Soule Reignites Daredevil & Punisher's Deadly Feud in Crossover Miniseries
Comic Books, Digital Comics
You may recall Lianne Moseley, the self-trained makeup artist who turns fans into faithful recreations of superheroes. However, she’s not the only one using cosmetics to make people look as if they stepped out of a comic book.
A hairstylist and freelance artist for MAC Cosmetics, Argenis Pinal uses makeup and body paint to similarly impressive effect, transforming ordinary (if well-sculpted) mortals into the likes of She-Hulk, Superman, Wonder Woman, Jean Grey, Carnage, Green Lantern, Wolverine and Cyborg Superman. Heck, even J. Jonah Jameson — now a blond! — spends some time beneath the brush.
With the help of tattoo artist Kelly Rogers, lifelong comics fan John Engle has spent the past year transforming his back into a tribute to the characters he loves. There, Spider-Man, the Hulk, Carnage and Venom share space with Batman, The Joker and Spawn — Engle enjoys a good intercompany crossover.
However, there was one thing missing: Stan Lee’s seal of approval. And over the weekend at MegaCon in Orlando, Florida, Engle got it. The legendary creator signed his back, just above Spider-Man (where else?), then Rogers made the famous signature permanent.
Last year we spotlighted a pretty stylish Dark Knight-inspired motorcycle helmet, but what if you prefer, say, The Punisher, Teenage Mutant Ninja Turtles or Wonder Woman to Batman? AirGraffix has you covered.
The Mattoon, Illinois-based company specializes in custom-painted helmets that can transform the rider into everyone from Goku and Deadpool to Iron Man and Spawn. It’s not all superheroes or comic books, either; there’s an assortment of Star Wars, Transformers and Power Rangers designs, for starters.
Sometime today, in its usual fashion, the collectible-art boutique Mondo will announce the availability of four limited-edition prints that should be of particular interest to fans of animation and of a certain wall-crawler (and his foes).
There’s Martin Ansin‘s Ghost in the Shell and Mike Sutfin‘s Spider-Man vs. Doctor Octopus, joined by two posters that had been offered at MondoCon: DKNG Studios‘ The Iron Giant, and Randy Ortiz‘s Carnage.
Washington-based artist Clayton Crain has carved out a niche for himself in comics over the past 15 years with his distinctive, sinewy digital art on the likes of Ghost Rider, X-Force and Carnage. But that wasn’t always his style, and he wants to pull back the curtain to show his evolution as an artist in a new book called Evolver.
Announced today with a a Kickstarter campaign, Evolver is a 48-page hardcover profiling Crain’s work from the age of 15 all the way to his current output for Valiant. The 8-inch by12-inch book will include sketchwork, high school-era art and excerpts from Crain’s forthcoming creator-owned Into a Rift. His influences are deep in the vein of Todd McFarlane and Henry Stinson, and this book will show you Crain’s dynamic evolution from his high-school days as an early Image fanboy into the 2000s, where he found his own signature style and even did work alongside McFarlane. Crain hopes to raise $10,400 by Aug. 10, and have the finished book available in November.