Axel-In-Charge: "Secret Wars" Jam Session Talking "A-Force," "Ultimate End" and More
Apparently we misunderstood: The New 52 doesn’t refer to the number of titles DC Comics publishes each month but rather the number of times each title changes creative hands. That’s what it seems like sometimes, what with firings by email, quitting on Twitter, rehirings and more. The general impression from behind-the-scenes tales is that the New 52 is in chaos. However, the end product might suggest DC is actually somewhat holding it together.
Creative changes are nothing new; turnover is inevitable. The key is how that turnover is managed. The ideal is to have a long and satisfying run by a cohesive team smoothly transitioning to a new team. Lord knows that doesn’t always happen, and we’ve certainly been hearing about it not happening recently.
With all of the news of creators coming and going, or going before they even get there, it’s easy to get distracted from the results of the finished product. So, I decided to take a look at a sampling of DC’s New 52, from its launch in late summer 2011 to today, and see how the stability of various titles was affected by creative changes. For my survey, I looked at the Justice League family of books, which includes the flagship Justice League, as well as Wonder Woman, Aquaman, Green Arrow and others generally associated with the JLA that haven’t had a big Hollywood movie.
Here in Memphis this week, September finally turned the corner into fall. High temperatures are mostly in the 70s, the air is getting crisper, and the sky is turning a paler blue. Unlike July or August, when October and November seem far in the future, a nice September makes December that much easier to imagine.
In September you start to settle into the routine which will take you through the winter — and that’s apparently true as well for the New 52 superhero books. Let’s get on with it, shall we?
MOVERS AND SHAKERS
Ivan Reis and Joe Prado head to Justice League with December’s Issue 15, and I for one am happy. Although I like Jim Lee fine, I think Reis is better-suited to big, multiple-character action. It’s hard for me to explain the distinction, so consider this: How would “Sinestro Corps” or Blackest Night have looked if Lee had drawn them? Reis manages crowds quite well, and Justice League should be crowded.
Also, while I’ve been rather down on Justice League of late, the expanded roster (teased over a year ago) and the Atlantis-centered storyline make me optimistic that the book is … well, doing what I’d like it to do, which is being a showcase for, and gateway to, the larger superhero universe. So, well done, solicitation!
Captain Atom, Resurrection Man and Voodoo will end in September, joining Justice League International in DC Comics’ second wave of New 52 cancellations. As the publisher announced last week, four new titles — Talon, Sword of Sorcery, The Phantom Stranger and Team 7 — will launch as part of the “Zero Month” initiative.
In short, four series end, four series begin, and in October the title count returns to the magical 52 and balance is restored to the DC Universe.
The solicitations also reveal that September’s DC Universe Presents #0 will feature Blackhawks’ Mother Machine, Hawk and Dove, Mister Terrific and O.M.A.C., all characters whose titles ended in May, underscoring comments made last week by Co-Publisher Dan DiDio that, “if a series does go away, we want to make sure we have a proper place for the characters.”
Think of it as the 2012 version of the Cancelled Comic Cavalcade, only this time with all-new adventures that the solicitation text promises will “play out across the entire New 52.” It’s a 64-page issue by the likes of DiDio, Cafu, James Robinson, Rob Liefeld and Marat Mychaels.
Note that there’s no sign of Static or the Men of War crew, who were also set adrift in the New 52’s first wave of cancellations. Perhaps there will be room for those characters, alongside Captain Atom, Resurrection Man and Voodoo, in an upcoming issue.
At first I wasn’t especially excited about too much in DC’s February solicitations. However, the more I looked around, the more optimistic I became. Six months into the New 52, some connections are starting to gel, and their interactions (well, as far as what you can glean from the ad copy) seem more organic. As always, there were a few pleasant surprises in the collected editions, and some details from which to spin hopeful speculation.
But enough with the purple prose — let’s hit the books!
TO UNLIMITED AND BEYOND
The gee-whizziest news of the February solicitations has to be the digital-first format of Batman Beyond Unlimited. I have not been the quickest to adapt to digitally-conveyed comics, mostly because my personal technology level hasn’t caught up. However, I do read a number of webcomics, as well as newspaper strips online, and if the price were right, I’d gladly sample BBU’s features on my computer before picking up the print version. Having Dustin Nguyen and (yay!) Norm Breyfogle involved doesn’t hurt either.
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In many ways, for longtime DC superhero readers, this is the first week of the rest of our lives. This is the week the first batch of New-52 second issues come out, and as such, this week the New 52 stops being a September-specific gimmick. We all know the second issue is where the rubber meets the road. Accordingly, in conjunction with a look at December’s titles, here’s where I am after a month of first issues.
Back when the September solicitations came out, I listed 37 books that I was planning at least to try:
Action Comics, All-Star Western, Aquaman, Batgirl, Batman, Batman And Robin, Batwing, Batwoman, Blackhawks, Blue Beetle, Captain Atom, Catwoman, DC Universe Presents, Demon Knights, Detective Comics, The Flash, Frankenstein: Agent Of SHADE, The Fury Of Firestorm, Green Lantern, Green Lantern Corps, Green Lantern: New Guardians, Grifter, Justice League, Justice League Dark, Justice League International, Men Of War, Mister Terrific, Nightwing, Red Lanterns, Resurrection Man, Static Shock, Stormwatch, Supergirl, Superman, Swamp Thing, and Wonder Woman
Whether by accident or design, this week was dominated by female leads (four, not including Starfire in Red Hood) and Bat-titles (four including RH; five if you count Birds Of Prey). It is tempting to say the woman-led titles ran the gamut of experiences from A to D, but thankfully it is a little more complicated than that. As you might expect, the week produced issues of varying quality, although I found something to like about each one. Sometimes it was harder to find that one thing, though….
Naturally, SPOILERS FOLLOW.
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In theory, the DC Universe Presents anthology has a longer lease on life because its sales can’t be judged fairly on the basis of only one arc. I suppose that, given Deadman’s relationship with one of Hawk & Dove’s headliners, that book’s readers might be interested in this one. By and large, though, the audience for this title is made up either of DC stalwarts waiting for a good Obscure Character X story, or (less likely, I’d say) impulse buyers. Such an approach might have been a great way to introduce a totally new character within the context of the New 52, and piggyback that feature on the rest of the relaunch’s popularity — but I’m not surprised DC chose Deadman, fresh off Brightest Day.
• USA Today talks with Supergirl co-writers Mike Johnson and Michael Green about their approach to the relaunched title, and provides a five-page preview of the first issue, which goes on sale Wednesday. “We’re really excited about the opportunity to hand this book to a female reader who is into things like The Hunger Games,” Johnson says. “This is a strong character with her own point of view.”
• Writer J.T. Krul will be replaced by Keith Giffen and artist Dan Jurgens on Green Arrow with December’s Issue 4. The news comes just days after John Rozum announced he’s leaving Static Shock.
Following yesterday’s Twitter-thon of artwork from DC’s “New 52″ titles, several more tweets featuring various pages from various books hit today — including another puzzle by David Macho that revealed the above Grifter art by CAFU.
Follow the hash tag #52splash for more, or check out additional pieces after the jump.
Although it seems like DC’s big relaunch announcement came out an eternity ago, it actually took the publisher less than two weeks to roll out the 52 titles and their creative teams for the big relaunch/reboot/overhaul coming in September. Now that the cats are out of their respective bags, I thought I’d see where various creators and characters will land after the reboot.
So I went back through DC’s August solicitations to see who was writing or drawing what, and tried to map everyone to their post-relaunch project — if they had one. However, looking at DC’s August solicitations, there seem to be several fill-in issues, so where appropriate I tried to map the most recent ongoing creative teams to their new projects (for instance, I consider Gail Simone and Jesus Saiz the regular creative team for Birds of Prey, even if they aren’t doing the last two issues before September hits). Keep in mind that I just went through the ongoing series and skipped over all the miniseries … of which there are a lot, what with Flashpoint winding up in August.
It’s also worth noting that although several creators didn’t appear in the “big 52″ announcements, that doesn’t mean their tenure with DC is necessarily over — some, like Frazer Irving, have said they have future projects that haven’t been announced. So I tried to note where creators have talked publicly about their post-relaunch plans with DC (or lack thereof, as the case may be). The same could probably be said for some of DC’s characters as well. Or, as Gail Simone said on Twitter: “Again, September is NOT THE END. There’s still plans for characters that we haven’t seen yet.”
So let’s get to it ….
(This starts out cynical, but it gets better.)
DC’s superhero line is essentially an intellectual-property farm. Every new issue cements the company’s hold on its existing characters and/or introduces new characters for future exploitation. If, by some chance, a particular story turns out to be Art, so much the better. The important thing is to maintain those property rights.
Accordingly, it’s rare that a character is “retired,” a la Jack “Starman” Knight or Tommy “Hitman” Monaghan, when his story has reached a stopping point. A little while back I wrote that maybe the New Teen Titans had reached their own peak at the end of Marv Wolfman and George Pérez’s original run. Originally I wanted to revisit that, and list a few more titles which perhaps might have benefited from similar retirements. Let’s do that, at least briefly….