Batman Archives - Page 3 of 57 - Robot 6 @ Comic Book Resources
Note: Due to my travel schedule, the Futures Index is taking a break this week. There will be a double dose next week to get us back on track.
Something I didn’t mention in last week’s post about The Multiversity #1 is the persistent notion that corporate-controlled characters have, for lack of a better phrase, “lives of their own.” In other words, we know how Superman, et al., are “supposed” to act, based on common, recurring elements, which are ostensibly independent of any particular creative team. Because The Multiversity offers a prime opportunity to play around with those elements and the expectations they engender, this week I wanted to go a little more in that direction.
* * *
We begin with Batman, and specifically a scene from the now-classic Batman: The Brave and the Bold cartoon. “Legends of the Dark Mite,” written by Bat-guru Paul Dini, features a brief-but-incisive dig not just at fans, but at the corporate culture which has nurtured the Caped Crusader over these past 75 years. See, Bat-Mite wants to see his hero fight a supervillain, but Batman just wants the little guy to vamoose, and suggests the imp summon Calendar Man. Yadda yadda yadda, Calendar King has killer Easter Bunnies.
In the near future, some sort of sentient operating system has awoken and taken over the world, transforming its inhabitants into cyborgs that then either kill or assimilate the rest of the population. To try to prevent this apocalyptic nightmare, Batman Bruce Wayne sends Batman Terry McGinnis into the past to stop that operating system from being created.
I know parts of that plot might sound familiar, but notice the presence of Batmen in it, so obviously I am describing The New 52: Futures End, DC Comics’ weekly series set five year in the future, where McGinnis is trying to alter his past to save his future.
I wonder if DC could send someone back in time, whether they would have altered the storyline of Futures End a bit. It’s always difficult to tell exactly how well a particular series is selling — in part because of the insane way the direct market sells comics, in part because publishers don’t typically release numbers — but one expects DC might have had higher hopes for Futures End, given that this year’s theme month of September is devoted entirely to tie-ins to the storyline, as the company has suspended much of its New 52 line and replaced it with
52 42 Futures End one-shots.
Arrow Season 2.5, which debuted Monday, will alternate weeks with The Flash: Season Zero. Set between the second and third seasons of the hit television series, Arrow is penned by executive producer Marc Guggenheim and staff writer Keto Shimizu, and illustrated by Joe Bennett and Jack Jadson. The Flash: Season Zero, meanwhile, takes place between the events of the pilot and the second episode, and is written by Andrew Kreisberg, Brooke Eikmeier and Katherine Walczak, with art by Phil Hester and Eric Gapstur.
Although the Batman of Japan’s Chiba Prefecture — or, as he prefers, “Chibatman” — drew international attention just last week, it turns out he’s been riding around east of Tokyo on his custom Batpod since 2011.
Reuters and BBC News caught up to the 41-year-old man, a welder by day whose identity remains secret. However, unlike the Dark Knight who patrols the streets of Gotham, Chibatman doesn’t strike fear into the hearts of evildoers. Instead, his mission is to bring smiles to those who see him.
Fans of Batman: The Animated Series undoubtedly fondly recall the 1992 episode “Beware the Gray Ghost,” which guest-starred Adam West as the voice of Simon Trent, the pulp hero of the black-and-white television series loved by a young Bruce Wayne. You remember: “Those with evil hearts beware, for out of the darkness comes … The Graaaaay Ghost!”
Well, now the Gray Ghost has inspired his own fan short, directed by J.L. Topkis from a script by Matt Landsman, and presented as a stylish episode of an almost-forgotten serial — complete with a nod to Batman’s own origin.
The celebration of Batman’s 75th anniversary didn’t end with Comic-Con International: The Dark Knight also graces the DC Comics poster for New York Comic Con.
As you can tell from “The Bronx” plastered across the head of the Caped Crusader in Francis Manapul’s illustration, Batman will be leaving Gotham for New York City, at least for one weekend.
DC Comics has released three new promos introducing the students of Gotham Academy, debuting in October from writers Becky Cloonan and Brenden Fletcher, artist Karl Kerschl and colorist Romain Gaschet.
Announced in June, the teen drama is set in the city’s most prestigious school, where students attend classes (and get into mischief) in “the shadow of Batman and the craziness of Gotham.”
Comics | Writing for The Advocate, Jase Peeples takes note of the diversity of DC Comics’ extended Batman family — from Batwoman to Batwing to Barbara Gordon’s roommate Alysia Yeoh — and talks with writers Gail Simone, Grant Morrison, Marc Andreyko, Tom Taylor and Chip Kidd. “I would like to think that people can pick up books like Batman Incorporated or The Multiversity and see their own lives reflected,” Morrison says. “But I’d always caveat that with the need for us to see more diverse writers and artists, because that’s when I think the walls will really come down. As a straight [white guy from Scotland] I can only do so much, and I find even sometimes when you do this, you do get accused of tokenism or pandering. I don’t mind it. I can put up with that, but I’d rather see a genuine spread of writers and artists creating this material.” [Advocate.com]
Although many of us are lucky if our empty soda cans make it as far as the recycle bin, Japanese artist Makaon has found another purpose for them: as raw material for incredible sculptures of pop-culture icons, ranging from Batman and Ultraman to Sgt. Frog and the Catbus.
As you can see from the photos below, and from even more images on the artist’s blog and website, Makaon doesn’t take shortcuts; he even tracks down peach-colored labels for Mario and Luigi’s skin tones.
It takes real dedication (and quite a few bucks) to assemble an unbroken run of Detective Comics, or to commit the dialogue of all of the Batman films — including the Schumacher ones! — to memory. However, this Batman super-fan in Japan may have you rethinking the depth of your devotion to the Dark Knight.
Yes, he’s in full costume, cruising down the highway in Chiba Prefecture on his own Batcycle. What did you do this weekend?
“The Dark Knight series is all from Batman’s point of view. But if you look at Dark Knight 2, you’ll see a Superman who’s much calmer than the one in the first Dark Knight. Batman and Superman are dead opposites. I love Superman. Do I love Batman more? They’re not people. They’re only lines on paper.”
If you made it through all of the Comic-Con International coverage without reading a description of the footage from Batman v Superman: Dawn of Justice shown during the Warner Bros. presentation, or seeing blurry photos and shaky video surreptitiously captured by cellphone, then you’ve been spectacularly diligent and restrained. Not wanting to ruin that impressive streak, I’ll toss out a halfhearted spoiler warning for this clip, but I think you’re fairly safe to watch it ….
It’s of course from the gang at How It Should Have Ended, who undercut the gritted teeth and steely glares most of us expect from Zack Snyder’s film with a bit of humor and, naturally, coffee. Watch the short video below.
When DC Comics relaunched its superhero line in 2011 with the New 52, there was an unmistakable sameness to the aesthetic of many of the titles. Sure, there have been some eye-catching exceptions, but for the most part, the Jim Lee-led character redesigns have exerted great influence over the DC Universe for the past three years.
If you’re a fan of Jim Lee, that’s pretty awesome. If you’re a fan of a lot of artists and styles, that’s less awesome and has made the New 52 sometimes frustrating and occasionally baffling. There are more than 75 years’ worth of characters bursting with the imagination of hundreds of creators. Why filter all that down to such a narrow experience for readers? I love Oreo cookies, but can I ever have chocolate chip cookie?
But then, along comes new Batman Group Editor Mark Doyle, who moved from Vertigo in February. Suddenly, there’s a new creative team, a new costume and a new outlook, for Batgirl, followed by announcements of Gotham Academy, Arkham Manor and, just Tuesday, Gotham By Midnight, demonstrating that Batman and his world are a resilient and powerful corner of the DC Universe. It’s one where offering different aesthetics adds a richness to the entire line while (possibly) attracting the eye of those looking for something different in their reading experience.
Essentially, Doyle just installed a snack bar. So let’s go eat!
Even as DC Comics announces another intriguing addition to its Batman line, the horror title Gotham By Midnight, artist Karl Kerschl has unveiled the first look at colored panel from Gotham Academy #1, offering a hint at what readers can expect from the October-debuting series. He has also posted a few black-and-white panels on his blog.
Written by Becky Cloonan and Brenden Fletcher, with art by Kerschl and colorist Romain Gaschet, Gotham Academy is a teen drama set in the city’s most prestigious school (or, as the official description reads, “set in the shadow of Batman and the craziness of Gotham City”).
With all of the events and announcements tied to Batman Day, the July 23 celebration of the Dark Knight’s 75th anniversary, it’s certainly understandable if some slipped through the cracks. Take, for instance, the pictorial postmark (below) offered by the post office in tiny Bat Cave, North Carolina.
To Batman fans disappointed they missed out on the opportunity, Linns.com has some good news: The postmark received a 30-day extension, meaning there’s still time to add one to your collection. Requests should be sent to BAT CAVE Station, Box 9998, Bat Cave, NC 28710-9998, July 23. Linns even provides instructions on how to ensure you get the cancellation.
Named after a nearby cave on Bluerock Mountain inhabited by several species of bats, Bat Cave is no stranger to Bat-promotion, as this 1989 newspaper article documents efforts by local businesses to capitalize on the release of Tim Burton’s Batman.