Awards | Sammy Harkham’s Everything Together: Collected Stories, published by PictureBox, won the 33rd annual Los Angeles Times Book Prize for graphic novels/comics. The Los Angeles Times also profiles Harkham as “a significant voice on the L.A. cultural scene.” [Los Angeles Times Book Prizes]
Awards | Now that their work is done, the Eisner Award judges share their experiences and the insights they have gleaned from six months of reading as much of last year’s’ graphic novel output as possible — and four days of deliberations. [Comic-Con International]
Creators | Craig Thompson (Blankets, Habibi) interviews the French creator Blutch, whose So Long, Silver Screen will be released soon by PictureBox. [BoingBoing]
The Toronto Comic Arts Festival will celebrate its 10th anniversary in style May 11-12 with a truly stellar lineup of guests. Let’s get right to that, actually. Here’s the list, straight from the TCAF site:
- Art Spiegelman: Author of Maus, winner of the Pulitzer Prize, Co-Founder RAW Magazine. Debuting:Co-Mix
- Francoise Mouly: Art Editor of The New Yorker, Founder of Toon Books, Co-Founder RAW Magazine
- Taiyo Matsumoto Author of Tekkon Kinkreet (adapted into film by Sony Pictures). First North American event. Debuting: Sunny Volume 1. (Japan)
- Raina Telgemeier: New York Times Bestselling Author of the childrens’ and middle-grade graphic novels Smile and Drama
- Blutch: Angouleme Grand Prix Winner. First North American event. Debuting: So Long, Silver Screen. (France)
- Gengoroh Tagame: Acclaimed Japanese gay comics creator. First North American event. Debuting: The Passion of Gengoroh Tagame. (Japan)
- Dash Shaw: Author of BodyWorld. Debuting: New School.
- Maurice Vellekoop: Acclaimed illustrator and comics author. Artist of TCAF 10th Anniversary Poster.
One of the highlights in Picturebox’s 2013 schedule is the release of So Long, Silver Screen, the first major release by the French artist Blutch, a.k.a. Christian Hincker, in North America. Although he’s one of the most important European cartoonists of the past 20 years or so (his work has greatly influenced such artists as Craig Thompson and Jessica Abel, just to name a few), Blutch’s work has strangely remained unreleased in the United States until now.
As the title suggests, So Long, Silver Screen is Blutch’s ode to the magic of the cinema. I’ll let the Picturebox press release take it from there:
What are the movies? What effect do they have on us? Why do we love them so much? Blutch addresses all these questions in a series of interlocking short comics that move between scholarly history, romantic theory and ribald vignettes, featuring a motley cast of actors and topics including Burt Lancaster, Jean-Luc Godard, Luchino Visconti, Claudia Cardinale, Tarzan, and Michel Piccoli. As much a visual essay as it is graphic novel, a daydream and a fantastic meditation on the other art of telling stories with images, So Long, Silver Screen is a new height for an uncontested master of contemporary cartooning.
The highly influential and award-winning French cartoonist Blutch has published over a dozen books since his 1988 comic debut in the legendary avant-garde magazine Fluide Glacial. His titles include Mitchum, Peplum, and Le Petit Christian. His illustrations appear in Libération, The New Yorker and Les Inrockuptibles. So Long, Silver Screen is his first full-length work to be published in English.
Translated by Edward Gauvin and sporting a cover design by David Mazzucchelli, the graphic novel will be available in stores in April. See a 10-page preview below.
Continuing our look at various small press publishers plans for the new year, today i thought we’d take a few moments to delve into Picturebox’s latest catalog. Join me, won’t you?
Note: Some images below contain mild nudity that may be NSFW, depending upon where you W.
Blutch, born Christian Hincker, was one of the most influential cartoonists to come out of the French alt-comix scene of the 1990s (although he arguably owes quite a bit to Edmond Baudoin). Blutch’s masterful, expressive line, exemplified in works like Peplum and Le Petit Christian, influenced a number of artists both in Europe and here in America, most notably Craig Thompson. Blutch’s art was such a strong influence on Thompson while he was working on Blankets that L’Association publisher Christophe Menu derided the work as being too derivative and the supreme example of the co-opting the French small press scene in his book-length essay Plates-bandes.