best of the year Archives - Page 3 of 5 - Robot 6 @ Comic Book Resources
As ROBOT 6’s fourth-anniversary celebration winds down, our contributors look back at some of their favorite comics of 2012, from Building Stories and Saga to Goliath and Bandette to Life With Archie and Hawkeye.
One of the hazards of writing about comics is that reading comics starts to feel like work after a while. Then I stumble across something really good and I remember why I started doing this to begin with. Here are some of the books that I really enjoyed this year.
Life With Archie: It’s a soap opera. It’s a clever soap opera, and it’s fun to see the characters I knew as a kid grow up and change in surprising ways. The dual storyline is full of twists, but the characters never forget where they came from.
Jiu Jiu: The best shoujo manga captures what it’s like to be a teenage girl and reflects it back in a new way. Jiu Jiu is a supernatural story about an alienated girl who goes to an ordinary high school but fights demons on her off hours. Her companions are two wolves who can change into hot guys, although they never really lose their doggish ways. This is shoujo manga at full strength, with lots of introspection, innuendo, and incongruity. I loved it.
Creators | Michael Cavna talks to cartoonist Richard Thompson in-depth about his Parkinson’s disease, its effect on his cartooning, and the brain surgery he had this year to combat it, and shows the cartoon Thompson drew during the surgery. The story includes an update on how Thompson has been doing since the surgery and interviews with other cartoonists, including a rare comment from Calvin and Hobbes creator Bill Watterson, about Thompson’s work and his struggle against the illness. [Comic Riffs]
Publishing | The French satirical weekly Charlie Hebdo, whose offices were firebombed in 2011 after it published cartoons mocking Mohammed, has released a comic-book biography of the Muslim prophet. Editor Stephane Charbonnier, who has lived under police protection since the magazine first published the cartoons, says the biography is a properly researched educational work edited by Muslims: “I don’t think higher Muslim minds could find anything inappropriate.” [AFP]
Awards | The National Press Foundation has named political cartoonist Robert Ariail, who draws for Universal UClick and the Spartanburg, South Carolina, Herald-Journal, as the winner of this year’s Berryman Award. [The Washington Post]
Creators | Brothers Wesley and Bradley Sun discuss their upcoming graphic novel, Chinatown; Wesley is a hospital chaplain in Chicago, and Bradley quit his job in Florida to join his brother and work on the book. [Hyde Park Herald]
Publishing | DC Comics may no longer hold the rights to create new stories about The Spirit and other pulp heroes like Doc Savage and The Avenger, but it does retain the license to publish The Spirit Archives for “the foreseeable future,” according to Denis Kitchen, agent for the Will Eisner estate. Most of the hardcover collections are out of print. [The Beat]
Digital comics | Third time’s the charm for retailer Steve Bennett, as he goes through three different tablets (one was stolen, one malfunctioned) on his way to the ideal digital comics experience. [ICv2]
Creators | Tom Spurgeon kicks off his annual round of holiday interviews with a lengthy conversation with Alison Bechdel, creator of Fun Home and Are You My Mother? [The Comics Reporter]
As 2012 draws to a close, the holiday season is now officially in full swing, and that means it’s time to think about the next year, and also maybe get a little greedy in the process. With all that in mind, here are five random things that I’d like to see from 2013’s comic books.
Digital comics | Comics by comiXology was the third-highest grossing app on the iPad in 2012. Last year Comics made No. 10 on the charts, and two other comiXology apps, their Marvel and DC apps, also made the Top 20. [Inside Mobile Apps]
Manga | Black Lagoon creator Rei Hiroe has announced that after a nearly two-year hiatus, he’ll resume his hit manga in January or February. The violent action/black comedy series, which centers on a team of pirates/mercenaries, is published in North America by Viz Media. [Crunchyroll]
Comics | Regina, the capital of Saskatchewan, appears to be embracing its role in this week’s Avengers#1 as a target of an alien “origin bomb” that struck the city, changing its biosphere and altering billions of years of evolution in mere minutes. Tom Brevoort, Marvel’s senior vice present and executive editor, tells a local newspaper he’s unsure why Regina and Perth, Australia, were selected, but local retailer Chad Boudreau seems glad it happened. “We had no advanced notice of it,” he said. “It just happened that someone reading the comic saw it in there.” He expects strong sales at Comic Readers, with those who don’t typically follow comics buying the issue out of curiosity. [The Star Phoenix]
Crime | Police say a Willston Park, New York, man shot his girlfriend in the back Monday following an argument about the AMC adaptation of The Walking Dead. Twenty-six-year-old Jared M. Gurman reportedly believed a military mishap could lead to the release of a virus, triggering a zombie apocalypse; Jessica Gelderman, 27, thought the idea was absurd. According to police, the argument escalated and even continued through text messages after Gelderman left the apartment to spend the night at her parents’ house. When Gelderman returned to try to smooth things over with her boyfriend, police allege he was sitting on the stairs with a .22-caliber rifle; a single round pierced her lung and diaphragm and shattered her ribs. Gurman was arrested when he took Gelderman to the hospital. She’s in stable condition with the bullet still in her body. [Newsday]
Legal | Disney has filed a motion to dismiss a $5.5 billion copyright-infringement lawsuit filed in October by failed dot-com Stan Lee Media Inc. in its sixth attempt to claim ownership of the Marvel characters co-created by Stan Lee. SLM, which is no longer affiliated with its co-founder and namesake, asserts Lee didn’t properly assign ownership of the works to Marvel, and that Disney didn’t file its Marvel agreement with the U.S. Copyright Office. Disney calls the lawsuit “completely frivolous,” and argues, in part, that the claims have already been litigated and rejected. [The Hollywood Reporter]
Publishing | As final print edition of The Dandy promptly sells out and the venerable U.K. children’s comic migrates online, David Fickling briefly discusses why he launched The Phoenix — a weekly geared for readers ages 6 to 12 — nearly a year ago, and why comics aren’t dead: “Reading comics was always a delight. Reading them under the bedclothes or the desk, even better. Now at last the experts are understanding the importance of reading comics. The loss of reading for pleasure has been identified as one of the principle reasons for falling standards of literacy. Perhaps part of the reason for our disgraceful literacy rates is that we don’t have comics. Comics are a link to books not competition; in short they are a great leveller.” [The Telegraph]
Awards | Were women underrepresented in the first British Comic Awards? With three women and 13 men on the shortlist, some argue they were; Laura Sneddon follows the discussion, including those making that claim and those who responded. [The New Statesman]
Best of the year | Paste magazine lists its 10 best comics of the year, including Hawkeye, Saga and Building Stories. [Paste]
Best of the year | Rachel Cooke focuses on British graphic novels, although a few outsiders creep in as well, for her list of the best graphic novels of 2012. [The Guardian]
While Publishers Weekly and Amazon helpfully organized their best-of-the-year lists according to clear genres and marketing categories, with comics falling (mostly) under “comics, Barnes & Noble takes a decidedly different approach: In its rundown of the Best Books of 2012, the retailer creates a “Best Quirky, Beautiful, Different Books” category, lumping comics collections and graphic novels in with cookbooks, home and garden design guides, and something called Underwater Dogs. Still, the comics selected are, overall, pretty solid:
• Are You My Mother?: A Comic Drama, by Alison Bechdel (Houghton Mifflin Harcourt)
• The Art of Daniel Clowes: Modern Cartoonist, by Alvin Buenaventura, Chip Kidd and Chris Ware (Abrams ComicArts)
• Batman: Earth One, by Geoff Johns and Gary Frank (DC Comics)
• Building Stories, by Chris Ware (Pantheon Books)
• My Friend Dahmer, by Derf Backderf (Abrams ComicArts)
• Sailor Twain, or The Mermaid in the Hudson, by Mark Siegel (First Second)
• Wizzywig, by Ed Piskor (Top Shelf Productions)
• A Wrinkle in Time: The Graphic Novel, by Hope Larson (Farrar, Straus and Giroux)
It’s also worth noting that The Walking Dead Compendium Book One (Image Comics), by Robert Kirkman, Tony Moore, Charlie Adlard and Cliff Rathburn, was No. 89 on Barnes & Noble’s list of The Top 100 Bestsellers of 2102. It was the only comic to make the list.
Getting a jump on the holiday shopping season, the editors of Amazon.com have released their choices for the best books of the year in categories ranging from Romance and Literature & Fiction to History and Science Fiction & Fantasy. Of course, what were most interested in is Comics & Graphic Novels:
1. Building Stories, by Chris Ware (Pantheon)
2. Darth Vader and Son, by Jeffrey Brown (Chronicle Books)
3. Saga, Vol. 1, by Brian K. Vaughan and Fiona Staples (Image Comics)
4. The Hive, by Charles Burns (Pantheon)
5. Prophet, Vol. 1: Remission, by Brandon Graham, Farel Dalrymple, Giannis Milonogiannis and Simon Roy (Image Comics)
6. The Underwater Welder, by Jeff Lemire (Top Shelf Productions)
7. Swamp Thing, Vol. 1: Raise Them Bones, by by Scott Snyder and Yanick Paquette (DC Comics)
8. Wonder Woman, Vol. 1: Blood, by Brian Azzarello and Cliff Chiang (DC Comics)
9. Creepy Presents Richard Corben, by Richard Corben and various authors (Dark Horse)
10. Avengers: The Children’s Crusade, by Allan Heinberg, Olivier Coipel, Jim Cheung and Alan Davis (Marvel)
Publishers Weekly is the first out of the gate with its best of 2012 lists, with Chris Ware’s Building Stories (Pantheon), described as “unabashedly rooted in the pre-digital age,” leading its overall Top 10. Ware also designed and lettered the magazine’s cover (at right).
The six titles in the comics category are:
• My Friend Dahmer, by Derf Backderf (Abrams Graphic Arts)
• Are You My Mother?, by Alison Bechdel (Houghton Mifflin Harcourt)
• The Voyeurs, by Gabrielle Bell (Uncivilized Books)
• Wizzywig, by Ed Piskor (Top Shelf)
• Dotter of Her Father’s Eyes, by Mary and Bryan Talbot (Dark Horse)
Two graphic novels also make an appearance on the children’s fiction list: Hilda and the Midnight Giant, by Luke Pearson (Nobrow), and Drama, by Raina Telgemeier (Scholastic/Graphix).
With PW breaking the ice, that means the best-of lists should begin arriving at a fast and furious pace.
Returning creators like Jo Chen, Dave Johnson, Paolo Rivera and J.H. Williams III are joined on the list by such “newcomers” as Francesco Francavilla, Viktor Kalvachev, Tradd Moore and Steve Morris.
As with previous installments, I’ve attempted to explain the appeal of each entry; some covers get just a sentence, while others receive entire paragraphs. That doesn’t reflect the quality of the image, but merely what I have to say about it.
With that out of the way, I present, in alphabetical order, the 50 best covers of 2011:
Publishing | Thursday’s news that DC Comics will replace the nearly 60-year-old Comics Code Authority Seal of Approval with its own rating system was followed on Friday by an announcement by Archie Comics that it, too, will drop the Code. The two were the last publishers to abandon the CCA — Marvel withdrew in 2001, Bongo just last year — which means that as of next month, the once-influential self-regulatory body created by the comics industry in the wake of the 1954 Senate hearings on juvenile delinquency will cease to exist. Before a series of revisions in 1971, the Code prohibited even the depictions of political corruption, or vampires and werewolves, and the use of the words “horror” or “terror” in titles.
Christopher Butcher wonders whether DC’s decision to drop the Code was made with an eye toward the bottom line, while Johanna Draper Carlson offers an overview of the CCA’s history. Elsewhere, Mike Sterling asks whether any retailers ever “experienced any kind of real-world impact of the Comics Code Authority?” And Tom Mason makes some tongue-in-cheek recommendations for DC’s new rating system, including “G – GREYING MAN-BOYS” and “R – REFRIGERATOR.” [Newsarama]