Brenden Fletcher Archives - Robot 6 @ Comic Book Resources
Batgirl heads from Burnside to Anaheim with series artist Babs Tarr’s program cover for WonderCon 2015.
The convention’s Toucan blog unveils the cover, along with a glimpse into Tarr’s creative process — and a hint that a T-shirt may be on the way. The program books will be given free to attendees at WonderCon Anaheim, held April 3-5 at the Anaheim Convention Center.
Retailing | Susana Polo interviews several members of the Valkyries, the organization of women who work in comic shops, and examines the “Valkyrie Bump,” the sales boost that some comics, such as Sex Criminals, Lumberjanes and Batgirl, get when they benefit from their extra support. [Publishers Weekly]
Political cartoons | Reporter James Hookway interviews the Malaysian cartoonist Zunar, who’s facing sedition charges, and provides some background on Malaysian politics and trial of Anwar Ibrahim, which is the topic of some of Zunar’s controversial cartoons. [The Wall Street Journal]
DC Entertainment has debuted the first look at the upcoming Batgirl Black and White statue, based on the fan-favorite character redesign by Cameron Stewart and Babs Tarr.
Set for release in September 2015 from DC Collectibles, it’s the first Batgirl statue from the popular Black and White line that’s included The Joker, Harley Quinn and numerous takes on Batman. Irene Matar, who sculpted DC Collectibles’ Batman: The Animated Series line, also sculpted Batgirl.
Creators | A U.K. researcher argues that Marie Duval was the real creative force behind the wildly popular 19th-century British comic Ally Sloper, which is largely credited to her husband Charles Ross. Duval, the pen name of French cartoonist Emilie de Tessier, drew the character at the height of his popularity in the 1860s and ’70s, but historian David Kunzle now questions what role Ross actually played in his creation. [The Guardian]
Commentary | Chase Magnett pushes back on Chris Suellentrop’s statement, made in a column about GamerGate, that comics are “a medium that has never outgrown its reputation for power fantasies and is only very occasionally marked by transcendent work (Maus, or the books of Chris Ware) that demands that the rest of the culture pay attention to it.” [Comicbook.com]
Conventions | ReedPOP Senior Vice President Lance Fensterman talks about how New York Comic Con reached 151,000 attendees this year, what went well, what could have gone better, and what he learned for next time. The new badges and check in/check out system, introduced last year, let producers know exactly how long people stayed at the show, and that turned into a nice surprise for two attendees: “There was a couple [last year] who literally spent every minute that was possible at New York Comic Con for three and a half days. We reached out to them and did something special for them—gave them a bunch of free stuff and free tickets because they were at the show longer than anyone who wasn’t paid to be at the show.” [ICv2]
Political cartoons | Egyptian cartoonists Mohamed Anwar and Andeel discuss the difficulty of critiquing Egyptian president Abdel Fatah al-Sisi, who doesn’t tolerate dissent; Anwar is a cartoonist for a mainstream newspaper and pulls some punches as the tradeoff for reaching a wide audience, while Andeel has moved over to the alternative press, where he can speak more freely. [The Guardian]
It would be awfully hard to overstate the enthusiasm out there for Batgirl #35. As soon as the new creative team of Cameron Stewart, Babs Tarr and Brenden Fletcher was announced, social media was buzzing; hell, it was singing. Fan art of the new costume began appearing online immediately, and cosplayers started dressing the new Batgirl based on nothing more than the initial promotional images and cover.
I can’t recall the last time I’ve seen this much enthusiasm for a DC Comics production. Universe-shaking developments — deaths, resurrections, infinite crises — major crossovers, and new series from the hottest creators are generally greeted with a dose of cold water from a certain faction of fans. DC readers tend to fall somewhere between “cautiously optimistic” and “openly hostile” when it comes to the publisher’s big decisions. But, for whatever reasons, I’ve seen none of that cynicism regarding the new direction of Batgirl.
Which is a long way of saying that expectations for this particular issue of this particular series are, in most quarters that care about such things, sky-high.
There are only ever three things that can happen with expectations: They can be met, they can fail to be met, or they can be exceeded. And, in general, the higher the expectations are, the less likely they are to be met.
So, as a comic book, how is Batgirl #35 …?
DC Comics’ Batgirl, with its new costume, new direction and new creative team, has its own “(un)official blog,” and now so too does Gotham Academy. Launched over the weekend, Inside Gotham Academy — “the almost official blog” for the upcoming series — so far features promotional pieces, some covers and fan work, but it’s also teased that the series creators (Becky Cloonan, Brenden Fletcher, Karl Kerschl and Romain Gaschet) may post there.
First, Archie Andrews took the ALS Ice Bucket Challenge, and now it’s Batgirl’s turn!
Challenged by Stella of the Batgirl to Oracle podcast to take the plunge for charity, the incoming Batgirl team of Brenden Fletcher, Cameron Stewart and Babs Tarr came up with a creative response: They recruited Barbara Gordon to stand in for them in a fun comic strip — and she brought along some unexpected help.
DC Comics has released three new promos introducing the students of Gotham Academy, debuting in October from writers Becky Cloonan and Brenden Fletcher, artist Karl Kerschl and colorist Romain Gaschet.
Announced in June, the teen drama is set in the city’s most prestigious school, where students attend classes (and get into mischief) in “the shadow of Batman and the craziness of Gotham.”
When DC Comics relaunched its superhero line in 2011 with the New 52, there was an unmistakable sameness to the aesthetic of many of the titles. Sure, there have been some eye-catching exceptions, but for the most part, the Jim Lee-led character redesigns have exerted great influence over the DC Universe for the past three years.
If you’re a fan of Jim Lee, that’s pretty awesome. If you’re a fan of a lot of artists and styles, that’s less awesome and has made the New 52 sometimes frustrating and occasionally baffling. There are more than 75 years’ worth of characters bursting with the imagination of hundreds of creators. Why filter all that down to such a narrow experience for readers? I love Oreo cookies, but can I ever have chocolate chip cookie?
But then, along comes new Batman Group Editor Mark Doyle, who moved from Vertigo in February. Suddenly, there’s a new creative team, a new costume and a new outlook, for Batgirl, followed by announcements of Gotham Academy, Arkham Manor and, just Tuesday, Gotham By Midnight, demonstrating that Batman and his world are a resilient and powerful corner of the DC Universe. It’s one where offering different aesthetics adds a richness to the entire line while (possibly) attracting the eye of those looking for something different in their reading experience.
Essentially, Doyle just installed a snack bar. So let’s go eat!
Even as DC Comics announces another intriguing addition to its Batman line, the horror title Gotham By Midnight, artist Karl Kerschl has unveiled the first look at colored panel from Gotham Academy #1, offering a hint at what readers can expect from the October-debuting series. He has also posted a few black-and-white panels on his blog.
Written by Becky Cloonan and Brenden Fletcher, with art by Kerschl and colorist Romain Gaschet, Gotham Academy is a teen drama set in the city’s most prestigious school (or, as the official description reads, “set in the shadow of Batman and the craziness of Gotham City”).
What’s an old prep school without a proper coat of arms? Fans who watched one of the new episodes of DC All Access glimpsed the one for Gotham Academy, but now the publisher has released the image in the form of a teaser, encouraging applicants to “Enroll Now For the Fall Semester.”
Announced late last month among a wave of new titles, Gotham Academy is set in the city’s most prestigious, and undoubtedly weirdest, school. It’s written by Becky Cloonan and Brenden Fletcher and illustrated by Karl Kerschl, who draw some of their inspiration from Harry Potter, Nancy Drew and the secret history of Gotham exposed in Batman: The Court of Owls.
In the six days since DC Comics announced the new Batgirl creative team of Cameron Stewart, Brenden Fletcher and Babs Tarr, Tumblr has been inundated with fan art inspired by the new costume (designed by Stewart and Tarr) — so much so that Batgirl of Burnside, “an (un)official blog for the DC Comics series,” has been launched, serving as a clearinghouse of sorts.
Stewart, who runs the blog, admitted there’s so much art that he’s having trouble keeping up with it. Asked how he felt about the response to the design, he wrote, “I am overwhelmed and ecstatic and grateful and vindicated. I couldn’t be happier with the tidal wave of support and sincere joy that’s come our way, the (literally) hundreds of pieces of fan art that are being breathlessly drawn faster than I can look at them, the cosplayers already choosing fabrics and causing yellow Dr Martens boots to sell out online. The huge response is a clear sign that despite our detractors we’ve really tapped into something that was waiting to explode.”
Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.
This week DC Comics announced a big change in Batgirl: namely, a new creative team of writers Cameron Stewart and Brenden Fletcher and artist Babs Tarr. Coming aboard with October’s Issue 35, they bring a nifty new look and setting. After three years of grim but determined storytelling from writer Gail Simone and various artists (most recently Fernando Pasarin), Barbara Gordon is heading into Gotham’s “hip border district” for graduate school, and she’s leaving all the bad times behind.