Best of 7 Archives - Robot 6 @ Comic Book Resources

Kind words for a quiet contributor

Copyediting marks[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

Copyediting is a strange profession: If you do your job well, no one will know you did it at all. It’s when you don’t—or, more likely, when the copyeditor is eliminated—that people notice. I was reading a comic from a major publisher just the other day and encountered a glaring typo that popped me right out of the story.

As a former copyeditor myself, I was touched by Calista Brill’s post at the First Second blog about their copyeditor, Manuela Kruger, who passed away recently.

Despite never having had a conversation with her, I felt like Manuela and I were friends, communicating across the written page. Manuela would return her copyedited printouts of our books to us with a cover letter sharing her thoughts—always perceptive, and sometimes very funny—about the book she had just marked up. The notes and asides she added to her copyediting corrections often made me laugh—made me feel like I had a friend reading along with me.

There are a lot of people whose work goes into making a graphic novel see the light of day, and a lot of them are pretty invisible to the reader and even to the person who wrote or illustrated the book in the first place. But their contributions are invaluable, and it’s a very sad day when you lose one of them.

Oeming and Soma hunt monsters in ‘Sinergy’

Sinergy-banner

As origins go, Jess’ latent seer powers to see demons being triggered by losing her virginity is one of the more unforgettable opens to a first issue I have read in quiet a while. That’s exactly how co-creator/co-writer/artist Michael Avon Oeming and co-creator/co-writer/colorist Taki Soma cut to the heart of their new Image Comics/Shadowline series, Sinergy.

Continue Reading »

A visit to Bob Montana’s hometown

Bob Montana book[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

A couple of weeks ago, my husband and I went to Meredith, New Hampshire, for a quiet weekend Away From It All. I had never heard of Meredith before, but my last-minute search on Expedia turned up a little inn there that had a reasonable price and good ratings, so off we went.

I wasn’t really expecting to have any comics experiences there, other than reading the stack I brought with me, but comics just seem to follow me around. We spent a pleasant hour in a bookstore in the center of town, and as we headed for the cash register, I noticed a biography of Bob Montana, the original artist for Archie. I grabbed it and added it to the stack, and the cashier said to me, “Did you know he lived here?” I didn’t, but it turns out that he not only lived in Meredith for most of his adult life, he owned an art gallery that was just steps away from the bookstore (although according to the minutes of this January meeting of the Meredith Planning Board, it may not be there for much longer—a developer is planning to tear it down and replace it with a new structure).

Continue Reading »

Van Lente, Rosenzweig & Dinisio tap history in present day ‘Resurrectionists’

Resurrectionist-banner

Longtime readers of writer Fred Van Lente know well how much of a history buff he is. So it did not surprise me that his new ongoing series with artists Maurizio Rosenzweig and Moreno Dinisio, Resurrectionists, draws upon the past as a major fuel for the present day narrative. The creator-owned project builds upon the concept that certain people can utilize the knowledge and experience of their past lives.

Continue Reading »

Discerning the core appeal of ‘Tooth & Claw’

Tooth-banner

Often when one runs across an engaging new series, it is fairly easy to identify the prime factor that serves as the appeal/pull for the project. In the case of Tooth & Claw, the new fantasy series (replete with talking animals and magic) by writer Kurt Busiek, artist Ben Dewey and colorist Jordie Bellaire, no one factor can be identified.

For starters–in the “credit where credit is due” department, there would be no series had Busiek not initially conceived the series, prior to seeking out Dewey. Busiek has known since the initial 1994 success of Marvels that no matter how great a writer he may be, the lynchpin to a project’s success or failure is how effectively the artist interprets his script.

Continue Reading »

Jake Parker brings extra Groot to ‘Rocket Raccoon #5′

rr-iamgrootteaser

[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

Note: This post contains potential spoilers for Rocket Raccoon #5

Rocket Raccoon is one of several comics coming out of Marvel right now where they’ve paired the perfect creator — in this case Skottie Young — with the perfect character, and just let them go wild. (See also: Kaare Andrews on Iron Fist). So when you hear that an issue is going to have a fill-in artist, you have to wonder what kind of effect that’s going to have, if it’s really going to work or not. It all just depends on who they choose, right?

Continue Reading »

‘Lowriders in Space’ is a real goer

lowridersinspace-tease

[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

Lowriders in Space, by Cathy Camper and Raul Gonzalez, looks like a new iteration of Zap Comix, but it’s actually a cheery, energetic all-ages comic about, well, lowriders in space.

Continue Reading »

Some highlights from Inktober

Lenox-Inktober-banner

I was sad to see the month of October end, as it also meant Inktober drew to a close. Inktober, launched by Jake Parker in 2009, started as a challenge to “improve my inking skills and develop positive drawing habits. It has since grown into a worldwide endeavor with thousands of artists taking on the challenge every year.”

In recognition of Inktober wrapping up, I decided to select some of my favorite Inktober pieces.

Continue Reading »

PW’s Best of the Year list includes extra graphic novels

From "El Deafo"

From “El Deafo”

[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

Two sure signs the year is drawing to an end: It’s snowing in Massachusetts and the Best of the Year lists are starting to appear. Publishers Weekly released theirs yesterday, and there’s something interesting about it: Although there is a separate category for comics, several graphic novels are nominated in other categories as well.

This is by no means unprecedented—after all, Maus, one of the first graphic novels, won a Pulitzer Prize—but we seem to be seeing more of it. Roz Chast’s Can’t We Talk About Something More Pleasant? won the inaugural Kirkus Prize for Nonfiction. This is a prize with only three categories, yet two graphic novels made the final round (the other was Cece Bell’s El Deafo, which was a finalist in the Young Readers category). Gene Yang was a speaker at the National Book Festival gala in September, giving him a prominent platform to speak to general readers who might pick up a graphic novel, as opposed to die-hard fans of the medium, and it’s become more and more common for graphic novels to make the shortlists for general book awards.

Continue Reading »

‘Bob’s Burgers’ builds on its inspiration

BobsBurgers-900x470

[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

Since sports have kept Bob’s Burgers off the air for the past few weeks, this week’s Bob’s Burgers #3 (from Dynamite) was especially welcome. It’s a potent distillation that uses the comics format to capture the show’s unique tone and energy.

Continue Reading »

Welcome back to Priest & Bright’s Quantum & Woody

Q&W-banner

Really I toyed with the idea of merely posting: “Christopher J. Priest and M.D. Bright are together again: what more needs to be written?” But the return of these two creators to comics in particular deserves more discussion than just one sentence. This week marked the release of the first installment in the five-issue miniseries, Q2: The Return of Quantum & Woody #1.

Continue Reading »

‘Astro City’ gives an old ‘Wish’ new life

ASTRO-Cv3n16-tease

[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

Ever since its return under the Vertigo banner, Astro City (from Kurt Busiek, Brent Eric Anderson, and company) has been pretty great on a consistent basis. Don’t get me wrong, it’s always been a highlight of my pull list; but the current run has really been something special. Last month’s issue #15 — concluding the story of a sweet little old robotics genius and the supervillain who sought to ruin her — was particularly heartwarming. (What’s that? Something in my eye? No, I’m just tired….)

Then, however, I read this week’s issue #16. Readers looking for familiar pastiches will be rewarded immediately, since the broad strokes of the story are deliberately reminiscent of Silver Age Superboy and Lex Luthor. (The energy-headed hero Starbright also looks a bit like Firestorm, but that’s more incidental.) It’s a tale of awkward friendship, super-powered rivalry, and an act of simple kindness which literally transforms a life. As Busiek reveals on the letters page, the middle part of the story comes from his unpublished eight-page script for an installment of the backup feature “Superman: The In-Between Years.” In hindsight it’s easy to see how that script would have worked as a look into the developing dynamics between the Collegian of Steel and his former friend — but as usual, Astro City has taken those elements in undreamt-of directions.

Continue Reading »

Eleanor Davis holds 17-hour fundraiser for friend’s wheelchair van

Davis-Kyle-banner

On Friday, How to Be Happy creator Eleanor Davis embarked on a 17-hour drawing marathon to raise money for her friend Kyle Coldwell (“a 23-year-old Phoenix, Arizona, resident with a severe congenital condition called Spinal Muscular Atrophy [SMA]“), who is the midst of a $10,000 GoFundMe campaign for funds to repair or replace his wheelchair van.

Continue Reading »

Its big reveal already spoiled, ‘Captain America #25′ still surprises

SamFalconCaptainAmerica

Much like Sam Wilson said himself, the new Captain America wasn’t much of a surprise. We have known the Falcon was going to take Cap’s position since July, so the cover of Captain America #25 is kind of a misnomer. However, as Rick Remender wraps up his current storyline and starts the next chapter, I was plenty surprised to see an enormous roster of Avengers gathered on the page.

Continue Reading »

Henson and Langridge’s ‘Musical Monsters’ are delightful

archaia_musical_monsters_of_turkey_hollow_hc

[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

The Musical Monsters of Turkey Hollow is a charming children’s story with clearly defined heroes and villains, plus music-making Muppet monsters from outer space, all lovingly adapted into comics form by Roger Langridge. It has a classic feel that will please adults but is fresh enough for children to enjoy, and Langridge does a particularly nice job of rendering music into visual form, something that is often a challenge for creators.

The book is adapted from a script that Jim Henson and collaborator Jerry Juhl wrote for a children’s television special, and the story is pretty straightforward. The protagonist, Timmy, lives with his Aunt Clytemnestra, who has an other-worldly feel to her, and his older sister Ann, who is more of a hippie type (the story is set in 1968). Ann and Timmy like to go out to an isolated area of their property to practice playing guitar, but they get chased off by their mean neighbor Mister Sump, who wants the land for himself.

Timmy is out practicing one day when the monsters arrive and accompany him with strange musical sounds of their own. Soon Timmy is friends with the monsters, but you know in a story like this that the bad guy is going to cause trouble, and that’s exactly what happens. Turkey Hollow has more turkeys than people, and suddenly the turkeys are all gone and the monsters are found sleeping in a heap with bones scattered all around. The sheriff reluctantly rounds the monsters up and puts them in jail, but Timmy is pretty sure they are being framed, and he sets off to prove it.

Continue Reading »


Browse the Robot 6 Archives