Axel-In-Charge: Recapping "Avengers Standoff's" Major Developments, Preparing for "Punisher"
Auctions | Rob Salkowitz looks at the recent sale at auction of Neal Adams’ original cover art for Green Lantern/Green Arrow #76 for an impressive, although not record-setting, $442,150. He notes that the significance of the issue, and the endorsement of the sale by Adams, likely had an effect on the price. In 1970, most publishers didn’t routinely return original art to artist, and Adams has been critical of the sale of artwork that was simply taken, and sometimes given away, by staffers or editors. In this case, however, he announced through the auction house that “since the proprietor of the cover has agreed to equitably share the income of the auction with me and my family, I hereby validate sale and ownership of this piece and I will, in fact, supply a Certificate of Authenticity to the highest bidder of the auction, and the ownership of this cover will never be questioned by me.” A portion of the proceeds was also donated to The Hero Initiative. [ICv2]
Manga | Continuing its seven-year streak, Eiichiro Oda’s pirate adventure One Piece was the bestselling manga in Japan in 2015, according to the market research firm Oricon. The series sold 14.1 million copies between Dec. 1, 2014, and Nov. 30, 2015, an increase of 18 percent from the previous year. It’s followed by The Seven Deadly Sins with 10.3 million, Attack on Titan with 8.8 million, Assassination Classroom with 8.6 million and Kingdom with 8.5 million. You can see the full Top 10, as well as breakdowns by volume, at Crunchyroll. [Crunchyroll]
Comics | Benoît Peeters, a French comics writer, critic and Tintin expert, has been named as Lancaster University’s Visiting Professor in Graphic Fiction and Comic Art, characterized as the first appointment of its kind in the United Kingdom. “This professorship is a great honour for me,” said Peeters, whose works include Tintin and the World of Herge. “I want to explore the connections between the history of graphic fiction and contemporary creation, between the world of French and Belgian bande dessinée, and the world of comics and graphic novels.” [The Telegraph]
Awards | Journalist and author Ta-Nehisi Coates, who’ll write Marvel’s new Black Panther series, has won the National Book Award for nonfiction for his acclaimed memoir Between the World and Me; he was awarded a prestigious MacArthur “genius grant” in September. Noelle Stevenson’s Nimona was shortlisted for the National Book Award for young people’s literature, making the 23-year-old cartoonist the youngest finalist ever. However, Neal Shusterman won in that category for his novel Challenger Deep. [The New York Times]
Best of the year | Amazon lists its Top 20 graphic novels of 2015 in order of sales, but the editors chose The Sandman: Overture Deluxe Edition by Neil Gaiman and J.H. Williams III as the best graphic novel of the year. Other notable titles include Kelly Sue DeConnick and Valentine DeLandro’s Bitch Planet, Scott Snyder and Jock’s Wytches, Noelle Stevenson’s Nimona, and Kate Beaton’s Step Aside, Pops. Amazon also included Victoria Jamieson’s Roller Girl, and Marika McCoola and Emily Carroll’s Baba Yaga’s Assistant in its lists of the best children’s books of the year. [Amazon]
Comics | Wayne Bell says his new comic book ISIS: A Culture of Evil, is a valuable tool to tell stories of atrocities the media won’t cover: “It’s factual, it’s accurate, it’s the real deal, and unlike a TV program it absolutely goes to the bone quick.” Some veterans who were shown the book weren’t so sure, though, especially as it looks like a coloring book; they felt the medium wasn’t appropriate for the message. [CBS St. Louis]
Legal | A Judge Dredd comic that makes fun of McDonald’s and Burger King is finally being reprinted in a collection, thanks to a change in the European Copyright Directive, which now allows creators to use copyrighted characters if the intent is clearly parody. In the “Burger Wars” story, first published in 1978, Judge Dredd is captured on a trip to the United States and force-fed fast food; the story includes images of Ronald McDonald and the McDonald’s logo. Another story, “Soul Food,” has a mad scientist creating versions of the Jolly Green Giant and the Michelin Man. Ben Smith of Rebellion Publishing says fans have been asking for years for these story to be reprinted in their collected editions, but they were held back for fear of legal action. When the law was changed, Smith said, they took another look: “It was like a light bulb went on. We thought: ‘Surely this means we can look at Burger Wars?’ We looked into it and here we are. This is straight-out pastiche, parody and arch satire. There didn’t seem any reason not to bring them to the public again.” [The Independent]
Crime | Sigolène Vinson, a writer for Charlie Hebdo, gives her account of the Jan. 7 shootings that killed 12 at the French satire magazine’s headquarters. Vinson was in the kitchen and heard brothers Chérif and Saïd Kouachi shoot her coworkers; she hid in a colleague’s office but came face to face with Saïd Kouachi, who told her “Don’t be afraid, calm down. I won’t kill you. You’re a woman, we don’t kill women. But think about what you do, what you do is bad. I’m sparing you and because I’ve spared you, you will read the Qur’an.” (However, Chérif killed writer Elsa Cayat, the only female victim of the attack.) [The Guardian]
Awards | This year’s grand prix de la ville d’Angoulême, the lifetime achievement award given every year at the Angoulême International Comics Festival, won’t be given to the staff of Charlie Hebdo, despite a petition started by jury president Gwen de Bonneval that garnered 1,200 signatures plus significant support on Twitter and Facebook. Two Charlie Hebdo cartoonists, Wolinski, who was killed in the Jan. 7 attack, and Willem, who wasn’t in the office that day, have been awarded the grand prix in previous years. The festival has announced a special Charlie Hebdo award that will go to a cartoonist whose work embodies resistance to oppression and censorship, and organizers will also publish a special album of cartoons drawn in response to the attacks. [France Inter]
Analysis | Rob Salkowitz kicks off the new year with big-picture questions about “geek culture”: With the popularity of comics-based movies, will continuity and nostalgia become less important? And will comics themselves become less important? “Putting out comics is a relatively costly and troublesome process with limited revenue potential relative to other ways of exploiting the intellectual property. A fan base that buys licensed merchandise and watches entertainment programming without needing a monthly fix of new art and story is probably considered a feature of the new comics economy, not a bug.” [ICv2]
Creators | Chew artist Rob Guillory, who will appear this weekend at Wizard World New Orleans, talks about the strange comics that he read as a kid (The Adventures of Kool-Aid Man) and the unexpected success of Chew, which will end next year with its 60th issue: “In the beginning, John and I were kind of like, ‘Well, best-case scenario, we can go 60 issues. Worst-case scenario, we can do five and go our separate ways and never speak again.’ I don’t know if we’ve seen the peak of our reception. I don’t think we’ll see how popular we’ve been until it’s over. When it’s wrapped and it’s the complete thing, I think people will start missing us.” [Best of New Orleans]
Conventions | Vendors who paid the $60 deposit to exhibit at Cherry City Comic Con are clamoring for a refund after word circulated that the Salem, Oregon, convention won’t happen this spring as planned. (There appears to have been some discussion about the con being canceled on Facebook, but the convention’s Facebook page now states, “A marketing solutions company is helping us start the new year right and get us back on track to make this a successful show everyone can love.” No other posts appear on the page.) This isn’t the first round of controversy for the con: Last May, organizer Mike Martin called an exhibitor “batshit insane” on Facebook when she asked for a refund and expressed concern that the con would not be a “safe place for female cosplayers.” Martin is also the organizer of a craft fair that was canceled; some exhibitors for that event were denied refunds because of “a locked PayPal account.” [KOIN]
As ROBOT 6’s sixth-anniversary celebration winds down, our contributors look back at some of their favorite comics of 2014, from Ms. Marvel and The Multiversity to Sex Criminals and How to Be Happy.
Let us know what some of your favorites of 2014 were in the comments section.
Publishing | Abraham Riesman looks at the revival of Valiant, which was once the third-largest comics publisher in the United States and now, under new management, aspires to reclaim that position. The article covers the rise and fall of the original company, its rescue by now-CEO Dinesh Shamdasani, and the strategy the new Valiant has used to quickly build an audience for a different type of superhero comic. [Vulture]
Conventions | San Diego officials had to do some shuffling to accommodate the Major League Baseball All-Star Game, which will be played in the city in 2016, but they didn’t move Comic-Con International, which is only a few days later. “Their attendees are such a unique group that they don’t take well to change,” said Joe Terzi, chief executive of the San Diego Convention & Visitors Bureau. “They plan their year around this event.” [U-T San Diego]
Creators | Garry Trudeau has some straight talk for those who criticized him for basing Sunday’s Doonesbury on the controversial Rolling Stone expose of the University of Virginia’s handling of rape cases — or thought maybe the strip was submitted before a number of commentators cast doubt on the lead anecdote in that article. The cartoonist insists that’s not the point: “We had some internal discussion about whether the flaws in the [Rolling Stone] reporting mattered here, and we concluded they didn’t. UVA is only used as setup to get the reader to consider the larger problem of institutions prioritizing their reputations over the welfare of those they’re charged with safeguarding.” [Comic Riffs]
Legal | Illustrator Greg Theakston tells The Comics Journal that during his Christmas vacation, he plans to file a police complaint against the Jack Kirby Museum and Research Center, alleging it stole about 3,000 photocopies of Kirby’s pencil work. Theakston gave the photocopies to the museum, but he contends it was intended to be a loan, while the museum says it was an outright donation. If this sounds vaguely familiar, it’s because Theakston has been threatening legal action since August. [The Comics Journal]
Creators | Paul Tumey posts a charming series of letters from Pogo creator Walt Kelly to a young pen pal (who had a pet alligator named Albert), along with plenty of backstory. [The Comics Journal]
Creators | Osamu Tezuka, the “godfather of manga,” has been dead for 25 years, but his influence lives on, not just in manga and anime but in his old neighborhood, where a restaurant features his favorite dish and merchants have their own local currency, Astro Money. There’s even a group of inventors who were inspired by Astro Boy to design a “power-assisted hand.” [The Yomiuri Shimbun]
Creators | Ivan Brunetti tried to draw Nancy and failed, but he learned how to be a cartoonist in the process: “Nancy is a harsh taskmaster; resuscitating it was a grueling task, but the challenge was invigorating and edifying. By drawing Nancy, I realized that every character (even the environment) in a strip is the cartoonist and is invested and imbued with the cartoonist’s life force. This is perhaps why continuing a strip after a creator’s death is so misguided, and it also explains the precious few exceptions that prove the rule: those cartoonists made the preexisting characters truly their own, commandeering their ink-on-paper souls.” [BoingBoing]
Crime | Artist Josh C. Lyman reports that thieves broke into his car sometime on Monday or Tuesday and stole about 40 pieces of original art (some of it commissioned), 1,200 prints, plus convention setup materials, art supplies and clothes. “I’m more devastated in the fact my originals are all gone … some of my better non-commissioned work of the last 3 years … along with all of my tools I have earned and acquired during the aforementioned periods. Tshirts and the like I can slowly replace … but it’s the matter of having all this potential art for shows gone; along with all the posters I had left,” he writes. Lyman contacted police and has notified local comic shops to keep an eye out for the missing work, and he has posted images of the stolen art. [Facebook, via Bleeding Cool]
Censorship | Rachael Jolley takes a long and wide view of the pressures that political cartoonists are subject to, looking at several recent attempts to suppress editorial cartoonists as well as the history of tensions between creators of political cartoons and those they portray; the article also includes comments from Neil Gaiman on the topic of censorship. [The New Statesman]