Rogen & Goldberg Reportedly Developing "The Boys" for TV
That’s a far cry from the record $3.2 million paid in August for a pristine copy of the 1938 first appearance of Superman, but certainly nothing to sneeze at.
“High-end, vintage comic books across the board continue to show incredible market durability,” Ed Jaster, Heritage’s senior vice president, said in a statement. “The auction total, at $7.17 million, is the third-highest grossing comics auction in history, period.”
Other comic book highlights of the Nov. 20-22 auction include a CGC-graded 7.0 copy of Pep Comics #22, featuring the first appearance of Archie Andrews ($143,400) and a CGC-graded 6.5 copy of Captain America Comics #1 ($107,550).
The auction house also noted high prices paid for the first appearances of Wonder Woman and Aquaman, which it attributes to anticipation for the characters’ big-screen debuts: a CGC-graded 5.5 copy of All Star Comics #8 sold for $44,813, more than triple its list value, and a CGC-graded 3.5 copy of More Fun Comics #73 went for $38,838, 10 times its guide price.
Also of note: Bill Everett’s original cover art for 1967’s Strange Tales #152, depicting Doctor Strange and Umar, sold for $71,700, while Frank Frazetta’s 1967 cover painting for Jongor Fights Back fetched an impressive $179,250.
The Motley Fool marks the 50th anniversary of the Avengers with an article that’s part history lesson, part early celebration of Disney’s potential box-office haul from films like Captain America: The Winter Soldier, Guardians of the Galaxy and The Avengers: Age of Ultron (it is a financial website, after all). But the interesting part of the piece is a bit of trivia I’d never read before: that The Avengers #1 was thrown into production only because of a major delay on Daredevil #1.
While the article doesn’t provide a source, that tidbit may have come from Tom Brevoort, Marvel’s senior vice president of publishing, who explained in 2011 that the company planned to follow The Fantastic Four and Spider-Man in 1963 with The X-Men and Daredevil. However, between his day job and his drinking problem, artist Bill Everett fell far, far behind on Daredevil #1, leaving Marvel with a printing deadline but no comic.
“In those days, you booked print time way ahead of time — and if your book wasn’t ready, you paid for the printing time anyway,” Brevoort wrote.
Hip Hop Family Tree by Ed Piskor, Fantagraphics Books, 120 pages, $24.99.
I enjoy both hip-hop and reading books about the history of music or nascent art forms in general, so this book fits right in my wheelhouse anyway, but, man, did I like this comic. I liked the way Piskor designed the book, making it look like one of those oversized Marvel or DC “Treasury” books from the 1970s, and even goes so far as to use newsprint-like paper and print the colors slightly off-register at times, all the better to evoke those lap-sized comics of yesteryear. I liked the way he juggles a huge cast of characters, jumping around from one to the next without losing or confusing the reader. I like how he employs some wonderful bits of cartoonish exaggeration (that, it should be noted, never devolves into ethnic stereotyping), so that Grandmaster Flash wears an impossibly large cap, Mellie Mel’s afro seems larger than his head at times, and Russell Simmons is a cross-eyed guy with a bad lisp. Piskor seems to know intuitively how to relate the best, most revealing and juiciest anecdotes without bogging the reader down in minutiae. I’ve enjoyed Piskor’s work in the past (most notably with his hacker book Wizzywig) but he’s never seemed quite as confident a storyteller as he does here. Can’t wait for volume two.
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Comic Book Creator #1 (TwoMorrows, $8.95): I still fondly remember the now-defunct Comic Book Artist magazine from years ago, and now the creator of that magazine, Jon Cooke returns with a new 80-page offering to take its place. With a first issue filled with Jack Kirby, Kurt Busiek and Alex Ross, this is a must-read for me.
Mark Waid’s The Green Hornet #1 (Dynamite, $3.99): Waid has been having a career renaissance, in terms of recognition at least, and that led to getting his name on the title of this new revamp of Dynamite’s Green Hornet line (art is by Daniel Indero). I dig the creator, I dig the character, and I’m looking forward to seeing what happens when the two collide.
The Secret History of Marvel Comics HC (Fantagraphics, $35.00): I’ve been looking forward to this one since I first heard about it. Blake Bell looks at the non-comics material being published by the company that would one day become Marvel Comics, including pulp and girlie mag work by Jack Kirby, Bill Everett and Dan DeCarlo. It’s like the perfect companion for Sean Howe’s Marvel Comics: The Untold Story!
Star Wars: Legacy — Prisoner of the Floating World #1 (Dark Horse, $2.99): As if the Brian Wood series wasn’t enough to get me back into Star Wars comics, now we get a new series from the Planet of the Apes team of Corinna Bechko and Gabriel Hardman? If these are the final days of Dark Horse’s Star Wars license as many are rumoring, then they’re definitely going out with a bang.
Wake Up, Percy Gloom HC (Fantagraphics, $24.99): I fell madly in love with Cathy Malkasian’s beautiful Percy Gloom graphic novel a few years back, which was as beautiful as it was unexpected, so there is little to no way that I am not eagerly anticipating this follow-up. For those who like gorgeously-illustrated, melancholy and touching books: This is for you.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15, I’d start out with Prophet #22 (Image, $2.99) by Brandon Graham and Simon Roy; it’s an Old West pioneering comic set on an alien world. Next up would be my favorite comic from Marvel these days, Uncanny X-Force #22 (Marvel, $3.99). Remender was raised on Claremont-era X-Men, and this is excavating the intricacies of Captain Briton and late ’80s Excalibur comics for Otherworld, Jamie Braddock and a swashbuckling Nightcrawler. Last up with my $15 bounty would be A Long Day Of Mr. James – Teacher (Blank Slate, $7.99). A great looking piece of cartooning from an artist, Harvey James, I’m looking to learn more about.
If I had $30, I’d double back and first pick up Dark Horse Presents #9 (Dark Horse, $7.99). Seriously, this is the comic that some fans were hoping for several years back: one book containing new stories from Paul Pope, Mike Mignola, Neal Adams, Brian Wood, Kristian Donaldson… and pin-ups by Geoff Darrow? Seriously, I second-guess any comics fan I meet who isn’t buying this. Next up would be Wolverine and The X-Men #6 (Marvel, $3.99) by Jason Aaron and Nick Bradshaw. Seeing Wolverine and Kid Omega going to an outer space casino sounds like everything the X-Men haven’t been in over two decades, but I’m liking it. I can only hope they run into Lila Cheney. Lastly, I’d pick up Jeff Smith’s RASL #13 (Cartoon Books, $3.50). The last issue was history-heavy focusing on Tesla, so I hope this one is bit more kinetic.
If I could splurge, I’d go back for a second Blank Slate book—Hector Umbra (Blank Slate, $26.99). I’ve heard nothing about cartoonist Uli Oesterle, but after seeing the preview on Blank Slate’s website I’m kicking myself. Long story short, DJ kidnapped during his set (at Robot Mitchum nightclub no less, best club name ever), and his friend Hector Umbra, an artist-turned-detective, goes after him. Some people compare Oesterle’s art to Mignola,but I see some Paul Grist in there as well.
Action! Mystery! Thrills!: Comic Book Covers of the Golden Ages, 1933-1945
Edited by Greg Sadowski
Fantagraphics Books, 208 pages, $29.99
Amazing Mysteries: The Bill Everett Archives Vol. 1
Edited by Blake Bell
Fantagraphics Books, 224 pages, $39.99
Young Romance: The Best of Simon & Kirby’s Romance Comics
Edited by Michael Gagne
Fantagraphics Books, 200 pages, $29.99
Our current publishing era has been dubbed the Golden Age of Reprints by a number of online pundits, myself included, and it’s not too hard to see why. Classic comics that fans and scholars never thought would make it to the bookbinders, let alone be available in an affordable version, are now coming off the presses at a staggering rate.
One of the benefits of this plethora of reprint projects is it allows us to re-examine certain noteworthy periods of comics history, help us discover long ignored artists and fully consider cartoonists who, though their names might have been recognizable, have largely been unappreciated except by a few. The alleged Golden Age of comics in particular has benefited from this scrutiny, not only in illuminating people like Fletcher Hanks but in showcasing work by folks like Jack Cole and Bill Everett.
One of the people leading the way in this specific endeavor is editor Greg Sadowski, who, in anthologies like Supermen! and Four Color Fear, has given average readers access to comics from well-covered eras (i.e. the early superhero and horror trends) merely by republishing stories that didn’t come from Marvel (or whatever it was called at the time), EC or DC.
Sadowski’s latest book, Action! Mystery! Thrills! has a somewhat even narrower focus, dealing entirely with comic book covers from the Golden era. It makes a certain amount of sense. While covers are still an integral part of marketing and selling a comic, they were even more essential back in those early, heady days, when you competed with hundreds of other titles and an eye-catching cover could mean the difference between profit and cancellation (or at least that’s what many editors and publishers of the time felt).
Hello and welcome to another week of What Are You Reading?, where we talk about what comics and other stuff we’ve been reading lately. This week our special guest is Robin McConnell of Inkstuds fame, who will be guest blogging with us as well. Robin has a new book out that collects 30 of his interviews with folks like Jeff Lemire, Joe Sacco, Kate Beaton, Jaime Hernandez and many more; you can find more details on it over on his website.
To see what Robin and teh rest of the Robot 6 crew are reading, click below.
Editor Greg Sadowski‘s new Fantagraphics book, Supermen! The First Wave of Comic Book Heroes 1936-1941, is a spectacular snapshot of a historical period long before comic book company events, crossovers and alternate covers or universes. As detailed by the publisher: “The enduring cultural phenomenon of comic book heroes was invented in the late 1930s by a talented and hungry group of artists and writers barely out of their teens, flying by the seat of their pants to create something new, exciting, and above all profitable. The iconography and mythology they created flourishes to this day in comic books, video, movies, fine art, advertising, and practically all other media. Supermen! collects the best and the brightest of this first generation, including Jack Cole, Will Eisner, Bill Everett, Lou Fine, Fletcher Hanks, Jack Kirby, Jerry Siegel, Joe Shuster, and Basil Wolverton.” The book sports a foreword by Jonathan Lethem. My thanks to Sadowski for his willingness to discuss his editorial approach on this project and after learning some of what did not make the first volume, I look forward to seeing a second volume down the road as time and other logistics permit. Fantagraphics also offers folks the chance to download an “11-page PDF excerpt (7.4 MB) featuring an entire story by Will Eisner and Lou Fine starring The Flame!”
Tim O’Shea: How did the foreword by Jonathan Lethem come about?
Greg Sadowski: Someone at Fantagraphics approached him, and Jonathan really came thorough – his foreword starts things off beautifully.