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The Middle Ground #119 | Open the box

One of the best things about comics — about any media, really, but for some reason it always feels more special when it happens to me with a comic — is when you’re reading something that you already had high expectations of, and end up bowled over by how easily those expectations were beaten.

I remember being so stupidly nervous about Scott Pilgrim’s Finest Hour, for example, convinced that my anticipation of the final chapter and love for everything that had come before was somehow dooming the book to an entirely unearned doom, and the feeling after finishing it that it had, somehow, been better than I’d expected. Or the fourth issue of Kevin Huizenga’s Ganges, with Huizenga playing with the iconography of calendars and time in a way I couldn’t have imagined in the middle of a story about insomnia that felt bold and inventive and completely unexpected. There’s something about that realization that, hey, this thing called comics can hit you on all these different levels at once and leave you dazed and amazed as a result.

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