REVIEW: Violent, Profane "Deadpool" Shouldn't Work, But Really F---ing Does
Publishing | The French satire magazine Charlie Hebdo was teetering on the edge of bankruptcy before armed gunmen attacked its offices last month, but the outpouring of support that followed has changed the financial picture: The first issue after the attack sold millions of copies, 250,000 new subscribers signed up, and the paper even received more than $4.5 million in donations. The flush of wealth is causing dissension among the staff, Sam Schechner reports, with some arguing that the publication should become a cooperative. At the same time, they’re discussing how Charlie Hebdo will keep its edge under the new circumstances. A new issue, the second since the attacks, is out on newsstands today. [The Wall Street Journal]
“Rape is violence. But that’s not all it is. It’s also defilement — having your body violated and desecrated. And it’s an interruption over your agency, your control over your body and your life. On top of all that, rape victims often end up feeling that they were complicit in their own attack (‘I should’ve told him no again,’ or ‘I should’ve tried to fight him off harder,’ or ‘I hate myself because I just froze up while it was happening.’). It’s awful, it’s scarring, and for a lot of people it sticks with them very vividly, for a very long time. And for a lot of people, those memories are very easily triggered… by, for instance, seeing a rape scene on TV or reading one in a comic.
Rape is also ridiculously, sickeningly common. One in six women in America reports having someone at least try to rape her. But honestly, in my experience? I feel like it’s more like one in four women. Or one in three. There have been times in my life when it seemed like every women in my life had been roofied at a bar, or followed into a bathroom by a guy at a party, or got forced to do things she didn’t want to do by a boyfriend, or was date raped, or was molested by a family friend, or… Or… Or…
And the very least I can do? As a friend, and as a responsible adult? Is not to write comics that cause people I care about to relive some of the most horrific events of their lives.”
— Brandon Seifert, co-creator of Witch Doctor and Spirit of the Law, explaining why he doesn’t use rape as a plot device.
Today marks the the release of the Witch Doctor: Mal Practice trade paperback, which collects Witch Doctor: The Resuscitation one-shot and Witch Doctor: Mal Practice #1-6. Written by Brandon Seifert and illustrated by Lukas Ketner, the medical-horror series from Skybound/Image Comics follows Dr. Vincent Morrow, who specializes in supernatural diseases, frequently bringing him in contact with vampires, demons, changelings and the like.
In anticipation of the release, I contacted Seifert for a consult on the series (as well as to get his take on cursing in comics). If you want to read Witch Doctor #0, comiXology is offering the issue for free. Also, Seifert and Ketner will be at Portland Things From Another World (2916 NE Broadway St., Portland, Oregon) tonight for a Witch Doctor: Mal Practice release party.
Tim O’Shea: In this trade paperback-hungry market, how good does it feel to be at the TPB stage with Witch Doctor?
Brandon Seifert: Really good! Witch Doctor Vol. 2 has been in the works for a long, long time. Lukas started drawing the first issue in the trade in, I believe, October 2011, and I wrote it a month or two before that. So this TPB has been in progress for like a year and a half, year and three quarters! It’s great to finally have it done and on sale. And the edition itself turned out great!
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Now let’s get to it …
Welcome to the very last Food or Comics. Next week our new-release picks will take a different format, but this week we’re still talking about what comics we’d buy at our local shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Let’s be honest, if I had $15, I’d make sure that Batman Incorporated #8 (DC Comics, $2.99) was first on my list. Not because of any controversy — I’ve been enjoying the series all along — but because I’d be worried it’d sell out if I waited. I’d also grab two Dynamite books: Jennifer Blood #23 and Masks #4 (both $3.99); Al Ewing has done just insane, amazing things on the former, and the Chris Roberson/Dennis Calero team on the latter is just killing it.
If I had $30, I’d find myself time traveling to all the weeks prior in which I didn’t use all $30 to borrow a dollar from past-me, just so that I could get Showcase Presents Justice League of America, Vol. 6 (DC Comics, $19.99), which takes the series firmly into the 1970s and brings the team face to face with villains including the Shaggy Man, Amazo and countless other favorites of my childhood.
Should I have some splurging left in me after that nostalgia-fest, I’d likely go for the Judge Anderson: PSI Files, Vol. 3 collection (Rebellion, $32.99), which picks the series up just after I’d dropped off the 2000AD radar for awhile, and hopefully gives me the chance to get back into the character, now that I am firmly into Thrill Power again.
To see what James and the Robot 6 crew have been reading, click below …
BBC’s revival of Doctor Who in 2005 met with immediate success, but with the arrival of Matt Smith as the Eleventh Doctor and Steven Moffat as executive producer, its popularity seemed to rise to a new level. IDW Publishing has been releasing Doctor Who comics since 2007, and this year launched a new series with writer Andy Diggle as “showrunner.” With December’s Issue 3, up-and-coming writer Brandon Seifert and artist Philip Bond stepped in for a two-part story in which Amy sends the Doctor and Rory on a boys’ night out to help build their strained relationship.
Seifert has established himself in a relatively short time with his medical-horror series Witch Doctor, with co-creator/artist Lukas Ketner, which earned the attention of Robert Kirkman and a spot as the launch title for his Skybound Entertainment imprint. Seifert also was among the initial wave of creators invited to produce digital-first material at MonkeyBrain Comics. And most recently he was selected to write under Clive Barker for the Hellraiser series at BOOM! Studios.
Brandon and I got a chance to chat about his Doctor Who two-parter, how he handles horror in comics, and our shared history with fan fiction. IDW was kind enough to provide us with a preview of Doctor Who #4, which goes on sale Wednesday.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start out with Legend of Luther Strode #1 (Image, $3.50). I was behind the times on the first series, but now I will raise my fist to the air and decree “NO MORE!” (to the stunned silence of my local comic shop owner). Justin Jordan really brought a different take on this story, but for me the sizzle on this is Tradd Moore’s art. It reminds me of Sam Keith’s middle-period during his Marvel Comics Presents Wolverine run, and that’s nothing but a good thing. After that I’d get Stumptown #4 (Oni Press, $3.99). Some might compare Dex’s journey to that of Jessica Jones in Marvel’s Alias, but it’s anything but. Greg Rucka really knows how to make a story feel more than just mere fiction. My third pick this week would be Invincible #98 (Image, $2.99), seeing Mark Grayson get his powers back – just in time to be stomped into the ground, from the looks of it. Reading this series since the first issue, I’m noticing the colorist change more and more here; John Rauch definitely is a step removed from FCO Plascencia, and I’m still getting used to it. Kirkman and Ottley are delivering here so well that Domino’s should be jealous. (ba-dum CHING!) Last up in my Wednesday haul would be Avengers #1 (Marvel, $3.99). I’ve noticed in doing Food or Comics for as long as I have how I’ll routinely follow writers but when they manage to get an artist I particularly like I’ll fall over myself trying to get to it. Case in point, this book, with Jonathan Hickman joining forces with Jerome Opeña to kick off a new era for Marvel’s flagship book. I’m all for “Jonathan Hickman’s Avengers,” but I’m even more excited to see Opeña’s take on this.
BOOM! Studios will continue down the road to Hell in February with Hellraiser: The Dark Watch, an ongoing series co-written by Hellraiser creator Clive Barker and Witch Doctor‘s Brandon Seifert, with art by Tom Garcia. Barker first explored the world of Pinhead, the Cenobites and the mysterious puzzle boxes in the novella The Hellbound Heart, which later spawned a series of films.
In a press release sent out today, BOOM! notes, “As promised, Clive Barker did not only return to the Hellraiser universe, he re-imagined it! Nothing is as simple as it seems–the old ways have been destroyed and a dangerous new world lies in its wake. Where are Elliott Spencer and Kirsty Cotton? Who will rule and who will serve?”
Seifert told USA Today earlier this month he plans to build his stories from the first two Hellraiser movies. “Hellraiser is about the Cenobites and the Cotton family, sure — but it’s about other things too. It’s about the people who escape from Hell, just like it’s about the people who put them there.” Seifert is also the writer of Hellraiser: The Road Below, a spinoff miniseries that kicked off this month and tells the story of Kirsty Cotton’s first “call to Earth” after she became the new Pinhead. So no doubt we’ll see some Pinhead-on-Pinhead action in the new series.
BOOM! picked up the license to make Hellraiser comics at the end of 2010 and launched an ongoing series in March 2011 that lasted 20 issues. It wasn’t the first time Hellraiser found its way into comics, as Marvel published a Hellraiser anthology series under their Epic banner in the late 80s/early 90s that BOOM! republished in a collection last year.
The complete press release, along with variant cover art, can be found below.
Comics | Ohio drivers moved a little closer to getting their Superman specialty license plate Wednesday as the proposal was outlined for a state Senate committee. The bill, which already passed the state House, is on track to go to the full Senate for a vote before the end of the year. The Siegel & Shuster Society launched the campaign for the plates in July 2011 to honor the 75th anniversary of the Man of Steel in 2013; the character, which debuted in 1938, was created six years earlier in Cleveland by Jerry Siegel and Joe Shuster. The original plan for the plates to include the slogan “Birthplace of Superman,” that met with objections from Warner Bros., which insisted he was born on Krypton. The legend will now read, “Truth, Justice and the American Way.” [Plain Dealer]
Manga | Tony Yao summarizes a recent article from The Nikkei Shimbun that analyzes the readership of Shonen Jump, which is 50 percent female despite the magazine being targeted to boys (“shonen” means “boy” in Japanese). They break down the popularity of series by gender and discuss how the female audience affects editorial decisions. [Manga Therapy]
Skybound, Robert Kirkman’s Image Comics imprint, will debut limited-edition hardcovers of the writer’s series The Walking Dead and Thief of Thieves at New York Comic Con, held Oct. 11-14 in New York City.
The Skybound booth (#1229) will offer 1,500 copies of The Walking Dead Hardcover Compendium (Red Foil Version) for $100 each, as well as 1,000 copies of the Thief of Thieves Hardcover, Vol. 1, “I Quit” for $30 each.
In addition, Kirkman will participate in two NYCC panels: “Skybound: On the Rise,” with Shawn Martinbrough, Jason Howard and special guests (2:45 p.m. Friday, Oct. 12); and “Kirkmania!,” in which he’ll take questions from the audience (1:30 p.m. Sunday, Oct. 14). You can read the full Skybound panel and signing schedule below.
• Of course you can’t have Comic-Con without news about Comic-Con itself. CBR’s Kiel Phegley spoke with CCI’s David Glanzer about the show, while Ryan Ingram spoke with Scott Morse about the Tr!ckster satellite event. And it seems like every non-comics media outlet reports on the show in some form or fashion; here’s an article by The Christian Post about religion and the show, for example. And finally, Tuesday brought the tragic news that a con attendee camping out for today’s Twilight panel was killed in front of the convention center after being struck by a car.
• I’m not 100 percent sure if it qualifies as Comic-Con news, but since it was officially announced in the Entertainment Weekly Comic-Con issue, let’s just go with it. Marvel’s big news going into the Con is that they plan to relaunch several titles later this year as part of “Marvel NOW!” Their recently released solicitations reveal they plan to cancel nine titles in October, but of course you can expect many if not all of them to come back in some form or fashion as Marvel NOW! rolls out.
• Mike Mignola and Hellboy return this December in Hellboy in Hell, the first four-issue miniseries in a series of miniseries about the title character’s post-demise adventures.
Hello and welcome to What Are You Reading? Our guest this week is Spanish artist Alberto Jiménez Alburquerque, who drew the comic Elle for Soleil. He’s also working on a story for the upcoming Skullkickers #18 with J. Torres.
To see what Alberto and the Robot 6 crew have been reading, click below.
Comic strips | After outsourcing all editorial, production, sales, marketing and distribution functions for its 150 comics and other features to Universal Uclick earlier this year, United Media closed the doors on its Madison Avenue office in New York on Friday. [Comic Riffs]
Comic Books | A copy of Detective Comics #27 owned by multimillionaire hotel heir Ben Novack Jr., who was murdered in 2009, could go up for auction and end up paying to defend his widow Narcy Novack. Narcy is facing charges that she had the comic fan and his mother murdered, plundered his bank accounts, then tried to pin the crimes on her own daughter. Narcy’s daughter, May Abad, has persuaded a Broward County judge to hold off on the auction and give her at least 14 days to find suitable storage and insurance for Novack’s massive collection. [Miami Herald]
Legal | Brent Staples pens an editorial for the New York Times on the legal battle between the Jack Kirby estate and Marvel: “The Marvel editor Stan Lee sometimes offered general ideas for characters, allowing the artists to run with them. Mr. Kirby plotted stories, fleshing out characters that he had dreamed up or that he had fashioned from Mr. Lee’s sometimes vague enunciations. Mr. Lee shaped the stories and supplied his wisecrack-laden dialogue. And in the end, both men could honestly think of themselves as ‘creators.’ But Mr. Kirby, who was known as the King of Comics, was the defining talent and the driving force at the Marvel shop. Mr. Lee’s biographers have noted that the company’s most important creations started out in Mr. Kirby’s hands before being passed on to others, who were then expected to emulate his artistic style.” [New York Times]
Awards | Writer Neil Gaiman (Sandman, The Graveyard Book) and artist Shaun Tan (The Arrival, Tales from Outer Suburbia) are among the winners of the 2011 Locus Awards. Gaiman’s “The Truth Is a Cave in the Black Mountains” won for best novelette, while “The Thing About Cassandra” won best short story. Tan won for best artist. [Locus Online]
Legal | Jeff Trexler reviews the legal battle between Warner Bros. and the heirs of creators Jerry Siegel and Joe Shuster through the filter of the Neil Gaiman/Todd McFarlane decision, where a judge ruled Gaiman has copyright interest in Medieval Spawn, Angela and other Spawn characters. [The Beat]