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Cameron Stewart is best known for his work with Ed Brubaker on Catwoman and with frequent collaborator Grant Morrison on Batman and Robin, Seaguy and Seven Soldiers. But over the past six years, he’s also struck out on his own, writing and drawing the neo-noir mystery thriller Sin Titulo, a webcomic that’s earned the cartoonist an Eisner and a Shuster award.
Dark Horse published a print collection of the series in September, introducing Sin Titulo to a new audience. In support of that release, Stewart embarked last month on a 13-city tour that’s taking him across Canada and the United States before ending up in England. Ahead of tonight’s stop at Challenger Comics + Conversation in Chicago, guest contributor Dave Scheidt spoke with Stewart about the origins of the largely improvised Sin Titulo, the series’ place within the worlds of print and webcomics, his eventual return to Seaguy, and his plans for a fantasy epic called Niro.
Note: A shorter version of this interview originally appeared on The Huffington Post.
Cartoonist Cameron Stewart is touring North America (with a stop in the United Kingdom) in support of his recently released graphic novel Sin Titulo, and he’s been hiding pieces of original art during each of his stops — along with hints as to where he deposited them. So far Stewart has visited 10 cities in the United States and Canada, with another signing tonight at Chicago’s Challenger Comics + Conversation. The Windy City art already been found, but people in Columbus, Ohio, New York City and Leeds, England, need to stay tuned to Stewart’s blog as he drops more clues. Here are the details of Stewart’s tour so you can get ready.
Although a new profile of Grant Morrison closes with the promise of the third and final volume of Seaguy in 2014, his collaborator Cameron Stewart cautions excited fans that “It’s still a long way off.”
Published ahead of Morrison’s appearance at the Edinburgh International Book Festival, the Guardian article focuses primarily on the newly retitled Wonder Woman: The Trial of Diana Prince, and touches upon some recent personal losses, his dispute with Rebellion over the Zenith rights and — seemingly out of nowhere — his, let’s say, complicated history with Mark Millar before ending on the long-awaited conclusion of Seaguy.
“It’s honestly the best I’ve ever written,” he says of the saga that began in 2004. “It never sold well, but it’s my thing. I want Seaguy to remain as my statement about life and death and the universe.”
But while The Guardian asserts the final miniseries, presumably still titled Seaguy Eternal, is “due out next year,” Stewart suggests that timeline is a bit optimistic.
“INB4 everyone assuming Seaguy 3 is done or even a work in progress, when I have still not even received a script,” he wrote this morning on Twitter. “Which isn’t to say I’ve been sitting around waiting for a script that isn’t coming — I’ve been busy, so has Grant. It’s still a long way off.”
Also of note from the Morrison interview:
Awards | Witch Hunts: A Graphic History of the Burning Times, written by Rocky Wood and Lisa Morton and illustrated by Greg Chapman, won the Bram Stoker Award for superior achievement in a graphic novel, presented over the weekend by the Horror Writers Association. Winners with a comic-book connection in other categories include Caitlin R. Kiernan (novel, The Drowning Girl), Jonathan Maberry (young-adult novel, Flesh & Bone), and Joss Whedon and Drew Goddard (screenplay, The Cabin in the Woods). [Horror Writers Association]
Graphic novels | Heidi MacDonald looks at Dark Horse’s plans to expand its Originals line of creator-owned graphic novels this year; upcoming releases include print editions of Paul Tobin and Colleen Coover’s Bandette and Cameron Stewart’s Sin Titulo, as well as a new graphic novel, Bad Houses, by Sara Ryan and Carla Speed McNeil. [Publishers Weekly]
Do we need to start worrying about Cameron Stewart? Sure, he’s young, good-looking and incredibly talented, but he’s posted some autobiographical comics that suggest he’s heading rapidly toward a quarter-life crisis. They’re getting a lot of reblogs on Tumblr: predictably enough, the home of the “selfie” is going mad for a strip taking the mick out of the phenomena. As Stewart has drolly noted in his Twitter feed, “… so rewarding when the thing you draw mindlessly in 10 minutes is 1000 times more popular than anything you sweated over.”
Stewart will be at this weekend’s 2D Festival in Derry, Northern Ireland: Perhaps everybody there should give him a reassuring pat on the back, buy him a drink, and tell him it’s all going to be all right. Meanwhile, check out more of Stewart’s recent autobiographical comics binge below.
Eisner Award-winning artist Cameron Stewart (Batman & Robin, Sin Titulo) has announced his digital-first fantasy NIRO with a 19-page preview that delivers a gun-wielding black-clad cleric, menacing masked attackers and a spunky girl in danger, all against a beautifully rendered landscape.
Stewart plans to debut the first digital chapter in early 2013, with readers paying what they want (a 99-cent minimum) to download each installment in DRM-free formats. After several chapters are serialized, he’ll collect them in a print edition.
Here’s his description for NIRO: “Inspired by the works of Moebius, Hayao Miyazaki, Sergio Leone and Alejandro Jodorowski, NIRO is the story of a gunslinger cleric and a young girl who becomes his unlikely companion as they search for The Nomad — a roaming fortress that may hold both the girl’s captive family, and answers to NIRO’s mysterious past.”
Dark Horse will publish a hardcover collection of Cameron Stewart’s Eisner Award-winning webcomic Sin Titulo next year. The neo-noir mystery thriller, which debuted in 2007 as part of the Transmission X comics collective, concluded just last week.
“Many people have opined that I should have gone through Kickstarter rather than a publisher, but I actually agreed to publish through Dark Horse a couple of years ago, before Kickstarter had shown itself to be a viable means of funding,” Stewart explained on the comic’s website. “From my conversations with Dark Horse it’s clear that they really love the story and will do their utmost to produce a beautiful, high quality book. I think Kickstarter is for the most part a great means of funding projects, and I may still use it in the future for another comic, but for now I am very comfortable and confident that Dark Horse is the best home for Sin Titulo.”
He noted that he’ll make revisions for the landscape-format edition, “mainly tidying up lettering and colour, so that it looks its best in print.” The cover price hasn’t been determined.
If you didn’t have the massive ticket price for MorrisonCon last weekend, perhaps this is more your speed: the fifth annual Dundee Comics Day at the University of Dundee, Scotland. Much of the day’s event sounds like a redux of the program for Morrison’s high-end Sin City shindig, sans the pop magick angle:
The Dundee Comics day once again welcomes a stellar line-up of top industry talent, this time to celebrate the comics of award-winning Scottish writer Grant Morrison (MBE). Grant will be discussing his approach to writing comics, his thoughts about superheroes, as expressed in his recent book Supergods: Our World in the Age of the Superhero, and his experience of working with some of the best comics artists in the industry.
This exploration of the comics of Grant Morrison is timely given his recent award of an MBE, but also because the University of Dundee is currently leading the way in the emerging field of Comics Studies with modules on comics at Undergraduate and postgraduate level, including the UK’s first MLitt in Comics Studies in the School of Humanities, launched in September 2011. DJCAD has also launched very successful modules on creating comics. The University of Dundee is therefore delighted to have this opportunity to celebrate the huge success of one of Scotland’s most influential and successful authors. The Comics Day talks are designed to appeal to everyone with an interest in comics, and will be accompanied by an exhibition of comic art work.
A raft of Morrison’s past collaborators will be joining him in Dundee, including Cameron Stewart (Seaguy, The Guardian), Frazer Irving (Klarion The Witch Boy, Batman), Frank Quitely (Flex Mentallo, New X-Men, WE3, All Star Superman, Batman & Robin, Multiversity), Rian Hughes (Dare) and Jill Thompson (The Invisibles). Two days prior, the college’s cinema is hosting a showing of Talking to Gods, the seldom-screened documentary on Morrison’s life and career.
Plenty of comic art blogs getting interesting updates recently. The Art of Simon Bisley fansite has a gallery of covers and concept work from Lost Angeles, recently announced by IDW Publishing as migrating there from Heavy Metal. This series will feature Kevin Eastman’s long-overdue return to drawing longform comics.
• Eric Canete has been posting loads of recently commissioned sketches on his blog since Friday, and a lot of them have been a tad NSFW, so let’s insert a break here.
Happy Father’s Day and welcome to What Are You Reading?, where each week we talk about what comics and other stuff have been on our reading piles. Today’s guests are two of the contributors to Skullkickers #18, which features several “Tavern Tales” short stories by different creative teams. Joining us today are Charles Soule of 27, Strange Attractors and Strongman fame, and Aubrey Sitterson, winner of the Skullkickers Tavern Tales Contest. He’s also the writer of Gear Monkey for Double Feature Comics and community manager for WWE Games.
To see what Charles, Aubrey and the Robot 6 crew have been reading, click below.
This past Wednesday saw the return of something I didn’t expect to see quite so soon or even ever again–the pre-reboot DC Universe. DC Comics released Batman, Incorporated: Leviathan Strikes! #1 by writer Grant Morrison, artists Cameron Stewart and Chris Burnham, and colorist Nathan Fairbairn, which collects what would have been issues #9 and #10 of the well-regarded series.
“See the last hurrah of Stephanie Brown as Batgirl, in a sinister school for suicide spy girls! Find out what caused the Batman and Robin team to split! And witness the unmasking of Leviathan in a shocking final page twist that sets up 2012’s Batman: Leviathan, the epic concluding act of a Batman story six years in the making!” Morrison said on DC’s The Source blog. While you can never say never when it comes to comics, this could be the final glimpse into the DCU of old.
So what are folks saying about the big finale? Here’s a sampling of opinions on the comic:
Chad Nevett, Comic Book Resources: “Ostensibly Batman, Incorporated issues #9 and #10, Batman, Incorporated: Leviathan Strikes! #1 ends the first ‘season’ of the title and sets the stage for next year’s return and conclusion to Grant Morrison’s tenure on the Batbooks. The wait for this comic may have been long, but with Cameron Stewart and Chris Burnham providing the art, it was well worth it. Morrison delivers both an entertaining ‘done in one’ style adventure spotlighting Stephanie Brown and an ambitious issue that pushes the story about as far as it can go before it breaks. It ends with the big reveal of who is behind Leviathan, the criminal organization that Batman has created Batman, Incorporated to fight. It’s the sort of issue that arrives just in time to remind critics that, maybe, they left Batman, Incorporated off their top ten of 2011 lists and that, obviously, was a mistake.”
Comics | While going through a box in his attic, a Grange Park, Illinois, man discovered a copy of Amazing Fantasy #15, the first appearance of Spider-Man, that he had bought as a kid. While other copies of the comic have fetched as much as $1.2 million, Chimera’s Comics is selling it for $12,000 due to its condition. [LaGrange Patch]
Comics | Brian Truitt profiles Marvel’s Fantastic Four, talking to Mark Waid, Tom Brevoort and Tom DeFalco about the long-running comic. [USA Today]
Publishing | Janna Morishima, formerly of Scholastic and Diamond Comic Distributors, has joined Papercutz as its first marketing director. [Papercutz]
Following the teaser they sent out last week, Dark Horse Comics has announced five new B.P.R.D. titles that’ll be released next year and will “shake the organization to its very core.”
Here’s the line-up:
“Let’s break some stuff that can’t be fixed. Let’s turn some corners where there’s no going back,” said Mike Mignola in a press release. “In both Hellboy and B.P.R.D., we’re saying, ‘Well, once we do this—once we round this corner—that’s it!’ It’s not like, ‘Oh, Batman, different costume.’ We’re doing stuff where there’s no way to fix it. That is the new reality in our world. You’re REALLY going to see that in 2012.”
Cameron Stewart has been on a roll as of late, becoming one of the key artists in Grant Morrison’s Batman stories as well as a go-to guy for licensed titles like IDW’s Suicide Girls and the upcoming Assassin’s Creed graphic novel. Between all that, however, Stewart has found some free time to recommit to his Eisner-winning webcomic Sin Titulo.
With one reviewer describing Sin Titulo as “out-Lynching David Lynch,” the enterprising series is a study in pacing and mood that is good in daily installments or saved up for marathon reading sessions every couple months (that’s me, at least). Stewart has already posted two new pages this week, with a plan to do three or four each week until the end of the series. Stewart has plans to release Sin Titulo as a print book in 2012, so even if you’re not the type to read comics online then you’ve got reasons to look out for Cameron Stewart.
Artist Cameron Stewart shares a pin-up he created for a deluxe edition of Mnemovore, the Vertigo comic by Ray Fawkes, Hans Rodionoff and Mike Huddleston. Head over to Stewart’s blog to see the image in its various stages of creation. Stewart says the hardcover will be released by IDW Publishing in August.
The six-issue miniseries Mnemovore was originally published by Vertigo in 2005. The story revolves around a snowboarder who loses part of her memory after an accident and ends up battling a monster called the Mnemovore that eats memories. Rodionoff screened a sample reel for a proposed feature film adaptation of it at the 2007 H.P. Lovecraft Film Festival.