Brian Michael Bendis Archives - Robot 6 @ Comic Book Resources
Powers creator Brian Michael Bendis has announced he’ll be a guest on NBC’s Late Night with Seth Meyers on Jan. 20 to discuss the upcoming television adaptation of Powers, as well as comics and other subjects.
“I’m a kid from Cleveland going on the same show where Harvey Pekar went to war with Letterman,” Bendis wrote on his blog, noting that Late Night is his favorite talk show. “This is so crazy huge to me.”
“My perspective is a little different than most because I take so much time in between conventions and when I’m there I’m working… but watching from behind by signing table and seeing people becoming friends online or just having a great time expressing themselves through costume and just sharing their love of whatever they love is amazing. My feeling is if you are a creator and your book or art or whatever isn’t selling that is on you. And I’m talking about myself here as well. If something didn’t connect with an audience, that’s my problem, that’s not the culture’s problem.
“The culture shifts very quickly. Quicker than it ever has before. Most of the time I think for the better. But I think if you are trying to sell something to someone at a convention or anywhere you better take a good look at yourself and what you’re selling and how much you are selling it for. You can’t just show up at your table and drop your portfolio and sit back and wish of the sea to part. (which I see a lot of people doing) You have to have work out there, that is vital. You have to let people know what you have that is special and worth their time.”
– Brian Michael Bendis, responding to a question about the effect of cosplay on comic conventions
Brian Michael Bendis shared some terrific photos from a weekend get-together at the Portland, Oregon, home of Matt Fraction and Kelly Sue DeConnick, where such artists as Matt Wagner, Skottie Young, Tony Moore and Matthew Clarke drew on the hallway wall. DeConnick provides a link to the “completely interactive” wallpaper, whose pattern features frames of different sizes and styles — ideal for one-of-a-kind sketches.
Check out a couple of the images below, and more on Bendis’ blog.
Marvel mainstay and Powers co-creator Brian Michael Bendis has shut down his long-running message board, effective immediately. Previous posts are no longer accessible and all incoming links to the board direct to a note from the Eisner-winning writer, where he states his reason for the closure and invites fans to interact with him via his Twitter and Tumblr accounts.
“This looks to be one of the most exciting years I will ever have with the debut of the Powers TV show and so many other big surprises coming in the next few months,” Bendis wrote. “It is important, now more than ever, that I focus as much of my attention on my work and family.”
The Bendis Board took many forms at multiple different homes across the Internet over the years, dating back to the writer’s pre-Marvel days. In addition to his own board, Bendis hosted forums for other creators (collectively known as the “Jinxworld Forums”), which are also now redirecting to the closure message.
“Posting this because as I walked past it today I was reminded that Powers co-creator Mike Oeming drew the first issues of Powers in a security booth for a parking lot in the middle of the night.
(And I know some people are working their nightmare jobs during the day or night and writing and drawing in their every waking moment of free time. it can be done.)”
Business | Marvel parent company Disney has reportedly laid off as many as 17 of the 60 full-time employees at DisneyToon Studio, the Glendale, California-based division that produces animated direct-to-video sequels and prequels, such as The Lion King 1 1/2 and Mulan II, the Disney Fairies releases and the occasional feature film, most recently Planes: Fire & Rescue. While Disney has been cutting positions throughout the company for the past few years — dating back to 2011 with the elimination of 200 jobs in its interactive division and about a dozen at Marvel — Variety chalks up these layoffs to the declining home-video market. [Variety, Deadline]
Passings | Dan Lynch, former editorial cartoonist for the Fort Wayne Journal Gazette, died Sunday at age 67. Lynch also worked for the Kansas City Times, and his cartoons were syndicated nationally and appeared in Time and Newsweek. However, his career was cut short by a debilitating stroke in 2001. “Dan had (what I thought was) a fabulous drawing style,” said Julie Inskeep, publisher and president of The Journal Gazette. “And, in the 20-plus years he worked at the JG, he provided a vast array of cartoon topics – always welcome, though not always in agreement with our editorial board. But he got people to think and react in his special and powerful way.” [Fort Wayne Journal Gazette]
Legal | A former Marvel intern has filed a class-action lawsuit against the company, alleging he was incorrectly classified and unfairly denied “minimum wages.” Kenneth Jackson of Lancaster, Pennsylvania, claims he’s owed back pay for the work he performed for Marvel from August 2008 to December 2008, and seeks to include in his motion “all similarly situated persons who are presently or formerly employed by Marvel Entertainment, LLC.” [TheWrap]
Passings | Pran Sharma, the creator of the Indian comics character Chacha Chaudhary, died late Tuesday of complications from cancer. He was 75. The first comic featuring Chacha, “a wise old man who solves problems with his sharp intellect,” was published in 1971, and the character went on to star in his own comics and animated series. Sharma also created the teenage character Billoo. “If I could put a smile on the face of the poor, I would consider my life successful,” he once said. [The Wall Street Journal]
In 2000, Brian Michael Bendis and Michael Avon Oeming’s Powers #7 featured a familiar guest star, although not one readers were used to seeing in their comics: Writer Warren Ellis joined series protagonist Christian Walker on a ride-along to conduct research for an upcoming book.
But while the series later moved from Image Comics to Marvel’s Icon imprint, Bendis will make a return, of sorts, in November’s Nailbiter #7 as he pays a visit to Buckaroo, Oregon, to research a book about serial killers.
Created by Joshua Williamson and Mike Henderson, Nailbiter revolves around Buckaroo, a small town notable for being the birthplace of 16 serial killers. After beating a murder rap, the latest and most notorious of the “Buckaroo Butchers,” Edward “The Nailbiter” Warren, has returned home — and he’s a big fan of Bendis, as is Williamson.
“[The Nailbiter] is a very big Brian Michael Bendis fan,” Williamson said during Saturday’s Image Comics panel at Comic-Con International in San Diego. “But he’s a little mad he killed Peter Parker.”
Williamson, who, like Bendis, lives in Portland, Oregon, said the idea of putting words in the fictionalized writer’s mouth “is terrifying.” However, he’s working closely with Bendis to ensure everything feels authentic.
Early last month Brian Michael Bendis returned to Cleveland for the first time in 14 years to speak at a TEDxCLE event at the Cleveland Museum of Art. His nearly 25-minute presentation, “The Little Boxes,” is now available online.
“I was young, and I would read these books, and I became obsessed with the little boxes in the front of the book, the little boxes with the names of the people who were responsible for the experiences I was having,” the writer recalls. “At first I thought I just wanted to see my name in those boxes because I thought it was the coolest place on Earth to see your name. I was a little kid, it seemed really cool to me. But really what was happening was I was experiencing — we’ve all experienced it in some medium — I was experiencing true storytelling for the first time.”
Watch the entire presentation below.
“Sure, there are people who look like Captain America who read comics, but there are very few people in the world who look like Captain America. I go to conventions, and you meet hundreds of people over the course of the day, and no two of them look alike. You see women and people of color who love comics, and there’s nothing representing them in a way that isn’t sexualized or something.
“Now, you can’t make these decisions [to be more inclusive] consciously, because then you’re just writing in reaction to things, and that doesn’t work out, dramatically. But subconsciously, if you look at the world around you and see your readers, you go, I wanna write something that I know is true. So you start writing women better and you write people outside of your experience better, because you look at pages of other people’s comics and you don’t recognize it as the world around you.”
Crime | Police in St. Charles, Missouri, are looking for a man who accosted an employee of the Fantasy Shop outside the comic store Monday morning and demanded she hand over a bank bag. The suspect, who indicated he had a gun, then fled with an undisclosed amount of money, leading to five local schools being put on lockdown for about 90 minutes. [St. Louis Post-Dispatch]
Creators | Francis Manapul and Brian Buccellato discuss taking over as the creative team of Detective Comics with Issue 30. “We just want to carve out a small space in the Bat-world and craft stories that resonate with the legions of fans out there,” Buccalleto says. “It’s a tremendous honor to be a part of this legacy.” [USA Today]
Set for Saturday, May 3, Free Comic Book Day 2014 boasts 60 titles, ranging from the Bongo Free-For-All and The Smurfs to Guardians of the Galaxy and the 2000AD Special.
Batman: The Dark Knight Vol. 3: Mad (DC Comics): Poor Batman. His new continuity is only a few years old, and already he’s suffering from threat inflation, so that now seemingly every crime is one that could level Gotham City and every villain a mass-murderer with a three-figure body count to rival The Joker’s.
In this volume — collecting six issues and an annual from writer Gregg Hurwitz’s run on The Dark Knight — it’s The Mad Hatter’s turn for an upgrade. A villain formerly portrayed as either obsessed with hats or with Lewis Carrol’s Alice books or both, depending on the writer, Jervis Tetch here begins his road to villainy by killing a rabbit, then uses a step-ladder to reach the face of an underling who he proceeds to murder by plunging his thumbs into the victim’s eyes. From there, he murders a housewife by bashing her head in with an iron, he kills hundreds—hundreds!—of Gothamites through his mind-control technology, and he then has Batman’s girlfriend killed…by having her beaten to death in front of him.
In response, Batman tears one of the Tweedles’ jaws off, beats the diminutive Hatter until he’s drenched in his villain’s blood, then tosses him into a pond to drown until Alfred reminds him that he can’t kill the Hatter, or else he’ll be no different from him. I don’t think Batman should ever resort to lethal force, but Alfred’s argument isn’t all that powerful as presented here, given that one side of the scale has a madman murdering scores of innocents, and the other has Batman killing said killer.
That’s not the only surprisingly cliched bit of the story, which invents a new origin full of childhood trauma for Jervis Tetch akin to those Hurwitz previously gave The Scarecrow and The Penguin. Batman also decides he loves his current girlfriend, reluctantly reveals his secret identity to her and then, the very next night, one of his foes murders her while attempting to torture Batman’s secret identity out of her.
It’s a pretty problematic plot, to say the last.
It started with a simple question on Brian Michael Bendis’ Tumblr:
what advice do you have for someone that has had writers block for the past 6 or 7 years?
His response was terse:
this will sound harsh but you’re probably not a writer.
writers write every day. it’s ok, not everyone is.
but if you consider yourself one, get off your ass and get back to work!! write about why you haven’t been writing . anything. just write.
… and then it made its way around Tumblr, getting blogged and reblogged and commented on. Here’s a pretty good string of responses and responses-to-responses at Warren Ellis’ Tumblr, and Paul Constant compiled more Tumblr responses in a post at The Stranger, which then accumulated a pretty long comment string of its own.
This particular discussion resonated with me because I was in a similar situation: I wanted to be a writer for years before I actually wrote anything worth reading. It’s true, a writer writes, but when you are just sitting there all alone in front of the keyboard, it can be hard to know what to write or if what you are writing is worthwhile. I wrote great articles in my head but they seldom made it onto the computer, and when they did, I never seemed to be able to finish them. I picked at different things, but with no deadlines, I had no urgency to wrap anything up, and with no one to read my unfinished bits, I got no feedback. It’s one thing to write when you have assignments and deadlines and editors yelling at you; it’s another entirely when you’re sitting there in a vacuum.
So here’s the advice I would have given Bendis’ inquisitor:
X-Men: Battle of the Atom seems poorly named. The title references the nickname “Children of the Atom” often given to mutants for an old school, sci-fi feel, so you think this battle would have something to do with being a mutant, when in actuality, it has more to do with time travel and really, just being an X-Man. They could have called it X-Men: Fight for the Future and that would have made more sense, but then everyone would have just thought about that one X-Files movie and that would have gotten us nowhere.
Still, while X-Men: Battle of the Atom is an awkward title, it seems to promise one thing, deliver another and both ideas were a little oversized to begin with, much like the story the title denotes. Brian Michael Bendis once again hits the readers with a surgical strike, but this one’s a little more invasive and disguised than the clean-up or shakedowns of events past. Comparing it to Infinity, Hickman seems to be working from very broad concepts (intergalactic battle, world building/destruction) that started his Avengers event to the very narrow (save Earth, Thanos has a son, new Inhumans popping up on Earth) and more easily understandable to the reader, almost like a reward. Did you bear with us for the Alephs and Builders and high concepts? Here are some new characters and human interest stories to make it more palatable. In the end, I think Infinity will work much better as a coherent trade and over-arcing narrative telling a big space yarn.
In X-Men: Battle of the Atom‘s case, the story started out simple (put the time-traveled X-Men back where they came from) and got more and more complicated as he wrote further, from a narrow point to broader strokes full of brand new characters who had maybe a glimpse of a reason to be there. The story reads much better as single issues, like tiny bites of candy that make you sick if you eat them all at once. In the end, it will probably make more sense… well, let’s face it: at the next big event.
Let me see if I can make sense of what went on….
WARNING: I’m giving you the short, short version of X-Men: Battle of the Atom so if you want to read it for yourself, stop here and visit your friendly neighborhood comic shop! If you’ve already read the X-Event, read on!