next entry in the ongoing series of DC Universe Animated Original Movies.
Panelists will include the voice of Batman, Kevin Conroy, DCU executive producer Bruce Timm and casting/dialogue director Andrea Romano … and quite possibly welcome a few surprise guests to the stage. An autograph session with the panelists will immediately follow the panel.