Bill Sienkiewicz Archives - Page 2 of 2 - Robot 6 @ Comic Book Resources
Later this month will see the release of Sweets 4, the second to last in the five-issue Image Comics miniseries written and illustrated by Kody Chamberlain. As Chamblerlain explained in a May 2010 interview with CBR: “Sweets is about a New Orleans homicide detective named Curt Delatte. He’s hunting a psychotic spree killer who’s terrorizing the city days before Hurricane Katrina makes landfall. This detective just buried his only daughter and he’s on the verge of divorce. He’s in bad shape. Everyone with a badge is trying to catch this killer and put an end to the slaughter, but the bodies just keep piling up. Curt has to pull himself together and join the hunt. He’s got no choice. It won’t be long until his city and his evidence get washed away - a true ticking time bomb scenario.” My thanks to Chamberlain for this new email interview where we delve into his approach to storytelling, color and character development as well as two of the best convention moments he’s ever had.
Tim O’Shea: You been working on this script for years, can you single out a phase of the script development where you felt like you got the story where you wanted it to be?
Kody Chamberlain: The time spent on the script was mostly a result of being a full-time artist. Creating artwork for comics is extremely time-consuming, especially since I usually ink and color my own work. So that means I have to steal time here and there for my writing and that slows down the process. I didn’t mean to imply I’ve been writing the script nonstop all this time, I’m not a full time writer, so that can’t happen. Writing Sweets was a slow process for me because I wanted it to be a solid script before I picked up my pencil, and that takes longer when you’re a full-time artist. But from the start, I committed to nailing down a solid script before drawing anything, and that’s taken a while.
Award-winning illustrator Bill Sienkiewicz, best known for comics like New Mutants, Elektra: Assassin and Stray Toasters, will take a stab at serial killer Dexter Morgan with an animated webseries — or is it a motion comic? — based on the acclaimed Showtime drama.
Debuting online in October, Dexter Early Cuts: Dark Echo will follow the character as he’s challenged by a copy-cat killer who doesn’t follow a code. The six chapters are written by Tim Schlattmann, Dexter co-executive producer and staff writer, and voiced by series star Michael C. Hall.
According to IGN.com, Dark Echo opens immediately after the death of Dexter’s father Harry, with a young Dexter enrolled in medical school, studying to improve his craft. During a kill, he realizes another student has been spying on him, leading to a clash between the two.
Based on a series of novels by Jeff Lindsay, Dexter premiered on Showtime in October 2006. The fifth season begins on Sept. 26. The show was featured this afternoon in two panels at Comic-Con International.
Watch the trailer for Dark Echo after the break.
Man, they made trading cards out of everything in the ’90s, didn’t they? Case in point: Written by Dennis Bernstein and Laura Slydell and illustrated by Elektra: Assassin genius Bill Sienkiewicz, the Friendly Dictators Trading Cards set from 1990 represented a rogues’ gallery of tyrants who were on good terms with the good ol’ U.S. of A. Okay, so Hitler’s a bit of a stretch. But from Papa Doc Duvalier in Haiti to Augusto Pinochet in Chile to Ngo Dinh Diem in South Vietnam, there’s no shortage of creeps, goons, and outright monsters with whom America traded the occasional Christmas card and/or oodles of military and monetary aid, and Sienkiewicz brings them all to ghoulish life. I particularly appreciate the “CANCELLED” stamp applied to the autocrats who eventually fell out of our favor. Poor Manuel Noriega, he never saw it coming.
(Via John Barber)
Legendary artist Bill Sienkiewicz will have both a limited edition lithograph and sketchbook at the San Diego Comic Con this week. Above is the lithograph, which costs $40 and can be found at booth 2449. The sketchbook will cost $20.
Nate Powell‘s Swallow Me Whole is a graphic novel that demands and warrants repeated readings. Released by Top Shelf last year, the publisher describes it as “a love story carried by rolling fog, terminal illness, hallucination, apophenia, insect armies, secrets held, unshakeable faith, and the search for a master pattern to make sense of one’s unraveling.” My thanks to Powell for this email interview and his level of candor.
Tim O’Shea: What motivated you to start self-publishing mini-comics at the age of 14?
Nate Powell: Well, I’d been drawing comics with a few friends for a couple of years already. We had many issues of a comic series mapped out, and a friend’s uncle suggested that we finish up each issue and self-publish it. We didn’t really know what that entailed, but soon discovered a few neglected copy machines around town and in my dad’s office. We made 100 copies of the first comic, and they all sold in about two months; we’d never anticipated recovering our expenses, or anyone actually BUYING the books, to be honest. We just wanted to have a comic too, and found the most accessible way to make them. At this time I was already into the punk subculture and had been exposed to people who made zines and released records in much the same manner, but it was not until a few years later when I started writing zines and putting out records that I saw the inherent connections between these two realms of DIY entrepreneurship.