Axel-In-Charge: Extending "Secret Wars," Excitement for a "Totally Awesome Hulk"
This is Banned Books Week, the annual celebration of all the books that someone, somewhere, thought was objectionable — which usually means they make good reading. This year, the focus is on comics and graphic novels, and the Comic Book Legal Defense Fund is working with the other sponsors, including the American Library Association, to produce a number of resources for librarians and others, including a Banned Books Week Handbook; the organization has also posted a handy list of Banned Book Week events across the country (including this panel discussion, which I’ll be part of).
It’s safe to say few were sorry to see the Comics Code Authority quietly fade away in 2011, having become literally no more than a stamp on the covers of a handful of titles, but it was nonetheless an important part of history.
Sean Howe, author of Marvel Comics: The Untold Story, realized this three years ago and sent a letter to Heidi MacDonald, asking who had the files of the Comics Magazine Association of America, the trade association that administered the Code. While Howe thought the records had vanished, Mark Seifert was told they were donated to DC Comics.
This week, Howe reiterated his appeal on his blog:
Crime | Comix Experience in San Francisco was robbed at gunpoint Friday afternoon, with two young men demanding that owner Brian Hibbs empty the cash register containing about $75 and turn over an iPhone used for credit card transactions. A Lower Haight neighborhood blog interviewed Hibbs about the incident: “Divis [Divisadero Street] is generally pretty safe these days, so I was a LITTLE shocked at, y’know, a ‘brazen daylight armed robbery’ of it — but I am kind of more shocked that anyone thought that a comic book store was a high value target about an hour after they opened. Hell, life is like 85% credit cards these days, so even at our fattest there’s seldom enough to risk that kind of jail time, in my opinion …” [Haighteration]
History | Scholar Carol Tilley gives a first-person account of her research on Fredric Wertham, the super-villain of comics history, and how looking through his papers led her to an unexpected conclusion: His published works misrepresented what his research subjects had told him: “For many hard-to-articulate reasons, I didn’t want to write the scholarly paper on Wertham and the problems I found in his evidence, but not to write it seemed a disservice to the young people whose words and experiences Wertham distorted to help make his case against comics.” [Boing Boing]