Brian K. Vaughan Archives - Robot 6 @ Comic Book Resources

‘The Private Eye’ tops six figures in downloads, sales

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[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

The release of a new issue of Brian K. Vaughan and Marcos Martin’s excellent and, given recent news, timely The Private Eye is always enough to warrant a “Best of 7″ post. But the icing on the cake is that Vaughan revealed some sales data last week for the series thus far — and business has been good for the talented team.

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Yang, Simone and the triumph of ‘Saga’

saga15-cover[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

In some ways, this is the best of times and the worst of times for those who are interested in bringing comics to a broader audience. As the hubbub died down over Milo Manara’s Spider-Woman cover, another story went viral, about a comic shop where an employee allegedly made a crude joke about a “rape room” and then fired a trainee who complained about it. While debate continues to rage over what exactly happened there (the store owner denies it), Bloomberg did a big story on how the number of women comics readers is growing and becoming an ever more important sector of the industry.

With this in mind, I want to call out three things that happened this week.

The first is Gene Luen Yang’s speech at the National Book Festival. First of all, it’s impressive that a comics creator is given such a prominent platform at an event that isn’t actually focused on comics. What Yang had to say was even more impressive. He spoke about the African-American creator Dwayne McDuffie, whose love of comics first caught fire when he encountered the Black Panther, a black character created by Stan Lee and Jack Kirby. The Black Panther wasn’t perfect, but, Yang said,

All of these flaws were lost on Dwayne McDuffie when he first encountered the Black Panther in 1973, at the age of 11. What struck him was the character’s commanding sense of dignity. The Black Panther wasn’t anyone’s sidekick. He wasn’t an angry thug. He wasn’t a victim. He was his own hero, his own man. As Dwayne describes it, “In the space of 15 pages, black people moved from invisible to inevitable.”

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SDCC, Day 3 | The Force is with Marvel

star warsAlthough Saturday at Comic-Con International was dominated by movies and television — led by Warner Bros. Pictures, Marvel Studios and Legendary Pictures — there was still room for plenty of comics news. First and foremost, the announcement of Marvel’s Star Wars plans.

That line, telling canonical stories set between the events of Star Wars: A New Hope and Star Wars: The Empire Strikes Back, launches in January with Star Wars, by Jason Aaron and John Cassaday, followed in February by Star Wars: Darth Vader, by Kieron Gillen and Salvador Larroca with covers by Adi Granov, and in March by the miniseries Star Wars: Princess Leia, by Mark Waid and Terry Dodson.

“What’s great about this time period is that all the characters are kind of on the table,” Aaron told CBR News. “Of course this is still early on and these people have pretty much just met each and just come together. So they’re still finding their place within this group and sort of figuring out their relationships with each other. Then there’s the fact that when you look at the gap between Episode IV and Episode V there’s some pretty major beats that happen off screen. So this gives up the opportunity to grab those beats and lay them down as part of the same canon as the movies.”

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Comics A.M. | Police accused of pre-SDCC homeless crackdown

Comic-Con International

Comic-Con International

Conventions | An advocate for the homeless claims San Diego police are harassing homeless people to keep them away from downtown during Comic-Con International. The mayor and police chief deny the accusation and say officers are simply doing outreach, but at least one homeless man has been given a “stay away” order. Comic-Con begins Wednesday with Preview Night. [ABC 10 News]

Digital comics | Following the news that the comics market was estimated at $850 million in 2013, of which $90 million was digital, George Gene Gustines looks at a couple of different digital models, including Thrillbent’s new subscription service and Panel Syndicate, Brian K. Vaughan and Marcos Martin’s name-your-own-price approach. [The New York Times]

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Conversing on Comics with Marcos Martin

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Marcos Martin grew up reading American superhero comics imported to his native Spain, and for the first 13 years of his career, he lived, breathed and drew those heroes in titles like Batgirl: Year One, Doctor Strange: The Oath, The Amazing Spider-Man and Daredevil. But now he’s moved on, devoting himself primarily to creator-owned comics with a reach beyond the direct market. The first sign of that is The Private Eye, the digital comic he created with celebrated writer Brian K. Vaughan about the price of privacy in a futuristic world.

Both Martin and Vaughan have talked with CBR about their project, so for this installment of “Conversing on Comics” I reached deeper into the artist’s work, looking for his influences and his choices. The interview, conducted in late April via Skype, pulls back the curtain on Martin, an ambitious but private professional who’s looking to entertain not just the ardent comic book fan but also more mainstream readers interested in fiction and fables.

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You can now buy prints of Vaughan & Martin’s ‘The Private Eye’

private eye print1

If, like me, you’re a big fan of The Private Eye, the digital comic by Brian K. Vaughan and Marcos Martin, you may be pleased to learn Panel Syndicate has opened a store where you can buy prints from the acclaimed sci-fi mystery set in a world where privacy is at a premium.

So now you can get 17.7-inch by 12.6-inch prints of Martin and colorist Muntsa Vicente’s covers for issues 1 and 4, or pages from Issue 1; there’s also a limited-edition black-and-white print. They’re $20 each, plus $10 shipping (except for that last one, which will set you back $50).

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Moore & Storms on the flawed marriage that feeds ‘EGOs’

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Two elements of Stuart Moore and Gus Storms‘ new Image Comics series EGOs make me exceedingly eager to read the first issue: the flawed marriage at the heart of the title (automatic fodder for great drama), and a foe that’s a living galaxy.

To get a better understanding of EGOs, which debuts Jan. 15, I pelted the creators with a series of questions. Moore has a grasp of the comics medium (and its unlimited potential) in a manner few others possess, so to say it was a delight to chat with him and Storms is an understatement. How strong is EGOs? As noted in our discussion, it has Saga writer Brian K. Vaughan as its guardian angel. What more needs to be said? Well, I’m a sucker for any series with a broken-down cyborg. I needed to say that.

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Comics A.M. | Judge rules Sherlock Holmes is in public domain

Sherlock Holmes: The Liverpool Demon #4

Sherlock Holmes: The Liverpool Demon #4

Legal | In a decision that will undoubtedly usher in more Holmes and Watson novels, comic books, movies and television, a federal judge has issued a declarative judgment that the elements included in the 50 Sherlock Holmes stories published by Arthur Conan Doyle before Jan. 1, 1923 are in the public domain in the United States. That means creators are free to use the characters and elements from those stories (but not from the 10 published after 1923) without paying a licensing fee to the protective Arthur Conan Doyle Estate Ltd.

The ruling came as a result of a lawsuit filed early this year by Leslie Klinger, who served as an adviser on director Guy Ritchie’s two Sherlock Holmes films and with Laurie R. King edited In the Company of Sherlock Holmes, a collection of new stories written by different authors. Although Klinger and King had paid a $5,000 licensing fee for a previous Holmes-inspired collection, their publisher received a letter from the Conan Doyle estate demanding another fee; in response, Klinger sued. [The New York Times]

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Fifth issue of Vaughan & Martin’s ‘The Private Eye’ now available

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Here’s a great early Christmas present — the fifth issue of Brian K. Vaughan, Marcos Martin and Muntsa Vicente’s The Private Eye is now available for purchase on the Panel Syndicate website. Like previous issues, you can name your own price.

The science fiction detective story is set in an Internet-less future where everyone wears a mask to protect their privacy and stars an unlicensed journalist, who is drawn into a mystery. The story is planned for “10 issues total; an old-school ‘maxiseries!'”

Check out a preview below.

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Comics A.M. | ‘Saga,’ Sean Phillips win British Fantasy Awards

Saga, Vol. 2

Saga, Vol. 2

Awards | Sean Phillips was named as best artist and Saga, by Brian K. Vaughan and Fiona Staples, as best comic/graphic novel at the 2013 British Fantasy Awards, presented Sunday at the World Fantasy Convention in Brighton, alongside the World Fantasy Awards. [British Fantasy Society]

Publishing | Tim Pilcher of  Humanoids talks about his company’s new plans to distribute its graphic novels in the United Kingdom through Turnaround Publisher Services. [ICv2]

Conventions | Italy’s Lucca Fest had a record-breaking show, with 200,000 tickets sold and 300,000 attendees in all. [The Hollywood Reporter]

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The wait is over: Vaughan & Martin’s ‘The Private Eye’ #4 arrives

private eye4

It’s been more than three months since we last saw a new installment of The Private Eye, the name-your-own-price digital comic by Brian K. Vaughan, Marcos Martin and Muntsa Vicente, but now the wait is over with the release of the fourth issue on Panel Syndicate.

Planned for “around 10 issues total,” The Private Eye is a sci-fi detective story set in a not-too-distant future where surveillance is so prevalent, and privacy so sacred, that everyone possesses a secret identity. Against that backdrop, the protagonist — an unlicensed journalist, akin to a private investigator — is drawn into a mysterious plot.

You can check out a preview of the 30-page fourth issue below.

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BCC | ‘Saga,’ ‘Adventure Time’ among Harvey winners

harvey_winner_logoSaga, Adventure Time, Jaime Hernandez and Parker: The Score were among the winners of the 2013 Harvey Awards, which were presented tonight in conjunction with the Baltimore Comic-Con. Saga was the night’s big winner with six awards, as Fiona Staples took home awards for best artist and best colorist, and Brian K. Vaughan took home the award for best writer.

Also taking home an award tonight was this very blog, as Robot 6 won for best biographic, historical or journalistic presentation. Our fearless leader Kevin Melrose will likely have a few words to say about that in the days ahead, but for now I’ll just say congratulations to the rest of the Robot 6 team — it’s an honor to work with you guys.

Named in honor of the late Harvey Kurtzman, the cartoonist and founding editor of MAD magazine, the awards are selected entirely by creators. The full list of nominees can be found below, with the winners in bold and italics. Congratulations to all the winners:

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‘Saga’ wins 2013 Hugo Award

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Saga, Vol. 1, by Brian K. Vaughan and Fiona Staples, won the 2013 Hugo Award for Best Graphic Story, presented over the weekend at LoneStarCon 3 in San Antonio, Texas. Paul Cornell served as the toastmaster.

Presented annually since 1955 by the World Science Fiction Society, the prestigious Hugo Awards recognize the best in science fiction and fantasy.

Published by Image Comics, the bestselling Saga follows two soldiers from opposite sides of an intergalactic war who fall in love and risk everything for their newborn daughter, and in the process become fugitives on the run from their own governments. The title was one of the big winners at this year’s Eisner Awards, earning nods for Best Continuing Series, Best New Series, and Best Writer.

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Peer behind the curtain of Vaughan & Martin’s ‘The Private Eye’

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Although it appears we’ll have to wait a while longer for the fourth issue of The Private Eye, the acclaimed digital comic by Brian K. Vaughan, Marcos Martin and Muntsa Vincente, Panel Syndicate is making the interim a little easier to endure with the release of The Making of The Private Eye, an 85-page “inside look at the creation of the digital comic.”

As with The Private Eye, readers are asked to name their own price for this special issue, which includes such behind-the-scenes content as Vaughan’s original pitch, Martin’s character designs and email exchanges between the creators. You can get a sneak peek below.

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Comics A.M. | Digital’s role in ‘resuscitating’ comics industry

comiXology

comiXology

Digital comics | Financial-services company The Motley Fool touches upon how digital has helped to boost the comics industry, rather than undermine print sales as some predicted it would. “Digital has not to anyone’s observation pirated the sales of comics. It looks like just the opposite,” writer and charts-watcher John Jackson Miller tells the website. And then, because it’s The Motley Fool, the story veers off into what investors can learn from digital comics — specifically, “three forces [that] conspired to transform digital from a threat into a catalyst”: quality, format and access. [The Motley Fool]

Creators | Brian K. Vaughan talks about producing the CBS sci-fi thriller Under the Dome and writing Saga as well as his digital comic The Private Eye. His take on Saga: “I definitely wanted to write about the experience of fatherhood and parenthood while also recognizing that’s extremely boring for most people. How do you talk about these mundane topics in an exciting way? Hopefully setting this story in a wacky sci-fi fantasy universe has given us room to tell this story with some visual spectacle and just Fiona Staples being awesome.” [USA Today]

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