Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
Comics | Rupp’s Comics in Fremont, Ohio, will display a rare comic this weekend as part of the store’s 22nd-anniversary celebration: Detective Dan: Secret Operative No. 48, published in 1933, is the first comic book to contain a single original story (as opposed to several strips, or a compilation of reprints from newspapers). The new format was not an immediate success, and the series was canceled after just one issue. [The News-Messenger]
Creators | It’s old but it’s good: The Comics Journal dips into the archives for a 1989 interview with Calvin and Hobbes creator Bill Watterson. [The Comics Journal]
Creators | John Porcellino reflects on 25 years of King-Cat Comics. [du9]
Conventions | WonderCon organizers have announced that next year’s show, set for April 18-20, will again be held in Anaheim, California. This will be the third year for the event at that location, after having been uprooted from its longtime home at San Francisco’s Moscone Center first because of remodeling and now because of scheduling conflicts. [Los Angeles Times]
Publishing | Nick Barrucci, CEO and publisher of Dynamite Entertainment, looks back on 10 years in the business, and discusses some upcoming comics, including J. Michael Straczynski’s Twilight Zone and the new kids’ line Li’l Dynamites. [Previews World]
Creators | Calvin and Hobbes creator Bill Watterson and Cul de Sac cartoonist Richard Thompson discuss their mutual admiration and their excitement about exhibiting their work together next spring at the Billy Ireland Cartoon Library & Museum at the Ohio State University. [Comic Riffs]
Legal | Chinese cartoonist Wang Luming, who uses the nom de plume “Rebel Pepper,” was arrested Wednesday, one day after he posted an online cartoon critical of police who were facing off with protestors rather than helping flood victims in the city of Yuyao. Residents have been critical of the government response to the flood, which put 70 percent of the city underwater, but a recently passed law suppressing online commentary has muted the criticism on social media. The Beijing Times (part of of the traditional media, which is heavily controlled by the Chinese government) claimed that Wang was arrested not because of the cartoon but because he spread a false rumor online (Reuters reports the police told his girlfriend it was because he forwarded a post about a woman and her child who starved to death in the floods). He was released Thursday and tweeted, “When I have time, I’ll tell you about the interesting night I spent at the police station.” [Foreign Policy]
Gravitas Ventures has debuted a new full-length trailer for Dear Mr. Watterson, the Kickstarter-funded documentary that explores the influence of cartoonist Bill Watterson and his beloved comic strip Calvin and Hobbes.
It’s a six-year passion project by director Joel Allen Schroeder, who raised $25,000 in 2010 so he, producers Christopher Browne and Matt McUsic, and cinematographer Andrew P. Waruszewski could interview a slew of cartoonists, editors and fans, and then another $96,772 in 2012. Dear Mr. Watterson, which had its festival premiere in April at the Cleveland International Fan Festival, will debut Nov. 15 in theaters and On Demand.
Less than six months after bringing Calvin and Hobbes, Pearls Before Swine and others to mobile phones and tablets with its GoComics app, Andrews McMeel Publishing and Universal Uclick have announced they’ll release three collections of Bill Watterson’s beloved comic strip as e-books.
It’s another digital first for Calvin and Hobbes, which made its (legal) debut on mobile devices in April with GoComics.
The three collections, The Essential Calvin and Hobbes (1988), The Authoritative Calvin and Hobbes (1990) and The Indispensable Calvin and Hobbes (1992), will go on sale for tablet format only on Nov. 12 for $12.99 each. The hardcover and paperback editions have sold a combined 10 million copies.
For the past year and a half, cartoonist Gavin Aung Than has been adapting inspirational quotes from famous people into comics form on his website Zen Pencils, garnering plenty of readers and media coverage along the way. But Tuesday’s installment struck a particular chord within the comics community, as it’s been making the rounds on blogs and Twitter and in email.
Mimicking Bill Watterson’s style, Than turns the Calvin and Hobbes cartoonist’s words of wisdom into a love tribute to “my biggest creative influence and someone I admire greatly as an artist.” The text below the comic is wonderful, too.
Gravitas Ventures has acquired the North America distribution rights to Dear Mr. Watterson, the Kickstarter-funded documentary that explores the influence of cartoonist Bill Watterson and his beloved comic strip Calvin and Hobbes. It will be premiere in theaters on Nov. 15.
“Mr. Watterson has inspired and influenced millions of people through Calvin & Hobbes,” the documentary’s website explains. “Newspaper readership and book sales can be tracked and recorded, but the human impact he has had and the value of his art are perhaps impossible to measure. This film is not a quest to find Bill Watterson, or to invade his privacy. It is an exploration to discover why his ‘simple’ comic strip made such an impact on so many readers in the 80s and 90s, and why it still means so much to us today.”
The documentary began in 2007 as a passion project for director Joel Allen Schroeder, who turned to Kickstarter in 2010 to raise $25,000 to enable him, producers Christopher Browne and Matt McUsic, and cinematographer Andrew P. Waruszewski to film interviews with cartoonists Bill Amend, Berkley Breathed, Keith Knight, Stephan Pastis and Dan Piraro, Charles Schulz’s widow Jean Schulz, Watterson’s editor Lee Salem and others. They then returned to Kickstarter last year, where they generated another $96,772 in pledges. Dear Mr. Watterson had its festival premiere in April at the Cleveland International Fan Festival.
According to Deadline, Gravitas and Submarine Deluxe will make the documentary available On Demand the same day as its theatrical debut.
Comic strip fans, rejoice! Universal Uclick’s GoComics has debuted a free app that enables you to read comics on your mobile phone or tablet. While Doonesbury, Peanuts, Pearls Before Swine and The Boondocks are among the offerings, it’s Calvin and Hobbes that undoubtedly will generate the most excitement.
Slate.com‘s Will Oremus notes that it appears to be the first time Bill Watterson’s beloved strip has appeared (legally) on mobile devices; presumably it’s with the cartoonist’s blessing. However, while Gary Larson’s Far Side would seem perfect for phones, he’s yet to make the leap to digital.
Manga | Call it the Manga Paradox: Manga sales are way down, but traffic on scanlation sites is robust and attendance at anime conventions is way up. What’s the story? I crunched some numbers and talked to some publishers to get a picture of the new normal for the manga market in North America. [Publishers Weekly]
Comics | A collection of 60,000 comics sold for $200,000 at auction over the weekend in East Vancouver. It seems impressive until you do the math and realize that’s a little more than three bucks a comic. The star of the collection was a restored Hulk comic that went for $6,500. [CBC]
The latest offering from the gang at Gritty Reboots will probably make you glad that cartoonist Bill Watterson never answered the siren call of Hollywood, as the result would likely not be a faithful animated adaptation of his beloved Calvin and Hobbes, but rather a grim live-action tentpole, made with sequels in mind.
In fact, it would probably look like this trailer for Calvin and Hobbes: The Movie, written by David Spear and produced by Cinesaurus, that finds Calvin grown up and attempting to leave behind the imaginary world of his hyperactive childhood, only to discover his daydreams have other plans.
The special effects are surprisingly good, even if the Hobbes costume is a little questionable.
Although reclusive cartoonist Bill Watterson famously resisted merchandising his beloved comic strip Calvin and Hobbes, he at least gave some thought to an animated adaptation before — obviously — deciding to remain true to the medium.
“For all my admiration of the art, I really can’t decide if I ever want to see Calvin and Hobbes animated,” he told The Comics Journal in 1989. “I know I’d enjoy working with the visual opportunities animation offers, but you change the world you’ve created when you change the medium in which it’s presented. Books are almost always better than the movies made from them, because there are things books do well and things movies do well, but usually those things don’t overlap.”
Vintage comics and original comic art brought in $4.4 million over the weekend during a Heritage auction in New York City, Artinfo reports. Among the bigger sales were a CGC-graded 6.5 copy of Detective Comics #27, for $567,625, and John Romita Sr.’s original cover for The Amazing Spider-Man #121, which fetched $286,800.
As we noted on Friday, Dave Gibbons’ original cover art for Watchmen #1 sold for $155,350, with the first three covers going for a combined $216,892.50. John Higgins’ color guide for the first cover was bought for $7,767.50. The remaining covers for the 12-issue landmark series are expected to go up for auction later this year.
Wired.com delves into the history of the 12 covers, which were purchased at a Sotheby’s auction in 1993 by former Wizard Publisher Gareb Shamus for what’s been reported to be in the neighborhood of $26,000. The article doesn’t repeat that figure, but it does say what was paid was “a bargain price” (for instance, Higgins’ color guide for the cover of Watchmen #1 was picked up for $50, which was then five to 10 times the usual price).
Portland-based photographer Michael S. Den Beste has flawlessly inserted Calvin and Hobbes (and supporting characters) into photographs to create beautiful scenes that capture all the best emotions of Bill Watterson’s classic comic strip. He brings to life the serenity of enjoying comics together on the living room floor, the pleasure of summers outdoors, and even the zaniness of Spaceman Spiff and Calvin’s snowman antics. I’ve included some favorites below, but Den Beste has a whole gallery of high-res images that’s worth checking out.
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Today we welcome writer Fred Van Lente, who you know from his work on Archer & Armstrong, Action Philosophers, Comic Book Comics, Herc and Incredible Hercules, Marvel Zombies and many more, including upcoming runs on G.I. Joe and Brain Boy.
Now let’s get to it …
Three months after an original 1986 Sunday installment of Calvin and Hobbes, drawn and hand-colored by Bill Watterson, sold for $203,150, another original strip is going on the auction block.
Like the previous piece, this daily strip was part of a 1986 swap between Watterson and Adam@Home and Red and Rover cartoonist Brian Bassett. However, The Daily Cartoonist notes that while Bassett sold the other original to help with the expenses of a divorce and upcoming marriage, this one is being offered by his ex-wife Linda through Heritage Auctions (both are signed by Watterson to Brian and Linda).
The strip, part of Heritage’s Feb. 21-23 Vintage Comics & Comic Art Signature Auction in New York City, has already garnered a top online/telephone bid of $15,000. The company cautions, “We know you’ve heard us say this before, but consider this a rare opportunity that may not be repeated for a long time to come. We have no more Watterson Calvin originals ‘waiting in the wings’ to trot out next time around.”
See the full strip below.