Captain America Archives - Robot 6 @ Comic Book Resources
If there were any doubt that every party you attend this month will essentially be a forest of Groots, take a glance at Fandango’s annual survey of movie-inspired Halloween costumes, which found the breakout star of Guardians of the Galaxy is the top choice this year among men.
Maleficent leads among women, followed by Katniss from The Hunger Games, Mystique from X-Men: Days of Future Past, Black Widow from The Avengers/Captain America: The Winter Soldier, and Gamora from Guardians of the Galaxy.
Much like Sam Wilson said himself, the new Captain America wasn’t much of a surprise. We have known the Falcon was going to take Cap’s position since July, so the cover of Captain America #25 is kind of a misnomer. However, as Rick Remender wraps up his current storyline and starts the next chapter, I was plenty surprised to see an enormous roster of Avengers gathered on the page.
One of the most memorable Spider-Man storylines of the 1980s remains J.M. DeMatteis and Mike Zeck’s “Kraven’s Last Hunt,” which featured the ultimate battle between Kraven the Hunter and Spider-Man. Now, nearly three decades later, Marvel has enlisted Neil Kleid to author a prose adaptation, Spider-Man: Kraven’s Last Hunt.
To mark the novel’s release today in comic stores, Kleid talked with me about the nuances of the adaptation. He’ll appear today at 6 p.m. for a book signing at JHU Comic Books in New York City.
Spider-Man had his own limited-edition cereal in the mid-’90s, complete with marshmallows shaped like the Spider-symbol, Peter Parker’s camera, Hobgoblin’s pumpkin bomb and, strangely, Kingpin. So why shouldn’t some of Marvel’s other popular characters get in on some of that sweet, sweet breakfast action?
Designers Crystal Fontan (aka Bamboota) and Elliott Fernandez seem to have wondered the same thing, as they’ve created (alas) imaginary cereal brands like Bifrosted Loki Charms, Tony’s Iron Bran, Cap’N Ameri-Crunch and, yes, Groot Loops (with limited-edition cocoa marshmallows of Groot and Rocket Raccoon).
Colbert Report host Stephen Colbert Tuesday on Late Night with Seth Meyers, where the conversation quickly turned to the upcoming Marvel variant cover depicting him as the Falcon, and then to what he recalled as “one of my proudest moments”: when he was bequeathed Captain America’s shield in 2007 following the death of Steve Rogers.
“I got a letter — and the shield — I got a letter from Joe Quesada, who’s the head of Marvel Comics, he said, ‘We’ve read Cap’s will, and in his will he said there’s only one person patriotic enough to wield the solid vibranium shield,’ and it was you, Stephen Colbert. And my wife, who knows nothing from Marvel — she grew up playing with, you know, paper dolls, that sort of thing — she read the letter and wept with pride for me. And she said, ‘I don’t know why I’m so proud of you.'”
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Note: This post contains spoilers for Avengers #34.
The last couple weeks have been, to put it mildly, kind of crappy. Not just on a macro level — and there’s certainly been enough on the macro level to designate the last two weeks as crappy, as you can see on this handy chart courtesy of the excellent The System webcomic. But also on a personal level. Ferguson. My cat dying. Robin Williams. Ebola. Crap at work. Ugh.
Kris Anka stays pretty busy as one of the regular rotating artists of Uncanny X-Men, but you want to see him take a spin on another of Marvel’s marquee franchises, look no further than his depiction of the Sentinel of Liberty and his supporting cast from Captain America: The Winter Soldier.
Although Anka debuted the artwork only last week on his blog, it was produced a few years ago and never released. He explained it was intended to accompany Sideshow Collectibles’ Captain America Premium Format statue, but it wasn’t approved in time to be included in the packaging.
In 2011, we reported on an epic act of vandalism: A graffiti artist in Sofia, Bulgaria, transformed a monument dedicated to the the Soviet Union’s 1944 “liberation” of the country into a superhero tableau. The eclectic group includes Superman, Captain America, the Joker and Ronald McDonald, who I guess is kind of a superhero if you’re hungry.
This week, the Russian government gave us an excuse to revisit the story by complaining to the Bulgarian government that it wasn’t trying hard enough to stop repeated vandalism of the statue and bring the culprits to justice.
As much as I enjoyed my well-worn copies of The Official Handbook of the Marvel Universe, the often-strained pseudoscientific explanations for superhuman abilities sure could sap the fun of out comics. For instance, the Hulk wasn’t simply (!) a gamma-irradiated man who turned big, green and strong when he got angry — if I remember correctly, his additional mass came from another dimension. In an amusing contrast, the “Powers & Abilities” section of a Handbook entry could go on for paragraphs, even pages, while in Who’s Who in the DC Universe, it might only rate a sentence or two.
Stanford researcher Sebastian Alvarado manages to find a nice middle ground in a pair of videos exploring the science behind Captain America and the Incredible Hulk. There’s no mention of other dimensions or unstable molecules here, but there are some big, and impressive-sounding words — such us epigenetic modification, which Alvarado theorizes might be behind Bruce Banner’s transformations.
The folks at How It Should Have Ended have turned their attention to Marvel’s Captain America: The Winter Soldier, pointing out a couple of plot holes — or at least plot oversights — while delivering its good-natured tweaks. Y’know, their usual shtick. So if you haven’t seen the film, you may want to avoid the video.
We’re less than a week away from Comic-Con International, and that means announcements from major publishers are coming in early to jockey for position before the masses gather in sunny San Diego. Marvel struck hard with big changes debuting on major media outlets, leading to your grandma knowing what’s coming up in the pages of Thor.
It’s a weird world we live in these days.
On The View, Whoopi Goldberg announced there will be a woman taking over the mantle of Thor. Marvel’s Ryan Penagos (a far better source for Marvel news, no offense to Goldberg) clarified that this wouldn’t be a more traditional female counterpart, but the actual god of thunder title would pass to a female character. On The Colbert Report, actually a decent and known source for Captain America news, Marvel Chief Creative Officer Joe Quesada informed Stephen Colbert that she shield will be passed to the Falcon, Cap’s longtime partner Sam Wilson. In fact, Colbert specifically said that the event was tied to the events of Captain America #21 and the rather complicated story line within, which I believe is the first time a recent back issue was ever advertised on a cable TV show.
Superior Iron Man was also announced, indicating a darker outlook and a lighter “Genius Bar”-looking set of armor for Tony Stark, which led everyone from the New York Daily News to MTV to carry stories about what it means.
As most readers likely have seen by now, Marvel confirmed last night on The Colbert Report that Sam Wilson is the new Captain America, but you may not caught a heartbroken Stephen Colbert learning from Marvel Chief Creative Officer Joe Quesada that, alas, he won’t be the one taking up the shield. Watch the video below.
Colbert made a pretty good case for himself, saying, “Obviously, you have to be truly patriotic, you have to look decades younger than your actual age. … It should be someone who actually owns Captain America’s shield. That’s right, that’s right — the shield has been up there since 2007. I needed it for my battle against Nickelback.” (It was actually given to Colbert by Quesada during the “Death of Captain America” storyline.)
Superhero comics deal in extremes: Characters overreact, the world is in constant jeopardy, and the solution almost always involves physical combat. So maybe I shouldn’t have been surprised when the #FireRickRemender fiasco erupted. There was no conversation. Instead, people hurled accusations and argued over whether a writer should keep his job, while others mocked the whole thing. The rest of us silently watched from the sidelines, and that was pretty much it: That was how comics professionals, fans and industry observers handled a three-page scene from Captain America #22.
I guess I should be happy that people are so passionate about these stories and the creators behind them. If we were all so blasé and detached, sales would probably not just be flat so far this year, they’d be in the gutters. Yet I can’t help but feel disappointed, because I know we can do better than this.
“On the Internet, sometimes what appears to be an explosion is really just a fart. The accusations are totally without merit. A handful of people who have it in for Rick started a witch hunt against him, claiming he had written a scene in Captain America #22 that portrayed the Falcon engaging in what amounted to statutory rape. They used social media to spread the word, and we got some angry emails — about 90 percent which came from people who stated right out the gate that hadn’t even read the issue, but were incensed by what they’d heard Rick had written.
Let me be clear: An attack on Rick’s integrity is an attack on Marvel’s integrity. We would never publish a scene that had one of our super heroes engage in such an act. Jet Black is a 23-year-old woman. She was a pre-teen at the start of Rick’s run, but since that time, the book has jumped forward 13 years in the future, and Jet — along with Steve and Ian — has aged 13 years. In Captain America #22, it is explicitly stated that Jet is 23, and she is rendered [by artist Carlos Pacheco] as a fully adult woman. Jet Black is a 23-year-old woman. End of story.”
– Marvel Editor-in-Chief Axel Alonso, talking with Comic Book Resources about the social-media firestorm that followed the release of Captain America #22
“Everyone who’s ever written Captain America has wanted to bring Bucky back, and I was the first person who arrived at a time where they were willing to … The whole thing when Bucky died was a ret-con that Stan Lee did because he didn’t like sidekicks, and Jack Kirby went along with it because he thought it was this great way to add tragedy to Captain America [...] But honestly, when I got the book, I was asked, ‘What would you want to do?’ and I said, ‘Well, I have this idea about how to bring back Bucky, where he is like a really cool bad guy who’s actually an adult.’ And Joe Quesada said, ‘Oh, that’s really interesting, because we just this big summit where we were arguing over whether we could bring back Bucky or not, because Captain America is not selling.’
I was working on a thing with Gene Colan years later — his last comic that he ever did; he drew Captain America, he co-created the Falcon — and I asked him, ‘How come you guys never brought Bucky back?’ And he said, ‘Oh, y’know, we were doing this story where Bucky came back and he turned out to be a robot, and I asked Stan, “Why don’t we have it be the real Bucky?” and he said, “Aw, sales aren’t low enough yet.”‘ Stan was always OK with [resurrecting Bucky], because he always left the door open — like when Bucky died, they always put the word ‘supposedly’ in there, so I felt like the door was left open. I got a lot of flak for it at the time, because it was a ret-con, but I also tried really hard to make sure the ret-con worked with the actual con, if that makes sense.”
– Ed Brubaker, in a wide-ranging discussion that touches upon his Captain America run, his collaborations with Sean Phillips and Steve Epting, and the five-year deal he and Phillips signed with Image Comics