Chris Pine in Talks to Join "Wonder Woman" Film
Image Expo returned on Thursday, and it wasn’t messing around. Each year, Image Comics seems to pack bigger announcements and bigger surprises into a single-day event. And the diversity of creators and genres gets that much better, too.
This year’s Image Expo — held again at the Yerba Buena Center for the Arts in San Francisco, following last July’s event at Comic-Con International in San Diego — included the now-standard keynote address by Publisher Eric Stephenson. He reviewed the past year’s successes and echoed plans to make Image the No. 1 publisher, but aside from throwing the gauntlet down at the feet of Marvel and DC, his address avoided some of the controversial statements and manifestos of years past. While I appreciate a good sabre-rattling, it allowed the focus to remain squarely on the creators and their comics.
With that in mind, here are my six favorite announcements from Image Expo 2015:
Creators | A U.K. researcher argues that Marie Duval was the real creative force behind the wildly popular 19th-century British comic Ally Sloper, which is largely credited to her husband Charles Ross. Duval, the pen name of French cartoonist Emilie de Tessier, drew the character at the height of his popularity in the 1860s and ’70s, but historian David Kunzle now questions what role Ross actually played in his creation. [The Guardian]
Commentary | Chase Magnett pushes back on Chris Suellentrop’s statement, made in a column about GamerGate, that comics are “a medium that has never outgrown its reputation for power fantasies and is only very occasionally marked by transcendent work (Maus, or the books of Chris Ware) that demands that the rest of the culture pay attention to it.” [Comicbook.com]
Jean Giraud (aka Moebius) may have passed away more than two years ago, but his works, and advice, lives on. Thanks to a translation by artist Xurxo g Penalta, English speakers now have the opportunity to read Moebius’ 18 tips for fellow cartoonists, from a 1996 interview with the Mexican magazine La Jornada Semanal.
Penalto’s studio mate Brandon Graham has posted the European master’s “brief manual” for cartoonists on his blog. This last tip is oddly prescient for 2014 despite being offered nearly two decades ago: “Now it is possible to find [a] reader in any part of the planet. We must have this present. To begin with, drawing is a way of personal communication, but this does not imply that the artist must envelop himself in a bubble; it’s communication with the beings near us, with oneself, but also with unknown people. Drawing is a medium to communicate with the great family we have not met, the public, the world.”
Emily Carroll, Drew Friedman, Brandon Graham and Mimi Pond will make their Small Press Expo debuts, joining previously announced guests like Jules Feiffer, Lynda Barry and James Sturm at the Sept. 13-14 event in Bethesda, Maryland.
“Having Brandon, Emily, Drew and Mimi for the first time at SPX is a great thrill for both the SPX Executive Committee and the SPX community,” SPX Executive Director Warren Bernard told The Washington Post. “Their diverse styles and the mediums they work in really reflect the wide view that the SPX community has of the comics world. We are totally stoked about them coming to this year’s show.”
As we noted just last week, it’s been a particularly good year professionally for Carroll, who won both the Cartoonist Studio Prize and a Doug Wright Award. The first print collection of her fairy-tale horror comics, Through the Woods, will be released next month by McElderry Books, an imprint of Simon and Schuster.
King City creator Brandon Graham has unveiled his illustration for the program cover of this year’s Emerald City Comic Con, jam-packed with creator-owned characters ranging from Savage Dragon and Sharknife to Bandette and Fone Bone. You’ll even notice Graham’s own Earthling J.J. Catingsworth III hitching a ride on the back of Madman.
They’re of course all characters from creators who’ll be attending the March 28-30 show, depicted riding the signature escalators of the Washington State Convention Center in Seattle. Graham promises a guide to all of the figures later.
In three short years, Image Comics has turned Image Expo into the first big comics event of the year. Interest in the publisher’s announcements has reached the point where I wish there were live-streaming video of the presentation. Maybe next year. For now, we have to settle with live coverage, which was still pretty fun. Image Expo didn’t disappoint: It seemed as if every title announced caught my interest. There are a few that stand out, however, so here are my Top 5 picks of the announcements that went above and beyond.
1. Image signs Ed Brubaker and Sean Phillips to a five-year exclusive contract
The acclaimed collaborators have a perpetual green light at Image to do whatever they want for the next five years. That’s a big vote of confidence, and a real commitment to support Brubaker and Phillips. It must be quite a relief for them to not have to worry about crafting the perfect pitch and convincing someone to believe in their story. They just get to create. It’s an exciting arrangement, and one I hope will serve as a pilot program for others equally worthy.
Business | Bitstrips co-founder and CEO Jacob “Ba” Blackstock, whose DIY avatar and comic strip app exploded in 2013, reflects on the lessons of the year, and sketches out the Toronto company’s goals for 2014. Unsurprisingly, those include finding more uses for its comics and, y’know, making money (earlier this month, Bitstrips confirmed a $3 million injection of venture capital, which will go toward more engineers, artists and designers). [Entrepreneur]
Creators | Tom Spurgeon interviews Nate Powell about his work on March, the graphic novel memoir of Rep. John Lewis’ experiences in the civil rights movement, and one of the most acclaimed books of the year. [The Comics Reporter]
Legal | In a decision that will undoubtedly usher in more Holmes and Watson novels, comic books, movies and television, a federal judge has issued a declarative judgment that the elements included in the 50 Sherlock Holmes stories published by Arthur Conan Doyle before Jan. 1, 1923 are in the public domain in the United States. That means creators are free to use the characters and elements from those stories (but not from the 10 published after 1923) without paying a licensing fee to the protective Arthur Conan Doyle Estate Ltd.
The ruling came as a result of a lawsuit filed early this year by Leslie Klinger, who served as an adviser on director Guy Ritchie’s two Sherlock Holmes films and with Laurie R. King edited In the Company of Sherlock Holmes, a collection of new stories written by different authors. Although Klinger and King had paid a $5,000 licensing fee for a previous Holmes-inspired collection, their publisher received a letter from the Conan Doyle estate demanding another fee; in response, Klinger sued. [The New York Times]
The nominees have been announced for the 2013 Joe Shuster Awards, and faithful readers of Robot 6 will notice many familiar names on the list, including Fiona Staples, Brandon Graham, Jim Zubkavich, Ryan North and Darwyn Cooke. As you can see from that sampling, the nominees are broad in terms of styles and genres.
Named in honor of Superman co-creator Joe Shuster, the awards recognize the best of the Canadian comics world; nominees must be either Canadian citizens or permanent residents in Canada. The nominees are chosen by a committee and the winners by a jury, so there is no public vote. The awards will be presented Aug. 25 at a location to be announced later.
And with no further ado, here are the nominees:
• Isabelle Arsenault – Jane, le renard & moi (La Pastèque)
• Patrick Boutin-Gagné – Brögunn (Soleil)
• Stuart Immonen – All-New X-Men #1-4, AvX: VS #1, #6, Avenging Spider-Man #7, Secret Avengers #21 (Marvel Comics)
• Yanick Paquette – Swamp Thing #5, 7-9, 13-14 (DC Comics)
• Ramón K. Pérez – John Carter and the Gods of Mars #1-5, AvX:VS #6 (Marvel Comics)
• Fiona Staples – Saga #1-8 (Image Comics)
• Marcus To – Batwing #9-15, 0, The Flash #10,15, Huntress #4-6 (DC Comics)
For the Brandon Graham completists, the King City creator and Prophet writer has posted the pages from the Madame Xanadu short story he drew for the 2010 House of Mystery Halloween Annual, preceded by his recollection of the Vertigo experience (aka “before I came up with my ‘never ever work at DC ever’ plan”). While the artwork is lovely, the process was a bit of a mixed bag.
“It was fun enough to draw and paid well but I don’t actually recommend anyone track it down. (I really didn’t like the story),” he wrote. “After this I wanted to make sure I only put out books I would want to buy myself. Live and learn and all that.”
When comics entrepreneur Marc Arsenault announced almost a year ago that he had bought defunct Alternative Comics in order to relaunch the publisher, a lot of fans (me included) were thrilled. Under founder Jeff Mason, Alternative introduced readers to creators like Graham Annable, Brandon Graham, James Kochalka, Ed Brubaker, Scott Campbell (of Great Movie Showdowns fame), Dean Haspiel and Josh Neufeld. So with Alternative and comiXology announcing today that the publisher’s catalog is becoming available digitally on the app, I was eager to talk to Arsenault about their plans.
Michael May: For those who don’t know you, what’s your background in comics?
Marc Arsenault: Wow. Where to begin? I’ve been a pretty behind-the-scenes guy for most of my time in comics, but this year I’ve hit the quarter century mark for working in them.
I figured out that I wanted to make comics somewhere around eighth grade when I discovered RAW, Warrior and Heavy Metal. When I found out about the comics program at the School of Visual Arts (SVA) my path was clear. I didn’t even apply to any other schools. I got to study with Harvey Kurtzman, Will Eisner, Joe Orlando, David Sandlin, Jerry Moriarity, Marshall Arisman and the very influential Jack Potter.
That experience was very relevant to Alternative Comics’ past and present because it was there that I met Sam Henderson and Tom Hart. I shared a studio space with Tom, and he and Sam had started an off-campus comics anthology called Tuna Casserole. By the fifth issue I became co-editor and we founded the first incarnation of my company Wow Cool. I ended up becoming an illustrator instead of a cartoonist, and did that freelance on and off up until about a decade ago.
Or, “Betty & Veronica & Brandon & Emily.”
Cartoonist Brandon Graham is well known for thinking about the mechanics of comics. Recently, he and fellow cartoonist Emily Carroll went about examining a throw-off five-page Betty & Veronica comic be redoing it in their own styles. The results? Marvelous.
Here’s the first page from each. If you’re enticed, click over to Graham’s blog post containing both full comics as well as the original Betty & Veronica comic they are based on.
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Our special guests today are Brendan Tobin and Pedro Delgado, who run the March MODOK Madness site. And with this being March, the madness is in full swing, so head over there to check out a lot of fun art featuring everyone’s favorite big-headed villain.
To see what Brendan, Pedro and the Robot 6 crew have been reading, click below.
Welcome to the very last Food or Comics. Next week our new-release picks will take a different format, but this week we’re still talking about what comics we’d buy at our local shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Let’s be honest, if I had $15, I’d make sure that Batman Incorporated #8 (DC Comics, $2.99) was first on my list. Not because of any controversy — I’ve been enjoying the series all along — but because I’d be worried it’d sell out if I waited. I’d also grab two Dynamite books: Jennifer Blood #23 and Masks #4 (both $3.99); Al Ewing has done just insane, amazing things on the former, and the Chris Roberson/Dennis Calero team on the latter is just killing it.
If I had $30, I’d find myself time traveling to all the weeks prior in which I didn’t use all $30 to borrow a dollar from past-me, just so that I could get Showcase Presents Justice League of America, Vol. 6 (DC Comics, $19.99), which takes the series firmly into the 1970s and brings the team face to face with villains including the Shaggy Man, Amazo and countless other favorites of my childhood.
Should I have some splurging left in me after that nostalgia-fest, I’d likely go for the Judge Anderson: PSI Files, Vol. 3 collection (Rebellion, $32.99), which picks the series up just after I’d dropped off the 2000AD radar for awhile, and hopefully gives me the chance to get back into the character, now that I am firmly into Thrill Power again.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
It’s a busy week at the store for me, it seems. If I had $15 this week, I’d pick up Harbinger #0 (Valiant, $3.99), the one-shot revealing the backstory of the surprisingly compelling relaunch/reboot of the 1990s series, as well as the first issues of Fearless Defenders (Marvel, $2.99) and Snapshot (Image, $2.99). The latter, I’ve already read in its Judge Dredd Megazine serialization, but I’m really curious to see if it reads differently in longer chapters; the former, I’m just hopeful for, given the high concept and involvement of Cullen Bunn.
If I had $30, I’d add the reissued 7 Miles A Second HC (Fantagraphics, $19.99) to my pile. I remember reading the original Vertigo version of this in the 1990s, and am definitely curious to see what this recolored edition, with pages restored after being cut from the Vertigo edition, is like.
Splurging, I find myself drawn to IDW’s Doctor Who Omnibus, Vol. 1 ($29.99). I blame the lack of new Doctor Who on the television right now. That month-and-a-bit is far too long to wait …!