"Deadpool" Sequel in Motion, Screenwriters to Return
Copyright | After running a feature about “New York Multimedia Pop Artist” Chad Love-Lieberman, nephew of Sen. Joseph Lieberman, the website Campus Socialite retracted its story upon finding out that Love-Lieberman “is a fraud, taking other people’s art from the web, touting it as his own, and worst of all – selling it for profit.”
Ursula Vernon, creator of the webcomic Digger, noted that one of the pieces in the article was actually hers. “Mad props to the staff at the Campus Socialite, who got back to me in under ten minutes and promised to pull everything and edit the article — they were just as outraged as you’d expect them to me. I’ve actually granted them permission to use the art with appropriate credit if it’ll help illustrate the issue (pun intended),” she posted on her LiveJournal. The domain for Love-Lieberman’s site, art4love.com, isn’t working, but the site is still up. Artist Deirdre Reynolds has a list going on DeviantArt of all the pieces on art4love that artists have identified as their own. Gary Tyrell, meanwhile, has reached out to both Love-Lieberman and his uncle for comment. [Campus Socialite]
Digital | Comics Buyer’s Guide has gone digital; issues of the long-running industry publication are now available on iVerse’s Comics+ application. Johanna Draper Carlson notes that only two CBG-related publications are currently available — the July 2011 issue and 1000 Comic Books You Must Read by Tony Isabella. [press release, Comics Worth Reading]
Legendary Comics announced at its panel this afternoon at Comic-Con International that it will publish new projects from Paul Pope and Matt Wagner.
Set for release this holiday season, PulpHope is a more than 200-page retrospective of Pope’s career, featuring many pieces that haven’t been seen before. A previous edition was published in 2007 by AdHouse Books.
The Tower Chronicles, developed by Wagner with Legendary CEO Thomas Tull, is a supernatural action-adventure about a bounty hunter with a hidden past who, backed by a team of high-tech mercenaries, protects civilians from the things that go bump in the night.
“We are thrilled to be working with Pope and Wagner on these upcoming projects for Legendary Comics,” Editor-in-Chief Bob Schreck said in a statement. “Just as our film division works with the best-in-class talent and filmmakers to produce content for the fandom demographic, so too will Legendary Comics move forward on our mandate to publish works from the best in A the industry.”
Legendary also will release Frank Miller’s Holy Terror in September.
Update: The Hollywood Reporter reports that Simon Bisley will provide artwork for the Tower Chronicles. They also provide additional details on the PulpHope book, calling it “a revamped version of the artist’s out-of-print art book titled PulpHope, stripping away 100 pages and throwing in 100 new ones incorporating work Pope has done in the music, toy and clothing spheres, as well as other material.”
Rich Johnston and Heidi MacDonald are both reporting that Frank Miller’s long-awaited graphic novel Holy Terror will be published this September, the tenth anniversary of the 9/11 terror attacks to which the book is a response. The project began as a “Batman vs. al-Qaeda” book for DC before Miller, feeling he’d taken the story too far outside of the Batman comfort zone, rejiggered it with an original hero called the Fixer and took it elsewhere. That elsewhere turns out to be Legendary Comics (the publishing subsidiary of the Legendary Pictures film shingle), helmed by former Oni/DC/IDW editor Bob Schreck. This oughta be a pip.
At the Eisner Awards ceremony last night, Denis Kitchen announced that Will Eisner’s A Contract with God is coming to the silver screen, courtesy of writer and producer Darren Dean, co-executive producers Bob Schreck and Michael Ruggiero, and directors Tze Chun, Alex Rivera, Barry Jenkins and Sean Baker, among others.
Each of the directors will direct one of the graphic novel’s four adjoining chapters. Principle photography will begin in 2011.
“Getting to know Will Eisner was one of the great honors of both my personal and professional journeys,” Schreck said in a press release. “We are all well aware that the work ahead has a very high bar of excellence to aspire to set by Mr. Eisner’s pioneering achievements in storytelling.”
Read the entire press release about the project after the jump.
It’s never boring when I get to catch up with writer/artist Matt Kindt about his creative and marketing process–as well as the film, Donnie Darko (and a range of other topics–including video games, Crisis on Infinite Earth and learning how to drive a stick shift). Had I known we could have talked while at a baseball game (this will make sense once you’ve read the interview), well I was crushed (OK not crushed, but I’m finding out next year if Kindt is partial to major or minor league baseball–and we’ll plan our next interview accordingly). Although I was fortunate enough to read an advance black and white preview of Revolver (his new graphic novel for Vertigo “a tale of two worlds — and how both test a man to his limits”), I’m looking forward to this Wednesday, July 14, when I can buy the book in its final form. While we all wait, enjoy this interview.
Tim O’Shea: How much advanced layouts, given the conflicting narratives that you maintain throughout the tale, did you have to set up at the project’s outset?
Matt Kindt: I lay everything out well in advance. I don’t pencil any pages until the entire thing is layed out. Especially with a book like this where I had a hard page count, meaning I couldn’t go over my page limit, I had to be very precise with everything, including where the page-turns would be for certain big reveals, etc.But I really do that with every book – I don’t start penciling anything until I’ve figured out the entire book.
Two months after Frank Miller tweeted “I just drew a really cool dinosaur,” everything finally falls into place with IDW Publishing’s announcement of Jurassic Park: Redemption, a new ongoing series by IDW Senior Editor Bob Schreck and artist Nate Van Dyke.
June’s Issue 1 will feature covers by Frank Miller and Tom Yeates, with subsequent covers in the initial five-issue arc by Yeates with variants by Arthur Adams (#2), Paul Pope (#3), Bernie Wrightson (#4) and Bill Stout (#5). What’s more, IDW will be giving away posters at WonderCon featuring Miller’s cover art.
The series is set 13 years after the events of the first Jurassic Park film, as John Hammond’s now-adult granddaughter Lex Murphy works with the United Nations to keep people off of Isla Nublar and Isla Sorna, while her brother Tim tries to redeem their grandfather’s name.
In addition to the new series, IDW has secured the rights to reprint the Topps Jurassic Park comics from the 1990s in a trade paperback.