Chris Pine Reportedly Closes "Wonder Woman" Deal
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Copyediting is a strange profession: If you do your job well, no one will know you did it at all. It’s when you don’t—or, more likely, when the copyeditor is eliminated—that people notice. I was reading a comic from a major publisher just the other day and encountered a glaring typo that popped me right out of the story.
As a former copyeditor myself, I was touched by Calista Brill’s post at the First Second blog about their copyeditor, Manuela Kruger, who passed away recently.
Despite never having had a conversation with her, I felt like Manuela and I were friends, communicating across the written page. Manuela would return her copyedited printouts of our books to us with a cover letter sharing her thoughts—always perceptive, and sometimes very funny—about the book she had just marked up. The notes and asides she added to her copyediting corrections often made me laugh—made me feel like I had a friend reading along with me.
There are a lot of people whose work goes into making a graphic novel see the light of day, and a lot of them are pretty invisible to the reader and even to the person who wrote or illustrated the book in the first place. But their contributions are invaluable, and it’s a very sad day when you lose one of them.
Creators | Attack on Titan creator Hajime Isayama estimates that the blockbuster manga series will end in three years. “I’d like to end things quickly, with a tight pace of story developments,” he told Japan’s Da Vinci magazine, “and then I always end up feeling like I should qualify that with a ‘but,’ so for now, I can’t say anything more specific.” [RocketNews 24]
Conventions | Nigeria, the largest economy in Africa, has a thriving entertainment industry, and comics are blossoming there as well. At The Beat, Deji Bryce Olukotun interviews Ayodele Elegba, co-founder of this past weekend’s Lagos Comic Con, about the popularity of comics, what makes the Nigerian comics scene different from others, and the ever-present problem of piracy. [The Beat]
Crime | Comix Experience in San Francisco was robbed at gunpoint Friday afternoon, with two young men demanding that owner Brian Hibbs empty the cash register containing about $75 and turn over an iPhone used for credit card transactions. A Lower Haight neighborhood blog interviewed Hibbs about the incident: “Divis [Divisadero Street] is generally pretty safe these days, so I was a LITTLE shocked at, y’know, a ‘brazen daylight armed robbery’ of it — but I am kind of more shocked that anyone thought that a comic book store was a high value target about an hour after they opened. Hell, life is like 85% credit cards these days, so even at our fattest there’s seldom enough to risk that kind of jail time, in my opinion …” [Haighteration]
History | Scholar Carol Tilley gives a first-person account of her research on Fredric Wertham, the super-villain of comics history, and how looking through his papers led her to an unexpected conclusion: His published works misrepresented what his research subjects had told him: “For many hard-to-articulate reasons, I didn’t want to write the scholarly paper on Wertham and the problems I found in his evidence, but not to write it seemed a disservice to the young people whose words and experiences Wertham distorted to help make his case against comics.” [Boing Boing]
Since its launch in 2006, First Second has built a solid reputation as a publisher of high-quality graphic novels: Gene Luen Yang’s American Born Chinese, Emmanuel Guibert’s The Photographer, Mark Siegel’s Sailor Twain, and Jorge Aguirre and Rafael Rosado’s Giants Beware testify to both the breadth and the quality of the company’s line.
I was offered the opportunity to interview editor Calista Brill and designer Colleen AF Venable about the past year at First Second and what we can expect in 2013, but I couldn’t resist the temptation to sneak in some questions about the nuts and bolts of working with creators and editing graphic novels.
Conventions | Comic-Con International organizers have issued a statement regarding the technical problems many experienced Saturday while attempting to purchase badges for this year’s event: “Comic-Con badge sales opened this past Saturday and while the allotted badges were processed there was clearly an issue with some customers experiencing a frozen screen. We, along with Epic registration, are in the process of investigating this and hope to have an answer as to what occurred. Please know that we take this issue very seriously and offer our sincere apology for those who found themselves in this predicament. Thank you for your understanding in what we know was a very difficult experience for many.” Badges sold out in a little more than 90 minutes. [Comic-Con International]
Legal | In the aftermath of last month’s ruling that DC Comics retains full rights to Superman, the heirs of creators Jerry Siegel and Joe Shuster are urging federal judge to dismiss claims that their lawyer interfered with the publisher’s copyright to the character. DC sued attorney Marc Toberoff in May 2010, accusing him impeding a 1992 copyright agreement with the heirs by striking overriding deals with them in 2001 and 2003. The families insist the publisher filed its claims two years too late, as the statute of limitations expired in 2008. [Law360]
Webcomics | Malicious hackers hit the Blind Ferret servers last week, and they didn’t just wipe out the websites that host Least I Could Do, Girls with Slingshots and other high-profile webcomics — they also wiped out the backups. Gary Tyrell has the story and advises creators to have multiple backups in multiple locations. [Fleen]
Creators | Artist J.K. Woodward (Fallen Angel, Star Trek: The Next Generation/Doctor Who) recounts how he and his wife lost everything but their cat and the clothes they were wearing during Hurricane Sandy — and how what happened afterward changed his perspective: ““When things are going right, you really don’t know what kind of world you’re living in. You tend to be cynical. But there has been such an outpouring of support not just here but from the comics community — we did a podcast interview, for example, and I mentioned how we had to go to the laundromat every day because of our clothing situation. As a result of that, two days later I went to my studio was packed full of care packages with toiletries and other necessities. It showed that what should have been a real tragedy turned into a blessing. It gave me a much more positive outlook.” [The Conway Daily Sun]
As a former editor myself, I was naturally drawn to Calista Brill’s first-hand account of a day in the life of a First Second editor at the company blog. But as I was reading it, I kept going, “Hey, wait! They’re publishing that?!”
Like, I didn’t realize First Second was publishing a new book by Jillian and Mariko Tamaki, the creators of Skim. But here it is: Awago Beach Babies, due out next year. And Calista shows off some tiny samples of art from the book she is currently editing, Relish, a book about food by Lucy Knisley, which seems like the perfect project for Lucy and a bit of a departure for First Second.
Another project I didn’t know about — but that I’ll be following from now on — is Jerusalem, written by filmmaker Boaz Yakin and illustrated by Nick Bertozzi. It’s the story of a Jewish family at the time when Israel was just becoming an independent country. Also coming up: new books from Gene Luen Yang and Paul Pope and a sequel to their popular anthology Nursery Rhyme Comics, this one featuring fairy tales.
With a lineup like that, being an editor at First Second is my new dream job, even if the microwave in their kitchen isn’t working properly. (Here’s a recent CBR interview with Calista and her boss, Mark Siegel, that mentions a few of these projects.)
All this week at Robot 6 we’re interviewing some of the many contributors to First Second’s new anthology, Nursery Rhyme Comics. Today Brigid Alverson talks to the editor, Chris Duffy.
Chris Duffy is the former editor of Nickelodeon Magazine‘s comics section and the current editor of SpongeBob Comics. I was interested in hearing the inside story of Nursery Rhyme Comics—how he rounded up this diverse array of talent and what sort of marching orders he gave them—and Chris obliged with some interesting insights into the making of Nursery Rhyme Comics.
Brigid Alverson: You have some really big names contributing to this book. Were you the one who recruited them, and if so, how did you get them to participate?
Chris Duffy: Almost everyone we asked wanted to be a part of the book. That’s the good news with a collection with a great, clear concept like this book has. Everyone wants in! The challenge was paring down our list to 50 cartoonists (harder than you might think) and just making all those phone calls and emails. I did most of the contacting, though Mark Siegel and Calista Brill broke the ice with a lot of creators who they knew well. I should mention that the idea began with former First Second publisher Lauren Wohl.
Comics | A near-mint copy of Amazing Fantasy #15, the 1962 comic featuring the first appearance of Spider-Man, was purchased in a private sale on Monday for $1.1 million — short of the record $1.5 million paid in March 2010 for Action Comics #1. “The fact that a 1962 comic has sold for $1.1 million is a bit of a record-shattering event,” says Stephen Fishler, chief executive of ComicConnect.com. “That something that recent can sell for that much and be that valuable is awe-inspiring.” [The Associated Press]
Comic-Con | Hotel reservations for Comic-Con International open this morning at 9 PT. A preliminary list of hotels included in the Comic-Con block is available on the convention website. [Comic-Con International]
Comic-Con | ICv2 has announced it will host the its Comics, Media and Digital Conference on July 20, in conjunction with Comic-Con International. [ICv2]
Writer MK Reed and artist Jonathan Hill are looking forward to when their First Second graphic novel, Americus, is released in Fall 2010. In the meantime, as part of a build-up to the book’s release, the creators are pleased to serialize the book online here. The book is about “Neil Barton, a teenager growing up in Oklahoma, and his fight to keep his favorite fantasy series, The Chronicles of Apathea Ravenchilde, in his public library.” Recently I was fortunate enough to do a brief email interview with Reed about the book and serializing it online in advance of its release.
Tim O’Shea: How did you and First Second decide upon serializing the story before printing it?
MK Reed: My editor (the fabulous Calista Brill) called me up in June and asked if Jonathan & I would be interested in putting it up on the web. We’ve been working on this book together since 2007, and besides the one chapter that was published in Papercutter, no one’s seen any of it, nor would they for another year. So we were psyched to get it out early, and they were psyched to start promoting two of their lesser known artists.