EXCL. PREVIEW: "Hal Jordan & the Green Lantern Corps" #1 Enforces 'Sinestro's Law'
Comics historian Trina Robbins is taking a look back at World War II heroines and the female artists who created them in Babes in Arms: Women in the Comics During the Second World War, to be released later this year by Hermes Press.
Clocking in at more than 300 pages, the book collects the wartime comics of four female cartoonists: Barbara Hall, Jill Elgin, Lily Renee and Fran Hopper. Some might call them the original Carol Corps, but I like to borrow a name from one of Hall’s earliest comics, Girl Commandos.
Conventions | A reported 86,500 people attended the third annual Denver Comic Con over the weekend, up from 61,000 in 2013. The event is undergoing some growing pains, however, with organizers quickly rescinding an announced cart-service fee for next year’s convention following complaints from vendors. Even without that additional charge, some exhibitors remain unhappy about the proposed increase in booth fees. [The Denver Post]
If you’re a comics fan with a near-religious devotion to your favorite superheroes, do we have a window treatment for you: Marissa Garner has created a stunning series of prints that imitate the look of stained glass and features everyone from Batman and his allies to Spider-Man and his rogues to Sailor Moon.
What’s more, they’re printed on transparency paper, and can be attached to a window, creating that instant cathedral effect.
Check out some of Garner’s print below, and even more on her Etsy page, where they can be purchased.
Passings | Isabelle “Barbara” Fiske Calhoun, who as Barbara Hall was an artist for Harvey Comics during World War II, died Monday at age 94. Calhoun and her first husband, Irving Fiske, left New York in 1946 and founded a commune in Vermont on land they bought with their wedding money. The commune became the Quarry Hill Creative Center and is “Vermont’s oldest alternative and artist’s retreat.” While the obituary mentions Calhoun’s comics career only in passing, Trina Robbins has more detail in Pretty in Ink: She says Calhoun drew the Black Cat, one of the first comic-book superheroines, and then was the artist for the Speed Comics feature, Girl Commandos, an all-woman team of Nazi fighters led by Pat Parker, War Nurse. “She left comics when her husband-to-be persuaded her to give up cartooning and become an oil painter, a gain for the world of fine art but a loss for comics,” Robbins writes. [Burlington Free Press]
Following Dave Johnson on Twitter is always good value (he’s a funny guy), but especially these last few days, as he posted the sketches and commissions he’d done at Dragon*Con over the Labor Day weekend. Plenty more can be found below, including one that’s maybe a little NSFW.
One of the things a lot of pros like about C2E2 is the late start on Friday. It doesn’t open to the public until 1:00 pm, so creators can sleep in and recover from their trips if they want. Or, if they want to go early to set up or just walk around and visit with each other, they can do that too. It’s also helpful for press jerks taking lots of pictures. Lots. Of pictures.
Matt and Felicia, sitting in a tree — or, actually, more like a giant hole instead of a tree, and I guess Spider-Man being electrocuted kind of kills the mood …
Courtesy of Marvel Comics, we’re pleased to present an exclusive preview from Daredevil #8 by writer Mark Waid and artist Kano, with a cover by regular series artist Paolo Rivera (who returns to drawing the interiors with issue #9). It’s the second part of a crossover with Amazing Spider-Man #677, which is also written by Mark Waid and features art by Emma Rios. The solicitation text refers to the Spider-Man/Black Cat/Daredevil as a love triangle, so I guess we’ll see if sparks fly figuratively between Daredevil and Black Cat as the sparks fly literally for Spider-Man.
This is the comic that topped CBR’s recent top 100 comics of 2011 list, and many of us here at the blog are big fans as well. It’s kind of cool to see a title like Daredevil, which has had very strong creative teams working on it for the past 10 years or so, reinvent itself with a completely different tone and still remain impressive.
Enjoy the preview, and look for both Amazing Spider-Man #677 and Daredevil #8 in shops later this month.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item. We’re coming a little late today due to a power outage in my neck of the woods — due to a blackout, not because I spent the money for the electric bill on Flashpoint or Fear Itself tie-ins.
If I had $15, my first pick off the shelf would be Vengeance #1 (Marvel, $3.99); I love Joe Casey, and especially when he’s given a long leash and room to play in a big universe. Seeing Nick Dragotta drawing this is an added bonus. Next up would be comics’ dueling summer blockbusters, Flashpoint #3 (DC, $3.99) and Fear Itself #4 (Marvel, $3.99). After that, I’d get the excellent Flashpoint: Batman, Knight of Vengeance #2 (DC, $2.99); when Azzarello is on the ball he’s great to read, and this seems to be that.
Anytime I get to talk to Jimmy Palmiotti, we never lack for projects to discuss. I can’t prove it, but I am willing to bet Palmiotti came up with at least two new story ideas while in the midst of this email interview. This Wednesday, July 6, marks the release of Trailblazer, a 48-page full-color western science fiction comic book ($5.99 [Image]) that he co-wrote with Justin Gray and art by Jim Daly. As detailed in this recent CBR release coverage, Trailblazer is “about a hired killer who turns in evidence against an employer for the murder of the woman who raised him. The government must then shield their star informant by enacting Operation Trailblazer, a witness protection program that uses not only location but time travel as well in order to keep their charges safe. As the assassin adjusts to his new life in the old west, he soon finds that no matter when or where he is the future is dead set in coming back to haunt him.” If you buy the book via Comixology, the original script is included as a bonus.
Before discussing this new Image release, we talked a bit about the impressive Jonah Hex 70-issue run (please note, for more scoop on Palmiotti and Gray’s plans for the new All-Star Western series be sure to read CBR’s Jeffrey Renaud’s recent interview with the creators)–not to jump the gun though, as issue 69 goes on sale this Wednesday (with art by Jeff Lemire). Also our discussion delves into the Palmiotti/Gray team reuniting with artist Joseph Michael Linsner on the Claws II (a sequel to Marvel’s Black Cat/Wolverine 2006 team-up) miniseries, which amazingly enough also goes on sale this Wednesday (check out the CBR preview of the first issue). Go into a comic book store this Wednesday, and bottom line, you will have your pick of Palmiotti product to buy. Palmiotti’s passion for comics and his equal commitment to meeting deadlines are two things I’ve always admired about him and that shine through in this interview. As you’ll read at the end of the interview, Palmiotti is curious to know what characters fans would like to see him work on, so please be sure to let him know in the comments section.
Tim O’Shea: You and Jonah Hex have a heck of a future together (with All-Star Western), no doubt. But I really want to talk about how amazing it was that you and Justin successfully told Jonah Hex for 70 issues. How proud are you of that accomplishment?
Jimmy Palmiotti: Very proud…and proud of the excellent work of so many amazing artists along the way. Justin and I would celebrate each and every year we were on Jonah , thinking at any minute it could be the last, but the great crew at D.C. comics always believed in us and believed in our choices and seventy issues is a huge milestone. They believed in us so much that with the new 52 books, they let us continue too do what we do best. In our minds, issue one of All Star Western is another chapter in the characters life and we haven’t missed a beat. The good news is that we are going to have a lot of fun with the other western characters in the D.C. universe.
In recent years, we’ve seen a boatload of comic books and graphic novels make their way to the silver screen, from Big Two stalwarts like Spider-Man and Batman to independent titles like Scott Pilgrim and 30 Days Of Night. Among the various adaptations, though, is an overlooked veteran who has fueled some of comics biggest successes on the big and small screen: Marv Wolfman.
With this year marking his 43rd year in the comic industry, Marv Wolfman has done it all: he’s been editor-in-chief of Marvel Comics, wrote one of the defining event series of all time in Crisis On Infinite Earths and created memorable characters such as Blade, Black Cat, Nova, Deathstroke and the New Teen Titans. He pioneered the idea of inventory stories at the major publishing houses, and as a creator he was the catalyst for companies to start crediting creators by name in comics. He’s been one of the key figures in comics adaptations in video games and animation, scripting episodes of Teen Titans, Batman: The Animated Series, Transformers, Spider-Man, Cadillacs & Dinosaurs and even some non-comics hits like Jem and The Garbage Pail Kids.
Marvel’s first major Hollywood success came thanks to the Marv Wolfman & Gene Colan creation of Blade, and his work on The New Teen Titans was one of the pillars of successful Teen Titans cartoon. But with all that work out there, comics still has a lot of Wolfman gems to offer movie producers. Here’s a highlight of some natural born hits coming from the mind of Wolfman and his collaborators.
Today marks the release of the second issue in writer Jen Van Meter and artist Javier Pulido’s four-issue Amazing Spider-Man Presents: Black Cat miniseries. I recently had occasion to email interview Van Meter about the project, the overall collaboration experience and transitions, as well as near-term Hopeless Savages (Oni) plans (plus heist genre recommendations and covert gardening tips). After you read the interview, please be sure to check out the seven-page preview that CBR posted last week.
Tim O’Shea: In prepping for this miniseries, did you go back and read past Black Cat appearances for background? Are there any writers in particular whose approach to the character appealed to you more than others?
Jen Van Meter: I spent the most time with the early Marv Wolfman material, honestly. I like to go back to the beginning whenever I’m asked to take on a character I don’t feel I know well. The things I loved about her, particularly in Amazing Spider-Man 195, were her fierce determination and her strength — the Femme Fatale stuff is there, but it’s really overshadowed by her toughness in his treatment of her. I looked at or revisited many other appearances and caught up on the most recent stuff, but I think I really relied on Wolfman the most to tell me who she is.