Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
With the passage of time, pundits/critics frequently reflect upon past era creators (be it Golden, Silver or Bronze Age), quite often finding a newfound appreciation for certain folks. Sometimes I wonder why we have to wait for a creator to be no longer active in order to garner increased respect. For example, artist/inker/writer Karl Kesel is a creator, who while he has definitely received critical praise over his long career (dating back to 1984), I think his body of work warrants even more attention and praise. I was thrilled when I found out that Kesel relaunched Section Zero (his Gorilla Comics 2000 project with artist Tom Grummett that ended after three issues) as a webcomic at Mad Genius Comics. The news got even better with the revelation that Kesel and Grummett intend to develop new Section Zero content. I am a longtime fan of Kesel’s work–particularly his mid-1990s run on Daredevil #353-364 and Fantastic Four #56 (the latter of which we also discuss). My thanks to Kesel’s Periscope Studio studiomate, Jeff Parker, for putting me in contact with Kesel.
Tim O’Shea: How and when did you finally decide to resurrect Section Zero–and as a webcomic?
Karl Kesel: I’ve wanted to do a web comic for some time. The tipping point was when my wife and I decided to adopt a baby (we’re still waiting to get one!) and I knew I wanted some sort of legacy to leave my kid. I put together Mad Genius Comics, and hired the talented David Hahn to pencil a Johnny Zombie story. As that was posting, I thought: what next? I had a ton of ideas, but the one I kept coming back to was Section Zero. Tom Grummett and I had started it in 2000 through Gorilla/Image comics, and due to my getting divorced, it had been put on indefinite hold. It was Unfinished Business, and I thought the time was right to finish it.