Strong Talks Merging "Super-Cute" with "Super-Psycho" for "Arkham Knight's" Harley Quinn
Video Games, Comic Books, TV, Film
Conventions | Convention producer ReedPOP will add Vienna Comic Con in Austria to a growing roster of shows that already includes the Chicago Comic & Entertainment Expo, New York Comic Con, Emerald City Comicon, PAX, OZ Comic Con, Shanghai Comic Con, Star Wars Celebration and Comic Con Paris. It’s scheduled for Nov. 21-22 at Messe Wien in Vienna. ”We aim to make Vienna Comic Con the leading pop culture event in Central Europe,” Barbara Leithner of Reed Exhibitions said in a statement. “Fans at Vienna Comic Con will experience unique programs and events, and meet pop culture creatives from all over the world.” [press release]
Frequently spending 12 to 13 hours a day to produce two pages, Lantern City artist Carlos Magno devotes a lot of his attention to detail. It’s readily apparent in every panel of the upcoming steampunk series from Archaia.
Part of a broader multimedia property that includes a novel, an app and a planned television series, Lantern City centers on Sander Jorve, a family man who seeks to improve his lot in life. When his activist brother-in-law convinces him to infiltrates the ranks of the brutal Guard, Sander is set on a dangerous path.
Publishing | Archaia founder Mark Smylie will leave the company he founded in 2002 to focus on his writing career. Creator of Artesia and author of the 2014 novel The Barrow, sold the company in 2008 to Kunoichi Inc., but remained as an acting principal. BOOM! Studios then purchased Archaia in 2013, transforming it into an imprint of the publisher. [press release]
Conventions | Filmmaker John Waters says the organizers of Shock Pop Comic Con, which took place in Fort Lauderdale, Florida, on the weekend of Feb. 14, owe him $6,250 — and they have told him they don’t intend to pay. Waters said the con seemed legit, if lightly attended, and they paid the first half of his fee up front. “I didn’t think that they were gonna – in a very short time – send a letter from a lawyer that basically was just like, ‘Don’t bother even trying,’” he said. But that’s what they did: The letter said the company that organized the event “had to close their doors and had no assets within which to satisfy its debts.” Freelance talent manager Shade Rupe said the con had “an incredible lineup,” but it was poorly organized; he got stuck with the limo bill for one of the people he represents, actor Danny Trejo. [Broward/Palm Beach New Times]
“As soon as I started getting an allowance, it was for comics. I would just go [to the store]. I didn’t really have a concept of new comic day, I just thought they showed up at any given random time at Golden Apple in LA. I would just show up and was like, ‘Ooh, WildC.A.T.S.!’ It was all that — WildC.A.T.S., Spawn, Cyberforce. I got into it too late to even know that these creators worked on Spider-Man and the X-Men. I just knew that they created the friggin’ Violator. It was huge for me. It got me into comics, straight-up. I think I liked those comics more than I liked X-Men. I just remember being at my friend’s house and he was like, ‘You gotta read this Spawn,’ and I loved it.”
— Say Anything frontman Max Bemis, talking with Comic Book Resources about the ’90s Image comics that inspired his new BOOM! Studios series Oh, Killstrike
Writers James Tynion IV and Noah J. Yuenkel have teamed with artist Matt Fox for UFOlogy, a six-issue miniseries debuting April 1 from BOOM! Studios. Set in the Midwest, the story centers on two teens, Becky and Malcolm, who uncover a mystery involving aliens that somehow traumatized both of their parents more than a decade ago. To mark the launch of this new series, BOOM! Studios asked artist Alison Sampson to create a Jackpot Variant, which will only be one for every 100 copies of Fox’s main cover.
Sampson shared with ROBOT 6 the creative process behind her cover:
Last year Ripley’s imagined Holy Kitten from Lumberjanes scored her own T-shirt, and now she’s received a serious upgrade: a talking plush.
Designed by Lumberjanes artist Brooke Allen, it’s WeLoveFine‘s first plush collaboration with BOOM! Studios. You can listen to Holy Kitten’s two sounds — meow and an angelic choir — below.
Crime | Artist and collector Jim Wheelock talks about the loss of his comics collection, which was stolen from a storage unit in Brattleboro, Vermont: “I remember where I was and what I was doing when I bought or read many of [the comic books]. Later, when I worked in the financially rickety world of a freelance artist, knowing the books were in Vermont gave me a sense of security, a retirement nest egg. This is what the culprit robbed me of.” Vermont-based cartoonists James Kochalka and Harry Bliss weigh in on what such a loss would mean. Wheelock’s thousands of comics included extensive runs of The Incredible Hulk, The Avengers, The Amazing Spider-Man, Daredevil and The Fantastic Four, in some cases beginning from the first issues. [Seven Days]
This week, Ross Richie of BOOM! Studios wrote an editorial, and Matt Gagnon gave a thoughtful interview, on the topic of diversity in comics, and they followed it up with a Twitter hashtag, #comicsforward. It certainly got people talking, although perhaps not always in the way Gagnon and Richie intended.
The first thing that happened was exactly what they had in mind, which was a bunch of folks jumping onto Twitter to celebrate their favorite comics and creators or just applaud the idea. It’s definitely worth checking that hashtag to see some great recommendations.
Publishing | Portland, Oregon, will be the home base for Heavy Metal’s new line of comics, which was announced in October, following the company’s sale to David Boxenbaum and Jeff Krelitz. “I think it’s being closer to the talent,” Krelitz said. “If you wanted to be a painter in the early 20th century, you went to Paris. The comics line launches in March with the second season of Michael Moreci and Steve Seely’s Hoax Hunters. The company plans to be publishing eight original series by the end of this year and another 12 next year, building up to 50 in five years. “We’re positioning to be a premier publisher,” Krelitz said. [The Oregonian]
Passings | Editorial cartoonist R.K. Laxman, who maintained a running commentary on Indian politics for almost 60 years, has died at age 93. The younger brother of novelist R. K. Narayan, Laxman got his start illustrating his brother’s work as well as doing drawings for local newspapers. He became an editorial cartoonist for the Times of India around 1947, about the time India became an independent country, and stayed there until 2010. Laxman’s most famous creation was the Common Man, a character that stood in for the average Indian. As the official obituary in the Times of India said, “His Common Man, created in 1957, was the symbol of India’s ordinary people, their trials and tribulations, their little joys and sorrows, and the mess they found themselves in thanks to the political class and bureaucracy. But despite the sobering reality of this, there was never any rancour in Laxman’s cartoons. His humour was always delightful, and no one could hold a candle to his brushstrokes.” [Times of India]
The GLAAD Media Awards are traditionally a fairly mainstream affair, with the Gay & Lesbian Alliance Against Defamation recognizing outstanding portrayals of the gay, lesbian, bisexual and transgender communities in works that reach a wide audience. Although in the past, the organization has honored the likes of Fun Home, Luba and Strangers in Paradise, the outstanding comic book category is typically heavy on superhero titles released by Marvel and DC Comics.
However, with the announcement this morning of the nominees for the 26th annual GLAAD Media Awards comes a couple of big surprises: Just one superhero series is singled out, and, for the first time since the comic book category debuted in 2003, there are no titles published by DC or its imprints.
It’s deja vu all over again for the Diamond Gem Awards: Voted on by comics retailers, the winners this year look a lot like the 2013 lineup, with Image Comics and BOOM! Studios once again taking honors as top publishers in their divisions. Marvel was named top dollar publisher, DC Comics as top backlist publisher and Viz Media as top manga publisher — just like in 2012 and 2013.
The first issue of the widely acclaimed Ms. Marvel was honored as comic book of the year in the under $3 division, and Thor #1 was the choice among pricier comics. The Amazing Spider-Man #1 brought in the most dollars, however. My Little Pony: Friendship Is Magic was named the best all-ages comic of the year, Batman: Earth One took the honors as best original graphic novel, and Box Brown’s Andre the Giant was the best indie comic.
In terms of who got what, DC Comics won seven awards, Marvel won six and Dark Horse won three, including best anthology for Dark Horse Presents, another three-peat.
Here’s the full list of winners:
Rumors of punk rock’s death were greatly exaggerated, and here in the new year it’s coming to comics in the creator-driven miniseries Curb Stomp, from BOOM! Studios. Taking cues from the 1980s hardcore music scene and post-apocalyptic fiction, Ryan Ferrier and Devaki Neogi’s four-issue tale follows an all-girl street gang known as the Fever as they fight through the streets of a dilapidated metropolis.
Ferrier spoke with Comic Book Resources about the miniseries just this week.
BOOM! has provided ROBOT 6 with an exclusive preview of Curb Stomp #1 in advance of its Feb. 25 debut, along with covers by Tula Lotay and Marie Bergeron.
After working on the inaugural arc of BOOM! Studios’ Sons of Anarchy title, Ed Brisson and Damian Couceiro are going out on their own with new series Cluster in what the publisher describes as a “gritty, violent, sci-fi epic in the vein of The Dirty Dozen.”
That opening panel shows more than just a dozen, but given Brisson’s past writing, I expect that herd to be thinned down quick and with gusto. Cluster follows a group of incarcerated criminals drafted into service as soliders in a future war against aliens, but their predicament goes from bad to worse when they’re stranded on one of the battlefield planets with only each other to rely on for survival.
For ROBOT 6’s anniversary celebration, BOOM! has provided us with an exclusive three-page preview of this title, debuting on Feb. 4. In addition, we have three of the four covers by James Stokoe, Simon Roy and Declan Shalvey.
Legal | Illustrator Greg Theakston tells The Comics Journal that during his Christmas vacation, he plans to file a police complaint against the Jack Kirby Museum and Research Center, alleging it stole about 3,000 photocopies of Kirby’s pencil work. Theakston gave the photocopies to the museum, but he contends it was intended to be a loan, while the museum says it was an outright donation. If this sounds vaguely familiar, it’s because Theakston has been threatening legal action since August. [The Comics Journal]
Creators | Paul Tumey posts a charming series of letters from Pogo creator Walt Kelly to a young pen pal (who had a pet alligator named Albert), along with plenty of backstory. [The Comics Journal]
If you read about comic books on the Internet, and I have reason to believe you do, then chances are you’ve seen a lot this year about Lumberjanes.
And there’s good reason for that. First, the monthly series from BOOM! Studios is the sort of book many talkers-about-comic have been saying we need more of forever: It’s full of strong female protagonists, and it’s the work of strong female creators. (It’s a comic book about a group of awesome ladies, by awesome ladies!)
Second, and more importantly, it’s really, really good. It’s the story of five teenage best friends who occupy the Roanoke cabin of their Girl Scouts-like summer camping organization — April, Jo, Mal, Molly and Ripley — and their discovery of, and battles, against all kinds of weirdness in the woods around them. In the first, eight-issue arc they became involved in a contest between Greek gods, fighting three-eyed woodland creatures, yetis, dinosaurs and giant lightning bugs in the process. All that while earning merit badges.
Why do I bring this up? Well because if you’ve been reading about Lumberjanes and haven’t yet sampled it, this week’s issue is a pretty great jumping-on point.
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