INTERVIEW: Duggan's "Deadpool" Deals with the Pressures of High Profile Heroics
I had a hard time deciding what comic to feature here this week, so I figured what the heck–let’s not pick just one. So here are round-ups for three different comics this week, two first issues and the presumably concluding chapter to a big ol’ Alan Moore epic. So without further ado …
Written by Dan Abnett and Andy Lanning
Art by Brad Walker, Andres Guinaldo, Mark Irwin, Mariano Taibo and Stephen Downer
Published by BOOM! Studios
Bobby Shortle, Talking Comics: “The Hypernaturals #1, a new superhero science fiction yarn from Dan Abnett and Andy Lanning, is a fun, but flawed tale that suffers from a slow start and its inability to bring anything new to the table.”
Benjamin Bailey, IGN: “Dan Abnett and Andy Lanning do cosmic superheroes better than anyone today. They practically wrote the book on it. That’s what really makes this book such a letdown. Nothing happens within these pages that you have not read many times before. This issue hits so many cliches of the superhero genre it borders on silly. It’s hard to tell where exactly Abnett and Lanning are going with this story, but right now there is nothing to grasp on to and be interested in. It’s the same old song and dance. There is no hook; nothing to set it apart.”
Shawn Crystal is a SCAD Atlanta professor I met back in October (as documented in this story). In addition to his role educating storytellers, Crystal is a professional artist equally busy building a name for himself in the comics industry. Tomorrow (February 3) will feature the release of his latest effort, Deadpool Team-Up 896 (written by Stuart Moore). As previewed last week by CBR and detailed here: “Get ready to hit the road with U.S. ACE, Marvel’s truckin’ hero! He’s back behind the wheels of a big rig with an unlikely partner — DEADPOOL — and together they’re puttin’ the hammer down, ridin’ the open road, and decapitatin’ giant killer raccoons. Good times…if they don’t kill each other first! Featuring the working-class villainy of THE HIGHWAYMAN, and the world premiere of the chart-toppin’ “Ballad of U.S. Ace,” composed and performed by Wade Wilson. What part of ‘Collector’s Item’ don’t you understand?” I was pleased to get an opportunity to talk to Crystal about this issue and creators he respects (as well as find out his David Lapham news). After enjoying this email exchange, be sure to check out Crystal’s blog as well as his deviantART page.
Tim O’Shea: The first question I have to ask–what reference does an artist use when drawing giant killer raccoons?
Shawn Crystal: There is a very popular book many artists have in their studio, and cherish like the arc of the covenant. It’s called “Homicidal Animals: A reference manual for the aspiring cartoonist.” Unfortunately, I do not own this book, so I had to resort to some more traditional methods. I started with the obvious, books on raccoons that were peppered with glamour shots of these little buggers. I also spent some time seeing how other artists had handled raccoons, mainly animators. There was some decent stuff in “Disney’s: The art of Pocahontas.” I also talked to a buddy of mine, Brad Walker who draws Guardians of the Galaxy, which has Rocket Raccoon as a team member. Researching raccoons was fairly easy; creating the chopper gang was a ton of fun. I needed to design a gang of Uzi wielding raccoons on motorcycles. The first thing I needed to find was a thread, something to make this gang seem like a team. Working for Marvel affords me the luxury of using their library, so I chose the X-Men. Well, the kid in me did. I started designing raccoons based on the themes and shapes of some of the X-Men and their costumes. I also wanted to give this biker gang a Hells Angel’s feel, ol skool choppers and leather. I didn’t want to go with the more current crotch rocket trend. I have an affinity of the art of Von Dutch, Ed “Big Daddy” Roth and Robert Williams. I pulled out the books I have on these guys and started drawing. X Men + Hells Angels + Racoons = Crazy fun designing.