EXCL. PREVIEW: "All-New X-Men" #41 Takes the Fight to the Utopians
I hate “dark and gritty.” Some days I wake up and say a little prayer on announcement weekends like this one, where the House of Ideas sells us on the next batch of comics’ twists and turns that no one hails a new book as being a must-read because it will be “dark and gritty.” I like to think that’s we’ve moved past thinking that shading your books in big, black washes and stockpiling your panels in death, dismemberment and human anguish means your comics are better or “more realistic” than one that’s more lighthearted. After all, death not only gets you an annotation in the Overstreet guide, but it also means something important has happened.
That’s what makes Deadpool so interesting as a character and as an ongoing comic. Nothing really important happens in a Deadpool comic; he doesn’t cross over with big events all that often, and he’s more a guest star in other characters’ comics than a major player in his own. He also happens to be wacky, dangerous in a Bugs Bunny sort of way and more self-aware than most heroes, whether anti- or super-. With the right creative team, Deadpool can make you think while making you laugh, or tug at the heart string and your funny bone. At his worst, he’s like a CBS sitcom: high in ratings, panned by critics, divisive in his target audience and competing against the better shows.
Marvel NOW! Deadpool wonderfully leans toward the former, with Gerry Duggan and Brian Posehn balancing humor and horror on a katana’s edge, as Deadpool #18 expertly delivers on both this week.
WARNING: HUGE spoiler for Deadpool #18 this week, so please grab your copy and a box of tissues and read along!
It was a tough week here at Camp Chain Reactions, trying to pick from the half-dozen or so first issues that arrived on Wednesday. Luckily there was nothing on the ballot Tuesday that ruled against doing more than one of these roundups each week, so expect to see one or two more before Monday.
Speaking of elections, let’s start off with a book that apparently (I haven’t read it yet) features zombie presidents: Deadpool #1. Gerry Duggan and Brian Posehn tag team on the writing, as Tony Moore and Val Staples provide the art. Do they do justice to the merc with a mouth? Here are a few opinions from around the web:
Kelly Thompson, Comic Book Resources: “Duggan and Posehn take just the right tack for a Wade Wilson book, coming up with an outlandish idea of resurrected former presidents out to destroy America so that they can rebuild it. Dead president zombies on the loose is a concept that effortlessly inserts Deadpool into working for S.H.I.E.L.D., of all places. The result is comedy gold. Duggan and Posehn, in addition to conceiving of a perfect plot for Wade, have a good handle on his energy and sense of humor. Not every joke lands, but the ones that do are great and the ones that don’t still make a reader groan good-naturedly. Zombie FDR making jokes about a ‘new deal?’ This is fun.”
Crime | Police in Jackson, Mississippi, have recovered a comic-book collection valued at $19,000, and arrested two suspects in the burglary. [WJTV]
Legal | Gerry Giovinco questions why Marvel and DC Comics zealously defend their intellectual property rights, going so far as to sue a birthday party company that rented out lookalike costumes, but don’t even touch the many porn parodies of their comics that have sprung up in recent years. [CO2 Comics]
Comics | A Florida mother was upset to discover Chick tracts among her children’s trick-or-treat haul, saying the comics are racist and offensive. It’s the second time in as many weeks that the long-controversial evangelical comics have been publicly called out by a displeased parent. [KTNV]
“Some of you are against celebrities making comics, but @thebrianposehn’s art is wonderful & Roger Moore’s scripts are hilarious.”
– television and comics writer Gerry Duggan, following the release of the above teaser from Marvel
trumpeting the creative team for a new Deadpool series (that’s Duggan and Brian Posehn writing,
and Tony Moore illustrating, as far as you know)