Comics | Scottish publisher DC Thomson has asked Dundee City Council to rename a street in the city’s west end to honor the Bash Street Kids, stars of the long-running comic strip in The Beano. An unnamed street adjacent to 142/144 West Marketgait would be called Bash Street as part of the celebration of the magazine’s 75th anniversary. [LocalGov]
Retailing | North Hollywood will get a new comics shop on Nov. 10, when Blastoff Comics opens its doors. Owner Jud Meyers seems to think it is an essential part of a hip neighborhood: “They want restaurants, they want bars, they want supermarkets, they want gyms. What didn’t they have? They don’t have a comic book store, every neighborhood has got to have a comic book store.” The opening will feature an assortment of comics guests, including Mark Waid, Greg Hurwitz, and Jim Kreuger, whose The High Cost of Happily Ever After will premiere at the event. [Patch.com]
“The appeal of work-for-hire is a few things — you get paid well for writing comics, and your work gets seen by a pretty wide audience that might not have ever heard of you otherwise. And sometimes, you’re a fan of the character, like I was with Cap, and you get to sort of be the caretaker of them for a while. That really meant more to me than I even realized, until I was done.”
Paolo Rivera’s blog posts are always interesting and informative, but few can top this reflection on Mythos: Captain America, his 2008 collaboration with Paul Jenkins that retold the origin of the Sentinel of Liberty (it was part of a series of one-shots that, in Rivera’s words, was designed to “bridge the gap between Marvel comics and Marvel movies”).
Sprinkled liberally with Rivera’s stunning work, the post also serves as a reminder of how quickly the artist has risen through the ranks of comics talent since 2006, when the Mythos series debuted. “The series did less than amazing in terms of sales, but Marvel still followed through with the project until we had enough issues to collect into a beautiful hardcover,” he recalls. “If nothing else, it proved to be a fantastic platform for jumpstarting my career — aside from being paired with a top-tier writer, I got to illustrate the cream of the crop in terms of Marvel characters. And all that while I was still a rookie: when they gave me the job, I had painted just 34 pages for them.”
Comedian Demetri Martin has this great, short bit about how he loves digital cameras because they allow you to reminisce instantly. That we can take a picture and immediately look back with clarity and fondness at something that happened only seconds before — “We were so young!” — is essential to current comics culture. The world so quickly and drastically changes for readers that events that happened just last month can feel oh, so long ago. Characters die and return, sometimes within months of our grieving. It seems like only yesterday when we were still under the threat of the Phoenix, because it was only yesterday, relatively speaking.
This week sees the ends of five titles, and each one takes a final bow with all due gravitas for its moment in history. Invincible Iron Man #527 says goodbye to Matt Fraction and Salvador LaRocca, who began their run when the first Iron Man movie was hitting theaters. Ed Brubaker relinquishes his Captain America writing duties with Issue 19; not exactly an illustrious numbering to leave on, but when you look back at all the work he’s done and how it’s changed the common reader’s understanding of Steve Rogers, it’s a remarkable career. Kieron Gillen leaves Journey Into Mystery with #645, after which the whole title gets a new face to focus on, a new creative team and a new mystery to journey into. And Jonathan Hickman leaves FF, a book he created to serve a beautiful purpose for Marvel’s First Family, and I dare anyone not to get a little misty eyed after turning those final pages.
These are all weighty doors closing on eras that changed the face of our comics, and we may never see their like again. Times, they are a-changin’ … but are they, really? This moment with these books written in such a way is over, but Captain America lives on. Iron Man will fly again, as will Fraction, both just moving in new directions. Heck, Loki isn’t even leaving Gillen’s hands; they’re just moving into a new apartment with different roommates.
So why do we mourn? Why do we read these books as the final issue of Captain America when we all know logically that Captain America will continue next month with a new issue? What exactly are we losing when so many things stay the same? I’ve got an idea; see if you agree.
WARNING: we’re talking about this week’s comics listed above but might spoil some Avengers #32. So grab your copies (and a couple hankies because man, FF is a tearjerker!) and follow along!
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Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d dutifully pick up Dark Horse Presents #17 (Dark Horse, $7.99). With all the stories and the variety of genres, this is a comics haul all under one roof. This month’s issue has a great looking Carla Speed McNeil cover, and inside’s star looks to be Richard Corben adapting an Edgar Allan Poe story. Beat that, comics! After that I’d do an Image two-fer with Multiple Warheads: Alphabet to Infinity #1 (Image, $3.99) and Invincible #96 (Image, $2.99). On the Multiple Warheads front, I’ve been salivating over this ever since it was announced – I bought the premature version of this back when it was published by Oni, and it’s built up in my mind as potentially greater than King City … and I loved King City. In terms of Invincible, I feel this book has the best artists working in superhero comics – and the writing’s not to shabby either. They’re doing a lot of world-building here, and having Cory Walker join with Ryan Ottley on this essentially split book makes it the highpoint of the series so far.
If I had $30, I’d double back to Image and get Prophet #30 (Image, $3.99). Of all the prophets, I love Old Man Prophet the best – and this issue looks like a mind-bender. After that I’d get Ghost #1 (Dark Horse, $2.99). Kelly Sue DeConnick and Phil Noto look like a dream team and Dark Horse really scored a coup by getting them together on this book. I was a big fan of the original series (Adam Hughes!) so I’m excited to see if this new duo can make it work in a modern context. Third up would be Secret Avengers #33 (Marvel, $3.99). Make no mistake, I love that Rick Remender is so popular now that he’s graduated to the upper echelon of books, but I’m remorseful he’s having to leave his great runs on this, Uncanny X-Force and Venom. This Descendents arc is really picking up steam. Lastly, I’d get National Comics: Madame X #1 (DC, $3.99). I’m a fair-to-middling fan of Madame Xanadu, but the creators here – Rob Williams and Trevor Hairsine – mean it’s a Cla$$war reunion! Love that book, love these guys, and love my expectations here.
If I could splurge, I’d splurge all over Shaolin Cowboy Adventure Magazine (Dark Horse, $15.99). Can DH do two excellent anthologies? We’ll see… but fortunately they’ve got Geof Darrow’s Shaolin Cowboy to lead the way in this pulpy throwback. Shine on, you crazy super-detailed diamond, shine on.
To see what Ales and the Robot 6 crew have been reading, click below.
There have been other steampunk Avengers, but with the Hulk in suspenders and a bowler? I’d read a comic just about him.
Anyway, Brian Kesinger is awesome and you should check out his blog and DeviantArt page. He also does steampunk other things, like Transformers, G.I. Joe, and Star Wars. But if steampunk’s not your thing, his Hip Hop Boba Fett and Pooh vs. Voldemort are cool, too. I posted bunch of my favorites below.
Hello and welcome to What Are You Reading? Today our special guests are the creative team behind the upcoming self-distributed indie comic LP, Curt Pires and Ramon Villalobos. You can read more about the comic in the interview Tim O’Shea did with Curt earlier this week.
And to see what they’ve been reading lately, click below.
It’s time once again for our monthly trip through Previews looking for cool, new comics — now with 100 percent more JK Parkin! Michael May, Graeme McMillan, Chris Arrant and JK have each picked the five comics they’re most anticipating in order to create a Top 20 (or so; we overlap sometimes) of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
47 Ronin #1 (Dark Horse, $3.99): Mike Richardson, Dark Horse’s head honcho, teams with Usagi Yojimbo creator Stan Sakai to retell the story of the 47 ronin who avenged their master after he was forced to commit ritual suicide for assaulting a court official. It will be both very cool and a little odd to see Sakai drawing samurai that aren’t anthropomorphic animals and aren’t in black and white (the book’s full color), but I’ve always admired his clean style. As an added bonus, Kazuo Koike of Lone Wolf and Cub fame consulted on the project, so this should be a treat.
Great Pacific #1 (Image Comics, $2.99): Joe Harris and Martin Morazzo have come up with a book that I just love the high concept behind: the heir to one of America’s most successful oil companies moves to the infamous Great Pacific Garbage Patch and declares it a sovereign country. He then fights giant sea monsters, based on the preview art that’s been released, which is an added bonus.
Marvel NOW!: This might be cheating, but Marvel has 10 new comics debuting in November under the Marvel NOW! banner. Mark Waid on Hulk? John Romita on Captain America? Matt Fraction writing Fantastic Four and FF? Jonathan Hickman on Avengers? Yeah, I’ll just lump all these together and hope no one notices I’m gaming the system here …
Walt Disney’s Donald Duck: A Christmas for Shacktown: Fantagraphics continues its series of high-end collections of the best of Carl Barks’ duck stories, with the Christmas-themed third volume arriving just in time to be stuffed in somebody’s stocking.
Retrovirus (Image Comics, $16.99): Jimmy Palmiotti and Justin Gray’s latest graphic novel, drawn by Norberto Fernandez, is about a research scientist who specializes in viruses heading to Antarctica to examine a perfectly preserved caveman. I’m a fan of Palmiotti and Gray’s work together, from Jonah Hex to The Monolith (which gets the collection treatment in November), and this one sounds like it could be a lot of fun.
DC Comics, Disney and Sanrio have sued a California birthday party entertainment company for copyright and trademark infringement, alleging that it’s using counterfeit costumes of such well-known characters as Mickey Mouse, Winnie the Pooh, Superman, Wonder Woman and Hello Kitty.
Law 360 reports that the lawsuit, filed last week in federal court in Los Angeles, accuses Party Animals and owner Jason Lancaster of using and renting costumes resembling the companies’ characters and logos for birthday and corporate parties, in violation of copyright and trademark laws.
“[Party Animals] is actively selling, offering for sale, renting, distributing or manufacturing unlicensed and counterfeit costumes, which incorporate unauthorized likenesses of the animated or live action characters or other logos owned by plaintiffs,” the complaint said. “[The] defendants have never been authorized by the plaintiffs to distribute the plaintiffs’ copyrighted properties.”
Hello and welcome to another edition of What Are You Reading? Our guest today is writer and artist Jimmy Palmiotti, who you know from All-Star Western, Monolith, Phantom Lady, Unknown Soldier, Creator-Owned Heroes, Queen Crab and countless more.
To see what Jimmy and the Robot 6 crew have been reading, click below.
Artistic mash-ups are all the rage these days; if you like My Little Pony and you like Neil Gaiman’s Sandman, then you’ll love Death as a My Little Pony. A lot of these mash-ups find their way to T-shirts, like the above Game of Heroes, available on the RIPT T-shirt site for the next 12 hours. If you like Game of Thrones and you liked Avengers, then in theory I guess this is the perfect shirt for you. In theory.
I’ve got a few different comic-related shirts to show you today, and I’ll start with today’s TeeFury selection since it’s only available for 24 hours. If you’re a fan of the big blue justice-loving Tick, head over there and snatch up today’s $10 T-shirt while you still can.
Nine Marvel series will end in October even as the publisher debuts Uncanny Avengers #1, the first title in its sweeping Marvel NOW! initiative.
According to Marvel’s October solicitations, which went live this morning, the month will mark the conclusions of Captain America, Fantastic Four, FF, Incredible Hulk, Invincible Iron Man, New Mutants, The Mighty Thor, Uncanny X-Men and X-Men Legacy.
Naturally, some of those aren’t entirely unexpected, as the new Uncanny Avengers, by Rick Remender and John Cassaday, will be joined in November by All-New X-Men, by Brian Michael Bendis and Stuart Immonen, followed by Avengers, by Jonathan Hickman and Jerome Opena, in December and New Avengers, by Hickman and Steve Epting, in January. Likewise, Ed Brubaker revealed two weeks ago that he’s ending his acclaimed seven-year-run on Captain America, a departure that dovetails nicely into Marvel’s relaunch plans.
However, what will replace such mainstay titles as Fantastic Four, Incredible Hulk, Invincible Iron Man and The Mighty Thor, and when, remains to be seen. Although it’s unlikely the publisher will go too long without versions of those comics on the shelves, Marvel has promised a slow rollout of relaunches between October and February.
If I’m doing the math right, Ed Brubaker’s time on Captain America will end with issue #19 of the title. And while he’ll continue to write Winter Soldier “as long as I can,” the writer told Tom Spurgeon in an interview at The Comics Reporter that he plans to focus on creator-owned work versus picking up another work-for-hire project after his Cap run ends.
“I hit a point with the work-for-hire stuff where I was starting to feel burned out on it,” Brubaker told Spurgeon. “Like my tank is nearing empty on superhero comics, basically. It’s been a great job, and I think I found ways to bring my voice to it, but I have a lot of other things I want to do as a writer, too, so I’m going to try that for a while instead.”
Brubaker’s run on the character started in 2005 when he brought the long-dead Bucky Barnes back as the Winter Soldier, a brainwashed Soviet operative who clashed with Cap and eventually remembered who he really was. When Steve Rogers was killed in the well-lauded “Death of Captain America” storyline, Barnes took up the shield and became Captain America–at least until Rogers was brought back to life and eventually put the uniform back on. Those fantastical superhero plots seem secondary, though, to the overall tone of Brubaker’s noir-ish run on the title, which included everything a good Captain America run should have–intrigue, spy vs. spy plots and some real-world political references that piss off real-world political folks.