"Justice League": Exploring How Superman Returns (Again)
Comic Books, Film
Naoki Urasawa, creator of acclaimed manga “2oth Century Boys,” “Monster” and “Master Keaton,” has created a three-page story imagining a Beatles reunion concert 50 years after the Fab Four’s Japan tour.
The Beatles famously played the Budokan for five shows between June 30 and July 2, 1966.
Digital Comics | ComiXology Unlimited, the “all you can eat” service offered by the digital platform comiXology, has announced some new additions that will debut on June 27. The new selections include Afterlife with Archie #1-3, Bee and Puppycat #1-4, vol. 1 of Katie Cook’s all-ages comic Gronk, Legends of Red Sonja #1-5, The Sixth Gun: Sons of the Gun #1-5, and vol. 1 of The Steve Ditko Archives. And a new publisher is joining the mix: Magnetic Press will debut on the service on June 27 with an array of comics that includes The Adventures of Basil & Moebius #1-4, Daomu: Complete Edition, Naja #1-2, and Poet Anderson #1. [ComiXology Unlimited]
Once and a while a comic drops in my inbox that carries some distinct element that snags my interest. LP, by writer Curt Pires and artist Ramon Villalobos, focuses on the life of a musician named F and the LP he possesses, which has unique qualities — far more unique than your average round piece of vinyl. The comic, which Pires is self-distributing, debuts Sept. 26 (it received a pre-release endorsement from guest Ed Brisson in this week’s What Are You Reading?”). In anticipation of its release, Pires took some time to answer my questions regarding his new collaboration with Villalobos — as well as to give me a chance to discuss music a smidge (something I always love to do).
Tim O’Shea: LP centers on a vinyl record (aka LP) — could this story have ever worked for you if it had centered around a CD or an MP3 player?
Curt Pires: I definitely think this story only works on vinyl. There’s something romantic about vinyl — something tactile. Something that you don’t really get with CDs or MP3s. I think a lot of my thoughts as towards this are sort of folded into the story. Sometimes intentionally — other times maybe not so much.
Did you have the story already written when you teamed with Ramon Villalobos, or did you construct the story with his art style in mind?
I had the full script written by the time Ramon had hoped on board to draw the book. I was definitely looking for someone with a bit more of European clean line style to draw this book. I’m a huge fan of this style of art. So Ramon’s sort of Darrow/Grampa/Quitely-influenced style was perfect for this book.