Brendan McCarthy has taken to Facebook to plug the upcoming Dark Horse collection The Best of Milligan and McCarthy. He’s been using it to spread rather fetching memetic images from the classic strips in the book: so far, “Freakwave,” “Paradax” and “Skin” have gone up, presumably with similar designs for “Sooner or Later” and “Rogan Gosh” to follow.
I have to admit, I have a horse running in this race, because Brendan and Pete asked me to write an essay for the book, and it proved damned hard getting the reasons of why and how much I love this material down to less than a thousand words. Anyway, I feel jealous of anyone getting to experience this (inspirational, influential) material for the first time. It’s been downright criminal that its been out of print for so long. You’ll laugh, you’ll cry, you’ll fall in love, you’ll walk funny for a week.
To quote our very own Michael May, “wish this was real”: Brendan McCarthy plugs the release today of IDW Publishing’s The Complete Zaucer of Zilk by slipping this sketch out into the ether, of the three magic-wielding characters he’s drawn over the years: the Zaucer, Doctor Strange, and Mirkin the Mystic, of the all-too short-lived Paradax! comic from 1987 (two issues, and one was all-reprint).
It comes with a companion piece: this sketch, of Paradax himself meeting Doctor Strange. As I never tire of pointing out, Pete Milligan and McCarthy’s Paradax (in Eclipse comics’ Strange Days) pretty much invented the whole “superhero as an unlikeable wannabe celebrity” subgenre, three years before Morrison’s Zenith in 2000AD, and 15 years before Warren Ellis’ The Authority made that trope de rigueur for mainstream comics for an extended period. And also in passing invented that whole “leather jacket over your superhero costume” thing that ruled the 1990s.
The great Brendan McCarthy has sent along this image, “Evanescent Everything,” to remind us all that “The Complete Zaucer is out on March 27th, in an ’80 page giant’ format. Lots of extras and a new afterword by me truly.” What a cool promo; it’d make a great black light poster. Kinda makes me want to put some Blue Cheer on the turntable and smoke a great big, uh, kipper. That’s right. A kipper, officer.
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Crater XV HC (Top Shelf, $19.95): I’ve been following (and loving) the serialization of Kevin Cannon’s follow-up to Far Arden in the digital pages of Double Barrel, but I know that I’ll be picking up this hardcover collection of the further adventures of sea dog Rusty Shanks nonetheless. The Canadian space program deserves no less.
In The Days of the Mob HC (DC Comics, $39.99): To say that Kirby’s 1970s take on the organized-crime world of the 1930s is something I’ve been longing to read since I first discovered its existence would be an understatement, so I’m definitely looking forward to this deluxe reprint, complete with material that wasn’t in the original edition.
Indigo Prime: Anthropocalypse TP (Rebellion/2000AD, $24.99): John Smith’s cosmic authorities are one of comics’ most secret treasures, I think, especially when he’s paired with an artist like Edmund Bagwell, who brings a wonderful Euro-Kirby influence to the stories in this collection. Really looking forward to this one.
Relish: My Life in the Kitchen GN (First Second, $17.99): As a sucker for good autobiographical comics and also good food writing, the idea of Lucy Knisley creating a food-centric memoir — complete with recipes! — is far too good to ignore. I love that publishers like First Second are publishing work like this.
Solo Deluxe Edition HC (DC Comics, $49.99): Even though I own most of these issues from their original appearance, the oversized hardcover format is waaaay too tempting when you consider some of the material this book has up its 500+ page sleeve: Paul Pope covering Kirby! Brendan McCarthy channeling Ditko as only he could! The amazing Darwyn Cooke issue! The only thing that could make this better would be if it included work completed on follow-up issues before the plug had been pulled … But maybe that can appear in a second volume, one day…
The second issue of IDW Publishing’s Judge Dredd doesn’t just feature the continuation of Duane Swierczynski and Nelson Daniel’s look at the early days of Mega-City One’s toughest lawman, it also contains a treat for longtime fans of the character (and British comics in general): a back-up story illustrated by none other than Brendan McCarthy!
IDW has provided ROBOT 6 with a preview of the main story, as well as an exclusive look at two pages from the Swierczynski/McCarthy strip. Judge Dredd #2 arrives later this month.
Last week, IDW Publishing released the second and final part of The Zaucer of Zilk, a heady psychedelic brew of a type all-too-seldom seen on the shelves of comic stores. Editor-in-Chief Chris Ryall is both a confirmed Anglophile and a fan of Brendan McCarthy, so it was no real surprise the first non-Judge Dredd publication to come out of his company’s agreement with 2000AD was a quick-turnaround reprint of the comic, deemed an instant classic by many longtime readers of the venerable U.K. anthology.
2000AD doesn’t do superhero stories too often (I could count them all on one hand, and half of them had The Zaucer of Zilk‘s Al Ewing attached as writer), and this one is so genre-bending that it barely qualifies. The Zaucer may well gadabout in a form-fitting costume of primary colors, but as McCarthy wrote on the pitch sketches for the series, it’s also “Elric meets Time Bandits meets Yellow Submarine meets The Wizard of Oz.”
Robot 6 spoke to Brendan about the series’ inception, its conclusion, and its potential future. And as usual for McCarthy, the interview came with a side order of strong opinions, controversy, and some good news for fans of the legendary work he produced in the 1980s with Pete Milligan.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item. I’m filling in this week for Michael May, who is off in Florida spending his splurge money on mouse ears and giant turkey legs.
If I had $15, I’d start of the week with Brian K. Vaughn and Fiona Staples’ Saga #7 (Image, $2.99). Saga has become a real bright spot in comics for me being sci-fi without being “sci-fi,” being romance without being “romance,” and being great at being great. It gives me the same excitement the way Bone, Strangers In Paradise and A Distant Soil did back in the early 90s. Next up would be Punk Rock Jesus #5 (DC/Vertigo, $2.99) by Sean Murphy. Murphy’s really exceeded my expectations here, creating a nuanced and elaborate world that has great art as a bonus. You can really tell Murphy’s been thinking about this story for awhile now. After that I’d get Invincible #97 (Image, $2.99), to finally get the truth behind the new Invincible, Zandale. I’ve been enticed by what’s been teased so far, and I hope the inevitable return of Mark Grayson doesn’t prevent me from seeing more of Zandale in the future. Last up with my $15 budget would be my call for the best superhero book on the stands today, Wolverine & The X-Men #20 (Marvel, $3.99). I feel like the title isn’t getting the attention it deserves with Marvel NOW! upon us, but Jason Aaron and Nick Bradshaw are absolutely delivering it here.
If I had $30, I’d double back and double up on Brian Wood with Conan The Barbarian #10 (Dark Horse, $3.50) and The Massive #6 (Dark Horse, $3.50). The Massive has survived the monumental loss of artist Kristian Donaldson, forging on in Wood’s story of one ship trying to survive in an ecological destitute Earth. Over at Conan The Barbarian, Declan Shalvey looks to be bringing the goods and showing he’s more than a Marvel superhero artist. After that I’d get the second series debut of Where Is Jake Ellis? (Image, $3.50) by Nathan Edmondson and Tonci Zonjic. This is a mighty pairing, and seeing them peel back the layers on Jake Ellis has been fun.
To see what Ethan and the Robot 6 crew have been reading, click below …
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d make up for lost time and get the first collection of Mind the Gap (Image, $9.99). Rodin Esquejo is an absolute gem in my opinion, and Jim McCann looks to have crafted a story with some definite suspenseful power. After that I’d get James Stokoe’s Godzilla: Half Century War #3 (IDW, $3.99). This has become one of my favorite serials to come out, which for a work-for-hire book is tough. Instead of doing a story in service of the concept, it uses the concept to create a great story – and Stokoe really loves Godzilla and puts a face to those humans who oppose him. Finally, I’d get the free Cyber Force #1 (Image/Top Cow, $0) because, well, it’s free. I have an unabashed love for the original Cyber Force, and previous reboots haven’t really gelled the way I wanted to. I’m excited to see what Matt Hawkins brings to this, and I’m glad Silvestri is involved even if only on covers and designs.
If I had $30, I’d first stop for Glory #29 (Image, $3.99). I tend to read this series in built-up bursts, and I’m overdue to catch up. I like the monstrous rage Ross Campbell brings to this, and seeing Joe Keatinge capitalize on the artist he has to create a broader story is thrilling. After that I’d get a Marvel three-pack in Hawkeye #3 (Marvel, $2.99), Daredevil #19 (Marvel, $2.99) and AvX Consequences #2 (Marvel, $3.99). I’d buy David Aja illustrating a phone book – seeing him getting a great story is icing on the cake.
If I could splurge, I’d lash onto Charles Burns’ The Hive (Pantheon, $21.95). I’m reluctantly late to the game when it comes to Charles Burns, but X’ed Out clued me into his awesome cartooning power. After devouring his previous work, I’m excited to read The Hive as it first comes out. I don’t quite know what to expect, but after finally coming around to Burn’s skill I’m up for pretty much anything. Continue Reading »
Good news for fans of the lesser-spotted psychedelic comics legend Brendan McCarthy. This Wednesday will see the release of IDW Publishing’s The Zaucer of Zilk #1 in the United States, and in the United Kingdom, the new issue of The Judge Dredd Megazine (#329) comes festooned in a wraparound image of Judge Anderson. This cover is something of a warm-up for McCarthy, as he has an Anderson back-up strip in Issue 2 of IDW’s upcoming Judge Dredd comic, written by Duane Swierczynski. Images from both below.
Anyone who missed the U.K. publication of The Zaucer of Zilk is in for a real treat. McCarthy says the work has “been described as Harry Potter meets Yellow Submarine. .. Mix a bit of David Lynch in there and I’ll go along with that.” I’d throw in a recommendation for fans of Dr. Strange (it’s a massive Ditko fan doing a story about a dimension’s Sorcerer Supreme, after all), and McCarthy’s previous cynical hipster superheroes, like Paradax, Zenith and Rogan Gosh.
Simon Bisley’s return to 2000AD after 22 years absence comes in the form of the cover to the upcoming Prog 1800. It’s already dividing opinion. I’ve never blamed Bisley for the worst excesses of his copyists, and this image has its high points — the Judge Death and Mean Machine figures, drawn in Bisley’s mature style, are particularly good — but it is hard to see past the great big unnecessary arse in the middle of this composition (via Comics Alliance).
Much more below, including the Beatles, Shaky Kane, Brendan McCarthy, Jamie Hewlett and Duncan Fegredo.
I’ve described some artists here as having “escaped” comics for the rarified air of the fine art world. I get the feeling Glenn Barr would deny that description, I remember seeing him describe his work before as “low brow art”. Anyway, I love it. There’s an interview with him over at the 1XRun blog, discussing the latest limited-edition print he’s produced for them, The Alien Bride.
Lots more art below, including Sergio Aragones, Jon Haward, Dan McDaid and Brendan McCarthy. Continue Reading »
By the time Mad Max 4: Fury Road is released, there will have been a gap of nearly 30 years between it and its predecessor, 1985′s Beyond Thunderdome. Fury Road has had a long and complicated gestation, to say the least. Twelve years had already passed since the third Mad Max movie when its visionary director/producer George Miller first spoke informally to U.K. comics legend Brendan McCarthy of his desire to make a sequel. A year later McCarthy moved to Sydney, Australia, handpicked by Miller to reboot the Mad Max franchise and co-write the first draft of Fury Road‘s while developing storyboards and the core designs.
That takes us up to about 2003. Money troubles then affected the production, as the estimated $100 million budget proved hard to finance for what is essentially an Australian indie movie. When the funding was finally secured, the production was shelved, as the scouted locations in Namibia were deemed a security risk in the wake of the Iraq War. By 2009, it was being rumored the script would be produced as an Akira-influenced R-rated animation, which seemed all the likelier as Miller’s animation-producing credentials were proven by the Happy Feet franchise. The Dr D studio Miller established as a digital production facility had also started concurrent development of a Mad Max video game, overseen by Miller and God of War II‘s Cary Barlog. But just as those rumors spread, the story took another turn. Locations were being scouted in the production’s native Australia, cast members were being speculated upon and then confirmed. Work was about to start when unexpected levels of rainfall turned Broken Hill in New South Wales from a suitably post-apocalyptic-looking desert into a verdant oasis reportedly covered in a lush blanket of wildflowers.
The needle skips again, and primary photography finally, officially, kicked off in its original Namibian locations in July 2012. And the set there is as leaky as a sieve. As photographs of vehicles being transported to the set hit the Internet, Kennedy Miller Mitchell productions sought to control the flow of information with a press release that included the film’s first official plot synopsis:
Hello and welcome to another edition of What Are You Reading? Our guest today is writer and artist Jimmy Palmiotti, who you know from All-Star Western, Monolith, Phantom Lady, Unknown Soldier, Creator-Owned Heroes, Queen Crab and countless more.
To see what Jimmy and the Robot 6 crew have been reading, click below.
It’s time once again for our monthly trip through Previews looking for cool, new comics. Michael, Graeme, and Chris Arrant have each picked the five new comics we’re most anticipating in order to create a Top 15 of the best new comics coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
The Golden Age of DC Comics: 1935-1956 HC (Taschen, $59.95): If you were as jealous of everyone who could afford the mammoth 75 Years of DC Comics: The Art of Modern Myth-Making from a couple of years ago as I was, here’s some great news; Taschen is reissuing the material in a series of different (cheaper) volumes, reworked and expanded with new art and commentary by Paul Levitz. The next in the series, covering the Silver Age, is the one I’ll really covet, but you know that this will be awesome.
Julio’s Day HC (Fantagraphics Books, $19.99): Continuing my education in all things Love and Rockets, this never-collected Gilbert Hernandez strip from the second series of L&R is one of those things that goes on my “Want” list almost as soon as I discovered it existed.
Multiple Warheads: Alphabet to Infinity #1 (of 4) (Image Comics, $3.99): I’ve been waiting for more Multiple Warheads since Oni Press put out the first issue a few years back. Now that I know it’s 48 pages for just $3.99 and in color, it seems worth the wait. Brandon Graham is an amazing talent.
Sailor Twain HC (First Second, $24.99): I dropped off Mark Siegel’s amazing webcomic online fairly early, promising myself that I’d get the inevitable collected edition when it was all done and read it in one sitting. I’m glad it’s finally here.
The Zaucer of Zilk #1 (of 2) (IDW Publishing, $3.99): Without doubt, my favorite superhero comic in years – I read it in its 2000AD incarnation – I am overjoyed to see this get a US release like this. Hopefully, everyone will read it and realize just how great Brendan McCarthy and Al Ewing are, leading to all manner of zequels (sorry, I couldn’t resist).