REVIEW: Violent, Profane "Deadpool" Shouldn't Work, But Really F---ing Does
Publishing | French satirical magazine Charlie Hebdo will release a special double-size issue on Jan. 6 commemorating the one-year anniversary of the jihadist attack on its Paris office by that left 12 people dead. One million copies will be produced of the issue, which will feature drawings by the cartoonists killed in the massacre, as well as illustrations by current staff members. A special “survivors issue” released after the attack sold 7.5 million copies worldwide. [The Guardian]
Retailing | The New York Times pays a visit to a comics store that’s unusually hard to find: Joseph Koch’s Comic Book Warehouse, which is tucked away in an industrial area in Sunset Park, Brooklyn. There’s no sign on the door to the second-floor shop, but at the moment Koch is doing the majority of business online, selling comics in bulk to overseas retailers: “If you go to a comic book store in Iceland,” he said, “they’ll probably know who I am.” In New York, not so much, but he has plans to make the store more amenable to walk-in customers. [The New York Times]
Manga | Huge news for manga fans this weekend: Yen Press has picked up the license for Fruits Basket, one of the top-selling shoujo (girls) manga of all time. The story of Tohru Honda, a teenage orphan who becomes involved with a large family that suffers from an ancient curse, Fruits Basket was originally published in North America by Tokyopop and arguably helped create the manga boom of the mid-2000s. The series often made the USA Today bestseller charts, and together with Sailor Moon, it brought girls and women into the comics world in large numbers for the first time in decades. Also, it’s a cracking good read. Yen Press will publish it in deluxe two-in-one omnibus format with a new translation. [Anime News Network, Yen Press]
In the aftermath of the controversy about a pair of sexist shirts licensed by DC Comics, celebrated artist Bill Sienkiewicz has created a his own revised design for the “Superman Does It Again” tee.
His version includes a second image, on the back of the shirt, with the Man of Steel’s “Score!” answered with Wonder Woman’s “Fail!!” — and an Amazonian fist to the Kryptonian’s jaw. “Maybe a bit too on the nose,” the New Mutants and Elektra: Assassin artist wrote on his Facebook page, “but there you go …”
In the final day of HeroesCon, I was fortunate enough to meet an equal mix of industry legends and new (to me) creators. Also, if you look over the previous photo posts (Day 1, More Day 1, Day 2), you see a trend of some folks giving me the thumbs up. Had I requested the pose, the trend would not be worth noting. But I didn’t; some people just opted to go for the whimsical look, and I love it. My thanks to every creator over the three days who took a moment to pose for a photo (in some cases more than a few times).
Art dealer Sal Abbinanti has debuted Bill Sienkiewicz’s stunning variant cover for Elektra #1, which arrives in April as part of Marvel’s All-New Marvel NOW! initiative. The issue also boasts covers by Michael Del Mundo, Milo Manara, Paolo Rivera and Skottie Young.
Sienkiewicz of course has a long history with the character, having collaborated with her creator Frank Miller on the 1986 Epic Comics miniseries Elektra: Assassin. He also provided covers for a few issues of her 2001-2004 Marvel Knights series, as well as for the 2005 miniseries Elektra: The Hand.
Boutique home video distributor Criterion commissioned Samuel Hiti (Los Tiempos Finales, Death-Day) and a list of other great comics artists to create artwork for the individual films in the company’s box set for the long-running Zatoichi series starring Shintaro Katsu as a blind, but incredibly quick and accurate swordsman. Hiti designed the cover for Zatoichi the Fugitive, the fourth in the series.
Twenty-five Zatoichi films were produced between 1962 and 1973, making it the longest-running action series in Japanese history. There was also a four-season TV series in the late ’70s. The Criterion box set collects those first 25 feature films in one package for the first time, but doesn’t include 1989’s Zatoichi the Blind Swordsman, written and directed by Shintaro Katsu himself.
At Comic-Con International in San Diego, IDW Publishing announced that Winsor McCay’s Little Nemo will return in a new series titled Little Nemo: Return to Slumberland, by Eric Shanower and Gabriel Rodriguez. As it turns out, there’s more to Little Nemo than just one new book.
Comics store turned small-press publisher Locust Moon is putting together an anthology of Little Nemo stories called Little Nemo: Dream Another Dream. Scheduled for release in 2014, the book has an eye-opening A-list lineup, including Peter Bagge, John Cassaday, Neal Adams, Bill Sienkiewicz, Becky Cloonan, Scott Morse, David Petersen, Mark Buckingham, Paul Pope and J.G. Jones. This book is a follow-up from the company’s anthology Once Upon a Time Machine, released last year by Dark Horse.
Little Nemo: Dream Another Dream will be published by Locust Moon as both a newspaper and a hardcover book, at the full size of the original Little Nemo pages — 16 inches by 21 inches. Described by Locust moon as a “love song for Winsor McCay, Little Nemo and the limitless possibilities of comics,” this is definitely one to watch. Here are several sample pages:
Saturday was the birthday of actress Elsa Lanchester, so to celebrate, John Rozum posted an amazing gallery of art inspired by her most famous role, the Bride of Frankenstein. A ton of comics artists are included and you can see many of them below the break. Be sure to visit Rozum’s site for even more, including additional pieces by Mike Mignola, Kevin Nowlan and Bruce Timm, as well as art by Basil Gogos, William Stout, and Mike McKone. Continue Reading »
Hello and welcome to What Are You Reading? This week we’re joined by music video director and comic book writer Alex de Campi, whose works include Smoke, Kat & Mouse, Valentine and the in-production Ashes.
To see at Alex and the Robot 6 crew have been reading, click below.
Publishing | IDW Publishing CEO Ted Adams discusses the company’s new IDW Limited program, which will produce small print runs of deluxe editions that will be marketed direct to the consumer. How small? The print run for the Blue Label edition of Teenage Mutant Ninja Turtles, Vol. 1 Deluxe Limited Edition will be 10 copies. “The only fair thing to do is to give the fans direct access on a first come first served basis,” he said. “We’re putting an incredible emphasis on quality, and that directly affects the quantity of books IDW Limited can produce. We’re designing new covers, building custom cases and paying the artists to do hand drawn sketch work to go with these books. The reality is that that’s all very expensive and unfortunately it makes it difficult for us to offer this line at the deep discount needed for traditional retail distribution.” [ICv2]
Libraries | Following the firestorm sparked last month when a youth library in Stockholm briefly removed Tintin comics because of their racial caricatures of Africans and Arabs, a survey finds that 10 percent of Swedish libraries have removed or restricted Herge’s books due to “racist content.” [The Local]
And not just any Dungeons & Dragons, but the ’80s cartoon version, which never looked this good.
Monster Brains has a whole gallery of Sienkiewicz featuring Judge Dredd, Conan and a ton of art from his out-of-print 1985 Vampyres portfolio.
Brian Michael Bendis has debuted the first look at Bill Sienkiewicz’s interior art from Daredevil: End of Days, the long-awaited Marvel miniseries that teams the writer and artist with David Mack and Klaus Janson to tell the final story of the Man Without Fear.
Announced more than five years ago, the tale is set in the not-too-distant future, and begins with Daredevil’s murder. “It goes a little further than most of ‘The End’ stories,” Bendis told Comic Book Resources in 2007. “And we make it canon. This is in-continuity, not too dissimilar to how Dark Knight Returns became continuity through sheer force of will. So we put it out there and everybody jumped.”
Ahead of Comic-Con International, Marvel at last set an October debut for the miniseries, with Bendis explaining, “”Everyone who works on this book is working on several major comic book situations for Marvel and for other companies. So we decided to go this route. What we would like to see is this Daredevil all-star team, but to do that, you have to sit back and wait for everyone to [come together].”
Judging from that Sienkiewicz art, it’ll definitely be worth the wait.
After the falling out between Ashes writer Alex de Campi and artist Jimmie Broxton, de Campi decided to pursue having multiple artists draw the sequel to the 2005 series Smoke. This week in an update to the project’s backers on Kickstarter, de Campi said the line-up of artists is now complete.
Joining A Distant Soil creator Colleen Doran and Smoke artist Igor Kordey are:
De Campi said she plans to begin serializing it digitally in June and publish the graphic novel in December.
Legal | A Belgian court has rejected a five-year-old bid by a Congolese student to have the 1946 edition of Herge’s Tintin in the Congo banned because of its racist depictions. “It is clear that neither the story, nor the fact that it has been put on sale, has a goal to … create an intimidating, hostile, degrading or humiliating environment,” the court said in its judgment. Bienvenu Mbutu Mondondo, who launched the campaign in 2007 to ban the book, plans to appeal. [The Guardian]
Publishing| John Rood, DC’s executive vice president of sales, marketing and business development, discusses the results of the New 52 readership survey, noting right of the bat that it’s “not indicative of the actual system wide performance,” which makes you wonder what it’s good for. He has some interesting things to say about bringing back lapsed readers and the demographics of DC readers in general, though. [Publishers Weekly]