Conventions | Motor City Comic Con founder Michael Goldman has apologized to fans for the long lines they had to endure to get into the event on Saturday, writing in a message on Facebook, “We never expected 18,000+ people to attend that day, which was the same amount of people we had over the entire three days last year. We were literally hit with a ‘Humanity Bomb’ and were not prepared for the sheer number of people attending, even with a large increase in our staff.” More than 30,000 people attended over the course of three days, with attendees reportedly waiting for up to two hours on Saturday just to get into the parking lot, and then another one to four hours to get in the doors. Golden said he is already working on avoiding the same problem next year. [Facebook]
Retailing | Brian Berlin of New World Comics in Oklahoma City is offering free comics and appearances by costumed characters for children left hospitalized or homeless by the tornadoes that struck Oklahoma this week. [Nerdage]
Sure, there was plenty of news released by just about every comic publisher over the weekend at the Chicago Comic & Entertainment Expo (as rounded up right here), but the most exciting thing I noticed about the convention was Dave Johnson’s Instagram feed going ballistic. If he produced a sketch for you at the event, chances are he recorded it for posterity on his phone and has posted it already. And if you’re really lucky, Eric Canete has logged in and made a daft gag about it, too.
Also below: the sexiest Death ever.
To see what James and the Robot 6 crew are reading, click below …
Awards | The 2013 Lynd Ward Prize for Graphic Novel of the Year, presented by Penn State University Libraries and the Pennsylvania Center for the Book, has been awarded to Chris Ware’s Building Stories. The jury’s comment: “Ware’s astute and precise renderings, composed with a tender yet unblinking clinical eye and fleshed out with pristine and evocative coloring, trace the mundane routines and moments of small crisis that his characters inhabit. In so doing, he produces not a document but a monument, a work whose narrative logic is architectural rather than chronological: a set of lives to be encountered, traversed, and returned to as the rooms and floors of a building might be over the years, still sequentially but not in a limited or decided-upon sequence. Stories, here, are meant not to be told but to be built, explored, inhabited—not merely visited but lived in.” [Pennsylvania Center for the Book]
Booster Gold was introduced in 1986 as a glory-seeking time traveler eager to sign endorsement deals, and in his appearance on The CW’s Smallville wore a costume emblazoned with corporate logos, similar to a NASCAR racing suit. But what if other superheroes followed in Booster’s footsteps?
In his series “Sponsored Heroes,” Roberto Vergati Santos envisions costumed heroes from comics and films if they were getting some sweet, sweet sponsorship money from the likes of Nike, Apple and Coca-Cola (although why a cosmic entity like Galactus, the Devourer of Worlds, would need corporate cash is beyond me).
Some of the results a much better than others. You can see a sampling below, or view the entire series at Behance.
The gold and silver finalists were selected over the weekend for the 20th Spectrum Fantastic Art Annual, which honors the best in fantasy, science fiction and horror art.
Tor.com has the complete rundown of the nominees in all the categories, ranging from advertising to books to concept art — readers will recognize such names as Shaun Tan, Charles Vess, Dan Dos Santos and Greg Ruth — but what we’re really interested in are the comics finalists. You’ll find those below, with their art.
The winners will be announced at Spectrum Fantastic Art Live, held May 17-19 in Kansas City, Missouri.
Here we go again. A major news outlet has enthusiastically run the exclusive story that a major comic book character dies in a comic released today. Superhero deaths and their inevitable resurrections have been a staple of comics for decades thanks to the sales bump they tend to get from press coverage. But the giddy acceptance of superhero deaths is starting to crack.
Since the heady days of “The Death of Superman,” mainstream news has loved a dying superhero icon. In 1992, Superman’s death was such a big deal, newspapers were writing hand-wringing editorials about what it could mean for the state of America. Right from the start, DC Comics only guaranteed he would be dead until March 1993, but somehow that got lost in the din of cultural symbolism and frenzied collectability. People really thought he was dead, even if they sensed it was financially the stupidest thing DC could do. Needless to say, Superman came back. And ever since, it seems Marvel and DC have been chasing that same media buzz by (temporarily) killing off their marquee characters, whether it be Batman, Captain America, Spider-Man or even the Human Torch. But with each passing media blitz, an interesting thing is happening: Mainstream outlets are beginning to become just as jaded about superhero deaths as we longtime readers are.
Manga | The widow of Barefoot Gen creator Keiji Nakazawa, has found 16 pages of penciled notes and sketches for a possible sequel to Nakazawa’s semi-autobiographical account of living through the Hiroshima bombing and its aftermath. Before he died in December, Nakazawa donated the first 16 pages of the projected volume to the Hiroshima Peace Memorial Museum; this is the outline for the second set of pages. The new story would have taken Gen to Tokyo to become a manga creator, just as Nakazawa did in real life. [Anime News Network]
Comics | Glen Weldon, who writes about comics for National Public Radio, explains why he, as a gay man, won’t be reading Orson Scott Card’s issues of Adventures of Superman: “DC Comics has handed the keys to the ‘Champion of the Oppressed’ to a guy who has dedicated himself to oppress me, and my partner, and millions of people like us. It represents a fundamental misread of who the character is, and what he means. It is dispiriting. It is wearying. It is also, finally, not for me.” [NPR]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start with Black Beetle #1 (Dark Horse, $3.99), Francesco Francavilla’s pulp action hero who jumps into his own miniseries after a run in Dark Horse Presents. I’d also grab Threshold #1 (DC Comics, $2.99), which continues the story from last week’s New Guardians annual, featuring a new Green Lantern and a whole bunch of cosmic DC characters. I’d also grab Comeback #3 (Image, $3.50), as I just got around to reading the first issue and really enjoyed it. They’re doing some fun stuff with time travel that should make for a cool series. That leaves room for one more, which is a hard choice … but let’s go with Indestructible Hulk #3 (Marvel, $3.99), because I love the new direction and take on the character and his status quo.
If I had $30, I’d also pick up Saga #9 (Image, $2.99) and Daredevil #22 ($2.99), because, well, Saga and Daredevil. I’m also really digging what Kelly Sue Deconnick is doing with the Avengers, so next I’d get Avengers Assemble #11 (Marvel, $3.99). Lastly, I’d grab Captain America #3 (Marvel, $3.99), as I’m really worried about Cap and the kid, and hope they come out of Zola’s world OK.
Finally, for my spulrge, I’d go with the big Paul Pope book from Image, One Trick Rip-Off ($29.99).
One of the most interesting things about the big plot development in this week’s Amazing Spider-Man #700 isn’t its effects on the Marvel Universe, or even fan reaction, but rather the lengths mainstream media outlets go to find a different angle for their coverage of the story. Take, for instance, CNN, which paired an interview with writer Dan Slott and editor Steve Wacker with a rundown of “13 comics that caused controversy, ranging from DC’s reintroduction of Alan Scott as a gay man and Buffy the Vampire Slayer‘s recent abortion storyline to Superman’s renouncement of his U.S. citizenship (I’d already forgotten about that) to the tea party dust-up over Captain America #602.
Brazilian artist Miguel Lokia has created a series of Game of Thrones-inspired house banners for several pop-culture characters, including a few superheroes. That’s only one of the House Wayne banners above; continue below to see Houses Banner, Kent, Parker, Rogers, and a non-comics one I threw in just because it made me laugh. There are even more on Lokia’s deviantART page.
Hello and welcome to What Are You Reading? Today our special guests are Gardner Linn and Dave Lentz, the creative team behind the webcomic Registered Weapon — “the internet’s only webcomic starring a robotic cash register who fights crime.” They just kicked off their latest story, Case 006, on Nov. 12, and you can also download the first ten pages from their site if you prefer to read in bigger chunks.
To see what Gardner, Dave and the Robot 6 crew have been reading, click below …
Rick Remender has the unenviable task of following Ed Brubaker on Captain America, a book that Brubaker took to new heights during his seven-year run on the character. Based on the review so far, though, it seems that Remender is not only up to the task, he’s taking Cap in a completely different direction, with a different tone and focus that most folks seem to be responding well to. Along with artists John Romita Jr. and Klaus Janson, Remender has sent Cap off to Dimension Z, for some “high adventure/science fiction” fun.
“It’s a departure from the standard operating procedure of Captain America, definitely,” said Romita. “We are in a different ballgame here. This is as far away from what I expected for Cap as you can get and I’m really enjoying this.”
Here are a few reviews to let you know how different the ballgame is now, and how well the new team’s doing in their first inning:
Ryan K. Lindsay, Comic Book Resources: “Captain America #1 from Rick Remender and John Romita Jr. with Klaus Janson doesn’t so much walk away from Ed Brubaker’s defining run on the character over the past seven years as it does leap frog it. There was obviously no point in trying to ape Brubaker at his A game, so instead Remender swerves Cap back toward his pulpier roots. This issue begins a strange tale that sees the Sentinel of Liberty fight the Green Skull and get embroiled with Arnim Zola in Dimension Z.”
Digital comics | Technology journalist Andy Ihnatko discusses the significance of DC Comics’ expansion of its digital-comics availability from comiXology and its branded app to the iBooks, Kindle and Nook stores: “Now, all of the company’s titles have a presence in the same bookstore where hundreds of millions of people worldwide buy the rest of their content.” [Chicago Sun-Times]
Conventions | Steve Morris reports in on this past weekend’s Thought Bubble convention, in Leeds, England, which sounds like it was amazing. [The Beat]
Conventions | Meanwhile, on this side of the pond, Young Lee has an account of Durham’s NC Comicon. [Technicianonline.com]
We’re in the final hours of the 2012 Presidental Election, and while it may seem comics are far removed from the nitty-gritty of politics, they’re not. Many presidents past and present have stepped into comics, from Barack Obama in The Amazing Spider-Man to a time-traveling Teddy Roosevelt in Tales From the Bully Pulpit. But comics also home to a number of shocking (and sometimes shockingly good) commanders-in-chief for the good ol’ U.S. of A. We thought, given the time of year, to rack our brains and come up with the six craziest heads of state for these United States.