"Justice League": Exploring How Superman Returns (Again)
Film, Comic Books
Conventions | ReedPOP Senior Vice President Lance Fensterman talks about how New York Comic Con reached 151,000 attendees this year, what went well, what could have gone better, and what he learned for next time. The new badges and check in/check out system, introduced last year, let producers know exactly how long people stayed at the show, and that turned into a nice surprise for two attendees: “There was a couple [last year] who literally spent every minute that was possible at New York Comic Con for three and a half days. We reached out to them and did something special for them—gave them a bunch of free stuff and free tickets because they were at the show longer than anyone who wasn’t paid to be at the show.” [ICv2]
Political cartoons | Egyptian cartoonists Mohamed Anwar and Andeel discuss the difficulty of critiquing Egyptian president Abdel Fatah al-Sisi, who doesn’t tolerate dissent; Anwar is a cartoonist for a mainstream newspaper and pulls some punches as the tradeoff for reaching a wide audience, while Andeel has moved over to the alternative press, where he can speak more freely. [The Guardian]
Jamie McKelvie may be spending his days working on his new creator-owned series The Wicked + The Divine, but that doesn’t mean he’s not still thinking about superheroes from time to time. The artist, who had a successful run at Marvel on Young Avengers, The Defenders and X-Men: Season One, has unveiled an Iron Man redesign he came up with the other night, just for fun.
Fandom | Rachel Edidin attends a gathering of the Carol Corps, the group of mostly female Carol Danvers/Captain Marvel fans that has built a community around a shared interest. “It is not a formal organization,” says Captain Marvel writer Kelly Sue DeConnick. “There are no rules. People write and ask me all the time, ‘How do I join the Carol Corps?’ You join Carol Corps by saying you are Carol Corps. There is no test. You don’t have to buy anything. You don’t need to sign up anywhere. If you decide you are a part of this community, bam, you are. The other part of that is that if you decide you are a part of this community, you will be embraced and welcome.” [Wired]
Piracy | The Japanese government will consider several measures to fight online piracy of anime and manga in the next few months, while publishers are taking a if-you-can’t-beat-‘em-join-‘em approach by launching two free digital manga services, ComicWalker and Manga Box, to lure readers away from bootleg scanlation sites. [The Japan News]
Comics | Tammy Oler considers the roles of Captain Marvel and Ms. Marvel within a growing movement to make superhero comics more diverse: “The devoted fans in the Carol Corps and Kamala Korps view themselves as part of a movement for a bigger and more diverse comic book universe, and it seems like publishers might finally be starting to pay attention. Both Ms. Marvel and the rebooted Captain Marvel are part of Marvel NOW!, an effort by the publisher to attract new readers by providing a lot of accessible places for new readers to jump on board with ongoing series. (DC Comics has done something similar with its New 52 initiative.) Marvel and DC have also taken some steps to address their lack of superhero diversity, in part by launching some new female solo titles, including Black Widow, She-Hulk, and Elektra. Of course, there’s a whole world of mainstream and indie publishers beyond Marvel and DC, but the big two still matter the most because they create the pantheon of superheroes that make it into movie theatres and onto the racks of Halloween costumes at Target.” [Slate.com]
“The message that we send when we don’t represent the broader culture in our stories is that ‘You are other.’ … As a community, as an organism, it is a thing that makes us ill. It is actually bad for us.”
– Kelly Sue DeConnick, writer of Captain Marvel and Pretty Deadly, speaking about the need to diversity the kinds of characters that appear in comics, at the “Broadening Comics Readership” panel at Emerald City Comicon
Eddie Campbell has made a name for himself among the upper echelon of modern comics creator, both for his collaboration with Alan Moore, From Hell, and for his own stories like Alec, Bacchus and the recent, great look at the concept of money, The Lovely Horrible Stuff. He’s created a lot of stories, but he’s far from finished.
This summer William Morrow will release the cartoonist’s illustrated version of Neil Gaiman’s The Truth is a Cave in the Black Mountains, and Top Shelf will publish a two-part omnibus edition of Bacchus. In addition, the Glasgow-born artist is working on two new projects, the first being a book about the roots of sports cartoons in late 19th-century San Francisco, and the other a collaboration with Audrey Niffenegger, author of the smash prose novel The Time Traveler’s Wife. ROBOT 6 spoke with Campbell about these upcoming projects, as well as his past works and the stories behind them — including last year’s From Hell Companion, which he compiled and wrote using never-before-seen materials from both himself and Moore.
Legal | The Hiroshima, Japan, police arrested a 36-year-old man on Monday for illegally uploading the manga series Gin Tama to the Internet; he was charged with copyright infringement. This comes just a few days after the arrest of another unemployed man for uploading a volume of Berserk. In both cases, the publisher and the creator of the manga involved have sued the suspects. [Crunchyroll]
Creators | Batman writer Scott Snyder talks about the women of Gotham City. [Comicosity]
Creators | In the first part of a two-part interview conducted at WonderCon, writer Kelly Sue DeConnick discusses how she grew up reading comics in the 1970s, her work for Tokyopop and Marvel, and what Carol Danvers means to her fans. [Toucan]
In 2012, Marvel gave Carol Danvers a promotion from “Ms. Marvel” to “Captain Marvel,” along with a new uniform and her own ongoing series. That move swiftly won over a very passionate, dedicated fanbase, and the “Carol Corps” are gathering to celebrate in Seattle on the eve of this year’s Emerald City Comicon. The venue is high-profile, and fitting given Danvers’ background as an Air Force pilot: The Museum of Flight, the world’s largest private air and space museum.
The event, dubbed “Carol Corps Celebration,” will include appearances from Kelly Sue DeConnick (writer of both the original Danvers-as-Captain Marvel solo series and the subsequent relaunch debuting in March), Ms. Marvel writer G. Willow Wilson and Christopher Sebela, who’s co-written several Captain Marvel issues with DeConnick. Tickets are $20, and will include “the opportunity to meet awesome featured guests, mingle with them and each other, socialize and enjoy the main exhibits in the Museum of Flight,” plus light snacks and beverages. (ECCC admission is not included.) All proceeds will be donated to the Girls Leadership Institute, an Oakland-based nonprofit.
The Carol Corps Celebration happens 7 p.m. to 10 p.m. on Thursday, March 27; Emerald City Comicon takes place March 28-March 30 at the Washington State Convention Center in Seattle.
“No one gets to have their cake and eat it too. So I don’t get to talk about the problems with the lack of diversity in both the books we put out and the creators behind them, I don’t get to speak up about that and then not have my gender brought up as an issue as well. … People will often apologize when they ask me about feminist issues in the industry, and it’s tough. I don’t want them to apologize. These are things that need to be discussed. … My husband’s [comics writer Matt Fraction] gender never comes up in an interview. I think it’s a thing that, if we want it to get better, we have to talk about it. It’s on the table whether we like it or not, so let’s go ahead and – if it’s there, let’s sit down and feast.
I’ve been accused of putting forth sort of an agenda in Captain Marvel, which I actually don’t think I’m doing at all. I think I’ve been very true to what the character was created for, the roots of the character that I had nothing to do with. I was 7 years old when that character’s first book came out under Ms. Marvel. I’ve been accused of putting forth an agenda and so on and so forth. There’s a certain part of me that’s just like, ‘If I’m going to take the heat for it, well … let’s do it then. Let’s steer into the curve.’”
– writer Kelly Sue DeConnick, discussing Bitch Planet, Captain Marvel and feminism
Captain Marvel and Pretty Deadly writer Kelly Sue DeConnick has been “curating” T-shirts for the site WeLoveFine.com for awhile now, donating her commissions from each sale to the Girls Leadership Institute. This week she added two new shirts, which are most likely the first licensed merchandise for Kamala Khan, a.k.a. the new Ms. Marvel who will appear in her own book in February.
“We definitely wanted to get more Kamala Khan stuff up before her first issue hits,” said WeLoveFine’s Nicole Campos. “Excitement about her has been huge, and we think fans will be really stoked to represent!”
Awards | Jamie Smart’s Fish-Head Steve has been shortlisted for the Roald Dahl Funny Prize, the first comic to make the list in the six-year history of the award. The prize recognizes the funniest book for children in two age categories, and the final judges will be 200 children from schools around the United Kingdom. [Forbidden Planet]
Comics | Eric Margolis reports on the difficulties U.K. creator Darren Cullen had in getting his Kickstarter-funded comic (Don’t) Join the Army printed. The format was unusual, so some shops simply couldn’t do it, but printers also took exception to the comic itself, which was an “anti-recruitment leaflet” satirizing the British army. [Comic Book Legal Defense Fund]
Because this space is normally reserved for DC Comics and its stable of characters, you might think a post on Miracleman goes a little outside the lines. However, Miracleman was based on Captain Marvel, who is a DC character in the same way that Miracleman is now a Marvel character: the wonderful world of intellectual-property rights. That’s just one of several traits the two features share, so today I’ll be comparing and contrasting. I’ll also consider whether Marvel’s upcoming Miracleman revival could affect DC’s latest version.
Miracleman (under its original name of Marvelman, but you knew that already) started out as a way to hold onto British readers of Captain Marvel when the latter closed up shop in the mid-1950s. In that form, the series lasted until 1963. In 1982, writer Alan Moore headed up a revival that started by updating familiar elements, but ended up going off in a decidedly different direction. As reprinted, renamed, and subsequently completed in the United States, Moore’s Miracleman (from Eclipse Comics) filled 16 issues, give or take some reprints, and came out over the course of about four and a half years (cover-dated August 1985 to December 1989). Moore’s artistic collaborators included Garry Leach, Alan Davis, Chuck Austen (under the name Chuck Beckum), Rick Veitch, and John Totleben. From June 1990 to June 1993, Eclipse published eight more issues, written by Neil Gaiman and drawn by Mark Buckingham, and an anthology miniseries (Miracleman Apocrypha) came out from November 1991 to February 1992. For various reasons, though, no new Miracleman has seen the light of day for over twenty years.
That’s all about to change, starting with January’s reprints from Marvel. It remains to be seen whether today’s readers will be interested in 20- to 30-year-old stories from a writer whose popularity isn’t what it once was, and which will apparently be reprinted initially in a somewhat-pricey format. Additionally, Miracleman has turned into much more of an “Alan Moore book,” as opposed to a Captain Marvel parody. Therefore, its return doesn’t strike me as the sort of thing which will automatically generate more interest in Captain Marvel; but their similarities (and even some of their differences) can be instructive.
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Some might say we’re experiencing the Golden Age of superheroes in film, but in reality it’s just live-action catching up to animation. Warner Bros. Animation has been a trailblazer in that area, with 26 feature films based on DC Comics’ characters since 1993. And with the recent release of Justice League: The Flashpoint Paradox, based on the 2011 Flashpoint crossover, we’ve come up with a half-dozen other DC series or arcs Warner Bros. could (and should) look to for future animated films.
WeLoveFine.com recently debuted a new Captain Marvel shirt featuring the heroine punching a dinosaur with the slogan “WWCMD?” — What Would Captain Marvel Do? — beneath it. But maybe it should have read, “WWKSDD?”
Captain Marvel and Pretty Deadly writer Kelly Sue DeConnick began curating a T-shirt collection at WeLoveFine.com a few months ago, bringing the world several Captain Marvel-themed shirts as well as those Fake Geek Girl tops for guys. She donated her commissions from each sale to the Girls Leadership Institute.
In the four or so months since DeConnick started doing this, not only has she become the top-selling partnership for the site, but her donations have enabled the institute to provide room and board for one summer camper. “I’m reeling, you guys,” she wrote on her blog. “I could not ask for a better birthday present. Thank you. I’m so proud of you I could pop.”
You can find an interview with DeConnick about the charity and her day job on the charity’s website. “Why did I want to support you work? Because … because I think you’re doing something special and I want as many girls as possible to have access to your programs. Because I want a more positive experience of coming into womanhood for my daughter than the one I had,” she told them. Much more at the link.
Here I am, like so many of you fine, wonderful people, relaxing at home instead of walking among the majestic masses of Comic-Con International in San Diego. Comic Book Resources and Robot 6 are keeping we homebodies abreast of all the news from this year’s mega-super-hyper event, so it’s kind of nice to be able to sit in a comfortable chair while still keeping informed and not having to pay $9 for a burrito.
Sure, it’d be nice to be there, wouldn’t it? To stand in line and take your chance at a microphone to tell the House of Ideas your opinion, ask questions of your favorite creative teams and get attention from the editorial team? Good news! That’s what social media can do for you! We live in an amazing time where a tweet to your favorite artist could be replied to with casual familiarity or a Tumblr post could get you a sneak peek at exclusive artwork. Marvel Executive Editor Tom Brevoort has a Formspring account (now moved to Tumblr here) so you can ask him any question at any time of night. The people who produce comics are surprisingly at the hands of their public, which for Marvel, isn’t that new of an idea.