C2E2 Archives - Robot 6 @ Comic Book Resources
Convention organizer ReedPOP is partnering with the social network Wikia to launch the C2E2 Crown Championships of Cosplay, described as “the biggest and most prestigious costume contest in the United States.”
Debuting in April at the Chicago Comic & Entertainment Expo, the competition will bring together veterans and amateurs alike in a battle for more than $10,000 in cash and prizes.
“With some of the amazing costumes we’ve seen at our other shows, we thought it would make for a great showdown between the best of the best in cosplay,” Lance Fensterman, Global Vice President of ReedPOP, said in a statement. “We’re thrilled to have teamed up with Wikia for the C2E2 Crown Championships of Cosplay to truly celebrate pop culture and the creativity of its fans.”
The inaugural event will feature a panel of celebrity judges that includes Ashley Eckstein (Star Wars: The Clone Wars, Her Universe fashion line), Yaya Han (Heroes of Cosplay) and Nan Cibula-Jenkins (costume designer and head of costume design at The Theatre School at DePaul University).
Naturally, the subject matter — the Sentinel of Liberty flinging his mighty shield in front of Willis Tower, now the second-tallest building in the United States — is no accident: Sure, the convention is held at Chicago’s McCormick Center, but there’s also the matter of Marvel Studios’ Captain America: The Winter Soldier, which opens just three weeks before the event.
Conventions | Last week’s Chicago Comic & Entertainment Expo drew 53,000 attendees, the largest crowd yet for the Chicago-based show, which is in its fourth year. Reed Exhibitions Group Vice President Lance Fensterman talks about the high points of the show and plans for the next couple of years. [ICv2]
Graphic novels | Heidi MacDonald tracks the rise in popularity of graphic novels among librarians, whose support has been integral to the growth of the industry. Her well-researched article includes interviews with public librarians, school librarians, and academic librarians, as well as publishers and others in the field. It’s a comprehensive overview of one of the most important, and least reported-on, areas of our world. [Publishers Weekly]
Comics | Alex Hern looks at three comics that have long been out of print but are now back, or possibly on their way back: Flex Mentallo, Marvelman and Zenith. [The New Statesman]
Retailing | As the U.S. Senate prepares to vote on the Marketplace Fairness Act, Jacob Weisberg looks at how Amazon and Congress have managed to delay online sales taxes for more than a decade, giving online retailers a significant advantage over brick-and-mortar stores. Amazon, which has long fought any attempts to collect sales tax through lobbying, campaign contributions and threats to move to warehouse jobs, now supports the legislation, with Weisberg contending the retail giant “has played out the clock longer than it dared hope and would now like to be able to build warehouses everywhere without doing state-by-state battle over its ‘physical presence.’” The bill seems likely to pass the Senate, but its fate in the House is far less certain. [Slate.com]
Publishing | DC Comics has put together a guide to its graphic novel backlist, which will be available both in print and digitally. [Publishers Weekly]
Sure, there was plenty of news released by just about every comic publisher over the weekend at the Chicago Comic & Entertainment Expo (as rounded up right here), but the most exciting thing I noticed about the convention was Dave Johnson’s Instagram feed going ballistic. If he produced a sketch for you at the event, chances are he recorded it for posterity on his phone and has posted it already. And if you’re really lucky, Eric Canete has logged in and made a daft gag about it, too.
Also below: the sexiest Death ever.
Retailing | The direct market is looking good, with first-quarter sales up 29 percent over last year, according to figures released at the Diamond Retailer Summit. Heidi MacDonald reports, “There was no single element which seemed to be behind to surge, although sales of The Walking Dead comics and graphic novels were frequently mentioned. The general interest in “nerd culture” seems to be driving much of the merchandise and publishing growth, with more offerings in the housewares category a standout: Diamond is now offering their own line of such things as bottle openers and ice cube trays, such as a Walking Dead themed ice cube tray in the shape of body parts.” [Publishers Weekly]
Conventions | CBR and Robot 6 are covering C2E2 in depth, but for a quick overview, check out Christopher Borrelli’s recap and photo gallery. [Chicago Tribune]
I think IDW and Dark Horse are having some sort of competition at C2E2 this weekend to see who can overwhelm my email box with the most press releases, or at least that’s what it seemed like last night when a ton of press releases pop up around the same time from both companies. Here’s a rundown of what we’ve heard from both of them at the show thus far …
• Both companies announced they’ve picked up some new licenses. As I noted yesterday, Dark Horse will publish Wendy and Richard Pini’s Elfquest starting later this year, and they’ve also picked up the license for new Halo comics. IDW, meanwhile, has picked up the license to the Jay Ward characters, with plans for series Mr. Peabody & Sherman and Rocky & Bullwinkle next year. Also, two of IDW’s other licensed titles will meet up in Mars Attacks Judge Dredd by Al Ewing and John McCrea. The first issue arrives in September.
• Both companies are also reaching into comics’ past to bring back some titles we haven’t seen in awhile. IDW announced that they’ll release deluxe hardcovers of Christian Gossett’s The Red Star this fall. They’re also bringing back Zombie War by Kevin Eastman, Tom Skulan and Eric Talbot in October. The original series was published by FantaCo and Tundra back in 1993. Dark Horse is resurrecting Geof Darrow’s Shaolin Cowboy, which was originally published by Burlyman Entertainment.
Here’s an announcement you don’t see very often — a price drop. Action Lab Entertainment, publishers of Princeless, NFL RushZone and the upcoming Molly Danger series, announced at C2E2 this weekend that they plan to drop prices on all their ongoing series later this year.
Starting with the titles in June’s Previews catalog, Action Lab’s ongoing, 32-page comics will drop from $3.99 to $2.99. The licensed NFL RushZone, which is 20 pages, will drop to $1.99 and come out twice monthly. This month sees the number of Action Lab’s ongoing titles almost double, as they launch several new mature readers comics under the Action Lab: Danger Zone imprint. These titles include Ehmm Theory, The Final Plague, Ghost Town and Night of the ’80s Undead.
Additionally, beginning with Jamal Igle’s Molly Danger in July, Action Lab will also offer “a number of 48 page oversized European style hardcovers at $19.99,” according to the press release.
While there may not have been a slew of big announcements coming out of DC’s C2E2 panels this weekend, there were several fun little tidbits that came up during the panels, particularly during the Q&A sessions. Here are a few that caught my eye from the New 52 panel and the Superman/Batman panel:
• While Static won’t be joining the Teen Titans, Bob Harris, DC editor-in-chief, did say something “might be happening with Static relatively soon.” Static Shock was one of the first titles cancelled after the launch of the New 52, and I don’t think we’ve seen the character since then (I should always ask Tom before I make statements like that). He’s the most well-known character to come out of the Milestone universe, having had his own cartoon, so a return would make sense.
• A fan asked whether there would be “an answer as to Renee Montoya’s status in the New 52″ and whether Batwoman will be drawn closer to the other Bat-books. “Yes and yes,” Harras said. Montoya took over as the Question in the pre-New 52 universe, and since that role is already taken by someone else entirely in the New 52, it’s doubtful she’ll be taking on that name again (though I wouldn’t rule it out completely). But she had a pretty rich history in the DCU even before that, so she’d be a welcome addition.
Dark Horse Comics announced at C2E2 this weekend that they’ve reached an agreement with creators Richard and Wendy Pini to bring the long-running cult hit Elfquest back to the printed page. The first release arrives in the fall and will be the prologue to Elfquest: The Final Quest, which is currently being serialized on BoingBoing. Following that, Dark Horse will release The Final Quest alongside all-new editions of previously published material.
“Dark Horse is a company I’ve admired ever since it sprang on the scene in the 1980s. Somehow, as large as they’ve grown, they’ve retained an independent spirit that Richard and I totally identify with. The quality of their offerings is legendary and I’m extremely happy that Elfquest is part of their lineup,” Wendy Pini said in a press release.
Publishing | In advance of Chicago Comic & Entertainment Expo, DC Comics Co-Publisher Dan DiDio and Marvel Chief Creative Officer Joe Quesada discuss who’s reading their comics, and the creative challenges of writing about characters who have been around for generations. Asked if he was the custodian of contemporary myths, DiDio answered, “You know, I feel like a renter, to be honest. I’m in charge at this moment, and the goal is to keep these myths healthy enough so that, eventually, you can pass them down to the next person who rents them.” [Chicago Tribune]
Conventions | Christopher Butcher, the organizer of the Toronto Comic Arts Festival, talks about how the show has grown and what to expect this year, including an interesting slate of international creators, from David B. to Taiyo Matsumoto. [The Comics Reporter]
Publishing | J. Michael Straczynski discusses the revival of Joe’s Comics, which returns in May with the Image Comics release of Ten Grand, illustrated by Ben Templesmith. Top Cow was home to the imprint from 1999 to 2004, publishing such series as Delicate Creatures, Midnight Nation and Rising Stars. A preview of Ten Grant will be available in April at the Chicago Comic & Entertainment Expo. [MTV Geek]
Creators | Ryan North, creator of Dinosaur Comics and the writer for the Adventure Time comic, talks about his work habits. [Lifehacker]
Creators | Penny Arcade co-creator Mike Krahulik talks about Strip Search, the reality TV-style webseries they will launch on Friday. [IGN]
Creators | Indian cartoonist Aseem Trivedi’s turn on in the reality show Bigg Boss seems to have ended badly: Trivedi was tossed off the show, perhaps due to political pressure, and his political commentary did not make the final cut. In true reality-show fashion, he left in a cloud of acrimony, saying that his fellow contestant Salman Khan “overstepped the bounds of decency” with another cast member, Sapna Bhavanani. And apparently the producers did not deliver on their promise to allow him to use the show as a platform for his views: “I and Sapna were constantly talking about corruption and women`s empowerment inside the house, but after coming out, I was zapped to learn that none of those things were telecast. … These guys lied to us. We were told – `you will not have to do any naach gana [melodrama] and you will just have to put forth your views on revolution, society and corruption.` But it was all humbug!” [India TV News]
Free Comic Book Day | In anticipation of Free Comic Book Day on Saturday, the San Francisco Chronicle interviews Joe Field of Flying Colors Comics, who came up with the idea in the first place, inspired by “free scoop” days at ice cream shops. [San Francisco Chronicle]
Free Comic Book Day | John Jackson Miller traces the 10-year history of Free Comic Book Day. [The Comics Chronicles]
Conventions | ReedPop Group Vice President Lance Fensterman takes stock of this year’s Chicago Comic & Entertainment Expo and sees plenty of growth, both in attendees (42,000 this year) and exhibitors. It looks like the show will continue: “We feel like we got the answer we needed. We made maybe a little bit of money, which is fine. Year 3 is when we expect to start to see some positive cash flow, but even more so we felt that the community embraced the event and the turnout and the ticket sales reflect that—and that is just what we needed to see.” [ICv2]
The third outing for the Chicago Comic & Entertainment Expo, or C2E2, proved to be the best yet for the show, as attendance came in at more than 41,000 total people, according to ReedPop’s Global Group Vice President Lance Fensterman. That’s compared to the 34,000 people who attended in 2011, which was up from the 27,500 who attended in 2010.
Fensterman had previously told CBR that this year they were focused on growth for the show. “Really it was about delivering the full package — the guests, the exhibitors and the fans. It’s kind of like each year we got one or two right. And that’s expected. You launch something, and you learn as you go about what fans in the new market want. So this year, the goal is ‘Let’s nail all three. Let’s get the show floor. Let’s get the crowds. Let’s get the guests.’ This year, it was really about the event coming into its own.”