Does "Hellboy in Hell" Finale Signal the End of Mike Mignola's Time With the Character?
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Ever since its return under the Vertigo banner, Astro City (from Kurt Busiek, Brent Eric Anderson, and company) has been pretty great on a consistent basis. Don’t get me wrong, it’s always been a highlight of my pull list; but the current run has really been something special. Last month’s issue #15 — concluding the story of a sweet little old robotics genius and the supervillain who sought to ruin her — was particularly heartwarming. (What’s that? Something in my eye? No, I’m just tired….)
Then, however, I read this week’s issue #16. Readers looking for familiar pastiches will be rewarded immediately, since the broad strokes of the story are deliberately reminiscent of Silver Age Superboy and Lex Luthor. (The energy-headed hero Starbright also looks a bit like Firestorm, but that’s more incidental.) It’s a tale of awkward friendship, super-powered rivalry, and an act of simple kindness which literally transforms a life. As Busiek reveals on the letters page, the middle part of the story comes from his unpublished eight-page script for an installment of the backup feature “Superman: The In-Between Years.” In hindsight it’s easy to see how that script would have worked as a look into the developing dynamics between the Collegian of Steel and his former friend — but as usual, Astro City has taken those elements in undreamt-of directions.
Superman is the world’s greatest superhero, Wonder Woman is the world’s greatest superheroine. They have so much in common — their superpowers, their costume colors, their hobbies, their social organizations — that they seem perfect for each other … if only it weren’t for that nosy reporter friend, or girlfriend, or wife, or object-of-his-affection that’s kept the Man of Steel more or less spoken for over the course of his 75-year career.
I suppose that’s why Superman and Wonder Woman so often become a couple in various out-of-continuity stories like Kingdom Come and Injustice, and a large part of why DC Comics decided to use its 2011 reboot as an opportunity to make the pair a super-powered power couple, one of the more dramatic, non-sartorial changes in either characters’ milieus the reboot has so far introduced.
As Stan Lee sayings go, “Every comic book is someone’s first” isn’t quite as well-known as “With great power comes great responsibility,” but it’s nevertheless one that comics editors and creators should integrate and internalize just as thoroughly. It’s probably much less true today, now that comics are sold primarily through specialty shops (and, increasingly, online) instead of on newsstands and spinner racks, than whenever Lee first said it.
But regardless of whether Executive Assistant Assassins #13, Fearless Defenders #7 or Tarot Witch of the Black Rose #81 — to pick three titles from this week’s shipping list — will actually be anyone’s first comic book, as long as publishers continue to sell comics as serialized stories, then the thought that one of those could be someone’s introduction is a pretty good guiding principle for creating those comics.
With that in mind, this week I read a handful of second issues of some prominent new books from the biggest players in the direct market, with an eye toward how friendly the material might be toward a new reader starting the series — or comics in general — with that issue.
Kurt Busiek, Brent Anderson, Alex Ross and Alex Sinclair returned to Astro City this week, with a brand-new first issue published by DC Comics’ Vertigo imprint. The creative team introduces us to several new characters, including the fourth wall-breaking Broken Man and the anime-inspired American Chibi. Old favorites are also still in residence, including Samaritan and Bill Pullam, one of the ordinary citizens we met earlier in Astro City’s history.
It’s a first issue that feels comfortably familiar but also refreshingly different, as we kick off what looks like a big event within the Astro City world. I definitely found it well worth my $3.99, but if you don’t believe me, here are a few more reviews that might convince you:
Less than a month after DC Comics announced that Astro City will return in June as part of “DC proper,” the company has revealed the acclaimed superhero series by Kurt Busiek, Brent Anderson and Alex Ross will actually be released under the Vertigo banner.
While that will make little difference to fans of the long-running comic, the move helps to bolster the mature-readers imprint, which only recently lost the Hugo Award-nominated Saucer Country and its longtime flagship Hellblazer (relaunched as Constantine in the DC Universe). Astro City will certainly stand out as a rare example of a superhero title on the Vertigo stable.
Debuting in 1995 at Image Comics before ultimately moving to Wildstorm, Astro City centers on the denizens of a mecca for super-powered beings. The title has been on hiatus since DC shuttered the Wildstorm imprint in 2010. The new series continues from the previous arc, a Silver Agent two-parter that served as an epilogue to Astro City: The Dark Age.
Hello and welcome to What Are You Reading? Today our special guests are D.J. Kirkbride and Adam Knave, writers of Amelia Cole and the Unknown World, which was released last week by Monkeybrain Comics.
To see what Adam, D.J. and the Robot 6 crew have been reading, click below …
Hello and welcome to What Are You Reading? This week our special guest is Dark Horse assistant editor Jim Gibbons, who I spoke to about his new job on Friday.
To see what Jim and the Robot 6 crew have been reading, click below …
After 18 years, former Image studio and current DC Comics imprint WildStorm is shutting down this December. And as many have noted already, the house that Jim built has produced many awesome, memorable and even game-changing (to steal a phrase from Rob Liefeld) works in the last two decades.
Here are six of them that we found to be particularly awesome; let us know what we missed in the comments section.
1. Sleeper: There have been many comics that mash up superheroes with down-and-dirty genres like crime and espionage over the past decade; this may just be the best. The high concept is a gripping one: Super-spy Holden Carver is so deep undercover in an international super-criminal organization that when his one contact is placed in a coma, literally no one knows he’s secretly on the side of the angels. Carver’s predicament, the way he plays and gets played by both sides, his growing unwillingness or inability to draw the ethical lines needed to save his soul, if not his life–such is the stuff of a great crime drama. Superstar in the making Ed Brubaker brings all his talents and obsessions to the table here: his knack for crafting morally compromised characters while neither romanticizing their misdeeds nor softening them up, his recurring theme of how the secrets and sins of our pasts never truly leave us, his belief that damaged people seek out other damaged people to repair that damage, his eye for and ability to work with strong visual stylists. In this case that meant Sean Phillips, never better in his ability to believably root spectacular action and super-powers in a naturalist-noir milieu. All of this in a WildC.A.T.s spinoff, proving just how wild WildStorm was once willing to go.
Even its relatively short run redounds to its benefit: The complete story of Holden Carver is yours to own inexpensively, read easily, and ponder at your leisure. (Sean T. Collins)