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Comic Books, TV
Our annual “Looking Forward, Looking Back” feature continues, as we ask various comics folks what they liked in 2013, what they’re looking forward to in 2014 and what projects they have planned for the coming year. In, this final round, we hear from Vito Delsante, Jacq Cohen, Mark Sable, Dean Haspiel, Joshua Williamson, Jordie Bellaire, Paul Allor, Adam P. Knave, Tim Gibson, Bryan Q. Miller, Nathan Edmondson, Ann Nocenti, Jason Latour, Paul Tobin, Ming Doyle, Jeff Parker, Francesco Francavilla and Gabriel Hardman.
And if you missed them, be sure to check out Part 1, Part 2, Part 3, Part 4, Part 5 and Part 6 where we heard from Jimmy Palmiotti, Tim Seeley, Chris Roberson, Kurt Busiek, Faith Erin Hicks, Tyler Kirkham, G. Willow Wilson and many more.
Largely overlooked in the hustle and bustle of New York Comic Con was Disney Press’ official announcement of Space Mountain, a 176-page graphic novel based on the theme-park attraction. News of the project was surfaced in August.
Written by Bryan Q. Miller and illustrated by Kelley Jones and Hi-Fi Design, the book will be released May 6 under the Disney Comics umbrella. Disney Press also released a two-page preview and promotional poster for Space Mountain. Here’s the synopsis:
The year is 2125 and the Magellan Science Academy has given two lucky cadets ‘golden tickets’ to join a team of space explorers on a special field trip to journey 24 hours into the future. But when their mission goes unexpectedly wrong, the two kids must band together with a miniature flying saucer sidekick to save themselves and their crew — and return to Space Mountain — before time runs out and the universe is destroyed!
The first book in a planned trilogy, Space Mountain will be followed by Return to Space Mountain (2015) and Battle for Space Mountain (2016).
Made even more interesting in light of the looming announcement at the D23 Expo, Bleeding Cool discovers that the Disney Press will publish an original graphic novel in May based on the popular theme-park attraction Space Mountain.
The site characterizes the 176-page hardcover as “Disney Comics’ first original graphic novel,” but given the nebulousness of “Disney Comics” and the scope of Disney Publishing Worldwide, that would seem like a difficult distinction to make.
Written by Bryan Q. Miller (Smallville, Batgirl) and illustrated by Kelley Jones (Batman, The Sandman), Space Mountain: A Graphic Novel carries the following description in its Amazon.com listing: “The year is 2125 and the Magellan Science Academy has given two lucky cadets “golden tickets” to join a team of space explorers on a special field trip to journey 24 hours into the future. But when their mission goes unexpectedly wrong, the two kids must band together with a miniature flying saucer sidekick to save themselves and their crew–and return to Space Mountain–before time runs out and the universe is destroyed!”
Opening in 1975 at Walt Disney World, Space Mountain is the oldest operating roller coaster in Florida. The indoor ride is now part of all five Magic Kingdom-style parks.
According to Bleeding Cool, the graphic novel is planned as the first book in a trilogy.
After introducing DC Universe staples ranging from Batman and Nightwing to Monsieur Mallah and the Brain to the world of Smallville, writer Bryan Q. Miller is turning his attention to comics’ best-known superheroine. Or at least an interpretation of her.
In an interview with MTV Geek, Miller reveals August’s Smallville Season 11 #16 will see the debut of Wonder Woman in the world established by the long-running television series, although not by that name. Yet. Still, the writer assures, she is “Diana of Themyscira. Daughter of Queen Hippolyta. Amazon Princess.”
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Now let’s get to it …
More than four years after she last appeared on television, Lana Lang will return in DC Comics’ digital-first series Smallville Season 11.
In the eighth season of The CW drama in the Season 8 episode “Requiem,” Lana was forced to leave Metropolis after she absorbed a kryptonite bomb into the nanoskin of her power suit, making her unable to be near Clark Kent.
“Since then Clark has not only gotten over Lana, but he has moved on with his life,” Season 11 writer Bryan Q. Miller, who also worked on the TV series, tells TV Guide. “He got engaged to Lois Lane and became Superman. “A lot has happened in Lana’s absence.”
According to the website, she’ll be reintroduced April 5 in “Valkyrie,” a storyline drawn by Season 11 cover artist Cat Staggs that follows Lois Lane on assignment for the Daily Planet to the Congo to investigate the Angel of the Plateau, a costumed superheroine — guess who! — fighting African warlords. Miller indicates “we will see a villain from Smallville days past” in the second chapter.
April 12 will see the debut of the spring’s main arc, “Argo,” in which Superman and Booster Gold travel to the 31st century to see the Legion of Super-Heroes. New chapters of “Valkyrie” will appear between installments of “Argo.” New chapters of Smallville Season 11 appear online each Friday.
As he promised Monday in his interview with ROBOT 6’s Tim O’Shea, Smallville writer Bryan Q. Miller has launched the Kickstarter campaign for Earthward, his all-ages graphic novel collaboration with artist Marcio Takara. Only hours into the drive, the project is already $5,401 toward its $30,000 goal.
“From inception, it was always intended to be all-ages, in a sense that I wanted it to live in a space where 7-year-olds could enjoy it, as well as 35-year-olds,” Miller told ROBOT 6. “Often, all-ages winds up meaning “watered down for child consumption.” That isn’t the case with Earthward.”
It’s the story of six kids (Ben and his sister, Alyssa; Smack, the hustler; twins Cody and Trin; and Daniella, who was orphaned by a space pirate assault) in search of their missing parents. To tell the story of these adventure-seeking children (known collectively as the Mercury Six) properly, Miller wants to team with artist Marcio Takara, who has worked on BOOM! Studios’ The Incredibles and DC Comics’ Blue Beetle. That’s where the Kickstarter drive comes into play … but more about that in the interview.
Miller’s partial aim with Earthward is to tell a tale that appeals to both kids and adults, without pandering to either demographic — a lofty goal. Miller and Takara are aiming for a September 2013 delivery date.
Tim O’Shea: How early in the development process of Earthward did you know you want it to be all-ages? How long has this story been in development?
Bryan Q. Miller: Earthward has been with me as completed story that I would tweak every now and then, for a bit. I could never quite put my finger on the best avenue to pursue with it. Should it be an animated movie? A video game? A live-action movie? A Cartoon Network pilot? From inception, it was always intended to be all-ages, in a sense that I wanted it to live in a space where 7-year-olds could enjoy it, as well as 35-year-olds. Often, all-ages winds up meaning “watered down for child consumption.” That isn’t the case with Earthward.
It’s become an annual tradition here during our birthday bash: No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we’ve done in past years, we asked a cross-section of comics folks what they liked in 2012 and what they’re excited about for 2013. We received so many this year that we’ve broken it down into two posts; watch for another one Tuesday.
But for now, check out all the great stuff people shared with us, including hints at new projects and even some outright announcements. Our thanks to everyone this year who responded. Also, thanks to Tim O’Shea, Michael May and Chris Arrant, who helped collect responses.
JIMMIE ROBINSON (Bomb Queen, Five Weapons)
What was your favorite comic of 2012?
Image’s Saga, Fatale, Hawkeye‘s reinvention is fresh and exciting, Peter Panzerfaust, Enormous by Tim Daniel. It’s hard to pin down just one because there is SO much good work coming out nowadays — from many publishers across the board.
A brief indulgence before we get started: July 14 marked eight years since I started blogging about comics on my own little website, the now-dormant Comics Ate My Brain. Since one of my first posts was called “Robin Problems,” it’s a happy coincidence that this week we return to the original superhero-sidekick identity.
Although I’m not always happy with DC Comics as a company, I have a lot of empathy for the people who work on superhero comics, especially those who populate convention panels. Regardless of how we think they’re doing their jobs, those are still their jobs, and I wouldn’t want to go to work every morning facing a steady torrent of criticism from my customers. (We lawyers get more than enough workplace second-guessing as it is.) It also can’t be easy traveling around having to face one’s critics in person.
That said, if the alternative-fuels industry could harness avoidable fan outrage, DC Comics would be the new OPEC. Once again demonstrating a knack for how not to behave, its panelists practically laughed off legitimate questions about switching out fan-favorite Bat-protege Stephanie Brown for the “more iconic” Barbara Gordon.
After those original accounts appeared online (on Friday the 13th, no less), more details emerged to help explain just who did what. It’s still a situation where DC higher-ups asked to remove Stephanie (which, it can’t be said enough, is really asking for trouble); but apparently the series’ writer got to choose her replacement. Don’t worry, we’ll get into all the nuances.
When Batman won’t be alone when he debuts in August in DC Comics’ digital-first Smallville Season 11 — that much was clear from the cover art released earlier this week. But it turns out that’s not Robin but Nightwing warning the Caped Crusader of
Superman’s The Blur’s arrival. What’s more, that’s not a young Dick Grayson under the mask, but rather Stephanie Brown.
“Bruce can be somewhat of an angry man,” writer Bryan Q. Miller explains to TV Guide. “Stephanie’s personality is so can-do and unsinkable and bright, so it’s very much on purpose on Bruce’s part that he has a good cop going out on patrol with him every night.”
The storyline, called appropriately enough “Detective,” will also explain why Stephanie is Nightwing and not Batgirl, the identity she assumed in the DC Universe from 2009 to 2011. Miller, a former staff writer and executive story editor on The CW’s Smallville, also wrote DC’s Batgirl during Stephanie’s time in the costume.
Batman and Nightwing will arrive online in Smallville Season 11 in August, and then in print in September. Miller is joined on the four-part arc by ChrisCross and Marc Deering.
It was something the producers could never do on the television show for reasons that probably make a lot of sense to somebody, but the comics don’t have the same restrictions: As DC Comics’ September solicitations reveal, the Smallville Season 11 digital-first comic will feature Superman’s first meeting with … Batman.
“I feel like I’ve been sitting on a Christmas present for everyone since January,” Smallville Season 11 scribe Bryan Q. Miller, who was a staff writer and executive story editor for The CW series, said on his blog. According to the solicitation text for the story arc, appropriately titled “Detective,” “The hunt for his parents’ killer puts a vigilante known only as ‘the Batman’ on a collision course with the Man of Steel.”
Crime | A trailer filled with convention set-up and inventory of Avatar Press was stolen from the parking lot of Corner Store Comics in Anaheim, California, on Tuesday as the publisher prepared to head to Seattle for the Emerald City Comicon. The trailer contained cases of several graphic novels, including Neonomicon, Crossed, Freakangels, Night of the Living Dead and Fevre Dream, as well as limited-edition copies created specifically for conventions and large quantities of books by author Max Brooks. Avatar founder William Christensen asked West Coast retailers to keep an eye out for anyone looking to sell large quantities of Avatar books as they continue to work with local law enforcement. “Needless to say, this is a significant setback for us in terms of lost inventory, but I want to assure everyone that we have additional inventory of the graphic novels warehoused and available for restock to comic retailers and bookstores. As word of this has spread and people have been asking me what they could do to help, the other thing I’ve been mentioning is to simply keep asking your local retailer for books from Avatar Press. As for upcoming conventions, we will still be attending every con on our schedule, so we hope to see you at upcoming shows as well.” Any information on the stolen books can be sent to firstname.lastname@example.org. [Bleeding Cool] Continue Reading »
Here’s good news for fans of the television show Smallville who were left without their fix in May when the series went off the air for good: DC announced today that Smallville is coming back as a comic, which will be released first in digital and then in print form. The series will be written by Bryan Q. Miller, who was a scriptwriter for the show, and will pick up where the television story left off. Pere Perez, who worked with Miller on Batgirl: The Flood, will handle the art, and the digital cover above is by Cat Staggs.
DC has an interesting strategy for this comic: It will launch as a digital comic on April 13, with a new digital chapter coming out each week. (No word on pricing or length.) About a month later, it will come out as a print comic, collecting the chapters and adding an episode guide; the first print comic is due out on May 16, and Gary Frank (Superman Secret Origin) will be doing the covers for the print issues.
The weekly chapters are an interesting twist. Not only do they mimic the timing of the original show, they make the comic more of an immediate experience, something people come back to frequently and discuss in real time, as opposed to a monthly event. IDW is doing something similar with its Transformers series Autocracy, publishing an eight-page digital chapter every two weeks, priced at 99 cents. And of course there’s Shonen Jump Alpha, the digital reincarnation of Viz’s Shonen Jump, which publishes a chapter a week of six different manga within two weeks of their Japanese release, with a teen-friendly price of 99 cents per issue (less if you get the yearly subscription).
[Note: this post was assembled by both Tim O’Shea and JK Parkin]
This is our final post for our big birthday bash, and what a post it is. No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we have in past years, we have asked various comics folks what they are excited about for 2012 in comics–something they aren’t working on and something they are.
There’s a lot of great stuff here–hints at new projects and even some downright announcements. Our thanks to everyone this year who responded!
I’m most anticipating the 30th Anniversary of HEROES CON (June 22-24, Charlotte, NC) . For any convention 30 years is an amazing run, but the fact that Shelton Drum and his extended family have put this show together every year with nothing but blood, sweat and tears is flat out super heroic.
On the personal front, the challenging and exhilarating ride that’s been Loose Ends will come to a close with issue 4. It’ll be bittersweet to send our child off to into the real world but I can’t wait for you guys to see the work Brunner & Renzi are doing.
I’m also super excited to dip my own toes into the Mignola-verse with the BPRD: The Pickens County Horror [March 28, 2012] and to read the end of Jason Aaron & RM Guera’s Scalped, which is my favorite series in years.
This sounds politic, but it’s genuine: what excites me about comics in 2012 is what’s exciting every year, the work of the talent. Seeing what the best are up to and how the up-n-comers have grown as artists and writers. In the new year, I’m also excited about illustrating several books and covers that feature my favorite Avengers.