Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15, I’d mostly grab the second issues of some DC stuff I enjoyed last month: Batman ($2.99), Birds of Prey ($2.99), and especially Wonder Woman ($2.99). No Justice League for me though. Unlike Action Comics, I didn’t enjoy the first issue enough that I can rationalize paying $4 for it. Instead, I’ll grab Avengers 1959 #2 ($2.99) and Red 5′s Bonnie Lass #2 ($2.95), both of which had strong first issues.
If I had $30, I’d have to put back Bonnie Lass and wait for the collection in order to afford Jonathan Case’s atomic-sea-monster-love-story Dear Creature ($15.99).
It’s perhaps a little fitting that Wonder Woman’s first post-relaunch visit to Themyscira, a magical, hidden island that can teleport to any location or time, should have echoes of Lost. In the preview of this week’s Wonder Woman #2, from the Maxim magazine website of all places, we get our first exposure to the (re-) rebranded Paradise Island, complete with unnerving, and downright threatening, whispers, and Others Amazons emerging from the shadows of the jungle.
Also worth noting: Queen Hippolyta is blonde again, for the firs time since, when, the 1987 relaunch? Wonder Woman #2, by Brian Azzarello and Cliff Chiang, goes on sale Wednesday.
DC Comics has begun parceling out its January solicitations ahead of the full release this afternoon, revealing Tony Akins as the first fill-in artist for Wonder Woman. As noted last week, Cliff Chiang will still provide the cover for Issue 5, which finds Diana back home in London dealing with “two of the most powerful deities of the pantheon.”
Chiang and Wonder Woman writer Brian Azzarello had one of the most acclaimed debuts in DC’s New 52.
Beyond that, the creative teams in the Justice League, Superman and Batman groups, the only solicitations released so far, appear stable in the fifth month of DC’s relaunch. The covers range from dazzling — Wonder Woman by Chiang, Batwoman by J.H. Williams III and Batgirl by Adam Hughes are particularly noteworthy – to confounding. Starfire appears to be bleeding from her hair on Red Hood and the Outlaws (damned cheap Tamaranian dye jobs), while the covers of Detective Comics and Superman employ some oddly executed split images.
And then there’s the enormous demonic creature gnawing on Nightwing …
Check out some of the highlights, and lowlights, below, and visit Comic Book Resources at 2 p.m. PT to see DC’s full solicitations for January.
New York Comic Con may not kick off for another couple of days, but DC Comics is already parceling out some of its big announcements. On Sunday, there was news that Andy Kubert will join Grant Morrison for two issues of Action Comics, and now comes word that another major change is in store for Wonder Woman.
The New York Post reports that after nearly 70 years, the Amazing Amazon will receive … a father. Warning: Spoilers!
With another wave of debuts for DC Comics’ New 52 — including Batman, Wonder Woman, Supergirl and Legion of Super-Heroes — comes another round of previews, interviews and assorted articles. Here are some of the highlights.
• Vulture previews the highly anticipated debut of Batman, by Scott Snyder and Greg Capullo, and chats briefly with the writer about the appeal of the Caped Crusader: “What appeals to me, no matter who’s in the cowl, is how Gotham City challenges them. Gotham is almost a nightmare generator, filled with villains that seem to represent an extension of Batman’s greatest fears. A lot of his greatest villains feel like mirrors: the Joker is who Batman would be if he broke his rule and fell into madness; Two Face is a mockery of the duality of his life. But what I love about Bruce in particular, and the reason I’m so excited to be doing Batman, is he’s a superhero that has no powers. He takes it upon himself to go out every night, punish himself, and be the best out there. To me, that is both incredibly heroic and exciting, but also really pathological and obsessive.”
A lovely new piece of art popped up last night on Tumblr for Brian Azzarello and Cliff Chiang’s upcoming run on Wonder Woman. New to us, in any case, as Chiang writes that it’s actually “an early promo image we cooked up to visualize our take on Wonder Woman. The original version has pants!”
Wonder Woman #1, by Azzarello and Chiang, arrives Sept. 21.
If you’ve been worrying about what direction DC Comics’ beleaguered Wonder Woman title might take with the September relaunch, writer Brian Azzarello offers reassurance that likely will either leave you screeching with joy, or clutching your heart.
“People need to relax, she’s not wearing pants,” he tells the Coventry Telegraph. “But it’s not going to be a superhero book. I can guarantee you that, it’s not a superhero book. It’s a horror book.”
That, of course, puts into perspective the solicitation text for the first three issues of the series, by Azzarello and artist Cliff Chiang, which has been sprinkled with … well, let’s call it foreboding. Plus, there’s the cover for November’s Issue 3.
However, if the idea of Wonder Woman as horror doesn’t exactly instill you with confidence — I’m intrigued by the possibility — there’s the insistence by Azzarello that this is a “soft reboot,” meaning he and Chiang aren’t jettisoning the character’s history. But more importantly, there’s his assertion that DC’s “Trinity” concept hasn’t really worked — “There’s Superman and there’s Batman and there’s everybody else” — but that it can.
“The first issue’s all done and we’re running right up to the edge, as far as what we can get away with,” Azzarello tells the newspaper. “We’re pushing the envelope with this one. I firmly believe that that’s what this character needs right now.”
Wonder Woman #1 arrives in stores on Sept. 21.
T-shirt website Threadless has released another round of “Comics-On Tees,” this time featuring the artwork of Eduardo Risso, Lee Bermejo, Matheus Lopes and Dave Johnson. The four shirts tell a story that was written by Brian Azzarello, called “Sorry Babe…”
You can find all four shirts on the Threadless site.
Cosmic Book News continues to parcel out scans from the DC Comics: The New 52 preview, offering a look at a page from Aquaman #1 by Geoff Johns, Ivan Reis and Joe Prado, as well as penciled art from Wonder Woman #1, by Cliff Chiang and Brian Azzarello (see the full pages at Cosmic Book News). It’s worth noting that the latter provides further confirmation that the star-spangled shorts are indeed returning.
Check out the Aquaman art after the break. DC Comics: The New 52 preview will be available later today at Comic-Con International in San Diego and in comic stores nationwide. Wonder Woman #1 goes on sale Sept. 21, followed a week later by Aquaman #1.
Despite her depictions on promotional materials and the covers for the debut issues of Justice League and her own title, it appears as if Wonder Woman will once again don star-spangled shorts come DC Comics’ September relaunch.
The evidence emerged this morning with the announcement of the DC Comics: The New 52 preview book that will be released next Wednesday in comic shops and at Comic-Con International in San Diego. In the upper left-hand corner of the cover is a slightly modified version of Cliff Chiang’s art for Wonder Woman #1, with the Amazon Princess now sporting shorts for the first time in more than a year — when Jim Lee’s divisive costume redesign was introduced as part of J. Michael Straczynski’s short-lived new direction for the character.
Wonder Woman #1, by Brian Azzarello and Cliff Chiang, will be released on Sept. 21.
Hello and welcome to What Are You Reading? Today our special guest is Kelson Vibber, Flash fan and proprietor of the Speed Force blog. To see what Kelson and the Robot 6 crew have been reading, click below.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item. We’re coming a little late today due to a power outage in my neck of the woods — due to a blackout, not because I spent the money for the electric bill on Flashpoint or Fear Itself tie-ins.
If I had $15, my first pick off the shelf would be Vengeance #1 (Marvel, $3.99); I love Joe Casey, and especially when he’s given a long leash and room to play in a big universe. Seeing Nick Dragotta drawing this is an added bonus. Next up would be comics’ dueling summer blockbusters, Flashpoint #3 (DC, $3.99) and Fear Itself #4 (Marvel, $3.99). After that, I’d get the excellent Flashpoint: Batman, Knight of Vengeance #2 (DC, $2.99); when Azzarello is on the ball he’s great to read, and this seems to be that.
[Note: This post was written Wednesday night, before the latest round of announcements.]
I was barely into the back yard when the lawn mower exploded.
This mower was far from new. My wife had owned it since a few years before we met, and it may have been old when she got it. It had cut the grass of at least four different addresses in three different states, and had been maintained and serviced fairly faithfully throughout its life. This summer, however, its persistent little engine had been making ominous noises that my amateur care could not entirely mitigate. When it ran over that big limb, which it tried mightily to shred as it had so many others, the stresses proved to be too much. The next thing I knew, there was a puff of smoke, a spray of oil, and a silver-dollar-sized hole in the mower’s side.
I pointed that out to my wife, to drive home the extent of the damage. “See that in the hole? That’s the piston.”
“We’ll take it to Sears in the morning,” was her reply.
Well, needless to say, by this point we were talking about an ex-mower. The most the Sears mechanics could suggest was to order a part that would cost more than a new mower. This was the tipping point for my wife, when practicality superseded sentiment. Indeed, the new mower is remarkably efficient by comparison, atomizing clippings and leaving a uniform green carpet in its wake. It is cool and bloodless, like a Secret Service agent or an athlete in prime condition. With luck, it will serve us as long and as well as its predecessor.
Now, clearly I am not telling you about my lawn mower because this has turned into “Grumpy Old Garden.” Neither am I saying DC had a gaping hole in its superhero line and we readers thought it could be simply patched. There was, and is, no simple solution — not even starting over entirely — to DC’s array of small and large ailments. A few weeks ago I talked about the relationships we readers form with these characters over time, and I can see a couple of ways to roll back whatever Flashpoint facilitates.
Still, after a week’s worth of pondering September’s lineup, I have decided it is time to embrace the new.
Following their announcement that they were starting everything over and relaunching all their titles with new first issues this fall, DC Comics today announced the creative teams for ten of the titles.
And while Tom may have other thoughts on his mind this week, here are some of my quick thoughts on those announcements:
Brian Azzarello and Cliff Chiang on Wonder Woman: Now all we need to know is whether she’s forming a rock band or not … but seriously, art wise, in my eyes, perfect choice. I’m a huge fan of Chiang’s, so I was just hoping we’d see him on any regular title. And Wonder Woman seems like a great fit. Azzarello, meanwhile, probably isn’t the first name I would have thought of when thinking about Wonder Woman, but the more I think about it, the more I like the idea. Of the creative teams revealed so far, this is probably becoming my favorite, or is at least tied with …
Ethan Van Sciver, Gail Simone and Yildiray Cinar on Firestorm: Back at WonderCon in 2010, Simone and Van Sciver teased that they were working together on something. Could they have been talking about Firestorm? Maybe; Simone also said on Twitter that she and Van Sciver have another as-yet-unannounced project they’re working on, so it could have been something else. I like the fact that Van Sciver is co-writing the book (rather than drawing it), and it’s getting a bit of a reboot. “Jason Rusch and Ronnie Raymond are two high school students, worlds apart – and now they’re drawn into a conspiracy of super science that bonds them forever in a way they can’t explain or control.” So you have two writers with very different worldviews writing a character composed of two other characters with wildly different worldviews. That’s actually pretty cool. Yildiray Cinar, meanwhile, has been killing it on Legion, so he’s a plus to a team I was already liking.
The cover, above, is by Paul Pope, and as previously reported, the first issue will include a chapter of Spaceman by Brian Azzarello and Eduardo Risso, which will get its own series from Vertigo in the fall. Other contributors include Jeff Lemire, Ross Campbell, Kevin Colden, Peter Milligan, Paul Cornell, Denys Cowan and many others. You can find the complete table of contents after the jump.