"Batman v Superman: Dawn of Justice" Trailer Officially Released
Bone cartoonist Jeff Smith and comics journalist Tom Spurgeon are the driving force behind Cartoon Crossroads Columbus, an annual four-day comics festival set to debut in fall 2016 in Columbus, Ohio.
That will be preceded next year by a two-day CXC Launch Event held Oct. 2, 2015, at the Billy Ireland Cartoon Library & Museum and Oct. 3 at the Columbus Cultural Arts Center (the second day is characterized as a comics expo with up to 35 exhibitors).
Smith, who lives in Columbus, will serve as the festival’s president and artistic director. Spurgeon, editor of The Comics Reporter, will be festival director; he plans to relocate to Columbus early next year.
“We’re extremely excited to try and bring a first-class comics festival to Columbus, Ohio,” Smith said in a statement. “I’ve attended and enjoyed so many great shows over the years, and hope that CXC can take its place alongside them.”
Smith and Spurgeon are joined on the CXC executive committee by Lucy Caswell, founder of the Billy Ireland Cartoon Library & Museum, and Vijaya Iyer, president and co-publisher of Cartoon Books. More details are promised in early 2015.
Publishing | In the wake of the ban in Saudi Arabia of the animated adaptation of The 99 comic, creator Naif Al-Mutawa writes about what he had to go through in the first place to get approval in that country for the Islamic superheroes (one of the steps was the sale of Cracked magazine at a loss so his company would be sharia-compliant to the satisfaction of an Islamic bank). He looks at what led to the fatwa, and concludes by seeking one of his own, posing questions for the clerics who issued the decree. [The National]
Publishing | As part of its five-year anniversary celebration, Multiversity Comics surveys such industry figures as Eric Stephenson, Rachel Deering, Tom Spurgeon and Gina Gagliano about the biggest changes that have taken place during that time, and where comics are headed. [Multiversity Comics]
Conventions | Rob Salkowitz, who wrote a book about Comic-Con International, looks forward to this weekend’s sold-out Emerald City Comicon, and explains why it represents the convention of the future: “One reason ECCC is such an ideal place to talk about the future of comics is because the show itself looks like the future of comics–at least the one that I call ‘The Expanding Multiverse.’ Supportive of creators and celebrities alike, embracing the broadest conception of styles and subjects from indie work to mainstream superheroes, self-consciously diverse and inclusive in its conception of fandom, ECCC and shows like it represent a sustainable path forward for geek culture in an age of super-saturation and sensory overload.” Salkowitz will be a participant, not just a fan: He has developed a programming track on comics and digital culture that will feature a number of people (IDW’s Ted Adams, Monkeybrain’s Alison Baker) giving short presentations, similar to the format and spirit of TED Talks. [ICv2]
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out.
This week is pretty packed, as we have news, reviews, a con recap and a whole year’s worth of announcements from one publisher. So buckle your seat belts and hold on tight as we aim our DeLorean at the last seven days …
Bill Watterson has granted so few interviews in the 18 years since Calvin and Hobbes ended that when the rare one does surface, it certainly deserves attention. Such is the case with this new, if brief, Q&A released this morning by The Ohio State University’s Billy Ireland Cartoon Library & Museum.
The chat centers on Exploring Calvin and Hobbes, an exhibit of original strips and specialty pieces opening Saturday, but broadens to include topics like Watterson’s process, the digital arena, and the decreasing likelihood another comic strip will resonate with so many people the way his did.
Conventions | The inaugural Indiana Comic Con, held over the weekend at the Indianapolis Convention Center, attracted nearly 15,000 attendees, and it sold out on Saturday. Guests included comics creators Joe Eisma, Steve Englehart, Geof Isherwood, Joelle Jones, Don Kramer, Cary Nord and George Perez, and actors Evan Peters, Caity Lotz, Maisie Williams and Daniel Cudmore. [WRTV]
Comics sales | Comics sales in the direct market were down in February for the second time in two months, according to Diamond Comic Distributors. John Jackson Miller runs the numbers: Sales of comics and graphic novels combined are down 10.39 percent from February 2013 in terms of dollars, 14.77 percent in units. Because January sales were also anemic, year-to-date sales are down as well. Still, Miller notes, total dollars are up 3 percent from February 2012. February is traditionally a low month for comic sales, and the number of releases is the lowest in months, with just 692 new products (comics, graphic novels and magazines) being shipped last month. [Comichron]
The family of the late Dick Tracy creator Chester Gould has donated a collection of his original comics strips and other materials to Ohio State University’s Billy Ireland Cartoon Library & Museum.
The collection includes more than 850 original Dick Tracy daily strips, 64 Sunday strips and the drawing board on which Gould wrote and drew the comic for 46 years. Continue Reading »
Retailing | Fans of the Fall River, Massachusetts, retailer StillPoint Comics, Cards & Games kicked in $5,000 in a GoFundMe campaign to keep the store in business. The shop, which opened in 1997, had to close for 10 days last month after its power was shut off. [The Herald News]
Publishing | Following confirmation last month of a Space Mountain graphic novel series, Heidi MacDonald talks with executives from Disney Publishing Worldwide about the expansion of the new Disney Comics imprint. [Publishers Weekly]
Events | Sean Kleefeld reports on Day 1 of the Billy Ireland Cartoon Library & Museum Grand Opening Festival of Cartoon Art in Columbus, Ohio. [Kleefeld on Comics]
Events | The Billy Ireland Cartoon Library & Museum at Ohio State University steps into the spotlight for the Grand Opening Festival of Cartoon Art, which celebrates the library’s move to a new 30,000-square-foot home on campus. The library’s extensive collection includes more than 300,000 original comic strips, 29,000 comic books, 45,000 books and 2,400 boxes of manuscripts, personal papers and the like. The festival, held today through Sunday, includes such guests as Eddie Campbell, Gilbert Hernandez, Jaime Herandez, Jeff Smith, Paul Pope, Hilary Price, Kazu Kibuishi and Dylan Meconis. [The Associated Press, The Columbus Dispatch, Columbus Alive]
Creators | Art Spiegelman talks about history, Maus, and being the creator of Maus: “I have to keep moving as best I can through the shadow of something that I’m glad I had pass through me.” [Tablet]
Jack Chick is best known as the creator of Chick Tracts, the little religious comics that predict dire fates for those who celebrate Halloween, read Harry Potter books, or adhere to any religion not approved by Chick. But how did he get his artistic chops?
At the Billy Ireland Cartoon Museum & Library Blog, Caitlin McGuirk posts a fascinating selection of Chick’s pre-tract comics, a caveman series from the 1950s titled Times Have Changed? Like The Flintstones and BC, both of which came later, the comics use modern-day gags in a caveman setting. The writer was P.F. Clayton, and Chick handled the art.
Comics | A Columbus, Ohio, entertainment weekly lays out a case for the city — home of Jeff Smith, the Billy Ireland Cartoon Library & Museum and the Small Press and Alternative Comics Expo — becoming, like Portland, Oregon, a hub for comic books. “Comics in Columbus is a weird underground, sort of hip-hop thing,” indie publisher Victor Dandridge Jr. says. “We’re like hip-hop in the Bronx in ’79, just on the corner doing our thing.” [Columbus Alive]
Conventions | Bart Beaty files a final report on this year’s Angouleme International Comics Festival, and his verdict is … meh. “There was a consensus all around that the show was flat. People would throw around adjectives like “fine,” “good,” and “okay.” It wasn’t a disaster (as were some of the shows disrupted by construction), but it also wasn’t that memorable either” [The Comics Reporter]
Legal | DragonCon co-founder Ed Kramer, who hasn’t been associated with the show since 2000, has been brought back to the Gwinnett County Jail and booked on child molestation charges that date back to August 2000. The 51-year-old Kramer was released on bond after his initial arrest following accusations that he sexually abused three boys, and has avoided jail and court for more than a decade because of his health problems, although he was under house arrest for a while. He was arrested again in Connecticut in 2011 for violating the conditions of his bond after he was allegedly found alone in a hotel room with a 14-year-old boy. Atlanta Magazine ran a lengthy expose on Kramer last year. [The Atlanta Journal-Constitution]
Comics | Johan Palme talks to Nathan Hamelberg of The Betweenship Group about the continuing controversy over a Swedish library’s decision to re-shelve some Tintin comics because of racist caricatures and colonialist attitudes. The books were put back following an uproar, but the move has sparked a larger conversation, and it even has its own hashtag, #tintingate. [The Guardian]
Conventions | Heidi MacDonald and the Publishers Weekly team (including Robot 6 contributor Brigid Alverson) post a comprehensive report on New York Comic Con, including debuts, new-title announcements, and a quick look at logistics. [Publishers Weekly Comics World]
Conventions | Dave Smith looks at one of the most vexing problems of New York Comic Con: the lack of decent wireless access, a situation troubling exhibitors and media alike. [International Business Times]
Ohio State University has announced it will establish the Dylan Williams Collection of small-press and self-published comics in honor of the late creator and publisher of Sparkplug Comics who passed away Sept. 10, 2011. The collection will be part of the university’s Billy Ireland Cartoon Library & Museum. From the announcement:
Beyond his leadership as a small press publisher, Dylan was a constant advocate of under-appreciated artists, and a champion of raising awareness of cartoon art history among his contemporaries. As a friend and disciple of Bill Blackbeard, whose San Francisco Academy of Comic Art Collection resides here at the Billy Ireland Cartoon Library & Museum, a collection in Dylan’s name also serves as a fitting acknowledgement of that lineage. Though Dylan’s impact on the comics world is irreplaceable, his spirit lives on through the small press publishers that have risen in Sparkplug’s likeness, the artists who have thrived from his influence, and this collection which is intended to represent and support both as he would have done.
The collection will place a special emphasis on handmade works and small-press comics published since 1970, and in-kind donations are welcome. The library’s Caitlin McGurk will be at Small Press Expo this weekend and will participate in a panel on Institution Building and Comics on Saturday afternoon.