Bill Finger Archives - Robot 6 @ Comic Book Resources
Welcome to Best of 7, where we talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out. Looks like I’m flying solo this week, so without further ado, let’s get to it …
In recent years, it’s become fashionable to refer to Bill Finger as the “secret” co-creator of Batman. And while that’s an attention-grabber for the uninformed, it’s more accurate to say the writer, who died in 1974, is the uncredited, unrecognized and unsung creative force in the creation of DC Comics’ Dark Knight Detective.
Saturday marks the 100th anniversary of Finger’s birth. It’s an occasion many in the comics community have been promoting as an opportunity to correct the record in some small way, such as with biographer Marc Tyler Nobleman’s quest to get a Google Doodle in his honor.
But for the average comic fan, there are also plenty of ways to celebrate the legacy of Bill Finger and his unquestionable contribution to one of comics’ most enduring character. Here is just a handful of suggestions:
Cartoonist Ty Templeton, who illustrated Bill the Boy Wonder: The Secret Co-Creator of Batman, has thrown his support behind author Marc Tyler Nobleman’s renewed effort to convince Google to mark the 100th anniversary of Bill Finger’s birth on Feb. 8 with a Google Doodle.
To help increase public awareness of Finger as the uncredited co-creator of Batman, Templeton not only rattles off some of the writer’s contributions to the mythos — the Batmobile, the Batcave, Wayne Manor, the basic look of Batman’s costume, and key villains and supporting players, among them — but also a comic strip that imagines a Batman created solely by Bob Kane.
You can see the full strip on Templeton’s blog. He also posted some pages from Bill the Boy Wonder, including the spread below that illustrates just some of the elements Finger introduced to Batman comics.
Creators | Author Marc Tyler Nobleman tells Michael Cavna about his crusade to gain recognition for Bill Finger as one of the co-creators of Batman — including a push to have Google honor him with a Google Doodle on his birthday: “As it currently stands, even the mighty Christopher Nolan could not legally credit Bill as co-creator. However, prior to The Dark Knight, I asked DC if they could use non-subjective language to acknowledge Bill. I proposed: ‘Batman was first called “the Dark Knight” in Batman #1, in 1940, in a story written by Bill Finger.’ DC publications already regularly credit Bill for that story, and the movie’s title doesn’t even include the word ‘Batman’ — it is wholly a phrase coined by Bill Finger. Alas, they said no.” [Comic Riffs]
Passings | Tulsa, Oklahoma, cartoonist Larry Pendleton, who created the syndicated single-panel cartoon Graphic Nature, has died at the age of 59. [Tulsa World]
An effort by Bill Finger biographer Marc Tyler Nobleman to honor the uncredited co-creator of Batman with a Google Doodle appears to be gaining steam, with the likes of Kevin Smith and Brad Meltzer endorsing the campaign to their Twitter followers.
Nobleman, author of Bill the Boy Wonder: The Secret C0-Creator of Batman, initially pitched the idea to Google in 2012, but dusted off the proposal again in December because this year marks not just the 75th anniversary of the Dark Knight’s debut, but also the 100th anniversary of Finger’s birth and the 40th anniversary of his death.
Don Rosa and the late Steve Gerber have been named the recipients of the 2013 Bill Finger Award for Excellence in Comic Book Writing, Comic-Con International announced. The award is named in honor of the uncredited co-creator of Batman/
Gerber, who passed away in 2008 at age 60, was the influential writer of such Marvel comics as The Defenders, Daredevil and Man-Thing who co-created Howard the Duck and Omega the Unknown. He also created the animated series Thundarr the Barbarian and worked on such properties as The Transformers, G.I. Joe and Dungeons & Dragons.
Creators | Gene Luen Yang, creator of American Born Chinese, has revealed his latest project Boxers and Saints, a set of two graphic novels about the Boxer Rebellion in China; one story is about a peasant who joins the Boxers, while the other is about a woman who converts to Catholicism. First Second will publish them as a slipcased set. There’s a 10-page preview as well as an interview at the link. [Wired]
Comics | Jim Rugg notices that his print copy of Hellboy in Hell doesn’t look as good as his friend’s digital copy, and where most of us would have just shrugged and moved on, he takes the time to think about why that is and how careful publishers can ensure that print comics look their best. [Jim Rugg]
It’s never too early to learn what a cesspool of shady business practices and money-driven infighting the industry responsible for creating and promoting your favorite noble champions of justice really was.
That’s the thought that kept running through my head as I made my way through Bill the Boy Wonder: The Secret Co-Creator of Batman, author Marc Tyler Nobleman’s follow-up to his 2008 Boys of Steel: The Creators of Superman.
Like his previous work, Boy Wonder is a non-fiction picture book aimed at children. At least in presentation; I can’t imagine very young children being as interested in it as grown-ups though, and for grown-ups, there’s an excellent all-prose, six-page article marked “Author’s Note” at the end, fleshing out the more simplified story that fills the bulk of the page count with plenty of detail and discussing Nobleman’s process of research for the book.
The story of the late Bill Finger — who is, of course, the Bill in the title — doesn’t quite fit into a picture book format as easily as that of young Jerry Siegel and Joe Shuster. There are a lot of similarities between the creators of Superman and the uncredited co-creator of Batman, including their backgrounds, the settings their stories occurred in, the impact of their creation and their unfortunate lack of participation in the rewards of that success, but Finger’s story is a lot more complicated than that of the boys from Cleveland, and lacks the natural melodrama of their hard-luck childhood and the epiphany nature of their hero’s inception (as presented in Boys of Steel, following Siegel’s own accounts, Superman’s transformation from a concept the young writer toyed with over the years into the world’s first superhero came in a sort of fever dream fit of inspiration one night).
Publishing | Kodansha’s Attack on Titan, the action-fantasy manga by Hajime Isayama, has sold more than 9 million copies in Japan, according to the Sports Nippon newspaper. The eighth volume was released last week in Japan; Kodansha USA will publish the second volume next month in North America. [Anime News Network]
Publishing | Alex Zalben pays a visit to the Valiant offices and talks shop with editor Warren Simons: “Asking whether the idea was to set these up so that you can go right to TV, video games, or other properties, Simons strongly denies that was behind the relaunch. ‘I think you have guys who really love comic books,’ said Simons. ‘I’m just interested in publishing comic books. Obviously in this space, in this day and age you want to pay attention to everything – just like everyone does. But I think it all derives from publishing … [The publishers] just wanted to read comics about the characters that they loved growing up!’” [MTV Geek]
Creators | While acknowledging the agreement that names Bob Kane as the sole creator of Batman, The Washington Post’s Michael Cavna and Bill: The Boy Wonder author Marc Tyler Nobleman make the case for giving writer Bill Finger a screen credit on The Dark Knight Rises. [Comic Riffs]
Conventions | Although Comic-Con International is usually thought of as a stage for movie studios, major comics publishers and video-game developers, Mark Eades looks at the event as a showcase for small businesses, from artists to toymakers. [The Orange County Register]
Conventions | Robot 6 contributor Brigid Alverson reports on the kids’ comics scene at Comic-Con International, including news that Papercutz will produce a comic based on the viral web phenomenon “Annoying Orange.” [Publishers Weekly]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, Casanova: Avaritia #4 would be the first thing I’d pick up. I’ve been enjoying Matt Fraction and Gabriel Ba’s return to their dimension-hopping super-spy immensely and am looking forward to seeing how it all wraps up.
If I had $30, I’d make the difficult choice between two top-notch offerings from Fantagraphics this week. One: New York Mon Amour, a collection of Manhattan-themed stories by the one and only Jacques Tardi, including the Kalfkaesque “Cockroach Killer.” The other would be the third volume in the ongoing Mickey Mouse collection, High Noon at Inferno Gulch. I’m an unabashed Floyd Gottfredson fan, so the Mickey book would probably win out. But I’d be sure to save my coins for next week so I can get the Tardi book then.
Assuming I don’t blow all my splurge dough on the Tardi book, there’s a number of solid options here: Out of the Shadows, a collection of Mort Meskin’s early non-DC work; Bill the Boy Wonder, a new prose biography of Batman co-creator Bill Finger; and a Challengers of the Unknown Omnibus featuring Jack Kirby’s run. If I were in a charitable mood, however, I’d likely snap up Team Cul de Sac, the anthology/art book/tribute to Richard Thompson’s delightful comic strip featuring contributions from folks like Lynn Johnston, Mort Walker, Gary Trudeau and even Bill Watterson! Proceeds from the book go to help fight Parkinson’s disease, which Thompson unfortunately suffers from. It’s hard for me to think of a more worthy – or potentially enjoyable – book to spend your money on this week.
Hello and welcome to another edition of What Are You Reading? Our special guest this week is Matthew Thurber of 1-800 Mice and Infomaniacs fame. To see what Matthew and the Robot 6 crew have been reading, click below.
My parents were born in 1942, four years too early to be baby boomers. It also means they were just the wrong age to be exposed heavily to either the Golden or the Silver age of superhero comics. By the time they would have started to read, the Golden Age was half over; and when the Silver Age started in 1956, they were too old to be interested. I confirmed this with my dad, who has vague recollections of the original superheroes, but whose comic collection included more Archies and Little Lulus. (Had I known how much 21st-century hipster cred this would have given me, I’d have pressed him harder about those ….)
Still, these days they can’t get away from the Spandex set. When Conan O’Brien asserted (rightfully) that the Hulk had been in the Fantastic Four, Dad emailed me for confirmation. This itself was a big step up for Dad, who at one point several years ago thought Batman was in the FF. (In fact, I don’t think my folks have seen either of the Christopher Nolan movies, although they did watch a revival of the 1940s serial at the local art-house theater. Dad especially didn’t have any interest in the Schumacher movies, because the characters just “looked like toys.”) Last year, after the Green Lantern movie had been playing for a while, Dad thought he remembered seeing it — but actually, he and Mom had enjoyed Seth Rogen’s Green Hornet. Their nerd knowledge (what there is of it) is more likely to include Star Trek and Sherlock Holmes, although lately they’re into Downton Abbey.
Regardless, when I think about the impact of outing Alan Scott, the original Green Lantern, I tend to gauge it in terms of my dad. He may not be the best representative of the generation that grew up with the Justice Society, but among people I know he was in the best position to become a fan, and for whatever reason it just didn’t stick. Therefore, when I mentioned the revelation of Alan’s sexuality to Dad over the weekend, it really didn’t register one way or another.
All the recent talk of creator credits has reminded me of Bill Finger and Bob Kane. Throughout the character’s history, Kane has been listed officially as Batman’s sole creator, even though many comics fans, historians, and professionals recognize Finger’s indelible contributions. Kane’s singular credit comes from his own negotiations for the sale of Batman to what is now DC Comics, and it continues to this day. In fact, the most recent trailer for The Dark Knight Rises — which as usual flashes “Batman created by Bob Kane,” or something like it, in the brief glimpse of credits — reminded me that Kane had help.
Indeed, the circumstances of Batman’s creation, sale, and subsequent treatment may even comprise one of superhero comics’ great ironies. Batman is a tremendously elastic character, able to accommodate an incredible range of interpretations. Perhaps none of that would have been possible if Kane hadn’t sold the character … but he wouldn’t be the Batman we know today if Kane hadn’t listened to Bill Finger.
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If you are a fan of all-ages comics, odds are pretty good you enjoyed a fair share of comics involving Ty Templeton. So it did not surprise me when Marvel launched a new Ultimate Spider-Man comic (based on the new Disney XD series that premiered recently) and tapped Templeton and Dan Slott to co-write and draw a story for the first issue (which came out last week). Templeton will also be teaming with Slott on Avenging Spider-Man 8 (set for release on June 20). That just scratches the surface of what Templeton is working on–or as he put it in this email interview: “There’s always something else going on.” I’m hard-pressed to pick which of his new upcoming projects I am most enthused about, but the prospect of seeing him work as a live talkshow/webcast host nears the top of the list. Also, I am overjoyed to know that Templeton (a great creator with a wealth of knowledge and experience) is passing along that love of storytelling by teaching folks. Over the years, I have always relished interviewing Templeton and cannot believe this marks the first time we have done an interview for Robot 6.
Tim O’Shea: Did you contact Marvel, or did they contact you for this new Ultimate Spider-Man series?
Ty Templeton: They contacted me, but I’ve done a few things for the Spider-Man office here and there, so they were already in touch with me. I did a small chapter for an issue of Amazing about eight months ago, and a couple of one-page Spider-Man stories for Age of Heroes, and things like that.