Conventions | The San Diego Chargers are opposing the proposed $520 million expansion of the San Diego Convention Center — viewed as crucial to keeping Comic-Con International in the city past 2015 — saying it will interfere with plans for a new football stadium. Instead, the NFL franchise proposes building a second venue a few blocks away, which would be part of a complex that included the stadium but would not be contiguous with the existing convention center. [Los Angeles Times]
Conventions | Meanwhile, on the other coast, New York Comic Con is about to begin, and Luke Villapaz has seven tips for surviving the con. One additional point, though: While it’s nice that NYCC has its own mobile app, chances of its actually working inside the Javits Center, which is notorious for its many cell phone dead zones, are slim. [International Business Times]
Retailing | Naruto topped the May BookScan chart of graphic novels sold in bookstores, followed by two volumes of The Walking Dead, the latest volume of Sailor Moon, and Yen Press’ latest Twilight adaptation New Moon. Just three volumes total of The Walking Dead made the Top 20 (down from eight last month), and as usual, DC and Marvel got clobbered: DC had three titles on the list (two volumes of Court of Owls and Watchmen) while Marvel had one (Hawkeye), and none was above No. 15. Or to put it another way: Vol. 14 of Dance in the Vampire Bund, a high-numbered volume in a fairly niche manga series, placed higher than every Big Two book on BookScan last month. [ICv2]
Creators | With the second issue of their digital-only comic The Private Eye recently released, writer Brian K. Vaughan and artist Marcos Martin talk about their story, why they decided to do it digitally, and what the response has been so far. [The Verge]
Hello and welcome to What Are You Reading?, where the Robot 6 crew talks about the death of … oh, wait, we already did that. In fact, nobody brought up [REDACTED] in their write-up this week. But they did talk about a bunch of other comics.
Our guest this week is cartoonist and teacher Ben Towle, creator of Oyster War, Midnight Sun, Amelia Earhart: This Broad Ocean and much more. Check out his website for all kinds of fun art and pin-ups (Alien Legion!).
To see what Ben and the Robot 6 crew have been reading, click below.
It’s become an annual tradition here during our birthday bash: No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we’ve done in past years, we asked a cross-section of comics folks what they liked in 2012 and what they’re excited about for 2013. We received so many this year that we’ve broken it down into two posts; watch for another one Tuesday.
But for now, check out all the great stuff people shared with us, including hints at new projects and even some outright announcements. Our thanks to everyone this year who responded. Also, thanks to Tim O’Shea, Michael May and Chris Arrant, who helped collect responses.
JIMMIE ROBINSON (Bomb Queen, Five Weapons)
What was your favorite comic of 2012?
Image’s Saga, Fatale, Hawkeye‘s reinvention is fresh and exciting, Peter Panzerfaust, Enormous by Tim Daniel. It’s hard to pin down just one because there is SO much good work coming out nowadays — from many publishers across the board.
Retailing | ICv2 analyzes the August direct market numbers and comes up with some interesting patterns: While the market as a whole is up, the number of comics with sales of more than 1,000 has been declining; sales dropped a bit for most ongoing comics series in the Top 25, but strong sales of Before Watchmen and two annuals more than compensated for that; and graphic novels sell in far lower numbers than comics, but because many of them are backlist titles, the numbers still increase from year to year. ICv2 also posted lists of last month’s Top 300 comics and graphic novels. [ICv2]
Publishing | Yet another big publisher spawns a graphic novel imprint: This time it’s Penguin, whose Berkley/NAL division will launch a graphic novel imprint, InkLit, next month. Helmed by former DC vice president and Yen Press co-founder Rich Johnson, InkLit will publish both original graphic novels and adaptations of prose works. The line will begin with Vol. 1 of Patricia Briggs’s Alpha and Omega, which collects the trades published by Dynamite; the second volume will be all new material. Also in the works are books by Charlaine Harris, Laurell K. Hamilton, and Sage Stossel. [Publishers Weekly]
Conventions | David Glanzer, Comic-Con International’s director of marketing and public relations, looks back on this year’s WonderCon, which was held in Anaheim, California, rather than in San Francisco, touches upon the uncertainty about the location for next year’s show — “we just don’t have dates at the Moscone Center yet” — and discusses changes to pro and press registration for Comic-Con. [ICv2]
Conventions | Grant Morrison talks about MorrisonCon, the Sept. 28-30 convention billed as “a once-in-a-lifetime experience.” “It’s not going to be ‘Come here and buy some comics and listen to a few panels,’ ” he says. “After two days you will be a changed person.” Tickets for the Las Vegas show, which is limited to 1,000 attendees, cost $767, and include a two-night stay at the Hard Rock Hotel, access to the guests and after-hours parties. [The Hollywood Reporter]
Celebrating its 10th anniversary, UF’s Comic Conference series this year carries the theme of “Monsters in the Margins” for its April 14-15 event Gainesville, Florida. The papers and panels being presented this year will explore the representation of monsters and the monstrous in comics around the world.
Organizers have tentatively planned talks on subjects as diverse as “Hulk as a Metaphorical Monster,” the portrayal of God as a monster in Preacher, and the works of Hitoshi Tomizawa. In addition to scholarly talks, the biannual conference will also host panels with comic creators such as Jim Rugg, Jonathan Case and Ben Towle. Another interesting event is a workshop by cartoonist Tom Hart, who recently set up the Sequential Artists Workshop school in Gainesville.
Unbeknown to many comic fans and Florida residents, including myself, the University of Florida has a focused “Comic Studies” track inside its English department, led by Dr. Donald Ault. It’s also home to an expanding special collection of comics that holds many gems. So if you’re in central Florida next month, it’s worth a visit.
Ben Towle (Midnight Sun, Amelia Earhart: This Broad Ocean) has been posting pages from his current project, the seaside adventure webcomic Oyster War for a while now on Tumblr. The trouble is, Tumblr’s not all that friendly an experience for webcomics readers. Pages are difficult to navigate and since Oyster War is a “graphic novel in progress” (and new pages go up every two weeks) it’s good to be able to flip back a page or two to remind yourself what’s going on.
Fortunately, Towle’s realized this himself and has switched the comic to its own site with traditional navigation buttons. He just started Chapter Five (reading 45 pages will catch you up), so it’s a great time to jump in on a cool, fantastical comic about oyster pirates and the ragtag crew intent on ending their pilfering ways.
Retailing | Rumors have begun to swirl that online retail giant Amazon plans to open a brick-and-mortar store in Seattle within the next few months to help gauge the profitability of a chain. The store reportedly won’t just sell e-readers and tablets, but also books from Amazon’s newly launched publishing division. [Good E-Reader, Gawker]
Publishing | Japanese publisher Shueisha Inc. released the 65th volume of Eiichiro Oda’s pirate manga One Piece last week with a first printing of 4 million copies, tying the record set in November by the previous volume. [The Mainichi Daily News]
Retailing | Howard Ackler writes about the final days of Dragon Lady Comics, the Toronto retailer that closed last week after 33 years in business. [National Post]
[Note: this post was assembled by both Tim O'Shea and JK Parkin]
This is our final post for our big birthday bash, and what a post it is. No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we have in past years, we have asked various comics folks what they are excited about for 2012 in comics–something they aren’t working on and something they are.
There’s a lot of great stuff here–hints at new projects and even some downright announcements. Our thanks to everyone this year who responded!
I’m most anticipating the 30th Anniversary of HEROES CON (June 22-24, Charlotte, NC) . For any convention 30 years is an amazing run, but the fact that Shelton Drum and his extended family have put this show together every year with nothing but blood, sweat and tears is flat out super heroic.
On the personal front, the challenging and exhilarating ride that’s been Loose Ends will come to a close with issue 4. It’ll be bittersweet to send our child off to into the real world but I can’t wait for you guys to see the work Brunner & Renzi are doing.
I’m also super excited to dip my own toes into the Mignola-verse with the BPRD: The Pickens County Horror [March 28, 2012] and to read the end of Jason Aaron & RM Guera’s Scalped, which is my favorite series in years.
This sounds politic, but it’s genuine: what excites me about comics in 2012 is what’s exciting every year, the work of the talent. Seeing what the best are up to and how the up-n-comers have grown as artists and writers. In the new year, I’m also excited about illustrating several books and covers that feature my favorite Avengers.
Just like we did with Black Friday, we’ve rounded up various deals on comics and comic-related stuff that you can get on Cyber Monday. And since at least one of the deals kicks off at midnight Pacific time, I thought I’d go ahead and post the list now instead of waiting for tomorrow morning. I’ll add any additional deals I discover throughout the day.
Also, if you did check out our Black Friday list, some of these are repeats from it, as several places have deals that have been running all weekend and go through Monday. I’ve put the new stuff up top, after the deal that starts at midnight …
Dark Horse Comics has another digital deal set up for Cyber Monday: the first 500 customers through Dark Horse Digital will get a 50 percent discount. There’s a $20 minimum, and the deal runs for 24 hours beginning at midnight Pacific Time on Nov. 28; you’ll also need a coupon code: dhcyber. You can find more details here.
And if you buy $100 worth of stuff from Things from Another World on Monday, they’ll give you $10 worth of digital Dark Horse Comics.
Ben Towle has posted some sketches on his blog of a work that is not so much in progress as on hold: A graphic novel adaptation of Cherie Priest’s steampunk zombie novel Boneshaker. Towle has an interesting perspective:
As I looked to working up some drawings for this, I made a deliberate effort to avoid for the most part visual references that dealt with steampunk and instead sought out historical imagery from the American Civil War. My approach to this was just to forget about “steampunk” entirely and to approach the project as an alternate history of the Civil War.
In the end, what got him was the zombies, or rather, the daunting task of coming up with a visual take on zombies that hasn’t been done a million times before. He hasn’t given up, though, just put the project on hiatus for now… and he’s looking at some other books as well. In the meantime, enjoy the art—he has a few more pieces posted at his blog.
SLG Publishing has been doing digital comics since before they were cool, and this week had more news on that front: They have signed with iVerse, and their comics will be available in iVerse’s Comics Plus reader. This will definitely help bring their comics to a wider audience. The digital launch includes the first five issues of Nightmares & Fairy Tales, Serenity Rose, and Ben Towle’s Midnight Sun, and the first three issues of Rex Libris.
Checking the SLG site, I also noticed they are doing digital in a different way: They are making Katy Weselcouch’s The Floundering Time available in CBZ format, for use in readers such as ComicZeal, and they say they will be making more comics available in that format in the future. The advantage to CBZ is that you can download it once and keep it. Comics bought through iVerse can only be read in the Comics Plus reader, and if the company or the technology disappears, your comics may disappear as well. Basically, digital comics distributors don’t sell you a comic, they sell you a license to read a comic. CBZ is much more portable and makes it possible to keep your comics forever, independent of a particular distributor or app. The ebook versions of The Floundering Time are priced at a very reasonable $3.99, a considerable savings over the print price of $12.95.
Artist Ben Towle, whose credits include Midnight Sun and Amelia Earhart: This Broad Ocean, is the subject of Folktales and Airships, a documentary by Peter Salomone, a filmmaker who is working toward an MFA in filmmaking at Wake Forest University. Towle confessed to having some misgivings about the project:
One of my big personal pet peeves with comics documentaries is how the actual comics artwork is filmed and shown on-screen. Filmmakers (because they’re used to moving images I assume) have a tendency to want to make the comics images move and this often works out really really badly. It also seems to me to imply that the original static comics images are somehow deficient and need to be “augmented” for use in film. A particularly egregious example of this is Tintin and Me, in which Hergé’s artwork is separated into foreground and background elements and then subjected to some sort of half-assed animation effect. On the other hand, I can certainly see some reasoning behind not wanting just a static image on-screen for long periods. There are a lot of ways to handle this problem in film, and I had some trepidations for sure about how it would be dealt with with my artwork.
Nonetheless, he was happy with the way Folktales and Airships turned out. It’s only 9 minutes long, but the film has a nice mix of Towle’s art and interviews with the artist himself.
Not to mince words, HeroesCon is my San Diego. Scheduled for June 3-5 at the Charlotte Convention Center this year, I recently caught up with Heroes Aren’t Hard To Find Creative Director Rico Renzi, to discuss what to look forward to at HeroesCon 2011. Anyone that has read my past con reports knows how much I always enjoy this family friendly/comics focused con, and will not be surprised to learn I will be in attendance again this year. Thanks to Renzi for the interview and for giving us the scoop that Farel Dalrymple is returning to the con this year. I was also enthused to learn the con is trying a Friday night event this year, as well as introducing a new section of the convention floor devoted to comic strip creators.
Tim O’Shea: How are things shaping up with less than a month to go before the con, starting to panic? Planning-wise, how do you and Shelton Drum (con founder/organizer and owner of Heroes Aren’t Hard To Find) divvy up the heavy lifting of making this con happen?
Rico Renzi: HeroesCon is like breathing to Shelton so I’m pretty sure he’s not panicking. This is my first time doing anything like this so, yeah I think there’s some pressure on me. Maybe I get a pass since this is my first year though? Dustin Harbin has been a great help showing me the ropes on a few things, especially the floor plan. Deciding where everyone is going to sit seems like the hardest job to me right now. Aside from that we get great help from our warehouse manager, Seth Peagler. Whether I need someone to brainstorm with or edit my blog posts, Seth is my guy. Also, Andy Mansell has been instrumental in planning and coordinating our programming. These guys keep me sane!