SDCC: "Batman: The Killing Joke" Cast & Crew Debuts Film at Comic-Con International
If the first day of the Chicago Comic & Entertainment Expo was dominated by announcements from Dark Horse and DC Comics, then the second day belonged to Marvel, which followed through on its teaser for a new series, revealed an Icon relaunch, and shuffled some creators. Here are some of the highlights from Saturday (along with a couple of holdovers from Friday):
• As usual, the “Cup O’ Joe” panel was where Marvel rolled out its biggest publishing announcements, beginning with confirmation that the teaser released last week is indeed for a Hawkeye ongoing series reuniting The Immortal Iron Fist collaborators Matt Fraction and David Aja. In the title, which debuts in August, Clinton Barton will be accompanied by fan-favorite Young Avenger Kate Bishop as he fights organized crime in New York City. “It’s very Avengers, by which I mean John Steed and Emma Peel. There’s a whole healthy person between the two of them,” Fraction told Comic Book Resources. “There’s a line in Rocky where he says, ‘I got bumps. You got bumps. Together we fit,’ or something like that — the two of them fit together. Each one has what the other doesn’t, which means they work very well together. She’s young, incredibly gifted, incredibly cultured, and incredibly headstrong. She doesn’t suffer his crap and also wants to be someone worthwhile, but she’s trying to figure out how to make that possible. She follows him not because of his abilities, but his accomplishments. So they work together quite well. It’s an apprentice and master style relationship.”
I’ve linked before to the series of Comics-On Tees that the T-shirt site Threadless has created, featuring stories and artwork by everyone from Brian Azzarello to Jhonen Vasquez. In fact, a new round of them debuted this weekend at C2E2.
Their next round of shirts will debut at the San Diego Comic Con, and this time they’ve gone to Sandman writer Neil Gaiman to provide the story … or in this case, a poem. They plan to adapt his awesome poem “The Day The Saucers Came” onto four shirts, featuring artwork by John Cassaday, Ben Templesmith, Brandon Graham and … well, maybe you. Threadless is holding an open contest for submissions based on the first two lines of the poem, the ones about aliens and zombies. I’ve embedded a dramatic reading of the poem with some familiar artwork after the jump; you can also read it on the Neverwear site, where they were selling a pretty awesome print by artist Jouni Koponen that I’d tell you to buy, but it has sold out.
The designer of the winning shirt will receive $750 cash, a $250 Threadless gift certificate, a 2012 CBLDF Protector Membership, a signed and numbered Paul Pope screened print, a print featuring “The Day the Saucers Came” script (presumably the one I linked to above) and four issues of Chew signed by John Layman. A quarter of the T-shirt sales will go to the Comic Book Legal Defense Fund.
“We couldn’t be happier to partner with Threadless on this project,” said CBLDF Deputy Director Alex Cox in a press release. “Between Neil Gaiman and the artists involved, you couldn’t ask for a more talented group. It’s going to produce some amazing shirts, and we can’t wait to see the designs that are submitted over the next several weeks. This is going to be a great fundraiser, and an awesome way to see fans and supporters show off their creative chops!”
One of the things a lot of pros like about C2E2 is the late start on Friday. It doesn’t open to the public until 1:00 pm, so creators can sleep in and recover from their trips if they want. Or, if they want to go early to set up or just walk around and visit with each other, they can do that too. It’s also helpful for press jerks taking lots of pictures. Lots. Of pictures.
Publishers, creators, retailers and fans rolled into Chicago this weekend for the Chicago Comics and Entertainment Expo, or C2E2. While the convention officially kicked off Friday, the announcements started rolling out Thursday during the Diamond Retailer Summit. After going through Kiel Phegley’s lengthy report on CBR, I’ve pulled out a few tidbits that publishers shared with attending retailers:
• Dynamite Entertainment shared that the first issue of Garth Ennis and Aaron Campbell’s The Shadow, which comes out next week, will likely go to second print. Following their Vampirella and Pantha projects, they also plan to roll out more of the former Harris Publications characters they now own, and they said they plan to work again with Kevin Smith in the future, who they’ve worked with on Bionic Man and Green Hornet.
• Dark Horse Comics announced two Buffy the Vampire Slayer spinoff miniseries; one featuring Spike and one featuring Willow (Editor Scott Allie spoke more about them with CBR). In addition, legendary artist Russ Heath will draw some pages in an upcoming issue of Buffy. Dark Horse will launch a new Dragon Age series in August, following the online miniseries that’s been running on Dark Horse Digital. They also confirmed that Becky Cloonan will return to Conan after James Harren’s three issues, and they announced Ex Sanguine, a five-issue miniseries by Tim Seeley and Josh Emmons. Finally, The Goon will go monthly with issue #40.
“The numbers don’t lie: More people are reading Image comics every single week, and those numbers are going to increase, whether they get them from your stores or from someplace else, because no offense to everyone who made the last 20 years so vital and creative, but right now, we’re blasting headlong into the future and creating some of the best comics in history.
See – in the past, when everyone claimed the sky was falling, it was because we were losing readers in droves – and worse, we were losing stores – because our numbers had been inflated by speculation. But the reason the sky isn’t falling now – the reason we’re actually skyrocketing – is because there are readers – real readers, the kind of customers we all want – in abundance. It’s our job – yours, mine, and the creators we publish – to capture their attention and give them the kind of experience they’ll come back for again and again.”
– Image Comics Publisher Eric Stephenson, in his speech at the Diamond Retailer Summit at C2E2
Joining Smallville, Justice League Beyond, Batman Beyond, Superman Beyond and Batman: Arkham Unhinged will be Ame-Comi Girls, based on the DC Collectibles line of Japanese manga-style statues, and an out-of-continuity Batman series.
Brian Truitt nails the lede here, saying “DC Comics aims to make every day a new comics day.” Ame-Comi Girls, written by Justin Gray and Jimmy Palmiotti, will come out on Mondays, while Batman–which will feature tales of the Dark Knight by Ben Templesmith, Steve Niles, B. Clay Moore, Nicola Scott, Joshua Hale Fialkov, Damon Lindelof and Jeff Lemire, among others–will come out on Thursdays. So the weekly line-up of digital-first series from DC looks like this:
Monday: Ame-Comi Girls
Tuesday: Batman: Arkham Unhinged
Wednesday: The Beyond comics
Friday: Smallville: Season 11
“Our goal has always been from the very beginning to have something for everyone. The opportunities that digital opens up, it really allows us to go for as wide an audience as possible,” Hank Kanalz, DC’s senior vice president for digital, told USA Today. “The Lindelof thing will really appeal to tons of fans who don’t read regular comics, obviously. Hopefully when they come, they’ll see what an amazing medium this is and stay.”
Update: Via press release, DC has announced more details on the Ame-Comi Girls series. “AME-COMI GIRLS, launching in May, is based on the best-selling product line from DC Collectibles that brings the distinct Japanese influence of anime and manga to DC Comics’ female heroines and their foes. In the new series, the heroines must unite to stop an invasion by the female Braniac, who is aided by a group of ‘bad girl’ super villains. Initially, there will be five individual character arcs with multiple chapters, leading up to united, Ame-Comi girl series. All stories are written by Jimmy Palmiotti and Justin Gray with Wonder Woman art by Amanda Conner and Tony Akins, Batgirl art by Sanford Greene, Duela Dent art by Ted Naifeh, Power Girl art by Mike Bowden and Supergirl art by Santi Casas.”
They also announced the creative pairings for the Batman digital comics: “BATMAN digital, launching in June, will take place outside of DC Comics – The New 52 continuity and feature a series of stand-alone stories by various creators that chronicle different cases handled by The Dark Knight. Confirmed creative teams include Damon Lindelof and Jeff Lemire; Jonathan Larsen and JG Jones; Tom Taylor and Nicola Scott; Ales Kot and Ryan Sook; B. Clay Moore and Ben Templesmith; Steve Niles and Trevor Hairsine; Joe Harris and Jason Masters; TJ Fixman and Christopher Mitten; Jeff Parker and Gabriel Hardman; Joshua Hale Fialkov and Phil Hester; David Tischman and Chris Sprouse; and many more!”
ComiXology and Archaia announced today a new distribution agreement that includes exclusive “digital first” content and same-day-as-print distribution through comiXology’s various digital channels. The deal begins today, as comiXology added two “digital first” titles to their platform, Hopeless, Maine by Nimue Brown and Tom Brown, and The Grand Duke by Yann and Romain Hugault.
“Mouse Guard has always been a favorite of mine and I had personally quested to bring it to comiXology, but I’ve been blown away by the top quality and wide diversity of Archaia’s titles since we launched,” said comiXology co-founder and CEO David Steinberger in a press release. “So, comiXology offering digital firsts from Archaia excites me on a personal level.”
Titles that will debut digitally before they’re seen in print include several of the Archaia titles that CBR told us about right before WonderCon, like the upcoming Pantalones, TX by Yehudi Mercado, Strange Attractors by Charles Soule, Mumbai Confidential by Saurav Mohapatra and the Space: 1999 adaptation. They also plan to release Rust, Ben Caldwell’s Dare Detectives!, Jeremy Bastion’s Cursed Pirate Girl and the various Jim Henson titles they’ve done–Tale of Sand, The Dark Crystal and The Storyteller–digitally.
“We are dedicated to bringing our library of award-winning content into the digital forefront, and comiXology has proven the demand for digital content in the marketplace, providing readers with a simple and immediate means of accessing the latest graphic novel content. We’re excited to offer readers some of our hottest content weeks, and in some cases months, before it sees print,” said PJ Bickett, CEO of Archaia.
Awards | Big Questions by Anders Nilsen has won the Lynd Ward Graphic Novel Prize for 2012, the second such award given by the Pennsylvania Center for the Book. The organization also named four honorees: Freeway by Mark Kalesniko, Habibi by Craig Thompson, Life with Mr. Dangerous by Paul Hornschemeier and Zahra’s Paradise by Amir and Khalil. The awards will be presented during a ceremony at Penn State later this year. [Pennsylvania Center for the Book]
Publishing | IDW Publishing has promoted Dirk Wood to vice president of marketing. Wood joined IDW in 2010 as director of retail marketing. [IDW Publishing]
Conventions | Misha Davenport previews this weekend’s Chicago Comic & Entertainment Expo. [Chicago Sun-Times]
On the surface it may not look like The Return of The Dapper Men, Hawkeye and Mockingbird, and Mind the Gap have much in common, beyond the fact that they are all written by Jim McCann. One’s a fairy tale, one’s a straight up superhero comic and the third McCann describes as a “thriller mystery” with some “preternatural” elements.
But McCann says they have more in common than you might think, or at least that I thought. Last week when I interviewed him about his new Image series, McCann drew parallels between Mind the Gap and those two previous projects, noting that he had plans for a big central mystery for his run on Hawkeye and Mockingbird that never came to pass.
“With Hawkeye and Mockingbird, unfortunately that series was cancelled, but I had a two-year plan for that, and it started to lay a couple of seeds early on,” McCann told me. “Brian Bendis picked up on one of them that occurred in the last issue of Hawkeye and Mockingbird, issue #6. There was a brief moment between Clint Barton and Jessica Drew that was supposed to set up a fling between the two of them. We had talked about that before, and when the series ended he was able to take it and run with it. So there are still some ideas out there that were able to live on. I like to plan things out no matter what the story is. I think it’s important to know your ending, and I think it’s fun to plant Easter eggs and seeds.”
Marvel released a teaser this morning touting a reunion of The Immortal Iron Fist collaborators Matt Fraction and David Aja for an all-new ongoing series. Alas, we’ll have to wait to wait until April 14 “Cup O’Joe” panel at the Chicago Comic & Entertainment Expo to learn the details. Until then, we’ll just have to busy ourselves with wild speculation based on the above teaser …
Previously they’ve recruited creators like Becky Cloonan, Mike Allred, Eduardo Risso, Jill Thompson, Colleen Coover and Tony Moore, just to name a few, to create shirts. This round will be “written” by Jeffrey Brown, who also contributes the design of one of the shirts, along with Jeff Lemire, Anders Nilsen, and Paul Hornschemeier. The shirts will debut at their booth C2E2 weekend and will be available for purchase from the Threadless site on April 16.
Publishing | John Jackson Miller takes apart the December sales numbers and finds that while comics were up for the month, graphic novel sales fell just enough to prevent the direct market from having its first up year since 2008. In fact, trades are down 16 percent from December 2010, and Miller spends some time discussing why that might be — and why next year might be different. [The Comichron]
Publishing | Houghton Mifflin has high hopes for Are You My Mother?, the new graphic novel from Fun Home author Alison Bechdel: The publisher plans a first printing of 100,000 copies. [Publishers Weekly]
Retailing | Diamond’s Retailer Summit will be held the two days before the Chicago Comic & Entertainment Expo, with attendees receiving free admission to the April 13-15 convention. [ICv2]
Graphic novels | Metro, the graphic novel by Egyptian cartoonist Magdy El Shafee that was banned in 2009 under Hosni Mubarak’s regime, will be published in English next year by Metropolitan, a division of Macmillan. El Shafee who, along with his publisher Mohammed al Sharqawi was convicted of disturbing public morals, has appealed to Egypt’s new Ministry of Culture to have the ban lifted. “I’m waiting to hear if the minister of culture will allow it to be published again,” El Shafee says. “They will have to consult with the courts. I’m hoping there may be some kind of apology.” [CNN.com]
Legal | In an article that’s heavy on background and light on new information, Matthew Beloni reports that the attorney representing the heirs of Superman creators Jerry Siegel and Joe Shuster has asked the Ninth Circuit Court of Appeals to determine exactly what elements from the Man of Steel’s mythology his clients can reclaim as a result of the 2008 court ruling. [THR, Esq.]
Retailing | Barnes & Noble stock fell 16 cents following a report that bookstore chain, the largest in the United States, will likely end its months-long search for a buyer. Although the auction isn’t over, initial interest from at least seven potential buyers is said to have waned following the first round of bidding. [Bloomberg]
I don’t remember having this problem last year, but security was especially tight at the show. Saturday evening I got booted out at closing time while talking to one of the artists I was rooming with and Sunday morning press wasn’t allowed onto the floor until the show opened at 10:00. I’m not complaining exactly, it was just different from the open access I remembered from last year. Even Friday morning this year we were allowed onto the floor during the set-up hours before 10:00.
But if I hadn’t had to wait in line to get in Sunday morning, I wouldn’t have met Doug Zawisza, who was covering several panels for CBR, including the Mark Waid/Matt Fraction one that I’d enjoyed so much on Saturday. We talked about that, about what comics we’re reading, and about what our kids are into. I’d forgotten that one of the joys of conventions is just meeting and chatting with people who love comics as much as you do.
Speaking of kids, one of the best panels I attended all weekend wasn’t on the program. It was dinner after the show on Friday with Robot 6’s Brigid Alverson (who also writes for Good Comics for Kids), Eric Wight (Frankie Pickle), school librarian extraordinaire John Schumacher, and Chris Samnee (Thor: The Mighty Avenger). Seriously, if you take me out of the mix, you couldn’t organize a better panel on all-ages comics if you had a year to do it. We talked about our favorite kid-appropriate books, how comics for young people are in better shape than ever, and how nice it would be if DC and Marvel got on board.
Dark Horse is getting ready to roll out their much-delayed Dark Horse Digital iPad app, and marketing director Jeremy Atkins showed me the beta version at C2E2 last weekend. The app is currently scheduled to launch in mid-April with about 300 titles, Atkins said, and Dark Horse does plan to do some simultaneous print and digital releases, although they have not settled on which titles would be involved.
In some ways, all iPad apps are alike: The Dark Horse app serves as both storefront and comics reader; you open it up to an array of covers, and you tap them for more information or to buy the comic. But Dark Horse built their app from the ground up, and there are some innovations here.
One is the grouping of comics. While most apps present the user with a bewildering array of single issues, the Dark Horse app groups them by title in “stacks,” so that a single series or story arc is a single icon on the home page. You tap that to get to the individual issues. Instead of trades, Dark Horse will be offering “bundles” of issues for a discount over the single price; the issues will still be read one at a time. The selection is pretty eclectic and includes Kazuo Koike’s Lone Wolf and Cub, making Dark Horse one of the first American publishers to offer Japanese manga on the iPad.