Axel-In-Charge: In-Depth with Alonso on Marvel's "All-New, All-Different" Lineup
Happy Veterans Day and welcome to What Are You Reading?, our weekly look at the comics, books and other things we’ve been perusing of late. Today our special guest is Brady Sullivan, the writer of Death Springs, a free weekly webcomic with artist JC Grande (Image’s Johnny Monster). He also has several print projects currently out or hitting the shelves soon, including the recently released action/satire Revolution Aisle 9.
To see what Brady and the Robot 6 crew have been reading, click below …
College basketball season starts back up in November, so that makes thinking about bracketology only a little less premature. Looking at the various discrete (and, occasionally, indirect) crossovers happening throughout November’s New 52 solicitations, I couldn’t help but picture the field of 68, with each individual game a step along the way to … “Trinity War,” I guess …?
Green Lantern’s “Rise of the Third Army” occupies the four GL titles, of course, but it also brings in Justice League, where the solicit for issue #14 wonders where Hal is. (After reading this week’s GL #12, I have a better idea about that.) Likewise, GL #14 guest-stars the League.
From the solicits I wonder if “ROT3A” takes place mainly in GL (with a little JL on the side). “Night of the Owls” was advertised that way (you only need to read Batman, because the other Bat-books dealt with ancillary stories) and it kind-of fits with the way the New-52 books have hyped their creative teams. Johns, Scott Snyder, and Jeff Lemire are responsible for a total of seven books (GL, JL, Aquaman, Batman, Swamp Thing, Animal Man, JL Dark), and each writer has at least one book in some sort of crossover this month.
In recent years, we’ve seen a boatload of comic books and graphic novels make their way to the silver screen, from Big Two stalwarts like Spider-Man and Batman to independent titles like Scott Pilgrim and 30 Days Of Night. Among the various adaptations, some creators have emerged as magnets for Hollywood types — although in this case not specifically for his comic work: Neil Gaiman.
We know Gaiman best for his comics work, but it’s arguably his prose work that made his name for the mainstream public-at-large and the Hollywood types that have hired him for jobs. While none of his comics work has been adapted to the screen, his prose and prose/art hybrids have come to life in the movies for Stardust and Coraline, and the BBC series Neverwhere. He’s been brought in to write episodes of Doctor Who and Babylon 5, and has written original screenplays for movies like Beowulf, Mirrormask and several unreleased projects. Be that as it may, people have attempted film adaptations of his comics work in the past, including an adaptation of Death: The High Cost of Living several years back.
But with Gaiman’s stock in people’s minds continuing to ride high, I’d bet money on more of Gaiman’s comic work making it to the screen. Here’s a crib sheet for the Hollywood-types on what they should do and how they should do it. Take note, I chose to leave out the variety of prose work that would be natural fits for adaptation, even the prose work that’s later been adapted to comics.
Welcome once again to What Are You Reading?, our weekly look at what the Robot 6 crew have been reading lately. Our special guest today is Faith Erin Hicks, creator of the graphic novels Zombies Calling, The War at Ellsmere and the upcoming Friends with Boys. She also drew the recent First Second release Brain Camp and has a comic strip in her local weekly newspaper The Coast called The Adventures of Superhero Girl.
To see what Faith and the Robot 6 crew have been reading, click below …