Batman Archives - Page 3 of 48 - Robot 6 @ Comic Book Resources
Time once again to revisit some thoughts about the year just ended, and offer some thoughts on the year to come.
First, let’s see how I did with 2013:
1. Man of Steel. Last year I asked “a) how well will it do with critics and moviegoers; and b) yes, of course, will it help set up Justice League?” It got a 55 percent (i.e., Rotten) ranking from Rotten Tomatoes (although 76 percent of RT visitors who cared to vote said they liked it). Financially, Box Office Mojo called it a “toss-up,” putting it in the same category as Star Trek Into Darkness, World War Z, The Wolverine, The Hangover Part III, Pacific Rim and, uh, The Smurfs 2. I liked it well enough — I seem to like a lot of things “well enough” — but perhaps Super-fan Jerry Seinfeld’s musings about missed opportunities speak best to the film’s reception. MOS itself didn’t help set up a Justice League movie, at least not as expressly as, say, Nick Fury talking about the Avengers; but I think it’s safe to say that the sequel will go a long way in that regard.
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If only the budget for the planned makeover of my home office were a little more robust, I’d consider at least a couple of these superhero-themed accessories brought to my attention from Fiction Furniture: Batman bookshelves (in two flavors, classic and Nolan-verse) and “Stark’s Heart” wall lamps (Mark II and Mark VI varieties).
They’re a little on the pricy side — the classic Batman bookshelf is the most expensive, if not by much, at $267.26 — and they ship from Malaysia, which pushes the price way up, but, damn, they’re cool.
While DC Comics sacrificed some bragging rights in 2011 when it rebooted its superhero line, even the never-before-renumbered Action Comics and Detective Comics, one consequence of relaunching TEC was that it was only a matter of time — 26 months, to be exact — before the company got around to publishing a new Detective Comics #27. And that the second Detective Comics #27 would see release during the 75th year of Batman’s career, well, all the better.
The first Detective Comics #27, published in 1939, was, of course, the first appearance of Batman. The anthology’s cover was surrendered to an arresting image of a spooky man in tights, wearing a bat-mask and sporting huge bat-like wings, scooping up a gangster in a headlock while swinging in front of the yellow field above a city skyline. “Starting this issue,” the cover trumpted, “The Amazing and Unique Adventures of The Batman.” Inside, Bob Kane and Bill Finger’s pulp- and film-inspired detective hero cracked the “The Case of the Chemical Syndicate,” and the amazing and unique adventures begun therein have yet to cease.
DC has honored that milestone in various ways over the years, with notable celebrations including Michael Uslan and Peter Snejbjerg’s 2003 Elseworlds one-shot Batman: Detective No. 27, and 1991′s Detective Comics #627, in which the Alan Grant/Norm Breyfogle and Marv Wolfman/Jim Aparo creative teams did their own takes on “The Case of the Chemical Syndicate,” and both the original story and a 30th-anniversary version by Mike Friedrich and Bob Brown were reprinted.
This week brings Detective Comics (Vol. 2) #27, and another opportunity to celebrate that original issue, and Batman’s 75th anniversary, which DC does in a 90-page, prestige-format special issue — essentially a trade paperback with some ads in it — featuring contributions from the writers of all four of the main Batman books of the moment and about as strong a list of contributing artists as a reader could hope for.
Eisner Award-winning artist Francesco Francavilla has teased the Wednesday release of Detective Comics #27 with a glimpse at his contribution to the giant-sized issue, a story titled simply “Rain.”
“I was invited to participate with a story and I came up with RAIN, a short little tale that will give us a look in the past of a character very close to me,” he explains on his blog.
Francavilla is joined in the 96-special issue, which kicks off DC Comics’ celebration of Batman’s 75th anniversary, by the creative teams of Bard Meltzer and Bryan Hitch, Scott Snyder and Sean Murphy, John Layman and Jason Fabok, Peter J. Tomasi and Guillem March, Paul Dini and Dustin Nguyen, and Gregg Hurwitz and Neal Adams. (ROBOT 6 spoke with Meltzer last week about his story, a modern-day retelling of Batman’s first appearance in 1939′s Detective Comics #27.)
See the first page of Francavilla’s story below, and a little more on his blog.
Last year Black Beetle creator Francesco Francavilla blew minds with his rendition of “Batman ’72,” the first case of “BATPLOITATION,” as he put it. Now he’s back with a few more images, including a ’70s-era car for Gotham’s Finest and a groovy Two-Face.
“GROOVIEST COMICBOOK OF 2014? (let’s hope it happens),” he said on Tumblr. Yes, let’s hope!
Over the past few years, Brad Meltzer has become one of the pinch hitters of comics.
Although his day job as a bestselling suspense novelist and TV host of History’s Decoded has kept him from taking on an extended comics project since 2006′s Justice League of America relaunch, Meltzer has stepped in for a number of comics projects over recent years, including an arc on Joss Whedon’s Buffy the Vampire Slayer: Season 8 and a recent short in Art Baltazar and Franco’s Aw Yeah Comics.
Next up for the writer is a special contribution to DC Comics’ Detective Comics #27, arriving next week. The spiritual heir to the first appearance of Batman will clock in at more than 100 pages to kick off DC’s 75th anniversary celebration for the Dark Knight, with contributions by Scott Snyder, John Layman, Mike W. Barr and more creators from the character’s past and present. And for his part, Meltzer will team with artist Bryan Hitch to retell “The Case of the Chemical Syndicate,” the Bill Finger/Bob Kane short that began the Batman legend in 1939’s Detective Comics #27.
We spoke with Meltzer about the legacy of the original story and the challenges of bringing it into the modern era – and not for the first time – while DC shared an exclusive first look at Co-Publisher Jim Lee’s variant cover for the issue.
As we’re unlikely to get another Marvel/DC Comics crossover any time soon, this video of the dorkiest MMA match ever may be the best opportunity to witness Spider-Man go toe-to-toe with Batman and Robin.
At first blush, you may think the highlight of the fight is the introduction of the World’s Scrawniest Detective or the early exit by the injured Boy Wonder, but I would argue it’s the hilariously straightforward play-by-play from the British commentators. For instance, “Nice mobility from Spider-Man. I mean, I noticed he was at a disadvantage initially because he didn’t have his web-shooters — he wasn’t allowed those, which I think is a bit unfair given the circumstances that he’s against two of them.” Or, “That’s a Superman punch there, Will, which is ironic seeing as how he’s Spider-Man from Marvel Comics.”
Clearly, the announcers were in Spider-Man’s corner from the start …
Because it’s the day after Christmas, and I don’t want to write 1,500 words about Forever Evil and its Justice League tie-in — except to say they both felt a lot like stereotypical Lost, and not necessarily in a good way — here’s a stocking’s worth of number-based observations about DC past and present.
Twelve Crisis issues: I talk a lot about 1984-85′s Crisis on Infinite Earths, mostly because it so completely transformed not just DC’s shared-universe continuity, but its publishing philosophy. On its merits, Crisis is a mixed bag, pairing stunning visuals with a sometimes-flabby narrative. However, despite its sprawl, COIE ended up with a definite structure. The first four issues deal with a mysterious antimatter onslaught which destroys whole universes, apparently including the familiar Earth-One and Earth-Two. The final page of Issue 4 is nothing but black “smoke” clearing away, revealing blank white space. Issues 5 and 6 offer vignettes on the five surviving universes, as time periods intersect in “warp zones” and ordinary people see multiversal counterparts of departed loved ones. Issues 7 and 8 are, to put it bluntly, the Big Death issues, with Supergirl saving her cousin from the Anti-Monitor and the Barry Allen Flash destroying Anti-M’s latest doomsday weapon. Issues 9 and 10 feature the “Villain War” and a two-pronged time-travel assault on Anti-M’s efforts. That ends with a shattered, otherwise “blank” comics panel, as the Spectre wrestles Anti-M for control of history itself — and issues 11 and 12 feature the heroes of a new, singular universe fighting a final battle against the Anti-Monitor. Today’s decompressed (and sometimes decentralized) Big Events focus more on character moments and slow burns, and more often than not they don’t have to streamline fifty years of continuity, but Crisis remains a model for just how big an Event can be.
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Conventions | The standalone Stumptown Comics Fest may be history, but an event has popped up to help fill the void: Linework NW, organized by Zack Soto and Francois Vigneault, a free, one-day show that will take place April 12 in Portland, Oregon. Michael DeForge has been announced as a special guest for the event, which will include such exhibitors as Fantagraphics, Koyama Press, Oni Press and Top Shelf Productions. [The Comics Reporter]
Creators | Scott Snyder is the subject of a glowing profile in The New York Times, which states the writer has “reinvented Batman in the past two years, deepening and humanizing the Dark Knight’s myth — in the making since 1939 — like no one since Frank Miller in the 1980s.” [The New York Times]
Publishing | Retail news and analysis website ICv2 breaks down November’s comics sales to the direct market and finds year-to-date sales up 9.33 percent over last year, with an 11.09 percent increase in comics and 5.55 percent in graphic novels. Batman #25 topped the comics chart with more than 125,000 copies, followed at No. 2 by Harley Quinn #0 with about 114,000. In the graphic novel category, the latest volume of The Walking Dead led with about 25,000 copies sold in November. ICv2 also lists the top 300 comics and graphic novels for November. [ICv2]
Creators | Molly Crabapple talks to Art Spiegelman, and draws his portrait as well. [Vice]
A Redditor and his girlfriend did a bit of “urban exploring” in an abandoned building in Ronse, Belgium, only to discover a treasure trove of incredible Batman graffiti in several styles — all by one artist, Pete One.
There are murals in the obligatory Bruce Timm animated style, a couple of pieces based on Brian Bolland’s Joker from The Killing Joke, and even a slightly out of place Bane from The Dark Knight Rises. But my favorite is the recreation of Jock’s already-iconic cover for Detective Comics #880.
British artist Calum Alexander Watt has posted some incredible illustrations he created for use in cutscenes of Batman: Arkham Origins: Blackgate the lesser-known handheld companion game to Batman: Arkham Origins.
“These were all generated in Sketchbook Pro, then each element grouped up to be later animated and given some much needed VOOOM by the good folk at Armature studio,” Watt explains on his blog.
At Kotaku, Luke Plunkett asks, “Wouldn’t it look cooler if the games looked more like a comic? Especially one this fantastic?” But I have to wonder what it would take for DC Comics to woo Watt for a Batman story.
Publishing | Israeli creators Rutu Modan (The Property) and Yirmi Pinkus have launched a new publishing house, Noah’s Library, to produce graphic novels for children. Modan, who wrote and illustrated Maya Makes a Mess for Toon Books, is creating new illustrations for the 1930s Israeli comics character Uri Kaduri, while Pinkus is illustrating stories about Mr. Gazma’i Habeda’i, another vintage character. They eventually plan to release the work of other creators as well. [Haaretz]
Cartoons | Francoise Mouly presents an array of cartoons by Ad Reinhardt, who eventually made his name as a fine artist with black-on-black paintings that he described as “the last paintings that anyone can make.” (For good measure, Mouly throws in a slide show of New Yorker cartoons about those paintings.) Before he reached that artistic pinnacle, Reinhardt drew cartoons for a number of different publications, including the leftist newspaper PM, where his fellow artists included Theodor Geisel (Dr. Seuss) and Crockett Johnson, and the trade magazine Ice Cream World, where he was the art director. [The New Yorker]
Duane in Orange County, Calif. is a man of action — action figures, that is.
“I have always had toys, but growing up I couldn’t have nearly as much as I wanted,” he said. “… Now, when I want something, I seek it out furiously. Unfortunately, as I get older the collectibles that I want get more and more expensive.”
Check out his collection of action figures — Power Rangers, Doctor Who, DC Comics, Avengers and more — below.
It wasn’t that long ago that we showcased Paolo Rivera’s amazing Herge-inspired wedding invitation, and now we have some terrific souvenirs from the ceremony of Andie Tong.
The artist, whose work ranges from Spectacular Spider-Man (U.K.) to The Batman Strikes! to the upcoming Zodiac with Stan Lee and Stuart Moore, drew adorable “power couples” from comics and film for cards that were given to his wedding guests. Fans may quibble with Tong pairing Superman with Wonder Woman, rather than Lois Lane, but I imagine the guests were pleased with the favors.
With Tong’s permission, we’ve posted all of the illustrations below.