Merc With A Movie: The 16-Year Odyssey of the "Deadpool" Film
[Note: This post was written Wednesday night, before the latest round of announcements.]
I was barely into the back yard when the lawn mower exploded.
This mower was far from new. My wife had owned it since a few years before we met, and it may have been old when she got it. It had cut the grass of at least four different addresses in three different states, and had been maintained and serviced fairly faithfully throughout its life. This summer, however, its persistent little engine had been making ominous noises that my amateur care could not entirely mitigate. When it ran over that big limb, which it tried mightily to shred as it had so many others, the stresses proved to be too much. The next thing I knew, there was a puff of smoke, a spray of oil, and a silver-dollar-sized hole in the mower’s side.
I pointed that out to my wife, to drive home the extent of the damage. “See that in the hole? That’s the piston.”
“We’ll take it to Sears in the morning,” was her reply.
Well, needless to say, by this point we were talking about an ex-mower. The most the Sears mechanics could suggest was to order a part that would cost more than a new mower. This was the tipping point for my wife, when practicality superseded sentiment. Indeed, the new mower is remarkably efficient by comparison, atomizing clippings and leaving a uniform green carpet in its wake. It is cool and bloodless, like a Secret Service agent or an athlete in prime condition. With luck, it will serve us as long and as well as its predecessor.
Now, clearly I am not telling you about my lawn mower because this has turned into “Grumpy Old Garden.” Neither am I saying DC had a gaping hole in its superhero line and we readers thought it could be simply patched. There was, and is, no simple solution — not even starting over entirely — to DC’s array of small and large ailments. A few weeks ago I talked about the relationships we readers form with these characters over time, and I can see a couple of ways to roll back whatever Flashpoint facilitates.
Still, after a week’s worth of pondering September’s lineup, I have decided it is time to embrace the new.
1. For Batman and Green Lantern, if it ain’t broke, DC’s not fixing it. In 2010, you had to go all the way down to the Direct Markets #109 bestelling title, the debut of J. Michael Straczynski’s abortive tenure on Superman, before hitting a DC book that wasn’t part of the Batman line, the Green Lantern line, or the Green Lantern-spawned Blackest Night and Brightest Day events. DC has rewarded the creators behind these franchises’ success by keeping them more or less in place, albeit with some title-swapping and artist-shuffling. Geoff Johns, Tony Bedard, and Peter J. Tomasi are still writing the three main Green Lantern series (along with the previously announced Peter Milligan on Red Lantern), while Grant Morrison, Scott Snyder, Tony Daniel, David Finch, and Tomasi are still handling the books with “Batman” in the title (with long-time Gotham Citizens like J.H Williams III, Gail Simone, and Judd Winick filling out the line).
2. DC’s rolling the dice big-time on an I Can’t Believe It’s Not Vertigo-verse. Today’s big announcement of new “dark” titles features such Vertigo characters as Swamp Thing, Animal Man, Shade the Changing Man, John Constantine, Madame Xanadu, as written by such Vertigo creators Peter Milligan (Hellblazer), Jeff Lemire (Sweet Tooth), and Scott Snyder (American Vampire). That’s quite a vote of confidence in Vertigo’s taste in creators, characters, and tone, especially given that many industry observers saw the line as an afterthought for the new regime. Of course, how this will impact Vertigo itself has yet to be seen. It’s also worth considering that Vertigo’s biggest and most durable hits over the past decade or so have tended to be creator-owned titles existing in their own worlds and straying pretty far from the imprint’s horror-magic roots, so launching eight shared-universe horror-magic books — over one-sixth of the new DC Universe line — is a gamble in and of itself.
DC spent the day rolling out announcements about the Batman books in anticipation of its line-wide September relaunch…with one conspicuous absence until the very end.
So, Bruce Wayne is reclaiming sole possession of the mantle of the Bat, while Batman and Detective Comics are swapping creators: Batman writer/artist Tony Daniel will be taking over Detective Comics, while ‘Tec writer Scott Snyder is taking over Batman with artist Greg Capullo of Spawn fame. Both books will star Bruce Wayne rather than his protege and stand-in Dick Grayson beneath the cape and cowl.