GIANT-SIZE X-POSITION: Duggan Goes Rogue in "Uncanny Avengers" & "Deadpool"
Bill Watterson’s original artwork from his surprise guest stint in June on Pearls Before Swine sold at auction Friday for a combined $74,040, with the proceeds going to the Michael J. Fox Foundation for Parkinson’s Research.
According to The Associated Press, Heritage Auctions sold the three comic strips to three collectors, who wished to remain anonymous. The Dallas auction house had expected the pieces to bring in more than $30,000 combined (the June 5 strip alone went for $35,840).
The three original comic strips from Bill Watterson’s surprise guest stint last month on Pearls Before Swine will be displayed this week at Comic-Con International before they’re sold at auction Aug. 8, with proceeds benefiting The Michael J. Fox Foundation for Parkinson’s Research.
The collaboration, which came at the suggestion of the Calvin and Hobbes creator, marked Watterson’s return to the comics page after a 19-year absence. Pastis teased readers that the week’s storyline would “contain a mind-blowing surprise,” but didn’t reveal what it was. Nevertheless, some fans quickly uncovered clues that some of the strips were ghost-drawn by Watterson.
Creators | Shaenon Garrity chronicles Calvin and Hobbes creator Bill Watterson’s recent return to the public eye. While Watterson stopped drawing the strip in 1995, he recently provided a painting for the Team Cul De Sac charity, did an interview and created a poster for the documentary Stripped, and contributed as a guest artist to Stephan Pastis’ Pearls Before Swine comic strip. [Paste Magazine]
Comics | Some bonus Calvin and Hobbes content: Adam Weinstein looks at the history of those “peeing Calvin” decals, with a short road trip into the “praying Calvin” variant. [Gawker]
Creators | Marc Sobel interviews Ganges creator Kevin Huizenga. [The Comics Journal]
Comic strips | The art from cartoonist Bill Watterson’s surprise return to the comics page earlier this month for a three-day stint on Pearls Before Swine will be auctioned Aug. 8 on behalf of Team Cul de Sac, the charity founded by Chris Sparks to honor Cul de Sac creator Richard Thompson, who has Parkinson’s disease. The proceeds benefiting The Michael J. Fox Foundation for Parkinson’s Research. A painting by Watterson of one of Thompson’s characters sold in 2012 for $13,000 as part of a benefit auction for Team Cul de Sac. [Team Cul de Sac]
Creators | The tech news site Pando has fired cartoonist Ted Rall, just a month after hiring him, along with journalist David Sirota. While Rall wouldn’t comment on the reason for his dismissal, he did say the news came “really truly out of a clear blue sky. I literally never got anything but A++ reviews,” and he added that editor Paul Carr gave him complete editorial freedom. While Valleywag writer Nitasha Tiku speculates that the two had rubbed investors the wrong way, Carr disputes that, as well as other assertions in the article. Nonetheless, both Rall and Sirota confirmed they were let go. [Valleywag]
Saturday, aka Day 2, of HeroesCon was much busier for creators, so I didn’t always get the opportunity to chat with them that I did on the first day of the Charlotte, North Carolina, convention. In those instances, in place of project updates I provide links to the creators and/or their related works.
Creators | Stan Lee arrived at Sydney Airport for the Supanova Pop Culture Expo and was immediately presented with a “Captain Australia” shield, colored gold and green rather than red and blue. The Supanova Pop Culture Expo kicked off today, and continues through Sunday. [The Daily Telegraph]
Comics | Hussain Al-Shiblawi says he doesn’t usually mind the pamphlets he regularly receives from the local Bible Baptist Church in Roanoke, Virginia; even though he’s Muslim, he finds them inspirational. But he takes strong exception to the latest one, a Jack Chick tract titled Unforgiven, which claims that all Muslims are going to hell. The pastor, who declined to go on camera, says his church doesn’t create the pamphlets, it just distributes them, but he’s willing to meet with Al-Shiblawi to discuss the comic. [WDBJ News]
To answer a question that many people have been speculating on: Yes, Bill Watterson did contribute to Pearls Before Swine this week.
The creator of the comic strip, Stephan Pastis, confirmed on his blog what many people have been speculating — the Calvin & Hobbes creator did indeed return to the comic strip page and teamed with Pastis on three strips this week.
Comparing the experience to searching for Bigfoot, Pastis describes how the collaboration came about. It started with a comic strip tribute to Watterson (see above) and Washington Post cartoonist Nick Galifianakis, who worked with Watterson on The Art of Richard Thompson, giving Pastis Watterson’s email address. Pastis didn’t think he’d get a response.
On Monday, cartoonist Stephan Pastis kicked off a new Pearls Before Swine arc by teasing that this week’s strips “will contain a mind-blowing surprise.” That tantalizing tweet, coupled with artwork in a decidedly different style and a couple of potential dialogues, led some readers to speculate that parts of the storyline are drawn by none other than Calvin and Hobbes creator Bill Watterson.
At The Daily Cartoonist, Alan Gardner lays out some of the evidence, both for and against, and rounds up some of the Twitter chatter on the subject. He acknowledges, “I’m not fully convinced that it is Bill.”
Another rare original Calvin and Hobbes comic strip by Bill Watterson has been put on the block by Heritage Auctions. Just how rare is it? Only four have been sold through Heritage during its 13 years auctioning comic art — and two of those were in the past couple of years: An original Sunday installment fetched $203,150 in November 2012, and a daily strip went for $65,725 in February 2013.
The current offering, a daily strip dated May 9, 1987, in which Calvin refuses a vegetarian meal and declares himself a “dessertarian,” has faded lettering and panel frames, but is described as otherwise in “Excellent condition.” The current online bid is $16,000, but will likely climb considerably higher before the May 15-17 auction.
The mission statement for Stripped!, a documentary by Dave Kellett (Sheldon) and Frederick Schroeder, is about forging a common history between webcomics and newspaper funnies. Not comic books, interestingly. I suppose that makes sense, as the most popular webcomics (xkcd, The Oatmeal and Penny Arcade) most closely resemble the four-panel forebears. It’s starting to become standard practice, by the way, to refer these sort of webcomics as “gag-a-day” or “short-form.”
Still, it’s a delight to explore this oft-neglected corner in the world of sequential art. The days of the celebrity cartoonists like Milton Caniff and Al Capp are long past, as depicted in archival footage where they were treated as major celebrities on early TV shows. However, the list of interviewees for Stripped! are still recognizable industry titans: Lynn Johnston. Jeff Smith. Greg Evans. Jim Davis. Mort Walker. Cathy Guisewite, who hilariously has the letters “AACK” hanging in her home. And one name that brings the directors to the point of fanboy glee, Bill Watterson … the first time he’s allowed his voice to be recorded. (Charles Schulz may no longer be with us, but his influential presence looms over the entire documentary.) It’s wonderful seeing the faces of the creators behind so many iconic characters. They gather here to reminisce, sharing crude doodles drawn as a child, their cherished influences, and the highs and lows of working under the syndicate system.
Conventions | Rob Salkowitz, who wrote a book about Comic-Con International, looks forward to this weekend’s sold-out Emerald City Comicon, and explains why it represents the convention of the future: “One reason ECCC is such an ideal place to talk about the future of comics is because the show itself looks like the future of comics–at least the one that I call ‘The Expanding Multiverse.’ Supportive of creators and celebrities alike, embracing the broadest conception of styles and subjects from indie work to mainstream superheroes, self-consciously diverse and inclusive in its conception of fandom, ECCC and shows like it represent a sustainable path forward for geek culture in an age of super-saturation and sensory overload.” Salkowitz will be a participant, not just a fan: He has developed a programming track on comics and digital culture that will feature a number of people (IDW’s Ted Adams, Monkeybrain’s Alison Baker) giving short presentations, similar to the format and spirit of TED Talks. [ICv2]
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out.
This week is pretty packed, as we have news, reviews, a con recap and a whole year’s worth of announcements from one publisher. So buckle your seat belts and hold on tight as we aim our DeLorean at the last seven days …
Bill Watterson has granted so few interviews in the 18 years since Calvin and Hobbes ended that when the rare one does surface, it certainly deserves attention. Such is the case with this new, if brief, Q&A released this morning by The Ohio State University’s Billy Ireland Cartoon Library & Museum.
The chat centers on Exploring Calvin and Hobbes, an exhibit of original strips and specialty pieces opening Saturday, but broadens to include topics like Watterson’s process, the digital arena, and the decreasing likelihood another comic strip will resonate with so many people the way his did.
Calvin & Hobbes creator Bill Watterson has stayed out of the public eye since he ended the popular strip in 1995, but he’s back this week with a rare new piece of art: the poster for the documentary Stripped. It’s his first published cartoon in nearly two decades.
Watterson also did a rare audio interview for the film about comic strips that features interviews with more than 60 creators. Stripped is being made by webcomics creator Dave Kellett and filmmaker Frederick Schroeder, and it was Kellett who asked Watterson if he would make the poster. “Dave sent me a rough cut of the film and I dusted the cobwebs off my ink bottle,” Watterson told Michael Cavna of The Washington Post.
“Given the movie’s title and the fact that there are few things funnier than human nudity, the idea popped into my head largely intact,” the cartoonist said. “The film is a big valentine to comics, so I tried to do something really cartoon-y. I had thought of having it colored with off-registered printing dots like newspaper comics, but Dave asked if I’d paint it instead, and I think he made the right call.”
This is Watterson’s second publicly released work of art since 1995; in 2011 he created a painting of Richard Thompson’s character Petey Otterloop, which was sold for $13,000 at the benefit auction for Team Cul de Sac, which supports research into Parkinson’s disease.
An exhibit of original work by Watterson and Thompson will open in March at the Billy Ireland Cartoon Library & Museum at the Ohio State University in Columbus, Ohio.
We’ve seen cartoonist Bill Watterson’s advice transformed into words of inspiration, but this may be the first time one of his strips has been used in a courtroom.
The Rochester, Minnesota, Post Bulletin reports that when it came time last week to give instructions to a jury considering the case of 20 silica sand protesters charged with trespassing, Winona County Judge Jeffrey Thompson turned to a classic Calvin and Hobbes comic.