BOOM! Studios Archives - Page 3 of 8 - Robot 6 @ Comic Book Resources
Events | Heidi MacDonald beats everyone else to the punch and files the definitive report on the Toronto Comic Arts Festival, which featured a flurry of graphic novel debuts and appearances by artists as diverse as Taiyo Matsumoto (Tekkonkinkreet) and Andrew Hussie (Homestuck). [Publishers Weekly]
Publishing | BOOM! Studios will publish a line of Robocop comics beginning in August. Dynamite Entertainment had the license previously, but company President Nick Barrucci said the rights reverted to the licensor, who granted them to BOOM! [ICv2]
Publishing | Brian Truitt takes a look at Valiant’s lineup for the second summer of its new life, and he talks to the creators about the relaunch and their plans for the future. [USA Today]
Editorial cartoons | Michael Cavna interviews Sacramento Bee editorial cartoonist Jack Ohman about Texas Gov. Rick Perry’s demand that the newspaper apologize for an April 25 cartoon in which the politician is depicted boasting that “Business is booming in Texas!” beneath a banner that reads, “Low Tax! Low Regs!,” juxtaposed with an image of the deadly fertilizer-plant explosion in West, Texas. “It was with extreme disgust and disappointment I viewed your recent cartoon,” Perry wrote in a letter to the editor. “While I will always welcome healthy policy debate, I won’t stand for someone mocking the tragic deaths of my fellow Texans and our fellow Americans.” Lt. Gov. David Dewhurst has reportedly called for Ohman to be fired.
Awards | A last-minute reminder: Today is the deadline for Eisner Awards submissions. [Eisner Awards]
Creators | Grant Morrison looks back on his run on Action Comics, which ends today with the release of Issue 18, and touches upon Multiversity and his long-discussed Wonder Woman project: “This is some of the most fun I’ve had in a long time, because it’s a completely different type of comic book. Usually I don’t do masses of research, but for Wonder Woman, I’ve actually been working my way through the entire history of feminism. I want this to be fucking serious, you know? I want this to be really, really good, to reflect not only what women think, but what men think of women. I’m trying to do something really different from what’s been done with the character before. That one’s been amazing fun, because it’s nothing like anything I’ve ever done before.” [Entertainment Weekly]
Manga | The Japanese market research firm Oricon reports sales of manga volumes (tankobon) slipped 1.5 percent last year, to about $2.886 billion, the first decline since the company began reporting the figures in 2009. [Anime News Network]
Graphic novels | The Scottish Archaeological Research Project has put together a rather lively looking graphic novel about the history of Scotland, including such little-known events as the Storegga Tsunami. [BBC News]
Manga | Someone with a sharp eye spotted a manga license that hasn’t been officially announced: Kodansha Comics will publish Sherlock Bones, a series about a crime-solving boy and a talking dog, by Shin Kobayishi (Drops of God, Kindaichi Case Files) and Yuki Sato (Yokai Doctor). [allfiction]
Publishing | The X-Files is in the headline, but this interview with IDW Publishing Editor-in-Chief Chris Ryall covers a lot of ground, including the logistics of continuing a defunct TV franchise as a comic, the standouts among IDW’s young creators, and the challenges of being a comics writer. [Hero Complex]
Publishing | Alvin Lu has left his position as executive vice president of the manga publisher Viz Media. Lu had been at Viz for 13 years and was one of the top executives in the company, reporting directly to CEO Hidemi Fukuhara. [ICv2]
Comics | The graphic novel Metro, once banned in Egypt, is available in Cairo once more. [The Comics Reporter]
Censorship | At least one comic, alas unnamed, was among the thousands of books removed this week from a Turkish government restricted list. Most of the bans were widely ignored anyway, but Metin Celal Zeynioglu, the head of Turkey’s publishers’ union, pointed out one important effect of lifting them: “Many of the students arrested in demonstrations are kept in prison because they’re carrying banned books. From now on, we won’t be able to use that as an excuse.” [The Australian]
Publishing | Tom Spurgeon’s latest holiday interview is with Shannon Watters, the editor of BOOM! Studios’ children’s comics line, which includes Adventure Time, Bravest Warriors and Peanuts. [The Comics Reporter]
Late last month, writer Paul Jenkins launched his new ongoing collaboration with artist Carlos Magno, BOOM! Studios’ Deathmatch. In Comic Book Resources’ review of the specially priced $1 first issue, Kelly Thompson rated it four out of five stars and wrote: “A Battle Royale concept of heroes pitted against each other to the death in an arena has the potential to be pretty tired at this point, what with the proliferation of these types of stories including some comics already out there … However, in the deft hands of Paul Jenkins and Carlos Magno, ‘Deathmatch’ is not only good, but far better than I ever expected given the concept and title … Jenkins and Magno have set up a very cool and smart story that, although it could easily fall into seen it all before cliché, is so far expertly avoiding all those traps and delivering a great reading experience.”
Jenkins recently took time to talk with me about the new series, as well as the Kickstarter success of his and Humberto Ramos’ Fairy Quest. Deathmatch #2 will be in stores Jan. 30.
Although I’ve known him for a few years from frequent drop-ins at the BOOM! Studios booth on the convention circuit, I haven’t ever had the opportunity to interview Matt Gagnon, the company’s editor-in-chief. So I jumped at the chance to talk to him for ROBOT 6′s anniversary.
Matt Gagnon joined BOOM! in 2008 to edit its Farscape comics after working as buyer and purchasing manager for Hollywood’s Meltdown Comics. He moved up fairly quickly, becoming managing editor, then editor-in-chief when Mark Waid was named chief creative officer in 2010. This past year saw the launch of BOOM!’s ultra-popular Adventure Time comic book, as well as several other kids’ series as a part of the KaBOOM! line. The publisher also announced a new Hellraiser series and put out several original series, like Higher Earth, Freelancers (which Gagnon co-created) and last week’s Deathmatch, just to name a few.
My thanks to Matt for his time, as well to BOOM!’s Filip Sablik, who helped set it all up.
BBC’s revival of Doctor Who in 2005 met with immediate success, but with the arrival of Matt Smith as the Eleventh Doctor and Steven Moffat as executive producer, its popularity seemed to rise to a new level. IDW Publishing has been releasing Doctor Who comics since 2007, and this year launched a new series with writer Andy Diggle as “showrunner.” With December’s Issue 3, up-and-coming writer Brandon Seifert and artist Philip Bond stepped in for a two-part story in which Amy sends the Doctor and Rory on a boys’ night out to help build their strained relationship.
Seifert has established himself in a relatively short time with his medical-horror series Witch Doctor, with co-creator/artist Lukas Ketner, which earned the attention of Robert Kirkman and a spot as the launch title for his Skybound Entertainment imprint. Seifert also was among the initial wave of creators invited to produce digital-first material at MonkeyBrain Comics. And most recently he was selected to write under Clive Barker for the Hellraiser series at BOOM! Studios.
Brandon and I got a chance to chat about his Doctor Who two-parter, how he handles horror in comics, and our shared history with fan fiction. IDW was kind enough to provide us with a preview of Doctor Who #4, which goes on sale Wednesday.
Although we compiled a list of Cyber Monday sales on Sunday, it looks like the comics-related savings don’t end there. Here are some more deals for you to take advantage of today (and in one case, beyond):
• In addition to its continued “Blackest Friday” sale, comiXology today is offering 99-cent digital editions of Marvel’s Avengers titles, 50 percent off select IDW Publishing comics, and up to 80 percent off select Dynamite Entertainment collections.
Why fight the crowds today when you can take advantage of Black Friday savings on print and digital comics from the comfort of your own home? Here’s a roundup of online sales kicking off this morning, with discounts on everything from The Walking Dead and The Incredible Hulk to Star Wars and Adventure Time. If you know of any other, please let us know in the comments.
• Dark Horse’s web store is promoting a “Star Wars Black Friday MegaBundle,” with digital editions of 153 Star Wars comics — they include such titles as The Clone Wars, The Old Republic, Crimson Empire, Dawn of the Jedi and Agent of the Empire, 3,772 pages in all — for $100. The sale ends Sunday.
Comics strips | An original 1986 Sunday installment of Calvin and Hobbes, drawn and hand-colored by Bill Watterson, has sold at auction for $203,150. The piece had been owned by Adam@Home and Red and Rover cartoonist Brian Basset, who exchanged original comics with Watterson in 1986. [The Daily Cartoonist]
Best of the year | The Top Ten lists are coming thick and fast now. Michael Cavna counts down his favorites of the year, which include Chris Ware’s Building Stories, Raina Telgemeier’s Drama, and Matt Dembicki’s Washington, D.C.-focused anthology, District Comics. [The Washington Post]
Best of the year | … and George Gene Gustines weighs in with his list. [The New York Times]
And so another U.S. presidential election comes to a close. While the incumbent was re-elected, the comics industry didn’t seem to embrace the season like it did in 2008.
Four years ago, the bestselling comic book issue of the year was The Amazing Spider-Man #583, by a wide margin — by such a wide margin that it ended up being the bestselling issue of the decade with more than half a million copies ordered, according to numbers cruncher John Jackson Miller. In fact, this became such a thing that there was nearly a boutique industry of comic books featuring Barack Obama. From Savage Dragon and Army of Darkness to Bomb Queen and Licensable Bear (the first Obama comic), it seemed the president was everywhere. IDW Publishing released an entire line of biographical comics on the presidential candidates, and similar titles were also published by Antarctic Press and Bluewater Productions. The latter’s efforts were so successful that the company continues to mine that niche.
Four years later, this mini-genre has all but vanished. Last year, BOOM! Studios attempted to lead the charge with Decision 2012, the first straw poll conducted through comics: Pre-orders determined which candidates would get their comics published, with the one receiving the highest print run being declared the winner. While a creative idea, the project may have been a victim of poor timing, as the event was held so early in the campaign — it was announced in August 2011 — that there wasn’t a clear line-up of Republican candidates. Despite all of her teasing, Sarah Palin never entered the race, yet she was included among the list of comics. In fact, on the same day the one-time GOP vice presidential nominee announced she wouldn’t be running on the same day that BOOM! revealed the results of its straw poll. Out of the 10 biographical comics offered for pre-order, just four met the benchmark of 1,500 pre-orders: Obama, Palin, Ron Paul and Michele Bachmann. Republican presidential nominee Mitt Romney came in fifth, but just below the benchmark, so he and the five others never got their comics.
So anything interesting happen yesterday? Oh, yes, that’s right. Even the aftermath of Superstorm Sandy wasn’t enough to delay the big announcement any longer: Star Wars is now the newest crown jewel of the House of Mouse. The announcement was made a day after plans were revealed to merge two of the world’s biggest book publishers, Random House and Penguin. The two events, while occurring independent of each other, have all sorts of implications both specific and more broad.
Disney’s purchase of Lucasfilm started a lot of people talking, and considering the legacy of Star Wars, it’s only natural. With George Lucas out as director and Star Wars transitioning into something akin to the James Bond franchise, don’t get your hopes up for a return to the sensibilities of the original Star Wars movie. The word “family” was used six times to describe the space opera in the press release and subsequent statements, sending a strong signal that what we’ve gotten most recently is what we’ll get for the foreseeable future. Kathleen Kennedy was hand-picked by Lucas to succeed him as head of Lucasfilm and brand manager of Star Wars. Between her and Lucas’ role as creative consultant, they’ll ensure Star Wars retains something for the kids, which isn’t necessarily a bad thing in and of itself, except for when it manifests itself in the form of Jar Jar Binks and other cartoon aliens with vaguely racist accents. In addition to the two- to three-year cycle of Star Wars films, there are plans for a TV presence and an expanded presence at Disney theme parks.
Publishing | Belgium, birthplace of Tintin and the Smurfs, is beginning to see its government-funded efforts to revive the country’s once-thriving comics scene pay off, with small publishing houses, self-publishers and digital comics portals springing up. [Deutsche Welle]
Creators | Habibi creator Craig Thompson posts an account of his recent trip to Jordan, which coincided with the troubles in Libya. Disconcertingly, he learned that Habibi is banned there, but his experiences in the schools and studios he visited stand in stark contrast to what the rest of us were watching—and even what he experienced while traveling from place to place. (Craig also gives a shout-out to a couple who got engaged while waiting in line to see him at the National Book Festival in Washington, DC; the groom-to-be concealed the ring in a hollowed-out copy of Blankets.) [Craig Thompson]