DC Comics hasn’t had a particularly good run of things lately. To be frank, the publisher has done blown it a number of times over the past few years. But don’t worry, DC fans — I’m sure it’ll soon be Marvel’s turn, as the two rivals seem to trade off every five years or so.
I’ve been calling out DC for the past couple of weeks, but that doesn’t mean everything it does strikes me as wrong. It’s important to declare shenanigans, but it’s also important to recognize when a publisher does something that’s good for comics.
So here are six things DC is doing right:
1. Digital comics: Legends of the Dark Knight and Adventures of Superman are digital-first anthology series that feature some excellent creators (from Jeff Parker and Chris Samnee to J.M. DeMatteis and Jeff Lemire) producing completely accessible and entertaining stories that stand on their own; no college course on the New 52 or Crisis on Infinite Earths required. Yes, these stories are out of continuity — so for a percentage of readers, they don’t count. That’s a mistake, because there’s nothing wrong with a straight-up superhero tale that exists on its own terms. These two anthologies are the gems of DC’s digital-first line-up, but Batman ’66 and Batman: Li’l Gotham also offer fantastical takes on the iconic Caped Crusader that are bright and fun. For those exhausted by the angsty versions of serious stories, you owe it to yourself to check these out.
Arriving on shelves Wednesday, Wonder Woman, Vol. 3: Iron not only collects issues 0 and 13-18 of the DC Comics series but also includes such behind-the-scenes material as Cliff Chiang’s character designs for Orion and a rough sketch for the zero issue splash page. While much of the art debuted last year at New York Comic Con during the “Concept to Page” panel, the trade paperback also features Jim Lee’s take on Orion, which DC has provided exclusively to ROBOT 6, along with some of Chiang’s art. You can see it all below.
Business | Following weeks (if not months) of rumblings, Warner Bros. has made it official: Jeff Robinov, the Warner Bros. Pictures Group president who oversaw the 2009 restructuring of DC Comics into DC Entertainment, will leave the studio following a reorganization that establishes a new leadership team: Sue Kroll, president of worldwide marketing and distribution, Greg Silverman, president of creative development and worldwide production, and Toby Emmerich, president and chief operating officer of New Line Cinema. It doesn’t appear as if Robinov will be replaced. DC Entertainment President Diane Nelson, who initially reported Robinov, presumably will answer directly to Warner Bros. CEO Kevin Tsujihara; following a shakeup last month in the television and home entertainment division, Nelson reported to both Robinov and Tsujihara. [The Hollywood Reporter]
Last month DC Comics announced it had put together a new list of “essential” graphic novels and collections, designed to help casual readers and completists alike. This week I picked up a copy of the 121-page catalog (Issue 1, of course) along with my regular Wednesday haul.
Now, we all love lists, and this looks to be more comprehensive than the 30-item Jeph Loeb-heavy suggestions DC had previously offered. Could the new DC Entertainment Essential Graphic Novels and Chronology 2013 actually represent the depth and breadth of DC’s vast publishing history, and at least try to give each major character the attention he or she deserved?
I haven’t read the whole thing yet, but judging from the two pages devoted to “Women of DC Comics,” the answer doesn’t look promising for said women. As Sue (of DC Women Kicking Ass) and Bleeding Cool have already pointed out, Green Arrow and the Flash both get two-page spreads (each, to be fair, split between a one-page portrait and a one-page checklist), while Wonder Woman has to share two pages with Batgirl, Batwoman, Catwoman and the Huntress. Although the DC Entertainment Essential Graphic Novels and Chronology 2013 could use more female-centric titles (no Power Girl, Manhunter, Stephanie Brown or Cass Cain Batgirl, or Stars and STRIPE, and not a lot of Supergirl), today it may be enough just to focus on Wonder Woman.
Conventions | Kandrix Foong, founder of Calgary Comic and Entertainment Expo, cautions latecomers that all 56,000 tickets for this weekend’s event are sold out. “We tell everybody now: ‘There are no on-site ticket sales,’” he said. “So they say: ‘OK, I’ll just try my luck when I get there.’ ‘No, no, no, you don’t understand. There are no on-site ticket sales. The end. If you show up you will be turned away. Sorry, but that’s the way it’s going to be.’” [Calgary Herald]
Conventions | Wizard World has released its annual report for 2012, and while its convention business was way up, from $3.8 million to $6.7 million, the company still finished the year with a net loss of $1 million. [The Beat]
If you thought the 100 Bullets saga was over, think again. The creative team behind the 100-issue series are bringing back one of the book’s most popular characters, Lono, for a new miniseries in June.
Announced by Vertigo Editor Mark Doyle at the DC All Access panel at the Emerald City ComiCon, the comic reunites the entire creative team — writer Brian Azzarello, artist Eduardo Risso, colorist Trish Mulvihill, letterer Clem Robbins and cover artist Dave Johnson. “All I can tell you is that the guy you love to hate is back,” Doyle said.
Described as a “sort of sequel,” Doyle said the book takes place after the events of 100 Bullets #100. Readers of that series will remember that the last time we saw Lono, he fell through a window after being shot. The body, however, disappeared, leaving behind a trail of blood and the question of what happened to him. I guess we’ll find out in June.
Welcome to What Are You Reading?, where the Robot 6 crew shares their picks for who we think should play a young Han Solo. Of course, we unanimously chose Nathan Fillion, so instead we’ll talk about what comics we’ve been reading. Joining us today is special guest Tim Lattie, the creator of Night Stars. Tim is currently running a Kickstarter to raise funds to publish it, so head over there and check it out.
To see what Tim and the Robot 6 crew have been reading, click below.
It’s Thursday afternoon as you’re reading this, but it’s still Wednesday night as I write it. Usually on Wednesdays, I work at my day job until 5 p.m., and then, after I shout “Yabba-dabba-doo!” and slide down the tail of my sauropod/steam shovel, I hop into my car and drive to my local comic shop and pick up a small stack of comic books. Then I return to my apartment and read them, and then I write brief reviews of them all for a weekly feature I post on my home blog and then I write my weekly post for Robot 6.
Wednesdays are, generally speaking, pretty busy days for me. This one’s even busier than usual, as in addition to the above, I have a few extra writing assignments I need to finish before the end of the week and I still have two homemade Christmas presents for loved ones I need to finish putting together.
So then I had a brilliant idea! Well, an idea. Maybe instead of writing two blog posts tonight, one for Every Day Is Like Wednesday and one for Robot 6, I would just write my usual Wednesday-night blog post and put it here instead of there, thus killing two birds with one stone, as the saying, which was popularized back when people still killed birds with stones, goes.
Here then, are a few paragraphs about each of the new comic books I bought and read this Wednesday (now if only I could give blog posts as a Christmas gifts to my family members, the rest of this week would be pretty chill):
Publishing | Pulp heroes The Spirit, Doc Savage and The Avenger disappeared from the DC Comics lineup more than a year ago, with Co-Publisher Dan DiDio now confirming on his Facebook page that the company’s rights to the characters have lapsed. Brian Azzarello paired the vintage characters with Batman, Black Canary, the Blackhawks and other current DC heroes in his First Wave miniseries, which launched in 2010. Heidi MacDonald adds, “we’ve heard that at WB it was pointed out that DC paying good money to license old characters didn’t make much sense when they had their own catalog of little-used characters to exploit.” [Blog@Newsarama]
Digital comics | As noted here Monday, comiXology was No. 3 on the list of top-grossing iPad apps of 2012, and in the press release announcing this, the comiXology folks dropped another number on us: They have served more than 2 billion pages since their launch three years ago. [comiXology]
Hello and welcome to another edition of What Are You Reading?, where each week we talk about comics and other stuff we’ve been checking out lately. Today we welcome special guest Joshua Williamson, writer of Masks and Mobsters, Captain Midnight (which has been running in Dark Horse Presents), Uncharted, Voodoo and much more.
To see what Joshua and the Robot 6 crew have been reading, click below …
Legal | Disney has filed a motion to dismiss a $5.5 billion copyright-infringement lawsuit filed in October by failed dot-com Stan Lee Media Inc. in its sixth attempt to claim ownership of the Marvel characters co-created by Stan Lee. SLM, which is no longer affiliated with its co-founder and namesake, asserts Lee didn’t properly assign ownership of the works to Marvel, and that Disney didn’t file its Marvel agreement with the U.S. Copyright Office. Disney calls the lawsuit “completely frivolous,” and argues, in part, that the claims have already been litigated and rejected. [The Hollywood Reporter]
Publishing | As final print edition of The Dandy promptly sells out and the venerable U.K. children’s comic migrates online, David Fickling briefly discusses why he launched The Phoenix — a weekly geared for readers ages 6 to 12 — nearly a year ago, and why comics aren’t dead: “Reading comics was always a delight. Reading them under the bedclothes or the desk, even better. Now at last the experts are understanding the importance of reading comics. The loss of reading for pleasure has been identified as one of the principle reasons for falling standards of literacy. Perhaps part of the reason for our disgraceful literacy rates is that we don’t have comics. Comics are a link to books not competition; in short they are a great leveller.” [The Telegraph]
Comics strips | An original 1986 Sunday installment of Calvin and Hobbes, drawn and hand-colored by Bill Watterson, has sold at auction for $203,150. The piece had been owned by Adam@Home and Red and Rover cartoonist Brian Basset, who exchanged original comics with Watterson in 1986. [The Daily Cartoonist]
Best of the year | The Top Ten lists are coming thick and fast now. Michael Cavna counts down his favorites of the year, which include Chris Ware’s Building Stories, Raina Telgemeier’s Drama, and Matt Dembicki’s Washington, D.C.-focused anthology, District Comics. [The Washington Post]
Best of the year | … and George Gene Gustines weighs in with his list. [The New York Times]
Every week, hard as it may be to believe, I try honestly to offer something I think might interest the larger group of DC Domics superhero readers. However, this week I am invoking a personal privilege. For one thing, with Halloween on a Wednesday (when I usually end up writing these essays), the holiday will more than likely take priority.
The main reason, though, is that today is my birthday, and as you might have guessed from the headline, this year is my 43rd birthday. Therefore, this week I have pulled together an especially memorable DC story and/or issue from each of those years, 1969 through 2012. (Note: They may not always line up with the actual year, but just for simplicity’s sake, all dates are cover dates.) These aren’t necessarily the best or most noteworthy stories of their particular years, but they’ve stuck with me. Besides, while I’ve read a lot of comics from a lot of sources, for whatever reason DC has been the constant. Maybe when I’m 50 I’ll have something more comprehensive.
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Welcome to another edition of What Are You Reading?, where today we welcome special guest Ron Marz. Marz has written everything from Green Lantern to Witchblade, and you can currently find him working on comics like Artifacts, Prophecy, Blackburn Burrow and The Ride: Southern Gothic. He also writes the column Shelf Life for Comic Book Resources and can be found on Twitter.
To see what Ron and the Robot 6 crew have been reading, click below.
Serialized storytelling provides superhero-comics publishers a pretty handy buffer. Anything can be judged unfairly, perhaps even after the whole story has been collected. Don’t like a preview image? Wait until the issue itself comes out. Don’t like how the story is going? Wait for it to end, so you can evaluate it in a more proper context. Don’t like how the story ended? Hey, at least you got the thrill of following it issue by issue.
There will always be a certain distance between fans and professionals, simply because the pros know where the stories are going and the fans can only make educated guesses. The previous paragraph’s view of it may be cynical, but I don’t think it’s too far off. Beyond nostalgic, blue-sky wishes for publishers to stop aiming low, and for fans to stop assuming the worst, I don’t have any easy solutions. Sometimes I just wish these sorts of observations weren’t necessary.
Having said all that, I’m not going to call the latest Superman/Wonder Woman pairing (in this week’s Justice League #12, as you might have heard) The Dumbest Thing DC’s Ever Done. I’m not sure it’s even in the Top 20. Heck, I’m not sure it’s the dumbest thing DC’s done in the past 12 months.
What I will say is that it misses the point.